Top 1200 Remember Where You Came Quotes & Sayings - Page 6

I came from the country, and when I came to the city, I was ridin' high, you know. I was seeing more lights than I ever dreamed to shine in the world. 'Cos where I came from, there wasn't too many lights. Bugs made a lot of light, but after that there wasn't no lights.

You know, I remember Career Day in high school. I remember plumbers and lawyers... I don't remember a booth where you could sign up to learn how to shoot chickens out of a cannon at the windshield of an airplane, 'cause there would have been a line at my school to do that!

I remember that Pu La had come for one of my premieres and I was patiently waiting to hear his verdict of my acting, but when he came out of the theatre during interval, all he asked me was about my father and his well being, such was their friendship.

I remember when I signed with Kedar Entertainment through Universal Records. It was my first record deal and it's the one I still have now. At that time, there had been a couple of opportunities I was almost given, but at the last minute the giver came back and told me it couldn't happen.

Then came the churches, then came the schools, then came the lawyers, then came the rules.

I went to Europe in '52 or '53, and when I came back, I stopped in New York. I remember looking out of a window on a glorious October morning and there was New York. And I thought, 'I'm coming here. This is for me.'

I served on the budget committee in the Senate, and I remember as vividly as if it were yesterday when we had a hearing in which Alan Greenspan came and justified increasing spending and cutting taxes, saying that we didn't really need to pay down the debt - outrageous in my view.

Remember when those CD-ROMs from AOL came in the mail almost every day? The company was considered ubiquitous, invincible. Former AOL CEO Steve Case was no less a genius than Mark Zuckerberg.

I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set.

My parents lived in a poor rural community on the Eastern Shore, and schools were still segregated. And I remember when lawyers came into our community to open up the public schools to black kids.

When I look back, I don't remember the best of the best. I don't remember arena shows with 20,000 people. I remember funky little bar gigs where nobody shows up. The weirdest of the weird are what you retain.

At concerts, for me, the orchestra was like a painter. It flooded me with all the colours of the rainbow. If the violin came in by itself, I was suddenly filled with gold and fire, and with red so bright I could not remember having seen it on any object.

My mantra is "stay perpendicular." Horizontal is not as good. Half the people that came along and up with with me are either gone to another dimension or don't remember what they had for lunch. I'm fortunate. I don't know why. I just want to have a good time.

Most people who came here came for economic reasons or sometimes for religious or political reasons. I didn't have any of this. I came here, I liked it, I stayed. So I'm a pure American - even more than people who are born here - because I did it by choice as an adult.

I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set

I remember when I got into movies, the only way singers could be heard was to through playback singing in movies. Then gradually came the music companies promoting independent pop singers.

Those were hard times, but I loved living there. I would walk on the tracks, hopping, skipping. I enjoyed the neighborhood, I enjoyed El Paso. I remember being chased by tumbleweeds on windy days; they came up to my neck.

I remember playing hockey as a kid - I was goalie in gym class and I was pretty good at it. But basketball was my passion. As a kid I went to class, came back from school, did my homework and went straight across the street to practice.

When I was about 14 I remember thinking when it came to proposing to my future girlfriend, I'd make a CD with all her favourite songs and a message that said, 'Will you marry me?' Shows you what a romantic I was. No one listens to CDs any more. It's all about iTunes.

I honestly don't remember ever being hurt by anyone other than Conor. It probably has happened in training or a fight but I don't remember any. The only times I do remember getting hurt is by Conor. I remember most of them and it's happened many, many, many times.

I remember once in junior high school, on a Friday, my mom came home from work and said to my brother and I, 'You know, between us, we have only 27 cents, but we have food in the refrigerator, we have our little garden out back, and we're happy, so we are rich.'

When I was in fourth grade, we were learning vocabulary words, and the word nonconformist came up. The teacher said, "It's somebody who whatever everybody is doing, they do the opposite." I remember raising my hand and saying, "Mrs. Christiansen, I would like to be a nonconformist."

I believe you came into the world to accomplish something, and that the something you came to accomplish is not small or insignificant, that's not worthy of you. You came here to make a major contribution to life on this planet.

I went to watch a movie in a theater, a couple weeks ago, and the trailer came on. My face is in the trailer, and then my name came up on the credits, and this is the dream you dare to dream, that came true.

If I'm honest, the thing I remember the most was the team mascot, Freddie the Falcon. I really remember there was a McDonald's nearby, and I remember eating a cheeseburger in the playground when the Falcon appeared. I'm not sure my dad appreciates that being my favorite memory of him playing.

I remember when the wave of Jennifer Lopez, Salma Hayek and these beautiful Hispanic women came into light, and I looked up to them and I loved them, but I was like, 'Where are Middle Eastern women?'

I came to America, and I made good. It's an old story, but it hasn't been told in a long time. Usually, it's, 'I'm an immigrant, I came here and got persecuted.' My story is I came here, I worked hard, and it worked out all right. So it's still available.

I was writing "Diamonds and Rust' and it had nothing to do with what it turned out to be. I don't remember what it is, but I think I was writing a song. It was literally interrupted by a phone call, and it just took another curve and it came out to be what it was.

I distinctly remember watching Annie when I was very little and thinking 'I don't like this kid.' In fact I think I remember thinking 'I don't like any of these kids.' That's all I remember.

I remember this song by Clay Walker that came out in the '90s called 'This Woman and This Man,' and it was about breaking up, loss, the pain of moving on, and my parents were just getting divorced at the time, so I listened to it over and over again.

