Top 587 Reporter Quotes & Sayings

Once a reporter stood in front of a fire as it consumed a house and then he turned to see the homeowners and their little son watching it burn. The reporter, fishing for a human interest angle, said to the boy, "Son, it looks like you don't have a home anymore." The little boy promptly answered, "Oh, yes, we have a home. We just don't have a house to put it in."

I remember a Humphrey Bogart movie where he was a reporter, so I wanted to be a reporter, and then he was a parachutist, and I wanted to be a parachutist.

The main jobs would be The New Yorker, The Village Voice, The Washington Post and - I'm thinking of The Reporter when Max Askeli was there, but I got fired from The Reporter.

I want to be a Kid Reporter because I would like to meet interesting people, and I also love being in front of the camera! As a Kid Reporter, I would love to learn how to be a better writer and interview people.

A reporter started off: "I know a lot of this is kind of speculation." Popovich interupting: "You're going to ask me anyway." Reporter: "And you're going to shoot it down." Popovich replied: "Next question."

I'm not a daily reporter. I'm not a newspaper reporter, I'm not a political reporter.

I didn't go to university. They offered me a job as a junior reporter and I went off to work for the Southern Reporter. They sent me to college to do my NCTJ, which is a professional exam for journalists, and I started work as a print journalist purely because I was just a pest. They couldn't think of anything other than giving me a job to stop me hanging around.

A police reporter walks into the worst moment in someone's life on every single story that he covers. It's not like being a sports reporter. That's a great job and all that and takes certain skills. But, you know, they're glad to see you when you show up to cover the football game. Nobody is ever glad to see a police reporter when he shows up.

I was a finalist for the Pulitzer as a reporter.

I started as a print reporter.

We're not seeing, you know, dozens of reporters being beaten up. And there may be more attention to it than there has been in the past. But it is important to recognize that the democracy depends on reporters asking people in power questions, so that the general public has information. We can't really self-govern unless information is widespread. And, sometimes, reporters have to be a little aggressive. I mean, you know, the reporter didn't beat up the politician. The politician beat up the reporter.

My first film role was a reporter. It's funny, because my father was a news reporter. I always thought there was something strange about that.

I was a dogged reporter.

I tell the truth. That's my training as a reporter.

I'm an inexperienced reporter, and I'm still learning.

A reporter did a human-interest piece on the Texas Rangers. The reporter recognized the Colt Model 1911 the Ranger was carrying and asked him 'Why do you carry a 45?' The Ranger responded, 'Because they don't make a 46.'

I'm just a reporter.

I used to be a print reporter.

I wasn't the greatest reporter in the world, but I wasn't starting at zero.

I had - all my life, everybody who knew me thought that I would probably grow up to be a reporter, a newspaper reporter because we didn't have much television in those days.

[VIA DOLOROSA]'s pushing Broadway as far as it can be pushed. I stand before you as a reporter, and you have to decide whether I'm an honest reporter or not. And if you're convinced that I am honest, then I think that you will listen to me in a way that you wouldn't have listened to a fiction where scenes are made. . . . I've thought quite long and hard about what I want to say in this play. And if it means that every single sentiment that I produce is put minutely under an ideological microscope, that's fine.

If there's anything that's important to a reporter, it is integrity. It is credibility.

I'm not a reporter but the 'New Yorker' treats everyone like a reporter.

[ I'm] humorist, I guess. Or really more of a reporter. A reporter who reports on funny things.

Folks really need to be very cautious about overanalyzing or overparsing what I've said to this reporter or that reporter.

A lot of people don't realize that I started my career in sports and was a sports reporter long before I was on television. I used to be an NBA reporter and an NHL reporter.

I don't think a reporter necessarily becomes an arm of law enforcement. I think a reporter is like any other citizen. If a citizen can do his or her duty as a witness, if they have information about a crime, or if they have information about a criminal group, I think that there's a duty on the part of the citizen.

It is not entirely true that a TV producer or reporter has complete control over the contents of programs. The interests and inclinations of the audience have as much to do with the what is on television as do the ideas of the producer and reporter.

Even if you had the wherewithal to embarrass a reporter, there was no mechanism to do it. And in most cases, you might as well save your breath because the reporter had no shame anyway.

A reporter shoots first, aims later.

Rove and his attorneys can parse the words all they want, but it is now clear that while Rove may not have given a reporter Plame's name, he clearly identified her by telling the reporter that Joseph Wilson's wife was a CIA agent.

