Top 295 Relatable Quotes & Sayings - Page 5

I think that ‘New Moon’ was my favorite book as well mainly because I like the juxtaposition of all sudden people being…it’s such a hyped character, Edward, and there are so many people looking at him like a romantic hero. In ‘New Moon’, the way that I read it anyway, he’s just so humbled. It’s a character who’s looking at Bella and thinking that he loves something too much but he can’t be around. He deliberately starts breaking up their relationship which I think is a very relatable thing and I think is very kind of painful.

Would I show my body off if I was thinner? Probably not, because my body is mine. I think I remind everyone of themselves. I'm not saying everyone is my size, but it's relatable because I'm not perfect, and I think a lot of people are portrayed as perfect, unreachable and untouchable.

[Sasha] for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death.

I think The Magicians takes these conventional ideas from this Christian literature of good vs. evil and it sort of shakes it up and asks a deeper, darker question about the nature of not just humanity in the face of good vs. evil, but the challenges of everyday life. And I think there's something incredibly timely about that and incredibly relatable to anyone who's growing up. Because we're all growing up. We're all constantly evolving.

Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."

A lot of 'Shonen Jump' anime, you see a lot of battles, a lot of aggression, and it's very relatable to players. There's a hero, and he has to go through a lot of rough training, put his body through the unthinkable so that he can save the world or do his task. His or her challenge is saving the world; our challenge is winning the game.

'East of Eden' is an important story for me. It's about a kid that's misunderstood and feels like he's not loved by his father. It's a very father-son kind of story, and it's not until the end that they sort of make up. I like that because every boy has trouble with his father, so it's very relatable.

Yes, I live a crazy, exciting, whatever life, but I do think it's quite relatable because it has to be - I'm just a girl from St Louis, Missouri that has lived life like anyone else. There are things that are crazy and over the top, but the basic thread is my family, my career, trying to live and pursuing my dreams.

Well I would say that, you know, I agree in part with that it [The Starter Wife] is fantasy and it is a romp in that, you know, the comedy stems from shining a light on the sort of more extreme aspects of the Hollywood culture. So, you know, anytime you turn up the gas, so to speak, on the stove and make things more extreme it becomes funny. But I do think that, you know, the other half of the show is absolutely relatable and that's been an important goal of ours.

It's harder to be funny if you're handsome than if you're very normal-looking. It's just more relatable. You're the underdog. I mean it's funny to see people struggle, and you don't buy that Brad Pitt is struggling, you know that guy could be the most skill-less guy in the world, but if you look like that you will be fine for the rest of your life.

The good thing is in my case I'm all about love and communications, so there was no hard feelings, it was like ok we reached the end of this season and I wish you well and it's time to move on. As a pop song it's definitely open to many different interpretations, I received a call from a cousin saying that it helped her heal after an abusive relationship and another friend said it represented her of a summer fling. We tried to write carefully so that it can be relatable to cover a wide audience.

I hope that people can relate to my music, it's very relatable, it's very fun, it's very honest. It's very, very, honest. I know that my fans will probably learn a lot about me by listening to my music, if they really listen to the lyrics. I'm sure they'll learn about a new side to me, it's all very honest, I don't put on any... there's no fake-ness to it, it's very real and I hope my fans can relate to it and that it's enjoyable for all ages.

It's hard to say what you learn acting a part. You find bits and pieces of yourself that are inside the character you play. You locate the relatable aspects of that character to your own life. So, in a way, every part you play forces you to discover things about yourself you might not have learned otherwise.

I've been very honest with the press, even when I had work done on my face. A lot of people would cover that up. I want to be a voice for young women. I want to empower them. I've been through a lot, and I want to send them a relatable message.

When you think Tink, you should just think of me as that around-the-way girl - relatable and honest. Even in my lifestyle, my entire aura is real. I don't sugarcoat anything, whether I'm on stage or home in Chicago or just behind the scenes just chilling. I'm the same person you see on stage, always.

I write for myself; I'm trying to keep myself interested in the music. But at the same time, I want to make the songs relatable in a way; I want to keep melodies pretty simple and the lyrics open-ended so that people could maybe relate them to their own life in different ways. Something for everybody to have a piece of.

