Top 1200 Revealing Something Quotes & Sayings - Page 17

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Last updated on April 20, 2025.
What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, you've got to keep reinventing yourself to stay on top.
Life is short. Life goes fast. And what I really want to do in my life is to bring something new, something beautiful and something filled with light into the world. I try to think of that every day so that I can remember why I am coming to my studio.
I don't deliberately look for something dark or bleak or disconnected, in fact that's not something I'm even conscious of in the work as I'm making it. I'm always trying to create beauty, reveal hope, show the sense of longing that exists in isolation and loneliness, and capture the search for something greater inside all of my subjects.
Illness is something out of balance, rather than something within balance. It's been something that is created and it's been created for a purpose and a reason, and that purpose or reason may not be obvious to the person that has the disease. Nevertheless, there is something going on and it's not always easy to find that out.
I find as long as I acknowledge the truth of something, then that's it. I know what it is and then I can operate. But if I overestimate the downside of something or the challenge of something and I get too obsessed about the difficulty of it, then I don't leave enough room to be open to the upside, the possibility.
HAMM: We're not beginning to... to... mean something? CLOV: Mean something! You and I, mean something! (Brief laugh.) Ah that's a good one! — © Samuel Beckett
HAMM: We're not beginning to... to... mean something? CLOV: Mean something! You and I, mean something! (Brief laugh.) Ah that's a good one!
A cat is a responsibility after all. And feeding and keeping and caring about a stupid fat cat isn't much, isn't much in the entirety of what counts for being a person and the huge range of what people do,but it is something. It is something and it's something that's warm and that I still have.
It isn't a matter of hope. It's a matter of - between the options of trying nothing and trying something, let's try something but let's also be very thoughtful about what that something is.
I could tell you a tale about something,' Miach offered, rubbing her hand absently. 'If you like.' She frowned thoughtfully. 'What sort of something?' 'Something that would soothe you,' he promised. 'I'm sure there would be swords involved. Bloodshed. Peril. That kind of thing.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
Fashion is so close in revealing a person's inner feelings and everybody seems to hate to lay claim to vanity so people tend to push it away. It's really too close to the quick of the soul. Vain trifles as they seem, clothes have, they say, more important offices than to merely keep us warm. They change our view of the world and the world's view of us. Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress and the way you live. Fashion should be a form of escapism, and not a form of imprisonment.
We are always imagining something, It is practically impossible to be awake without imagining something. Then why not imagine something at all times that will inspire the powers within us to do greater and greater things?
What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, youve got to keep reinventing yourself to stay on top.
Anxiety is part of creativity, the need to get something out, the need to be rid of something or to get in touch with something within.
Why should we consider defining intelligence as something global and as something that hasn't actually yet appeared on Earth? It may be useful for envisioning the future of our own civilization and any others that may be out there among the stars. It might give us something to strive for.
If something appeals, something appeals. I don't think I'm particularly calculated about it. I know I have an alarm bell that goes off in my head where something feels like it has no creative integrity to it at all, and it's just about making money.
There's something very... spiritual about fighting. It's physically very challenging. It's for killing people, after all, so it's taught me how to look at something head on. It's like living - confronting something. Everything for me came from films.
When you go and create something, you want to believe in it. If they don't, we're barking up the wrong tree. But when you believe in something and you see other people believing in it too, it just feels like you're doing something right in the world, and that feels good.
Imperialism, or the conquest and colonization of other populations, other peoples, has had as one of its side effects the growth of a discourse of objectivity. That is, when you encounter something new, something strange, something different, you have to find categories for it, you have to come to terms with new objects.
There's something artistic about skating. A psychologist could tell you exactly why that is, but I think there's something much more expressive that gives you a lot of room for unique and individual expression. Whatever you're interested in can become something you kind of own in your group of skater friends.
I just don't want to ever make decisions based on something that I feel like I shouldn't do, or if it's a logical career step. It has to be something that inspires me. Because if it's not something that inspires me, then I'm not going to do it well. And that doesn't help anybody.
Life can be so good if you let it. But you must trade with life. You give something and you get something, then you give something of yourself again and you receive something again. Life goes bad when people try to take from it without giving. Then they came away empty-handed, and they grab harder and more often, growing more disappointed and disillusioned each time.
