Top 1200 Red Line Quotes & Sayings - Page 14

I do a lot of work with the Red Cross, too. As a reporter, before I went to entertainment news, I tended to follow natural disasters. I went to Charleston, South Carolina, after Hurricane Hugo. I went to Miami the year after they were recovering from Hurricane Andrew. I came to California when they were recovering from a big earthquake. I've seen the Red Cross and how they stay there years after a natural disaster. They're not just there when a disaster is happening.

It's untrue to say the colors I use are not those of reality. They are real: The red I use is red; the green, green; blue, blue; and yellow, yellow. It's a matter of arranging them differently from the way I find them, but they are always real colors. So it's not true that when I tint a road or a wall, they become unreal. They stay real, though colored differently for my scene.

I think that when we start thought-policing people and idea-policing people, then that's crossing a line. And I think, you know, everybody's so afraid of this imaginary line of thought police that they forget their own personal safety.

That night, I asked the Mother of God what was to become of me, a Child of Faith. Then she came to me holding two crowns, one white, the other red. She asked me if I was willing to accept either of these crowns. The white one meant that I should persevere in purity, and the red that I should become a martyr. I said that I would accept them both.

When I hear my teacher say, 'Line up with your partner,' I run to line up and grab my partner and I tell him to walk faster so we could dance faster. I love to dance.

The sun goes down long and red. All the magic names of the valley unrolled - Manteca, Madera, all the rest. Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon field; the sun the color of pressed grapes, slashed with burgundy red, the fields the color of love and Spanish mysteries. I stuck my head out the window and took deep breaths of the fragant air. It was the most beautiful of all moments.

I've never done anything that I felt was crossing the line for me. But everybody has to make that decision individually. Like, I've never shot heroin to play a heroin addict. I've never turned a trick to play a prostitute. Whatever. You draw the line where you feel it could be harmful.

Becoming people of integrity and honesty does not occur quickly or all at once, nor is it merely a matter of greater personal discipline. It is a change of disposition, a change of heart. And this gradual change of heart is one that the Lord accomplishes within us, through the power of His Spirit, in a line-upon-line fashion.

One year, my good deed started with deciding to give all my friends makeup from a cruelty-free cosmetics line that I love. I did this with the hope that they would love it as much as I do and end up switching their makeup over to that cruelty-free line forever.

What mothers do - they act with love, at least good mothers do! They have a spirit of strong, fierce, protective energy - the way a mother would put her life on the line for her children - we need to put our life on the line for each other.

In playoffs, it's so emotional and the tension's really high and guys are laying everything on the line. And when you do that, things get chippy and guys are playing aggressively, and I think it just comes out in the playoffs a little more. When you know what's on the line and what you're expected to do, it just comes out.

My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way.... People mistake the character of line for the character of art. But it's really the position of line that's important, or the position of anything, any contrast, not the character of it.

My own movement of thought is not meant to be a straight point-to-point, linear line of march, but horizontal exploration from one area of interest to another. There is no ultimate destination - no finish line to cross, no final conclusion to be reached. It's the way I feel about dancing - you move around a lot, not to get somewhere, but to be somewhere in time.

There are any number of very hard working people in Hollywood who deserve recognition. Mostly its the artisans and crafts persons - the 'below the line' workers - whose only reward is to be pejoratively labeled 'below the line' workers. I say get them all on the next thing smoking to Vegas for an all expense paid weekend of whatever.

If tone is granted to be subjected to control, why not line also, which has equal emotional significance? And if line, why not shapes and forms? And if shapes and forms, why not allow elision or emphasis of detail? And if all these things are allowed, what becomes of the record of actuality ?... Sunk without a trace!

The sun is a huntress young, The sun is a red, red joy, The sun is an Indian girl, Of the tribe of the Illinois. The sun is a smouldering fire, That creeps through the high gray plain, And leaves not a bush of cloud To blossom with flowers of rain. The sun is a wounded deer, That treads pale grass in the skies, Shaking his golden horns, Flashing his baleful eyes. The sun is an eagle old, There in the windless west. Atop of the spirit-cliffs He builds him a crimson nest.

In general, the straight line of a joke sets up a premise, an expectation. Then the funny ending - the punch line - in a sense contradicts the original assumption by refusing to follow what had seemed a reasonable train of thought. Many jokes involve that simple matter of leaping outside what had appeared to be the rules of the game at the moment.