There's not much a newspaper reporter can do about dead men. But a newspaper reporter and a cop and a judge can deliver some justice. That's why the founding fathers wrote it up the way they did, I suppose. Life. Liberty. Pursuit of happiness. Everyone is entitled to those things.

I'm a reporter. I'm not a scholar.

I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk.

A litterateur is not a confectioner, not a dealer in cosmetics, not an entertainer. . . . He is just like an ordinary reporter. What would you say if a newspaper reporter, because of his fastidiousness or from a wish to give pleasure to his readers, were to describe only honest mayors, high-minded ladies, and virtuous railroad contractors.

I'm a reporter by nature, I want to know everything.

A reporter called on Edison to interview him about a substitute for lead in the manufacture of storage batteries that the scientist was seeking. Edison informed the man that he had made 20,000 experiments but none had worked. "Aren't you discouraged by all this waste of effort?" the reporter asked. Edison: "Waste! There's nothing wasted. I have discovered 20,000 things that won't work."

I think I'm a reporter's editor. Being a good reporter is a specific skill, one I admire and don't possess myself - I appreciate people who know how to ask the right questions, who are excellent researchers, who know how to assemble information, and I enjoy working with them to shape their information into an article. Good reporters tend to be receptive to editing, and to a more collaborative form of writing in general, and you always end up learning more from how they work than you expect you will.

A journalist is a reporter out of a job.

I never went into it [the business] thinking 'I'm a female sports reporter'. I just went into it thinking 'I'm a sports reporter'. No chip on the shoulder, no feeling like a victim when you walk in, no feeling entitled when you walk in. You've just got to do your job and work extremely hard. I think it's very basic. There's no magic to it. I think honestly it comes down to how badly do you want it. How hard are you willing to work?

Is it against the law to kill a reporter?

I was in the back of the book [in the The Reporter] doing music.

As a reporter, you know the tropes of how stories on poverty work in any country. A reporter will go to an NGO and say, "Tell me about the good work that you're doing and introduce me to the poor people who represent the kind of help you give." It serves to streamline the storytelling, but it gives you a lopsided cosmos in which almost every poor person you read about is involved with a NGO helping him. Our understanding of poverty and how people escape from poverty, in any country, is quite distorted.

I am not covering stories as a transgender reporter. I'm a reporter who is transgender. Otherwise, it would be like having a black reporter only cover stories about blacks or a Hispanic reporter covering stories about Hispanics.

Never steal another reporter's story; never take the last of another reporter's ammo; never mess with another reporter's computer. Those are the rules, unless you work for a tabloid, where they replace "never" with "always".

I think, though, that people will read into a reporter's story a bias that they want to see in a reporter.

I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The 'mot juste' unarriving? Tell that to your desk.

I'm not a war reporter.

Everybody has a smartphone; everyone is a reporter.

It is not a camera, or a reporter that makes something real and genuine; more often a camera or a reporter does the opposite.

My job as a reporter is not to know what I think.

Newspapers have been likened to steamships that move very slowly, in terms of their direction. And when a reporter is sent out on a story, if that reporter has his or her own personal standards and is given a certain amount of time, they're going to probably do as good a story yesterday or tomorrow as they did the day before yesterday when there was a different editor there. But an editor provides vision. An editor decides what's going to be on page one, what gets rewarded, who's given more time, who's given what beats. They set a direction.

The Fall of the House of Zeus is a riveting American saga of ambition, cunning, greed, corruption, high life and low life in the land of Faulkner and Grisham. These are good ol' boys gone bad with flair, private jets, and lots of cash to carry. Curtis Wilkie, a child of the South and a reporter's reporter, is the perfect match for this wild ride.

Some folks ask me what the transition was like from NASCAR reporter to political reporter. It's easy. In one, you try to explain to your readers the significance of grown-ups getting paid exorbitant amounts of money to go around in circles indefinitely, always turning left. In the other, you get to interview racecar drivers.

I have nothing to do with the selection of stories. I'm the reporter.

I made a sort-of living in the beginning of my acting career as a reporter. I think my very first job was 'Early Edition' as reporter no. 1, and for 'Light It Up,' I was reporter no. 2.

But I'm a humorist. I'm not a reporter, I never pretended to be a reporter.

I've always thought of myself as a reporter.

It's easier to make a reporter into an economist than an economist into a reporter.

I didn't realize what fun it was [ been a reporter].