The funniest novel you've never read. . . . Afternoon Men is a revelation to sophisticated readers of every stripe, but especially to a certain kind of artist manqu on the brink of discovering that life is a more difficult business than he ever had reason to expect. . . . The subject matter is 'relatable,' as my students like to say. Better still, though, is what you can learn about the craft of writing from this marvelous book. . . . Indeed, if you're looking for a funny, nonportentous Hemingway, then the early Powell is your man.

Family seems so rich and complicated to me. There's meant to be this unfailing biological loyalty and yet at the same time it's this theatre for various kinds of cruelty. I know it doesn't always work out that way, but the worst possible behaviour is sort of allowed for. It looks to me like an endlessly rich container for really terrible drama, but also pretty grand love. It accommodates such a variety of feeling in such a natural way, and it feels so relatable, and yet it's such a funny construct, socially, the family.

Upon graduation, go out into the world and try to find yourself. What do I mean by that? Read Socrates, no. Get a job? Not yet. Go out and do some crazy stuff. Don't hurt anybody including yourself, but take some risks. Travel a little bit. Make big mistakes that you have to apologize for. Do stuff that will make you relatable to the world. And whatever jobs you settle into, you will be better at it, for it.

Any music star would be singing about his lost love. A movie would be about a relatable incident; it wasn't an untouchable magic dragon box. It was something that people could relate to, and when I vanished a girl, it would be a story about a girl that left me, or a cutting into pieces would be a date with a magician. I wouldn't just vanish a girl in a shower, I would do the shower scene from Psycho [1960] with a [Alfred] Hitchcock cameo.

I think that's what we need more of: Asian-Americans on movie screens and TV screens where they're normalized. Where it's not about them being Asian or a person of color. It's just about them being a human. I think that's why sometimes when I see movies with an Asian family, but it's very stereotyped, I don't find that relatable.

I speak in relatable terms, without too much car lingo, so more and more people can engage with the car world. And I'm not afraid to ask questions on behalf of a whole community of people who want to learn but are afraid they'll be shut down.

I would like to be known for honest, relatable writing and stories that that are real. There's just this shift I think is happening in a lot of society right now where being your most real self, however embarrassing or vulnerable or weird that is, is the coolest. I feel like that's what Lena Dunham's about and Amy Schumer's about.

I think we all spend, sometimes, more time at our jobs than we do at home, and there are people that we wouldn't necessarily choose to spend so much time with. So those irritations and those, just those situations I think are really relatable.

You know, we had problems like any other family, so I'm really similar to a lot of people out there. It's kind of why I feel like if a song is relatable to me, it's most likely gonna be something a lot of other people are gonna relate to.

Everything I write about either I have gone through or I know somebody has gone through, so it's very close to me, but sometimes it's about taking those feelings and exaggerating on them a little bit: being a bit more dramatic but still keeping them relatable.

I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.

When you find out you're working with someone like Jennifer Aniston, you're like, 'Whoa, what is my life right now? ' It kind of doesn't really seem real. I grew up watching 'Friends' and all her movies, and I was so excited to work with her. And then, I met her, and I was like, 'Oh. You're, like, a very relatable human being.'

We need heroes who are relatable; we need heroes who are from this planet.

I never grew up a runner. I never thought of myself as somebody that was fit or somebody that could advocate for that and then the more people kind of have caught onto it, it's inspired me to keep going, the more I keep doing it. And it's just kind of become something that I really like and I think it's relatable in the sense of I'm not an athlete.

Not to get too deep, but I think one of the reasons we embrace superheroes and this world is that these are just normal people that have incredible powers that are relatable in some ways - in that we don't have great super powers, but there's strength within us that we can utilize in our lives. Ultimately, they're just normal people with problems.

I'm very much inspired by things that anger me. If I see bigotry, stupidity, or injustice on the news, I'm inspired to find a way to make it into something comedic and relatable. Anger inspires me. Stupidity inspires me. My family inspires me. My accountant inspires me. Everything and anything, really.

I think the reason why I'm so alluring to networks is because on the surface I'm like a quintessential relatable, boring white guy. A great many sitcoms have been anchored by a boring white guy, so I feel like what they want to mine from me are my more generic qualities.

I have such an eclectic taste in music. Come to a backyard BBQ at my house, and I will run the gamut from Skynyrd to Sinatra to '90s grunge, rap, R&B, and classic rock. I have issues. If I had to pick one, I love this country artist named Craig Morgan. His music and his songs are so relatable and tell such vivid stories.