Mr Edison gave America just what was needed at that moment in history. They say that when people think of me, they think of my assembly line. Mr. Edison, you built an assembly line which brought together the genius of invention, science and industry.

Every job built my career in some way or made me grow as a person or I got to meet someone great. I had one line on The Fresh Prince of Bel-Air, but I met Will Smith and he took 20 minutes out of his day to talk to the kid with one line. To this day, I think that guy is amazing because of that.

The old line 'You deserve someone better than me' in this case was not just an old line. She deserved someone who would love her and take care of her and he knew he never would.

I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.

I thought Id be edgy and dye my hair red. And I dyed my hair, like, Jessica Rabbit red. It kind of allowed me to have this whole new confidence and this whole new swagger and this whole new sense of self. It kind of brought out the inner rock star in me. I had never dyed my hair like that, and no one forgot me after that.

Today on the NATO line, our military forces face east to prevent a possible invasion. On the other side of the line, the Soviet forces also face east to prevent their people from leaving.

Big Foster is a guy who was in line to be the head of this clan that's been up in the mountains for 200 years, because his father was the leader or the Bren'in, his mother is now Bren'in, and they're kind of royalty, so he was in line to be next. He'd been promised it from a young age, but it just hasn't happened.

Thus when a barber and a collier fight, The barber beats the luckless collier-white; The dusty collier heaves his ponderous sack, And big with vengeance beats the barber-black. In comes the brick-dust man, with grime o'erspread, And beats the collier and the barber-red: Black, red, and white in various clouds are tost, And in the dust they raise the combatants are lost.

I'm just trying to blur this very clear line we've drawn and are drawing over and over and over again between communities. Saying those are queer films and those are films. I would love for that line to disappear. For that frontier to be abolished once and for all.

I meet Susan [Saradon], and she was amazing. We sit down to go through the script [Thelma & Louise]. I swear, I think it was page one - she says, "So my first line, I don't think we need that line. Or we could put it on page two. Cut this ..." And I was just like ... My jaw was to the ground.

There's no doubt that the Donald Trump administration, part of the red meat that he ran on from the first day when he announced his candidacy was a very extreme anti-immigrant rhetoric that he kept up through the whole campaign - the wall, deportation, more detention. And I think that that particular piece of red meat, he's going to throw out every once in a while and try to - of all the commitments that he's made, this is the one that is most disturbing, because it's one that he will try to fulfill through his presidency.

I say we spend some money, clean up some junkies and make them all go work for the Red Cross. You ever give blood to the Red Cross? Little paper hatted trainee kid, just sticking you full of holes. Golly, jeez, this is way harder than the deep fryer, how does this work? You get an ex-junkie in there, bap-bap, he's gonna find a vein. You're in, you're out, you got sugar cookie and you're happy!

When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up.

At the MTV Movie Awards, I was wearing a dress, and that red carpet is outside, and Victoria Justice was going before me on the red carpet. Apparently she's like the biggest star in the world, so everybody was just like 'Victoria! Victoria!' so I am just standing there, and a couple of reporters were just like 'Hello.' And then my skirt just flies up, and I was like 'Take that, Victoria Justice!'

What reaches an audience is honesty. If you're saying something truthful that's supposed to be a funny line, it's going to be funny. And if it's supposed to be a serious line, it's going to be serious. But, I don't think there's a distinction between how you play drama or comedy, if it's based in the truth.

Sense is a line, the mind is a circle. Sense is like a line which is the flux of a point running out from itself, but intellect like a circle that keeps within itself.

Because we are saturated with life, because we are human, our strongest motive is life, humanity; and the stronger the motive back of the line the stronger, and therefore more beautiful, the line will be.

Not all are starting from the same line; however, the finishing line is certainly the same. We all have to show how much money our films make or how many awards we win or what critical acclaim and commercial success our films have.

I started to write the song. And I was in Gladewater, Texas, one night with Carl Perkins and I said, I've got a good idea for a song. And I sang him the first verse that I had written, and I said it's called "Because You're Mine." And he said, "I Walk The Line" is a better title, so I changed it to "I Walk The Line."

