Top 1200 Research And Writing Quotes & Sayings

Explore popular Research And Writing quotes.
Last updated on April 14, 2025.
What is generally missed, is that my writing financed research.
Because I work quite slowly, I have to keep myself interested over a long research and writing period. So I can't see myself writing about modern middle-class Londoners anytime soon.
I have to do more close research and fact checking for the science fiction. This is not however to say that writing good fantasy does not involve doing good research. — © Sarah Zettel
I have to do more close research and fact checking for the science fiction. This is not however to say that writing good fantasy does not involve doing good research.
I discovered that I, a writer of what is known as creative nonfiction, could do the research and bridge the gap in my books and lectures through true storytelling. This is not 'dumbing down' or writing for eighth graders. It is writing for readers across cultures, age barriers, social and political landscapes.
Writing an encyclopedia is hard. To do anywhere near a decent job, you have to know a great deal of information about an incredibly wide variety of subjects. Writing so much text is difficult, but doing all the background research seems impossible.
I try to do as little as possible without looking like an idiot. Research is fun and easy. Writing is hard. So I try not to let the research become an excuse to not do the writing part.
There are 20,000 million books I could have to read, but I can pick the ones and know that I'm learning something that I didn't know before. That's the glory of writing. It's not even so much the writing, it's what you learn - especially history - because so much of it is research.
When I do research, I have done - 90 percent of my time is the research, the other ten percent is the writing. So I don't have to face a blank piece of paper. I can look at this as a quote that I have from somewhere.
We sometimes talk as if "original research" were a peculiar prerogative of scientists or at least of advanced students. But all thinking is research, and all research is native, original, with him who carries it on, even if everybody else in the world already is sure of what he is still looking for.
It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.
I do like the research part of writing, I must admit.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
The biggest challenge in the research process is to let go, to stop, to say enough, and then to reduce all of that beloved labor down to a few succinct paragraphs that shape the background to your narrative. I love research - that's all the fun, especially in the field. To write, however, is to suffer, and my pieces usually come in thousands of words over the assigned length. That's a serious flaw in my writing process - shaping and disciplining the footlockers of material one has so happily gathered.
The heart and soul of good writing is research; you should write not what you know but what you can find out about.
I was invited to join the newly established Central Chemical Research Institute of the Hungarian Academy of Sciences in 1954 and was able to establish a small research group in organic chemistry, housed in temporary laboratories of an industrial research institute.
Time spent researching varies from book to book. Some novels require months, even years of research, others very little. I try to do most of my research before I begin but inevitably questions emerge during the writing.
I love doing the research for the novels. For me, the writing is hard work. — © Clive Cussler
I love doing the research for the novels. For me, the writing is hard work.
Research and writing are lonely occupations. It is easy to become discouraged in solitary confinement.
When I was writing Dune there was no room in my mind for concerns about the book's success or failure. I was concerned only with the writing. Six years of research had preceded the day I sat down to put the story together, and the interweaving of the many plot layers I had planned required a degree of concentration I had never before experienced.
I tend to delay writing by doing more research - it's really the act of writing the piece that I have the hardest time with.
I've pursued a lifetime in the research on the social determinants of health and more recently been packaging not just my research but global research on this topic in a way that I hope will influence policy.
The Deep Web contains shockingly valuable information. Can you imagine how cancer research would blossom if every researcher had instant access to every research paper done by every single university and research lab in the world?
I cannot say how strongly I object to people using other people's writing as research. Research is non-fiction, especially for horror, fantasy, science fiction. Do not take your research from other people's fiction. Just don't.
Discovery still happens in the writing. You start in nonfiction with a whole lot more going for you, because all the discovery isn't waiting to be made. You've made some of it in the research. As you get deeper into a piece and do more research, the notes are in the direction of the piece - you're actually writing it.
When I do jokes that maybe are seen as social commentary, I research them to the nth degree. I probably do more research than I do actual joke writing. I want to make sure what I'm saying is correct.
One book at a time... though I'm usually doing the research for others while I'm writing, but that sort of research is fairly desultory and I like to stick to the book being written - and writing a book concentrates the mind so the research is more productive.
Africans and persons of African descent must assume the primary responsibility and leadership in historical research....if we are to continue to leave practically all important historical research and writing concerning the black race to the white man, then we must be prepared to accept, uncomplainingly, the white man's point of view.
Now I'm writing about contemporary Los Angeles from memory. My process was to hang out, observe, research what I was writing about, and almost immediately go back to my office and write those sections. So it was a very close transfer between observation and writing.
My writing process is a mix of research, personal experiences, washing the dishes, raising kids while thinking - then writing.
