Top 253 Rehearse Quotes & Sayings - Page 3

We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.

A lot of the time with an independent production, you go onto the set, and you rehearse it in front of the crew, and at that point, the cinematographer takes over. You start accommodating the camera instead of the camera accommodating you.

Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.

I think people are always really surprised when they realise I'm not a very serious person and that I'm not tremendously serious about acting. I don't like to rehearse; I hate improv. Directors that don't like to talk, they're my favourite ones.

Some people rehearse to a point where they're robotic, and they sound like they have memorized their presentation and didn't take it to the next level. Going from sounding memorized and canned to sounding natural is a lot of work.

When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character.

When I'm having a rehearsal and there are new guys who come in to try out for the job, I always let my conductor rehearse them. Because I don't want the guy to get bent out of shape, because I walk in.

I'm the kind of person who wants to present my most honest, authentic self to the world, so I hide backstage and rehearse honest and authentic lines until the curtain opens.

I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.

When I was younger, I never wanted to rehearse because I thought that someone would figure out I don't know what I'm doing. Now I like to really spend the time and figure it out, and rehearsal is to try something that doesn't work.

That is a gift to have four weeks to rehearse something. But remember, when you're doing a play half of that time you're getting to know the play and the other actors and then finally in the third week you have it pretty much on its feet. So it's all relative in different ways.

Actors know, with me they aren't going to be allowed to rehearse a scene for a couple of hours and then get away with doing 25 takes before we get it right. So they come with their full bag of tricks.

I don't even think you should tell the audience you're improvising. It's like an apology in case it's bad : 'we're just making it up' If the improv isn't better than the rehearsed stuff, then you should just rehearse it.

Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much.

Now will I rehearse before you a very ancient Breton Lay. As the tale was told to me, so, in turn, will I tell it over again, to the best of my art and knowledge. Hearken now to my story, its why and its reason.

If you tell a lie, always rehearse it. If it don't sound good to you, it won't sound good to anybody.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

Every performance has provided a learning experience, and as we go, we keep fine-tuning the shows. If we decide to do a tour, we rehearse until we perfect. One thing that I do prior to every show is that we huddle the band and pray. We thank more than we ask.

I think that the more comfortable and the more you rehearse - granted, I don't like to take the air out of a tire; there is a fine line - but I think the freer you are with your dialogue, for example, the more open you are to a good idea walking up to you.

If you're locked to the words on the script, as good as those scripted words are, if you didn't have the time to rehearse them correctly or if the perceived dynamic between the actors is different from what the writer imagined, and you're not allowed to stray from that, you're going to have a stilted scene.

I personally don't like to rehearse so much. I really trust my instincts. I like to talk and talk and talk until we have to do it. I feel the same about theater.

Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.

I choose my actors well and get to know the quirks of their personalities - and, most of all, I share humor with them. Then I keep my eyes open when they rehearse and perform, because you never know where the next stimulation comes from.

That's why I don't rehearse a lot and why I shoot a lot immediately. I have ideas of where I'd like to take the character, but we both end up going together.

I think if you're doing a play, you're rehearsing enough that you get to a point where it's freeing again. But in a movie, if you rehearse too much, now you've just shown everybody what you're going to do. And any element of surprise or impulsiveness is taken away.

Life-actors never rehearse and need no script. A life-actor uses whatever he has available, nothing more, nothing less.

Even when I rehearse down in the bowels of the Metropolitan Opera, you can't help but think why The Phantom of the Opera was inspired by what happens in the bowels of the opera house.

We haven't played that many of them because all our gear was over here waiting for us when we could get here. So we didn't get to rehearse any of the new stuff, so we have planned to play 3 or 4 new ones.

I don't really rehearse, because I don't really step into action until I'm forced to. The only way I prepare is just by memorizing it backward and forward so that when I get in the room, I can become the character and not think about the lines so much.

I had heard all sorts of stories about Woody Allen's directing - directorial approach. And some of them turned out to be myth. But, one of them was that he doesn't rehearse and another was that he doesn't really direct, if he doesn't like it...he cuts it out of the movie, or even replaces you.

Most satirists are indeed a public scourge; Their mildest physic is a farrier's purge; Their acrid temper turns, as soon as stirr'd, The milk of their good purpose all to curd. Their zeal begotten, as their works rehearse, By lean despair upon an empty purse.

My grandmother always used to say, "If you know your past and you know where you have to go, why do you rehearse?" I always remember this and it's true. You have to start each day again-you can't repeat what you did.

When you do a play, you have all this time to rehearse and grow into the character. In television, even though you're waiting and waiting and waiting, once you're actually on set engaging in the scene with another actor, time is of the essence.

