Top 29 Renoir Quotes & Sayings

Manet wanted one day to paint my wife and children. Renoir was there. He took a canvas and began painting them, too. After a while, Manet took me aside and whispered, 'You're on very good terms with Renoir and take an interest in his future - do advise him to give up painting! You can see for yourself that it's not his metier at all.

Nowhere in my collection do I, say, have a Auguste Renoir painting. Because everybody knows that this is a good painter without me having to demonstrate it.

I also became inspired by impressionist painters such as Renoir, and wanted to do the same sort of thing with music-portray whatever mood strikes me the way Keith Jarrett does on piano.

I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.

I loved working with Renoir on 'The Southerner.' Oh, I loved it! I particularly loved when he had a scene with a cow going through a garden, and he wanted a little dog to come and bark at it and chase it out.

My little Renoirs. Matisse describes having seen Renoir make these tiny canvases. When he had finished working, he would use up the color left in his brushes on them.

Renoir had a strong feeling about his fellow soldiers. He'd never disrespect them by putting the war down.

I think of myself as the little girl Renoir painted with the watering can. I loved the garden colors.

I know now that he who hopes to be universal in his art must plant in his own soil. Great art is like a tree, which grows in a particular place and has a trunk, leaves, blossoms, boughs, fruit, and roots of its own. The more native art is, the more it belongs to the entire world, because taste is rooted in nature. When art is true, it is one with nature. This is the secret of primitive art and also of the art of the mastersMichelangelo, Czanne, Seurat, and Renoir. The secret of my best work is that it is Mexican.

I don't have a Winslow Homer or a Renoir, but I do have the liberty to live as I like.

Monet, Manet, Sisley, Renoir, Van Gogh and others went outside to paint for one simple reason - it looks different outside.

By the beginning of the 20th Century, Cannes and the coastal strip that winds its rocky way to Monaco was the winter resort for the rich, the Royals and a few well-heeled writers and artists, such as the impressionist painter Auguste Renoir.

I do have a dream, a painting, the baths of La Grenouillere for which I've done a few bad rough sketches, but it is a dream. Renoir, who has just spent two months here, also wants to do this painting.

Renoir had not only a great interest in human character, in human feeling, but had also a great love for the people he painted.

It is universally agreed that Jean Renoir was one of the greatest of all directors, and he was also one of the warmest and most entertaining.

Whatever simplicity I've achieved in writing, I think I owe most of it to Jean Renoir and Hemingway: simple, declarative sentences. I've read some very good writers, but the sentences were so long that I've forgotten what the point was.

The great French Impressionist painter Renoir, right at the end of his very long life, said to a friend, "I am just now learning to paint." Renoir carried his gift with a humility which realized how much he still had to learn. Anyone who goes deeply into a field in life and realizes this, gains a sense of proportion that can only make you humble.

How many books did Renoir write on how to paint?

Food is a necessary component to life. People can live without Renoir, Mozart, Gaudi, Beckett, but they cannot live without food.

Jean Renoir once suggested that most true creators have only one idea and spend their lives reworking it, but then very rapidly he added that most people don't have any ideas at all, so one idea is pretty amazing.

One should make movies innocently - the way Adam and Eve named the animals, their first day in the garden. Learn from your own interior vision of things, as if there had never been a D.W.Griffith, or a Eisenstein, or a [John] Ford, or a [Jean] Renoir, or anybody.

Technology is mechanical and contrary to the emotions that inform a person's life. The country music field has especially been hit hard by this. All my songs have been written by people who went out of fashion years ago. Just like da Vinci and Renoir and van Gogh. Nobody paints like that anymore. But it can't be wrong to try.

I do have a dream, a tableau of the bathing place of La Grenouillère, for which I've done some bad pochades (sketches), but it is a dream. Renoir, who have just spent a couple of months here, also wants to paint this subject.

I went to an auction in the late '70s and bought a small Renoir. People said, "Why did you buy a Renoir that size?" I said, "I can put it in the safe with my diamonds." And that was a true story. I bought it to put it in the safe.

In the neighborhood around Waseda, there were all these movie theaters, so every morning I left the house and watched movies instead of going to class. The experience of encountering films then is one of my greatest memories. Before that I'd never paid any attention to directors, but there I was taking a crash course in Ozu, Kurosawa, Naruse, Truffaut, Renoir, Fellini. Because I've always been naturally a more introspective person, I was more interested in becoming a screenwriter than a director.

The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.

I like a girl with a substantial bottom,' said Renoir, drawing in the air the size bottom he preferred.

In Naples, Fla., I met a self-made man, a multimillionaire, whose round penthouse apartment is home to Pierre-Auguste Renoir, Claude Monet, Henry Moore, and Mickey Mantle. He had purchased the most coveted items auctioned by the Mantle family at Madison Square Garden in December 2003.

The music began, passages of immense technical complexity fluidly bridging Caravaggio’s chiaroscuro with Renoir’s impressionism. The gloom and shadows of claustrophobic chambers contrasting with the vibrant radiance of a wide-open landscape. The realism of humanity down to its dirty nails and rotten wounds combined with the fleeting sanguinity of the moment.