The thing I always tell my writing students - I'm not a full-time instructor, by any means, but periodically I've taught writing students - what I always tell them is that the most important thing in narrative nonfiction is that you not only have to have all the research; you have to have about 100% more than you need.
I enjoy the research element. There are so many stories from the past that interest me, that I want to learn more about, just as an interested person. And if I'm going to learn, if I'm going to research, it's probably going to lead me to writing a novel.
Pre-planning is essential. Research, research, research. If you are going to do a portrait, know as much as you can about the person beforehand. The web makes this very easy.
Mostly, research is much more fun than the actual writing.
I have a strong work ethic, yet I'm incredibly lazy as well. The problem with being a writer is that everything you do can be called research. Sitting in the pub is research. Reading the newspaper can be research.
I like to do the research of history and the creativity of writing fiction. I am creating this thing which I think is twice as difficult as writing either history or fiction.
I don't like writing grand battles and I find it tiresome to research weapons development and military strategy.
To be honest, I don't usually do very much research, especially if I'm working with a director who also wrote the screenplay. They've usually done a tonne of research. And they'll tell you about it from their perspective which is better than doing your own research.
I'm not an actor who approaches films doing a lot of research. I do zero research, unless it's a film where I'm playing a mock version of someone who already existed. Then, you've got to do a lot of research.
'Research,' for me, is a big word that encompasses a lot of different activities, all of them based around curiosity. Research is traveling to places, or studying snowflakes with a magnifying glass, or excavating one's memories. Research is walking around Hamburg with a notebook.
I usually don't have to do a lot of research in my work, as I'm writing about something I'm already familiar with. — © Amy Bloom
I usually don't have to do a lot of research in my work, as I'm writing about something I'm already familiar with.
I did a lot of my writing as though I was an academic, doing some piece of research as perfectly as possible.
Outlining is not writing. Coming up with ideas is not writing. Researching is not writing. Creating characters is not writing. Only writing is writing.
What led to my change of views about the Clintons was working through the research and writing on the book on Hillary.
All my books take a long time to research. I spend several months researching before I start writing, and in the middle of writing I often have to stop and look up stuff. At my local library, I am one of the best customers! The research takes several months.
All research scientists know that writing in the passive voice is artificial; they are not disembodied observers, but people doing research.
I don't actually tend to do a lot of research when I'm writing. I do know because I think a lot of what I find you want to do with research is just confirming things you want to do. If the research contradicts what you want to do, you tend to go ahead and do it anyway.
I was writing 'Outlander' for practise and didn't want anyone to know I was doing it. So I couldn't very well announce to my husband that I was quitting my job and abandoning him with three small children to visit Scotland to do research for a novel that I hadn't told him I was writing.
The research. It is always the best part of writing. And, of course, it is the great excuse to travel.
Research is an expression of faith in the possibility of progress. The drive that leads scholars to study a topic has to include the belief that new things can be discovered, that newer can be better, and that greater depth of understanding is achievable. Research, especially academic research, is a form of optimism about the human condition.
I still find the idea of a research-heavy or historical novel daunting. That's something I've had in mind for a while: like, would you research for a year and then start writing? I sit down, and I just don't know how to write it.
This example illustrates the differences in the effects which may be produced by research in pure or applied science. A research on the lines of applied science would doubtless have led to improvement and development of the older methods - the research in pure science has given us an entirely new and much more powerful method. In fact, research in applied science leads to reforms, research in pure science leads to revolutions, and revolutions, whether political or industrial, are exceedingly profitable things if you are on the winning side.
Research is not an obstacle, something to be frightened of. It can be one of the real joys of writing. — © Anthony Marra
Research is not an obstacle, something to be frightened of. It can be one of the real joys of writing.
When I'm writing, I'm trying to access my subconscious and turn off my conscious brain. I use my conscious for research, but when I'm actually writing, I'm trying to get into a place where I'm tapping into the deeper, darker elements of what's going on.
To do the writing, I have to have time to do research.
The short-term vision is: I research on something which I can use tomorrow, and for some politicians it is even better if it's today. But if you do this, you can only do targeted research. If you only do targeted research, you lose the side-routes.
When it comes to sermon writing, generally there are two problems. Some preachers love the research stage but hate the writing, and they start writing too late. Others don't like doing research, so they move way too fast to the writing part.
I find research fascinating and always conduct some before I begin writing, and then fill in the rest as needed. I read stacks of books and also had the opportunity to travel to England to do more research.
I like to do books in which a lot of the research and the writing and the thinking revolves around something American.
Research is all well and good, but I definitely enjoy writing the most. I will happily sit at my computer and work on a single paragraph for hours. And there's no better feeling than when your writing is going well.
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing.
This site uses cookies to ensure you get the best experience. More info...
Got it!