Top 1200 Relationships Ending Quotes & Sayings

An ending was an ending. No matter how many pages of sentences and paragraphs of great stories led up to it, it would always have the last word.

Dump ‘Em is the non-confrontationalist’s dream. With her easy-to-follow scripts and step-by-step plans, Jodyne Speyer provides a clear roadmap for ending even the most difficult relationships.

'War and Peace' is about relationships: family relationships, loving relationships, relationships at war... it's a really young story as well.

You know not every book has to have a happy ending, but it has to have a satisfying ending.

A non-violent revolution is not a program of seizure of power. It is a program of transformation of relationships, ending in a peaceful transfer of power.

When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.

My eye is fixed not on the ending of the book but on the feeling of that ending.

I want an ending that’s satisfying. I’m more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don’t like when it just seems to putter out. I mean, life is chaotic enough.

It is a tough choice between ending up in the cold or ending up in a fiery blast.

To be true to life, a novel must have an ending that is inevitable given the specific personalities of the characters involved. The novelist must not impose an ending upon them.

this might be the happy ending without the ending

I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.

I am not satisfied with the ending of 'Mount Eerie' the album, so maybe by calling myself that, I am attempting to elaborate on the ending.

You want a happy ending, but not such a ridiculous happy ending that it doesn't mean anything to anybody.

Daybreak is a never-ending glory; getting out of bed is a never ending nuisance.

The message of "The Winner Takes It All" is straightforward: It argues that the concept of relationships ending on mutual terms is an emotional fallacy. One person is inevitably okay and the other is inevitably devastated.

Not everything has a happy ending, and not everything has an ending. Some things just kind of dribble away or cut off abruptly.

In real life, a relationship takes a long time. Either somebody is involved with somebody else, and that's ending, or somebody's hung up on an ex, or your job isn't going right, and so you're focused more on that than relationships. It just takes a lot for two people to get together.

The book is the book and it will always be there. It's a quiet ending. In the book it's a contemplative ending which I think you could certainly do that in a movie.

Just about every therapist or counselor or social worker is practiced in dealing with people going through failing relationships, ending them, and confronting issues of custody and support.

Are you in relationships with people who don't have your well-being at heart? Make a list of these, and consider what you can do to protect yourself from their toxic influence. Sometimes, setting better boundaries and practicing the tools of conscious communication can be transformative. In some cases, ending a relationship may be necessary.

All stories have a beginning, a middle and an ending, and if they're any good, the ending is a beginning.

Relationships ending are painful, and you can choose to carry that, or you can choose to reframe it.

'Not Another Happy Ending' is a romantic comedy starring Karen Gillan and Stanley Weber. It is about these two characters and their relationships.

It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.

What I like writing about are people's relationships, not necessarily great big dramatic things but the smaller things in life and how they affect characters and challenge and change the people that they are. I do like a happy ending, so my books have to have a happy ending.

There's always a party ending every day but also a new one being made. They are just chapters in our lives, ending and beginning.

I'm not good at relationships I always manage to find the flaws sometimes in others but mostly my own. I foretell the ending then go and create the cause save myself and end up alone

I've remade a few movies and they all have one thing in common: great endings. If you're going to remake something, make sure that ending is tight. It's a little less challenging, if you have a great ending. If you don't have a great ending, don't remake the movie.

I think what art is always doing is making us see the world so differently, and I don't mean just colors and light, but re-thinking relationships, spatial relationships, psychological relationships ... those who gravitate to the art world actually want to be puzzled.

It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.

We really spend a lot of time on building relationships. And so when everyone is like, 'How do you break so many stories?' it's because I build relationships. I do it the old-fashioned way, and I build sourcing relationships, and then I take advantage of those relationships over time.

Do not start a story unless you have an ending in mind. You can change the story's ending if you wish, but you should always have a destination.

The world was ending then, it's ending still, and I'm happy to belong to it again.

I sound awful saying it but I think it can be like that. I see a lot of people in unstimulating relationships. And not just boyfriend-girlfriend relationships. They find themselves in stagnant friendships. If people were a little less scared [of ending things] they'd get more out of life… You meet the right person at the right time and they fulfil a certain something in your life. You fulfil something in theirs. But there's a time limit to that. Unless you choose to be bloody good company for the rest of your life, do you know what I mean?

A big mistake a lot of filmmakers do is they like, "We cut our whole ending to a Rolling Stones song." You better find a new ending then, because unless you have $2 million for that song.

A knight ending is really a pawn ending.

What is an ending? There's no such thing. Death is the only ending.

I think any athlete will tell you that season-ending losses stay with you for a long time. If you are one of the main reasons for a season-ending loss, it sticks with you longer.

Relationships with parents, grandparents, friends, and siblings were important to me when I was young and have remained so throughout my life. Our relationships with other people both shape and reflect who we are. These relationships are infinitely fascinating to explore!

I want my commitment to ending girl marriage to be equal to my commitment to ending apartheid.

Last, but not least -- in fact, this is most important -- you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better.

Beginning with Santa in infancy, and ending with the Tooth Fairy as the child acquires adult teeth. Or, plainly put, beginning with all the possibility of childhood, and ending with an absolute trust in the national currency.

There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.

The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”

The development of the plot of the novel leads to a single point, and it's my opinion that the ending that the novel has, which is a somewhat ambiguous ending, is the only logical ending given the structure of the book as a whole.

- the only difference between a happy ending and a sad ending is where you decide the story ends.

To have a happy ending, choose a happy moment and call it 'the ending'. Honesty is incompatible with the amassing of a large fortune.

Imbuing fiction with a life that extends beyond the last word is in some ways the goal: the ending that goes beyond the ending in the reader's mind, so invested are they in the story.

Plays are always about intense relationships, whether they're intense love relationships or family relationships or existential relationships.

We know we cannot achieve our twin goals of ending poverty and boosting shared prosperity without ending poverty and creating equality for women and girls.

I think it's just a matter of time before everybody realizes that I'm kind of a romance novelist ... that these are all stories about people kind of falling back in love or struggling with relationships. Even Fight Club was just a big romantic ending.

I want to have an ending where people say: "That's the most shocking ending I've ever seen in a mainstream horror film."

It's a tough job to tell a story when the audience already knows the ending, and the ending is bleak.

I knew I could write infinitely about relationships. That's the most beautiful, most confusing, most rewarding, most heartbreaking thing in our lives - and not just romantic relationships: that's all relationships.

With its onslaught of never-ending choices, never-ending supply of relationships and obligations, the attention economy bulldozes the natural shape of our physical and psychological limits and turns impulses into bad habits.

I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.

A good plan today is better than a perfect plan tomorrow. Don't wait for an inspired ending to come to mind. Work your way to the ending and see what comes up.

Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.

In TV, you can really get into not only great characters, but also the relationships. There are all of the backstories and all of the relationships that you have with every person in your life, and the relationships those people have with each other. It's just more dense and there's more time to tell stories.