Top 960 Recurring Themes Quotes & Sayings - Page 11

In the household in which I was raised, the themes were pretty simple. 'Work hard. Don't quit. Be appreciative, be thankful, be grateful, be respectful. Also, never whine, never complain. And always, for crying out loud, keep a sense of humor.'

Baltimore holds a lot of mystery for me still, despite the fact I've lived there most of my life. I think its shares a lot of issues and dominant themes with other second-tier post-industrial cities in the U.S. It has a universal resonance.

Writing the record for me - every record is almost a surprise. When people ask me, what are the themes you want to grapple with on this one? I have no idea until the record's finished.

I always thought of vampires, especially the young-adult ones, as a metaphor for sex - sucking blood, forbidden, taboo. I think they just ooze sex. Vampires are all the big themes in life in one attractive, bloodsucking package.

I believe there are aspects of the narrative that become easier to understand by shifting the focus of the story to the characters. Illustrating growth and change in the protagonist becomes a simpler process, and these changes are, in fact, one of the themes of 'Sekiro: Shadows Die Twice''s story.

In my acting, I have to identify with something in the character. The big tough boy on the side of right - that's me. Simple themes. Same me from the nuances. All I do is sell sincerity and I've been selling the hell out of that ever since I started.

There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other. As a filmmaker, I want to entertain people first and foremost. If out of that comes a greater awareness and understanding of a time or a circumstance, then the hope is that change can happen.

Each of my books is different from the last, each with its own characters, its own setting, its own themes. As a writer, I need the variety. I sense my readers do, too.

Bixio-Frizzi-Tempera was a real co-operative team. My first instrument was the guitar, Tempera played piano and keyboards, themes were composed sometimes by one, sometimes by the other, sometimes together.

One yearns unspeakably for a composer who gives out his pair of honest themes, and then develops them unashamed, and then hangs a brisk coda to them, and then shuts up.

One of the themes in my novels is that our crises can turn into blessings. We can feel like our world has crumbled, but ten years down the road when we look back on that time, we can see God's hand at work. I love writing that theme into my books.

Eventually, I started writing down a bunch of titles that related to childhood themes and would pair it with an adult situation that either I was going through or someone else in my life was going through.

I try to watch a movie a day, if not more, and through movies, I learned about so many different political themes I hadn't been interested in and cultural things I hadn't been aware of and economic factors I hadn't thought about.

I think everybody has a dream of flying at least once in their life. For me, it's been over and over a recurring dream. It's mostly that. That desire to be as free as the birds, to be unhindered. I started off as - and am still - a free solo climber. So being in the air is a huge fear of mine. So there's a combination of going toward my fear as well as being fascinated with the air.

How do I start writing a book? I sit there, I come up with an opening line, and then I go little by little. I'll wonder, Well, what's coming? And that goes right through to the very end. For over a dozen years now, I've had a recurring dream where I'm reading a book and the pages are blank, but as I read, the words come to exist as fast as my eyes can move. Strange, strange thing.

The Weird Sisters is a chronicle of real women, because it tells the truths of sisters. Eleanor Brown has written a compelling novel about love, despair and birth order—the themes the Bard himself had claimed and burnished.

After this, I took private lessons in Italian from an elementary school teacher. He gave me themes to write about, and some of them turned out so well that he told me to publish them in a newspaper.

If someone were to call me 'the next Amy Tan,' it would not be because - or not primarily because - we have similar themes or subjects or styles. Let's be honest: it would be because we are both Chinese American.

I feel it's our responsibility to keep our ear tuned to public discourse. There's a lot of noise out there, and our responsibility is to pick up on the themes and issues that work their way through all of society.

After a few days with the iPhone X, I can begin to make out its themes. It's a step towards fading the actual physical manifestation of technology into a mist where it's just there - a phone that's 'all screen,' one that turns on simply by seeing you, one that removes the mechanics of buttons and charging cables.

