Top 960 Recurring Themes Quotes & Sayings - Page 12

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Last updated on April 21, 2025.
I think all artists are only interested in a couple of themes, really. I'm primarily interested in change and connection as being this restorative force. I write about them because that's what I think about in my own life.
Let's forget about themes and mood boards. Let's start from a different point of view. You have to leave for two months all of a sudden. What would you put in your suitcase? What are the twenty essential pieces that you will need and how would you design it to be cool, and you'll want to wear it?
All my books are about one major idea and two or three subsidiary ones. I have thought a lot about music when constructing books, and I like the way in music that themes come back.
As I was finding my musical style, I found my personal style as well, and moving from Germany to L.A. was part of that, raiding the secondhand stores in L.A. trying out different beauty themes, finding my love for huge lashes and big, long hair extensions.
I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
For many American-Jewish writers, the dominant motifs have been cultural, secular, sometimes comic, often satirical. Writing about the religious component of Judaism, I found my own themes independent of the New York experience and the immigrant experience.
Writing for children, you do bear a responsibility to not include overt or graphic adult content that they are not ready for and don't need, or to address adult concepts or themes from an oblique angle or a child's limited viewpoint, with appropriate context, without being graphic or distressing.
OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. It's a typical French movie with typical French themes with French actors, a French director. — © Jean Dujardin
OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. It's a typical French movie with typical French themes with French actors, a French director.
There are a number of parallels between the slums of Brazil and those found in my hometown, Karachi. The dichotomy that exists in Brazil is uncannily similar to that found in Pakistan, and I hope to one day make a film that follows similar themes.
An excellent habit to cultivate is the analytical study of the King James Bible. For simple yet rich and forceful English, this masterly production is hard to equal; and even though its Saxon vocabulary and poetic rhythm be unsuited to general composition, it is an invaluable model for writers on quaint or imaginative themes.
The whole thing about making films in an organic film on location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across.
"Fair, kind, and true" is all my argument, "Fair, kind, and true" varying to other words; And in this change is my invention spent, Three themes in one, which wondrous scope affords.
I don't see any of my records as any more or less conceptual than the others, and I don't really plan some overall idea in advance. The songs all get written under the umbrella of a certain time in your life, and it's natural to find themes that repeat within these periods.
Each of these strategies-get a little better at it, design a support system, use one of your strongest themes to overwhelm your weakness, find a partner, and just stop doing it-can help you as you strive to build your life around your strengths.
I think if you look at the themes that are presented in the film, some are inherently social, and I think that any film which deals with the family is dealing with the smallest social unit in our society - and in a sense it is a question of scope.
Capote, of course, addressed very similar themes to Good Night and Good Luck. Both films are about determined journalists defying obstacles in a relentless pursuit of the truth. Needless to say, both are period pieces.
My friends, nothing in all the world is so much worth thinking of as God, Christ, the Bible, sin and salvation, the divine purposes for humankind, life everlasting. But you cannot challenge the dedicated thinking of this generation to these sublime themes upon any such terms as are laid down by an intolerant church.
I usually give a book 40 pages. If it doesn't grab me by then, adios. With young adult books, you can usually tell by Page 4 if it's worth the time. The author establishes the conflict early, sometimes in the first sentence. The themes of hope, family, friendship and overcoming hardship appeal to most everyone.
Ted Geisel was trying to make a statement about awareness and personal responsibility. He was very clear about that. But the ideas and themes in 'The Lorax' go beyond a love of trees. It's also a story about the dangers of greed and the power of redemption. That's what makes it a timeless tale.
You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox.
A lot of modern film scoring is about a lack of themes, so I try to find ways of using music that doesn't necessarily have thematic material in it to make the points when there is thematic material even stronger. It's cool to be able to combine old and new.
People don't call them horror movies, but Hitchcock, for me, is my favorite storyteller. He was really exploring dark themes, and I don't know what category you put his movies in. Thriller? Horror? Some of them go in either one.
I prefer to write books for children instead of reading them. But I do strongly believe in childhood and in respecting childhood innocence. I don't like books for children that deal with adult themes.
Since man, fragment of the universe, is governed by the same laws that preside over the heavens, it is by no means absurd to search there above for the themes of our lives, for those frigid sympathies that participate in our achievements as well as our blunderings.
I love different themes, different venues, different movies. I love to jump about and tackle different subjects. I have no intellectual master plan.
One of the unspoken themes that I'm grappling with in Day of Honey is the relationship between violence and cosmopolitanism. It's one thing to comprehend violence as an outgrowth of ignorance, poverty, and backwardness. It's another matter entirely to confront incredible atrocities in a country with a rich civic and intellectual life.
I think in terms of the themes that I have worked on most is establishing questions of race in the context of Latin America. This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
If you're a novelist, you have sort of themes that run throughout novels. You start a novel and you finish a novel. With record-making in the singer-songwriter world or whatever it is that I do, it's a little different because there is no specific arc that is necessarily, like it's not a concept record.
Because kids are physically smaller, there's an assumption by people who haven't read a kids' book for a long time that their ideas and themes and problems and ambitions must be commensurately smaller and less important. I would venture that sometimes the opposite is true.
But it's much more exciting to make Die Hard. One of the reasons that I think that movie is so successful is it deals with those very important blue-collar relationship themes. But it's more visually beautiful to show things blowing up. It just gives you more on the screen.
Christopher Nolan's 'The Prestige' is an enthralling study of doubles, doubling and duplicity. Its twinned themes are obsession and the Secret: the Secret as objet-a, that which inspires, but which can never satisfy, obsession.