Who are critics? Do they know about music? Have they proved themselves in the field? I remember, when we came up with the music of 'Dil Chahta Hai,' some of the critics said that the songs sounded like jingles.

I remember unbelievable tension in our home. There were lots of meetings, lots of worries. I remember my father told me I had to be careful of what I said on the phone because it was tapped. And I remember how his friends adored and revered him.

I can remember in my early days of writing going to sort of writers' functions and parties and things like that, and I used to get very irritated because when people heard that you came from the suburbs, they had this notion that it was very un-cool to come from there.

I remember once in junior high school, on a Friday, my mom came home from work and said to my brother and I, 'You know, between us, we have only 27 cents, but we have food in the refrigerator, we have our little garden out back, and we're happy, so we are rich.

I remember I came into the NBA in 1999; the game was a little bit more rough. The game now is more for kids. It's not really a man's game anymore.

I remember when I first came around, the computer-generated stuff was pretty wicked. I was like, 'Wow!' but I feel like then for the longest time, we saw so much of it, after a while, you might as well just be watching an animated movie.

You do remember things that people say in movies. You remember particular lines and things that are funny. But, you also remember really strong images. Images have a way of bypassing your brain and hitting you emotionally.

Remember, this is back in the 1940s, and it was sculpture which probably - in my instance probably came out of the European influence, [Alexander] Archipenko and things of that sort, [Jacques] Lipchitz to a certain extent, and I was influenced by those things and attempted to do work that emulated their style.

I remember ones I lost [shot]. I remember the ones I won, but I remember the ones I lost, something that I will never forget. Did it ruin me or hurt my career? It taught me about life, how to take the bad with the good.

I remember when I came into the NBA, eighteen years ago, there were maybe nine to twelve international players playing in the NBA. Today we've got more than 85, so that tells you how our game has grown at that level.

I remember 'The Towering Inferno' when it came out, I was probably 10 years old, but I could watch it seven consecutive days in the week. I would go and watch it over and over and over.

In my house, we couldn't listen to 'Love to Love You Baby.' It was way too salacious back in the day. I remember my mom would turn the station off when that song came on the radio. But, of course, I played my album to death in my bedroom, with the door closed.

I'm an American designer. It's important to riff on that. I remember, when my mom and I first came to the States, she was so shocked that everyone was so dressed down in sandals and shorts. It's not quite like that in Asia. To give that a superluxurious makeover? For me to make street wear? It's sort of chic to do it.

I remember Usher came up to me at Coachella once, and it's like, 'Are you sure you're talking to the right person? How do you even know what I look like? You're not supposed to know who I am.'

When I was a kid my family was really poor and I remember one Halloween I wanted to dress up really scary and my parents came home with a duck costume. I wore that costume for years! I hated it.

Well, I'm not going to go into what the letter says, because the police are looking at that. But as you say it's in Bahasa. But of course that's not to suggest that the letter came from outside of Australia. It came from in Australia. It came from Victoria.

As soon as 'Hide Away' came out, it was like everyone knew who I was, and I started getting all this attention. It was hard to get used to at first. I just remember that I suddenly couldn't walk down the hallways without hearing a classmate or teacher playing it - it was unreal!

I never wanted to be a dancer. I was too big, I was too slow. I remember not liking it. Later on, when I came to the United States, I realized I had a skill, and when you come to this country, you realize if you have a skill and a determination, you can do anything.

I remember when the first police scary video thing came out, and you thought, wow, ooh, look at this, come and look, come and look. And now it's on every channel.

Everything that was happening with AEW in the world of professional wrestling and the worldwide attention that it was grabbing, for me, like I said, when it all came about, when the opportunity to sign with AEW came, and it came like out of nowhere.

I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.

I was in Toronto with my parents, and my dad took me to an outdoor hockey rink. I was 3 or 4, and I just remember everything about that day. For some reason, I thought, 'This is it. This is what I'm supposed to do.' And this is around the time that Gretzky came to L.A., so I immediately joined a hockey league.

I remember once when I was working on a magazine, and one of the male editors was going on a field trip with one of his sons. The office was full of, 'He's such a good dad,' whereas I came in late from a doctor's appointment for one of my children and was asked, 'Where were you? You'll need to make up the time.'

The thing people have to remember is there's nothing natural about racism as it exists in America. I mean, we know this historically. We can look at 1619, when Africans first came here, and how early African slaves intermixed pretty indiscriminately with indentured white servants.

O, heavenly Father: we thank thee for food and remember the hungry. We thank thee for health and remember the sick. We thank thee for friends and remember the friendless. We thank thee for freedom and remember the enslaved. May these remembrances stir us to service, That thy gifts to us may be used for others. Amen.

When I was a young boy, during the aftermath of World War II, Germany was broken and in ruins. Many people were hungry, sick, and dying. I remember well the humanitarian shipments of food and clothing that came from the Church in Salt Lake City.

When you think back to your first kiss, your hair is perfect and she was wearing a cool outfit. We remember it with restraint and we remember it with style. We remember it as idealistically as you can think.

I remember my grandmother's husband dying. But I think I was older. I think I was 7 or 8 when he died. But I remember that being the first real person I knew who died, and I - and that my parents didn't let me go to the funeral. And I remember feeling like it was really unfair.

When people read a novel 600 pages long, six months pass, and all they will remember are five pages. They don't remember the text - instead, they remember the sensations the text gives them.

Every song brings back memories, like I remember where I wrote all these songs. 'Universal Heartbeat' was my apartment in New York City. 'My Sister' was at my apartment in Boston. I remember places and I remember what I was thinking when I wrote it.