I've never written a book with an outline or a predetermined theme. It's only in retrospect that themes or subjects become identifiable. That's the fun of it: discovering what's next. I'm often surprised by plot developments I would not have dreamed of starting out, but that, in the course of the writing, come to seem inevitable.

When I wrote the lyrics, melodies, and the first themes of 'Serendipity,' I tried to come up with some rare things you find in life, something very special, like the calico, three-striped cat; things that have extraordinary meanings in people's lives.

One of my themes is that there is good and evil in everyone. I was not out to make these guys heroes. I really don't believe in heroes. The best of people have a dark side and it's a constant struggle for the better side to survive and to thrive.

My recurring nightmare is that someday I will be faced with a panel: Franklin Roosevelt, John Kennedy and Lyndon Johnson all of whom will be telling me everything I got wrong about them. I know that Johnson's out there saying, 'Why is it that what you wrote about the Kennedys is twice as long as the book you wrote about me?'

In most of my films I write the music into the script. I'm listening to songs and lyrics that empower the themes of the film. There's a lot of Indigenous music that has not been heard widely and I love the idea of giving that music to the rest of the world.

Of course, no lyrics are ever unintentional, but I think bands like Wolf Parade and the Arcade Fire have a tendency to touch on big themes without really following through on them or tying them in to a particular logic.

I'm a take-no-prisoners type of comic, and I'm lucky because my fans get me and never have a problem with the politically incorrect themes of my act. But I am continually amazed by how a certain section of our society seems to be so freakin' sensitive about jokes.

I just am a person who loves houses. In a way, it's dovetailed into one of the themes of The Unspeakable: Why do you have to change? Why don't you just accept that this is how you are? Why do you have to grow from an experience?

Obama's Marxist mentors - Franklin Marshall Davis, Saul Alinsky and Bill Ayers - also understood that you don't build an army of street organizers or a recurring voting constituency by teaching people of the streets to fish. When you 'share wealth around' you make the distributees dependent on your next handout - beholden to your largesse with other's people's money and personally worse off in every respect.

My task is to tell a story with the music. I always like to have themes in terms of characters or plots, and things that can tell a story always interest me the most.

I think the only consistent thing is that I like projects that explore different social themes. 'Our Family Wedding' is a comedy, but it deals with two different cultures coming together. It's also about people letting go.

When I wrote 'Southern Baptist Sissies,' that was the first time that I really ventured out into pure drama with themes where there was not one laugh sometimes. But I've always gravitated organically to blending tones and usually get good reviews about that. That's what life is about.

One of the ongoing themes in my work, I hope, and one of the things I believe in, is a sense of human nature, a sense of shared humanity above the cultural layers we place on ourselves [which don't] mean that much compared to the human experience.

From Ennio [Morricone] I ask for themes that clothe my characters easily. He's never read a script of mine to compose the music, because many times he's composed the music before the script is ever written.

While we can all access articles and information in so many places now - across blogs, in newspapers, on video - there is something very powerful about putting it all together into an edited format in a single issue that has a narrative stretching across the themes.

A lot of my writing comes from the themes of my life, and a lot of that stems from my faith. I also strive to be a light through which Christ can shine, whether it's through the way I dress, though my videos, or through my music.

I don't think that the universal themes of love, compassion, and forgiveness (are present). (You're) searching constantly for the next step, the next level and consciousness in your spirituality, who you are as a human being and what you contribute to society or what God means to you is always a course everyone goes on.

The idea of the museum is to show my work since the start, and I wanted to show all of it, not just to choose between different pieces. They are grouped together in themes - minimalism, androgyny, black and white, graphic, flowers, and so on - from the earliest designs to the most recent ones.

All stories interest me, and some haunt me until I end up writing them. Certain themes keep coming up: justice, loyalty, violence, death, political and social issues, freedom.

There are many wonderful themes from 'Moana' that people discover, and I also hope they're inspired to go on their own journeys and to learn more about the Polynesian culture, because we're pretty great! I'm so proud of the people the filmmakers talked to - the Oceanic Trust.