'Zero Dark Thirty' is a great piece of filmmaking and does a valuable public service by raising difficult questions most Hollywood movies shy away from, but as of this writing, it seems that one of its central themes - that torture was instrumental to tracking down bin Laden - is not supported by the facts.
Yes, I've heard of the 'Mad Men' comparisons, but I like to think 'The Hour' has its own distinctive voice. Although it is set in 1956, I have tried to give it a contemporary edge, and its themes of love, passion, romance, fury, professional jealousy, and personal failure are universal, I think.
Themes of redemption, temptation, and faith don't necessarily apply directly to religion. A lot of people find faith in their lives outside of God and still deal with notions of temptation and redemption that aren't religious.
Railing and praising were his usual themes; and both showed his judgment in extremes. Either over violent or over civil, so everyone to him was either god or devil.
Faulkner speaks to us on the questions of race, the challenges of modernity, and modern man's dilemma in all of its aspects. That he is able to specify among those and bring those themes alive is one of his great gifts. There are so many different kinds of pleasures one gets from encountering those materials.
I have the vanity to think that every play I have written is different from the previous ones. Yet, even though they are written in a different way, they all deal with the same themes, the same preoccupations. 'Exit the King' is also 'The Bald Soprano.'
One of my basic feelings is that the mind, and the heart alike, of the photographer must be dedicated to the glory, the magic, and the mystery of light. The mystery of time, the magic of light, the enigma of reality - and their interrelationships - are my constant themes and preoccupations.
It's just hard. I wish the studios felt there was more value in these themes and these pieces of material - that they're worth protecting more. Because then it just wouldn't happen. If the studios cared, the stuff would be stopped in a second.
Painting is traditional but for me that doesn't mean the academy. I felt a need to paint; I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting.
The thing you start noticing as books go by, is that you become aware not only of a shape of a career, but of your themes and interests. You don't want writing tricks where you make the same joke every time, but you do start to notice what consumes your mind, or what drives you.
I certainly think that many of the themes, and many of the ways that I wrote about Congo, will continue to live on in my work. One of the fundamental aspects of my work is for myself and the reader to see the world that they think they know in a different way.
Words are acoustical signs for concepts; concepts, however, are more or less definite image signs for often recurring and associated sensations, for groups of sensations. To understand one another, it is not enough that one use the same words; one also has to use the same words for the same species of inner experiences; in the end one has to have one's experiences in common.
I look for two things when I am about to launch into a book. First, there has to be a dramatic arc to the story itself that will carry me, and the reader, from beginning to end. Second, the story has to weave through larger themes that can illuminate the world of the subject.
When I started, I was 18 and really into punk rock and just wanted the action. Over the years, I've gravitated towards the travel and experience around surfing and trying to relay that feeling. Going forward, I'm interested in story-driven and personality-driven themes.
Just because I don't sing about the normal country themes doesn't mean my songs aren't country. I'd rather sing about having fun. — © Kenny Chesney
Just because I don't sing about the normal country themes doesn't mean my songs aren't country. I'd rather sing about having fun.
I was really intrigued by how - sort of the common themes and sort of the blend among music, and that was sort of my real interest was, at one point, musically, was how you could weave those different kinds of songs and traditions together.
Though I am never exactly "blocked" I do have difficult periods. I am led by a fascination with material - the challenge of presenting it in an original and engaging way. I have no problem imagining stories, characters, distinctive settings & themes - but the difficulty is choosing a voice & a language in which to present it.
I don't think writers really choose their subjects. I think the subjects, the topics, the themes, choose us, and then we make the most of what we have. For Trollope, society; for Roth, Jews. For me, apparently, love. Why hide it?
As a writer, I think I'm mainly interested in contemporary themes, so when I create my own stuff, it's inherently that. But as an actor, I would like to do lots of different things. I would love to play someone completely different from myself in a costume drama.
I think my music's more disturbing than Tupac's - or at least I thought some of the themes of 'The Downward Spiral' were more disturbing on a deeper level - you know, issues about suicide and hating yourself and God and people and everything else.
Imagining themes that are specific to coating lines, shapes, shades, thoughts, the decoration of our homes and the objects of utility or pure pleasure, adapting its purpose in a material-specific way to metal or wood, marble or fabric - it is, without any doubt, an absorbing occupation.
My mum used to tell me to never boil my cabbages twice, and I think it's artistically valid. While I do find myself on similar themes in my books, I try not to repeat myself, and that's something which is all too easy to do in series books.
Different themes inevitably require different methods of expression. This does not imply either evolution or progress; it is a matter of following the idea one wants to express and the way in which one wants to express it.
My role - and that is too emphatic a word - is to show people that they are much freer than they feel, that people accept as truth, as evidence, some themes which have been built up at a certain moment during history, and that this so-called evidence can be criticized and destroyed.
Where no interest is takes in science, literature and liberal pursuits, mere facts and insignificant criticisms necessarily become the themes of discourse; and minds, strangers alike to activity and meditation, become so limited as to render all intercourse with them at once tasteless and oppressive.
I think a melody is a melody. And the way I usually start is I start writing my themes without even writing to picture to just try to find the tone for the movie or the TV show.
I like Ronald Reagan, who didn't play crass politics, and he just articulated and delivered on broad themes that were needed. Free markets meant free markets. Deregulation. Lower tax rates. Strong national defense. And he was credible and believable.
If one wants to go on living, one must evolve. Before, when we composed, we would start by a series of music themes. Once created, we would hire writers and lyricists to make up the text and the story line. I was the first to do this backwards with 'Man of La Mancha.'
In the century-long history of Chinese science fiction, apocalyptic themes were mostly absent. This was especially true in the period before the 1990s, when Chinese science fiction, isolated from the influence of the West, developed on its own.
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