Top 253 Rehearse Quotes & Sayings - Page 4

I used to pre-rehearse everything and then bring my pre-rehearsed performance to the set. Now, I'm learning to let it happen in the moment. American actors are much better at that than British actors. If I knew how to trust myself, I would have been much more relaxed.

If I can iron out my accent, it opens up another world of possible jobs. Whereas if you have that very strong European accent, it leaves you always being cast as the Hungarian maid or the stripper or whatever. I have voice lessons, and my coach has given me different tongue-twisters to rehearse at home.

I think I, and the audience, would enjoy a kissing scene with me and Rihanna. That would've been cool for me to see, rehearse, practice, and all that. Me and Rihanna.

When we get together and rehearse, which is always living with each other, we always talk about what would make it better, what would mean more, what would say more. So we're always improving and growing.

I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.

Sitcoms are more like stage drama than anything else on film - more than a one-hour and certainly more than a movie. You get a script on Monday. You rehearse all week. And on Friday, you're on.

Whenever there is a new song out, we'll sometimes try to rehearse a celebration so when one of us scores a goal, we can celebrate it together. I find this a nice thing between team-mates to show the friendship between us, and I try to do this whenever I can.

Sometimes, if you're shooting a complicated scene, you have to stay in a position and wait for the technician to do his job, and then you have to be where you're supposed to be, right on the spot. You don't rehearse all that much on films. If I think of the amount of time I spend on set compared with the time spent shooting, it's ridiculously short.

This is a marvel of the universe: To fling a thought across a stretch of sky-- Some weighty message, or a yearning cry, It matters not; the elements rehearse Man's urgent utterance, and his words traverse The spacious heav'ns like homing birds that fly Unswervingly, until, upreached on high, A quickened hand plucks off the message terse.

Work wise, as a stunt woman, I enjoy telly - or TV - because - and, as an actor - I kind of enjoy the urgency of it. I enjoy the problem-solving that's happening. Right now, we don't have time to rehearse for hours. And, if something goes wrong, we don't have time to shoot something else for four days until we sort it out.

Storytelling enables us to play out decisions before we make them, to plan routes before we take them, to work out the campaign before we start the war, to rehearse the phrases we're going to use to please or placate our wives and husbands.

Actually, the funny thing is, after all these years, I've got all these new songs to learn for the show we're doing at Joe's Pub, so it's kind of fun to get down and rehearse new things, and also rethink some of the older songs, how we're going to do them.

Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.

My brother Trev went to the Professional Performing Arts School in New York, and he used to do his monologues and stuff and rehearse in our apartment. So I used to hear him all the time doing these things over and over and over. And when I was a little girl, I used to soak up everything - like anything anyone did, I soaked it up.

I love not knowing what's going to happen next. With work, you never know. You rehearse and strive and get it right sometimes, and still you never know. Some people are like that with their marriages. They work and strive and labour and toil at them. God, what a bore! What an unromantic bore!

I generally won't do a role unless I feel like it's in my system somewhere, even if it's just a molecule of it. Like I just felt like I knew it and if I talked about it or discussed it or tried to rehearse it that it would take away the energy from that scene so I went in there and just did it.

I loved being on Broadway, but performing has become exhausting, and I just don't want to live in New York anymore. I'm just sick of the competition in New York, the feeling that I always have to rehearse to keep up my performance. I don't feel like rehearsing, even though it should be my favorite thing in the world to do.

When I'm working in television, I've learned you've got to work fast. You don't have time to rehearse; you don't have time to just mess around. You've got to move quickly. So I pick that up from that world, and I also pick up the idea of development of character and development of situations.

Architects and urbanists are fascinated with cities that are shrinking, like the Rust Belt cities. Or, alternatively, we are fascinated with the growth of favelas and informal settlements. The 2008 financial crisis made these changes more extreme. The subtraction protocols rehearse a way of thinking about multiple properties in counterbalancing interdependence - not just the shaping of one property but the ratcheting interplay between properties.