I've started doing my Kathak, and I rehearse every day. Also, I'm eating right and keeping in shape. I'm a non-smoker and non-drinker and essentially a happy person. That's what counts the most. Your well-being is reflected in your personality.

'Cause I do so much homework I'm good to go on the first take; I don't want to rehearse. I like the element of what's unpredictable of that first take and nobody knows what's going to happen, and I'm a big fan of that.

You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.

In the theater you rehearse for a minimum of five to six weeks. And then you get to play it. Which means you get to get better. That's the great thing about the theater.

Actually, I've done it the other way so many times where you rehearse the band and you do the whole thing with lights, the show and the crew - everything. Then you see what happens and you're already committed to dates. I'm just sort of putting out feelers this way.

Acting time is like flight time: You can work on a simulator, you can rehearse, but unless you're really in front of the camera or on a stage - that's when you really learn how to work it.

I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.

I've played in bands myself, and sat on the floor photographing some of the greatest bands in the world while they rehearse. What's always struck me is how different the sensory, especially auditory, experience is when you're in the middle of the music with the musicians playing off each other around you.

I usually write at my kitchen table, nothing exotic. I don't need any equipment. I don't have to organise anyone else to rehearse, and when I do a reading, lots of women and girls come, whereas gigs are dominated by men. Not against men, but I want to communicate to women.

When we're ready to do the dress rehearsal, we'll rehearse in the dark. No lights. The reason why I do that is because I don't want the band to rely on me for anything. 'Cause anything can happen - I might stop singing or unplug the mic, just so everybody knows: Keep going, no matter what.

I found many ways around my dyslexia, but I still have trouble transforming words into sounds. I have to memorize and rehearse before reading anything aloud to avoid embarrassing myself by mispronouncing words.

When we get together to rehearse, we could write music together all day long - GOOD music.

If producers want to lure the few TV holdouts left, all they have to do is give them a good script and a guarantee of enough time to rehearse. They'd be surprised how fast those hard-to-gets would grab at the bait!

Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out.

Because I am of a generation and slightly old-fashioned, my bottom line belief is what you do is you rehearse and you work and you own it. Of course, you hone it during the first few performances but once you have it honed, not that you must ever assume it is perfect, part of the craft is being able to repeat that.

People in Seattle - and I'm speaking from experience - are indoors more. It used to just rain a ton, and as a result, you'd be inside listening to music all the time and playing. You'd all rehearse at each other's houses and share ideas. There was no competition. When I got to L.A., I was really stunned by the competition.

Whenever I would go to Hrithik's vanity van to chat or rehearse lines, I'd see him working out or watching inspirational videos. One thing that I've learnt from him is that, as an actor, you have to worship your body.

My style is my personality. It's always been that way. Being a wiseguy and having fun. It's always been that way for me, when I was in high school, and in the Navy. It's not something I rehearse.

Let us remember the loving-kindness of the Lord and rehearse His deeds of grace. Let us open the volume of recollection, which is so richly illuminated with memories of His mercy, and we will soon be happy.

I don't rehearse with my actors... the first rehearsal is the first time we turn the camera on... Sydney Pollack never rehearsed his actors, and I found out that's allowed... so you film reactions; you don't create them.

I still remember the first time I was on stage. It was for a short play, 'Dilnaz and the Chocolate Cake.' And the only reason why I did it was because we used to rehearse with real chocolate cake.

I think you've gotta be smart enough to be competent, but you've gotta be crazy enough to go out there and just let it all happen. I mean, you can rehearse and still not be musical, be tight and not be musical; we all hated that.

I don't love performing, because it's nerve-racking and it's time - consuming to rehearse a whole set - and my time can often be better served writing music and just making it and putting it out.

I have a phone obsession. It's really hard on set sometimes because I'll be checking Instagram, and then I have to remember, 'Oh, crap, I have to shoot a scene or rehearse.' Every now and then, I have to turn it off and live my life.

Every day is different in the world of Little Mix. Usually, I guess, we get us, and we rehearse, or we do some promo for a radio station. It changes every day, which is quite good, because I don't like having a normal job.

They just said, 'Roll the tape.' No rehearsal or nothing... Muddy [Waters] didn't come in and say 'I wanna rehearse.' He used to look at me and say 'Let's just play the blues. That's all you need to do.

I spend a lot of time on the 'Glee' set. A lot of time. Luckily we have to dance and rehearse, so we're always moving, but having such a tight schedule can make it hard to find the time to exercise. It's definitely a struggle!