It is remarkable, in cats, that the outer life they reveal to their master is one of perpetual confident boredom. All they betray of the hidden life is by means of symbol; if it were not for the recurring evidence of murder – the disemboweled rabbits, the headless flickers, the torn squirrels – we should forever imagine our cats to be simple pets whose highest ambition is to sleep in the best soft chair, whose worst crime is to sharpen their claws on carpeting.

We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of the human drama.

The whole reason one wants to do lower budget films is because the lower the budget, the bigger the ideas, the bigger the themes, the more interesting the art.

In my opinion, using creation and evolution as topics for critical-thinking exercises in primary and secondary schools is virtually guaranteed to confuse students about evolution and may lead them to reject one of the major themes in science.

You can access that on many levels and the human spirit and the human mind responds to those themes because they recognise the veracity of them. That they are real things. Sometimes it even goes beyond logic, it's just a sense of something.

My recurring nightmare is that someday I will be faced with a panel: Franklin Roosevelt, John Kennedy and Lyndon Johnson all of whom will be telling me everything I got wrong about them. I know that Johnson's out there saying, 'Why is it that what you wrote about the Kennedys is twice as long as the book you wrote about me?

But I'm a fairly mechanical worker - I tend not to think about themes so much as plot. I want to get the feeling right. If it's moving through tunnels, I ask myself, what is it like to move through tunnels?

You can find many philosophy papers on the themes of 'love' and 'friendship,' most of which are cheerful and somewhat anodyne; you don't find many on the loss of friends, relatives, and lovers from death or alienation, though it happens all the time.

Country music tends to be so sentimental and homespun, it's easy to stumble into self-parody, but Haggard has brought a freshness to the themes that places him alongside Hank Williams and Willie Nelson as one of the greatest country music writers.

Essentially, you know, one of the great advantages of working in science fiction is it does give you an opportunity to talk about interesting and somewhat controversial themes and social issues and in a way that doesn't really threaten the audience, because I'm not challenging their particular points of view.

I've always had the wish, the nostalgia to be able to write detective novels. At heart, the principal themes of detective novels are close to the things that obsess me: disappearance, the problems of identity, amnesia, the return to an enigmatic past.

There's something in the Zeitgeist now. A lot of [film] scripts I get have these very dark themes, a cornucopia of dysfunction. You know, Jane is a 13-year-old anorexic who lives with her parents and has been raped by her father. And this is a comedy.

A novel must work as a story because no one's going to get to the other themes if you don't entertain the reader. But I like to have another layer of meaning, although you can read the book on one level and not bother with that other layer.

I'd been writing my own coming-of-age story, and I got to take a lot of that energy and a lot of those moments and themes that I wanted to explore in a much smaller film and then apply them to 'Spider-Man: Homecoming.'

I think vampires are different from human beings, but they're sentenced to eternity on this planet. They have the same confusion about love and permanence, integrity, and denial. These qualities really are the same in vampire characters as in humans. I think they're universal themes.

One of the things that we talked about was this idea of 'Memento Mori' - like the reminder of our own mortality - and so we were sort of trying to express that in our press photos. And it's one of the themes of the album [Modern Vampires of the City] as well.

The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern.

A lot of the time in my recurring dreams, before I was diagnosed, iconic people would either be good or evil figures. I remember dreaming really basic stuff like trying to navigate the London underground, but then Paul Newman would be the only one who would direct me to the right trains. And I'm trying to remember who would direct me to the wrong ones.

I think, along with the great joy and excitement of having a child, it seems to be that the common themes are also a lot of doubt and fear and uncertainty about being a parent - and about how you might not live up to those expectations.

I think fatalism and redemption are themes that help a reader organize and eventually "own" a story or character. Writing them, I just want them to be real, and in reality I don't think events are thematic until in retrospect, if ever.