We usually start by asking the collaborators to submit a couple of ideas. Then, Larry and I will sort through all the submissions and choose the ones based on what we think will add most to the collection. Once the scripts are written, the stages are: rehearse, record, edit, sound design, foley and finally, the mix.

I remember once about 10 years ago when I was injured, having to rehearse, and I was walking with a stick. And I was terribly touched by the amount of people willing to give up a seat. You often hear that London is so brusque and rude, but the grace with which people negotiate incredibly crowded spaces is something rather nice.

At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.

I took six months to rehearse how I'd ask Shah Rukh Khan if he would launch my debut novel. I thought of 100 ways to ask him. Finally, three weeks before the book hit the stands I went to pop the question and forgot everything I rehearsed.

I had heard all sorts of stories about Woody Allen's directing - directorial approach. And some of them turned out to be myth, but one of them was that he doesn't rehearse, and another was that he doesn't really direct. If he doesn't like it... he cuts it out of the movie or even replaces you. And he doesn't talk to you.

I don't develop anything. I don't practice, I don't rehearse. I just go out there, and it's just amazing and unpredictable and spontaneous every single time. It's the most cultivating incredible performance that you can go and see live for the amount of money that you can see it for.

Many other directors, they have lots of scripts and they never rehearse as much, and you never really have time to be a part of it. With Jean-Luc, you always had time to be a part of it. It's difficult to explain to normal people.

For me to rehearse with a children's orchestra a Mahler symphony was to really work. We had three or four weeks of rehearsal with the orchestra, every day eight or nine hours, putting the First together. I had been conducting Tchaikovsky a lot and Beethoven, but Mahler was different.

Classical stuff takes a lot of rehearsal time and preparation, but with stuff that involves improvisation, you can over-rehearse it and it gets stale. You don't want it to be too comfortable. In fact, a good sound check, a good rehearsal usually means a bad performance.

All that is required to become an optimist is to have the goal and to practice it. The more you rehearse optimistic thoughts, the more 'natural' and 'ingrained' they will become. With time they will be part of you, and you will have made yourself into an altogether different person.

Every child in America should be acquainted with his own country. He should read books that furnish him with ideas that will be useful to him in life and practice. As soon as he opens his lips, he should rehearse the history of his own country.

Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.

A play called 'Bichchu' with Om Puri in the main role was going to be staged and I was working backstage. An actor failed to turn up for rehearsals and the director asked me to do that role instead. I agreed and would go to the beach to rehearse my dialogues as I had no place to stay those days.

I'm a big fan of rehearsal. I'm famous for pulling the cast together, not so much to formally rehearse, but just to run the lines. My theory of acting is that it takes all your attention just to stay in the moment, and keep your attention on the other person, and get him to do what you want him to do.

When I was in high school, I was doing a fashion show, and my House Father would host fashion shows at the school. He was great at it. He saw me and said, 'That's my daughter.' The rest was history! We went to New York City to rehearse and go to balls, and I was in the ballroom scene until I was 17 years old.

Ever since I was 7 years old, I was writing. I remember being in the basement of my house, this dank, horrible basement, putting on plays with not-very-willing participants, and I would promise kids in the neighborhood that I'd play Nintendo 64 with them after we'd rehearse this stupid play that I wrote.

You have formal rehearsal, a lot of things you don't have in movies - which is, you have to formally rehearse. You have to know your back story, discuss it, and almost everybody onstage has to know each other's [story], so that when it comes time to actually do it, you can throw it all away. That's the way I like to - and I didn't realize until very recently - that's the way I like to prepare for movies.

In 'Uncharted,' we do the scenes the same way you would do a film or television show. The motion capture - the performance-capture process - is what makes such a difference for this franchise. So I don't approach it any differently. The other actors and I go in and rehearse scenes together, and then we go in the next day and perform.

Well, politics is much more severe than entertainment. You have to hit those points, in politics, word for word. You have to remember the date. You have to remember the website. You have to rehearse stories that might be asked, have anecdotes ready for questions that might come up.

Definitely as an actor, the experience you have, at least I'm talking for me, my experience as an actor is you go to the set and know what you're going to do, know your lines, you rehearse, you do your scene, you go back home. As a producer, for the first time I saw the whole picture in a completely different way.