We live in capitalism, and capitalism is defined by the production line, and the production line is defined by specificity. If you see yourself as an artist, which I do, then you can't be limited by that. You can't let somebody tell you, 'Well, you can only draw this kind of picture or write that kind of book.'

We felt responsible for each other. The D-line's got to take care of that line of scrimmage, (the linebackers) have got to clean up, and the safeties and DBs take care of that back end. We felt we're a brotherhood and we just had to get it done.

Then it was snack time, right in the middle of mass. Right out of nowhere, the priest would look down and say, 'Let's have some yum yums!' You would get in line - you would jump in the line - and you would go up and get the crouton O'Christ.

The big dividing line is not and has never been between those who advocate more or less militant forms of resistance, or between mainstream and grassroots activists. The dividing line is between those who do something and those who do nothing.

The third line of cinema today is neither art nor commercial but categorized as good and bad cinema. I think two films - 'Main, Meri patni aur Who' and 'Main Madhuri Dixit Banna Chahti Hoon' were the base films for this new line of cinema.

I thought I'd be edgy and dye my hair red. And I dyed my hair, like, Jessica Rabbit red. It kind of allowed me to have this whole new confidence and this whole new swagger and this whole new sense of self. It kind of brought out the inner rock star in me. I had never dyed my hair like that, and no one forgot me after that.

I like to rap about things that are funny but mostly things that are relatable. I remember there was this one song with Ja Rule, and I forgot, exactly, but it was with Ashanti, and there's a line in it that was like, 'She hit me up on AIM.' But that wasn't the actual line; it was something else, but I was like, 'Oh my God, he uses AIM!'

When you write, you lay out a line of words. The line of words is a miner's pick, a wood carver's gouge, a surgeon's probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.

Around 10, I got chubby. I knew I'd crossed a line when the only pants that fit were from the 'Junior Plenty' line at JC Penny. My parents had split up, my mom was going through a dark time, and my brother and I were getting bullied in our new neighborhood. Life was big and unsafe.

...in place of the Old Bottom Line of money and power, a New Bottom Line of Love and Generosity is possible. People of all faiths need to shape a political and social movement that reaffirms the most generous, peace-oriented, social justice-committed, and loving truths of the spiritual heritage of the human race.

Knowledge has its boundary line, where it abuts on ignorance; on the outside of that boundary line are ignorance and miracles; on the inside of it are science and no miracles.

I always tell this story: When I started, the woman went to the store to buy a dress. She saw it in pink and red, and then she remembered that the husband, who is probably going to pay for the dress, loves it in pink. So she buys the pink. Today, the same woman goes to the store and remembers the husband likes pink, and she buys the red.

In big movies, interests are not aligned between those above the line and the financier, because above the line gets paid whether the movie works or not. The financier only makes money if the movie works, and that fundamentally sets up a contentious relationship.

For me, I walk a line of fame and infamy. I walk the line of celebrity and non-celebrity.

My dad said, 'Go to college and take whatever you want.' So, I went to the University of Miami. When I got up to the line at registration, I saw that you had to take math and history. I said, 'There's no way I'm taking math and history.' And right next to it was the line for the drama department.

There's no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.

Tell the other rangers, the ambassadors, everyone is this army of light. Babylon 5 stands with you. Tell them, tell them that from this place with will deliver notice to the parliaments of conquerors that a line has been drawn against the darkness and we will hold that line no matter the cost.

All of the collections I've done have been so much fun. The more knowledge and the more education I can get the better the line is. It's something I never went to school for, so the more knowledge I get, the more advanced the line can be.

Suppose aliens invade the earth and threaten to obliterate it in a year's time unless human beings can find the Ramsey number for red five and blue five. We could marshal the world's best minds and fastest computers, and within a year we could probably calculate the value. If the aliens demanded the Ramsey number for red six and blue six, however, we would have no choice but to launch a preemptive attack.

My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust?

When I played, I would never, ever try to run Reggie Miller off the line because I knew Reggie. If I ran at him, and I was trying to run him off the line, I was going to get kicked.

When a man in a forest thinks he is going forward in a straight line, in reality he is going in a circle, I did my best to go in a circle, hoping to go in a straight line.

My material never comes out verbatim every time. I always tweak in a line, or tweak away a line, gain a couple tags or lose a couple tags. The timing is always off.

One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.