You either hear the story and you're curious, and you're sort of sympathetic, or you think, "Ugh, how horrible." That's dehumanizing. How about we take that and turn Christine Chubbuck into a person and it's not about the final act, it's about her life. I felt that really strongly, and I felt a sort of deep sympathy with her. It's also why I do what I do. I want to try to make difficult people somehow relatable.

What we love about the character Katie, played by Katy Mixon, is that she feels very universal and very relatable. And what we love about 'American Housewife' is that it feels like it could speak for housewives from New York to Los Angeles, from Boise to Miami.

I love a good comedy, but the slapstick sitcom belly-laugh sort of comedy - the multicam thing - is not really where my interests lie. I'm very interested in single-cam, in intimate portraits. I like it when comedies have a little bit of realism and a little bit of darkness to them. It makes them more palatable and more relatable and grounded.

Rapunzel is a bit more relatable than the other princesses, especially because she doesn't even know that she's a princess until the very end of the movie. I like to think of her as the bohemian Disney princess. She's barefoot and living in a tower. She paints and reads... She's a Renaissance woman.

But to demand that a work be “relatable” expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual's solipsism.

You know, 'Jurassic Park' is a film I always go back to a lot - it's a fantastical world, but I care about all the characters in that situation, and then I think in caring about them, it can make it relatable and help me kind of see this heightened world through, not always familiar eyes, but at least eyes I can understand.

I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people.

I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.

Of course it worries you as an actress to stay away from projects. I was approached for many TV soaps as well as reality shows. But, to stay away from work was my decision, and I'd glad to be part of such an interesting and unique concept like 'Ghar Jamai.' I am happy that I am playing a role that is so relatable.

I never wanted to live a relatable life, I wanted to live an aspirational life. I didn't want to see people who had my life on TV. I wanted to see other lives, right, and so I was always trying to get as much of that stuff as I could.

It's just all love. That's what music is. That's why music is created. To make people feel good, to uplift people. That's what musicians are for: to give everyone an escape, to let everyone feel good and take people out of everyday problems, so that they can hear music and sing words that are hopefully relatable.

I like to rap about things that are funny but mostly things that are relatable. I remember there was this one song with Ja Rule, and I forgot, exactly, but it was with Ashanti, and there's a line in it that was like, 'She hit me up on AIM.' But that wasn't the actual line; it was something else, but I was like, 'Oh my God, he uses AIM!'

People normally view my work as fantasy, which on some level is true, but I do think that my work is more magical realist than fantasy. I believe in the fantasies within each of our realities, i.e., I portray very relatable human issues in a very realistic tone, yet in a magical setting.

'90210' was looking at teenagers from a perspective that hadn't really been seen on television, though it had been seen in movies like some John Hughes films. I don't know if you want to say '90210' was real, but what the characters were going through was relatable - in a very glamorous environment.

My dad died of a heart attack when I was 15. I was bullied mercilessly in middle school. I went through a divorce - those not-so-great things are all a part of me, and they give me a place to go when I cover those stories on the news. I'm more empathetic, more relatable because of them.

The best thing about being 45 is not taking myself so seriously. Do I miss the package I came in at 25? I do. Gravity is no one's friend. Yet the perspective I've gained is so worth the wear and tear. What would have mortified me at 25 is now simply fodder for a funny, relatable story. Also? I was a waitress at 25, and now I'm an author. Forty-five is definitely better.

When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.

I don't think that [Hillary Clinton] can turn around her honesty and trustworthiness problems with one speech, but she could present herself tonight as more relatable, give people a glimpse of that warm, funny woman the people who meet her in small groups and one-on-one say that she is.

I get that racism exists, but it's not a catalyst for my content. I don't need to talk about race to have material. My style of comedy is more self-deprecating. I think that makes me more relatable. When you deal with 'topics' - race, white versus black - you're not separating from the pack. You're doing what everybody else is doing.

I've always said if somebody wrote a book and they took their whole life to learn that knowledge in that book, why you won't just read that book to learn what they know? I have never seen anyone take a book combining Faith, personal Development and life stories that are just so practical and relatable to our own generation.

Sci-fi and horror, particularly, allow a storyteller to depart from, let's say, the demands of cinema verite or kitchen-sink realism or, even, just relatable dramas and can go into areas that are either - in the case of horror - more primally effective or, in the case of sci-fi, more speculative or imaginative.