Every show is a mess at its first preview. No one's had enough time to rehearse in costumes, traffic patterns backstage haven't been worked out, machinery weighing thousands of pounds is being operated for the first time. And, also, it's the first time all the material you've written is before the public.

You take all the time to write a song: you have to let it ooze on out by its natural self and that is pretty time consuming. Then you teach it to the band so everybody gets all the parts. Then you rehearse it and road test it, and all that. Then you get to the studio and there is a new guy in the band who calls himself the producer, right? Huh. He either makes it or breaks it usually before nightfall.

'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.

I used to pre-rehearse everything and then bring my pre-rehearsed performance to the set. Now, I'm learning to let it happen in the moment. American actors are much better at that than British actors. If I knew how to trust myself, I would have been much more relaxed. Maybe I would have less gray hairs today.

Film is a lot different. You have the whole script in its entirety, and you have a couple of weeks to learn different scenes, really go over them and rehearse them so when you get to them they're more fleshed out. But TV shows are harder.

When I rehearse, it ends up doing more harm than good. I think I work a little bit better when it's right off the bat. Mostly, I try to wrap my head around a role as much as I can without rehearsing and then kind of make it as fresh as possible on the day.

I've been lucky enough that some designers let me borrow their dresses to wear to events. And companies such as So Low and Tart have given me items to wear to rehearse in. I wish I could take more credit for the clothes that I get to wear!

I didn't see my son the entire time I did 'Dancing With the Stars.' The only time I saw Jeffrey was when he came to the show Monday and Tuesday nights to watch me dance. You literally rehearse six to eight hours every single day - 40 to 50 hours a week.

There were days on that show where I had to go in and record a song, then I had to rehearse the dance for that song, and then I had to go and shoot a separate scene. That would be one day. So yeah, it was about the value of time and being prepared, and not to freak out.

Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itself is different.

We're very much perfectionists, so when we're putting on a huge show and want to play to the best of ability, we rehearse intensely. And I have a guitar pretty much in my hand for at least five hours before doing a show. I'm just noodling and mucking around and working on some of the songs here and there.

When we die, these are the stories still on our lips. The stories we’ll only tell strangers, someplace private in the padded cell of midnight. These important stories, we rehearse them for years in our head but never tell. These stories are ghosts, bringing people back from the dead. Just for a moment. For a visit. Every story is a ghost.

I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.

I've done three Broadway shows; once the curtain goes up, that's it. I mean, you prepare and you rehearse like crazy, but after opening night, the director's not there anymore, you know. He gives you notes during previews after each performance, but opening night, you're on your own.

We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.

I'll never forget the first time Elisabeth Moss kissed me on screen. It was season one of the West Wing and she had to pin me up against a wall in the lobby of the White House. We didn't rehearse it at all and when we did it, she sure enough laid one on me, boy. I was like, "Well, ok, this is going to work out just fine."

In TV, it is important to get everything on film as fast as possible. You rehearse every day of the week, and each day, the performance may be changed. The process is more result-oriented than in the movies. It's more about working quickly.

It is impossible to foretell the future with any degree of accuracy, that it is impossible to rehearse life. A fault in the scenery, a face in the audience, an interruption of the audience on to the stage, and all our carefully planned gesture mean nothing, or mean too much.

You can survive tough situations and even turn them to your advantage by acting as if you are the person you want to be. When you act like that person, you can become that person. The hard parts are deciding whom you want to become, being willing to rehearse until you become that person, and forgiving yourself until you do.

In September 2012, I got the blues pretty bad, so I stopped playing for a little while. I started to renew my playing by the time February of 2013 came around. I would go up and rehearse to different songs, play stuff like Count Basie records, jazz or rap.

Advent's intention is to awaken the most profound and basic emotional memory within us, namely, the memory of the God who became a child. This is a healing memory; it brings hope. The purpose of the Church's year is continually to rehearse her great history of memories, to awaken the heart's memory so that it can discern the star of hope.