When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
I love sexy, intelligent women. Sexiness is hard to define. Of course a woman can be beautiful, but I think it's something in the eyes. It's a woman saying something secretive, something in her eyes that's almost animalistic.
The idea of writing, to me, was, from the beginning, was writing something which was a little different from the ordinary exchange of speech. It was something that had a certain formality, something in which the words were of interest in themselves.
Something good happened to my writing when I stopped being afraid to do something simple, for the fear that people might think I couldn't do something more complex. Don't be confused by the word simple. Simple is not easy, it is clear voiced, and fearlessly elegant.
You can't just tell your team, 'Think long term.' It doesn't work that way. When you are starting out, you have to always think about trying to build something of value for the customer: something they can use all the time, something of use.
The sole justification of teaching, of the school itself, is that the student comes out of it able to do something he could not do before. I say do and not know, because knowledge that doesn't lead to doing something new or doing something better is not knowledge at all.
A lie was something you told because you were mean or a coward. A story was something you made up out of something that might have happened. Only you didn't tell it like it was, you told it like you thought it should have been.
There was a big thing in the Behan family of achieving and wanting to be something special. There was a big drive in the family, even though it was poor and working class, to do something important, to contribute something to Irish culture. He certainly achieved that in a spectacular way.
It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
The trouble with deep belief is that it costs something. And there is something inside me, some selfish beast of a subtle thing that doesn't like the truth at all because it carries responsibility, and if I actually believe these things I have to do something about them. It is so, so cumbersome to believe anything. And it isn't cool.
I'm attracted to things that are in direct opposition to something that I've just done. It's not like I'm trying to make the right chess move. It's more just that personal thing where you get connected to something for so long and then you want to do something that's in opposition to that.
I believe there's a strong difference between something being good and something being successful. The successful thing is something we have no control over.
I know a lot of people love applications on their phone, but I'm like, 'Yeah, I understand the nice experience, but there's something about it that doesn't flow well.' Opening an app, closing it, moving to something else. There's something about the open web that's very free flowing.
I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
When I started writing, I didn't have the common sense to use a pseudonym, so I write under my own name. If I did have a pen name, though, it would be something very historical - something that sounds very sort of Regency... Sophia something.
Happiness is not something you achieve. It's not something you do or someplace you get to. Happiness is something you inhabit.
If you're suddenly doing something you don't want to do for four years, just so you've got something to fall back on, by the time you come out you don't have that 16-year-old drive any more and you'll spend your life doing something you never wanted to do in the first place.
I do want to come across something, I do want to feel something and see something.
Happiness is not something you acquire; love is not something you produce; love is not something you have; love is something that has you. — © Anthony de Mello
Happiness is not something you acquire; love is not something you produce; love is not something you have; love is something that has you.
There were a lot of times in the Cleveland and Chicago organizations when I did something, they wanted to make sure the camera was there. I really didn't want that. This isn't something my parents told me to do. Or something my family told me to do. Or do things for publicity. I do this on my own. I do this from my heart.
When you do calculations using quantum mechanics, even when you are calculating something perfectly sensible like the energy of an atomic state, you get an answer that is infinite. This means you are wrong - but how do you deal with that? Is there something wrong with the theory, or something wrong with the way you are doing the calculation?
There is also something called the Legislature. There is something called the press. There is something called people. These are all different players on the stage.
Because that’s how it works after something terrible has happened. You know this is true if something terrible has ever happened to you. A thousand objects take on new meaning. Everything is a reminder of something else.
I don't like to have a bad time. I like to have fun with everything. I don't like feeling nasty, I like positive energy. So if we're all sitting in the car and it's quiet, I have to do something to make it unquiet and laugh or something - I just have to do something cool.
Musicals are not something I have had vigorous training in. But it's definitely something that I want to do. I don't like to be afraid of anything. I don't want to feel like there's something that I can't do.
There is something powerful in the whispering of obscenities, about those in power. There's something delightful about it, something naughty, secretive, forbidden, thrilling. It's like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt.
At the end of the day, you can have something in your head, something in your hand, or something in your heart. What are you choosing?
I felt like I had lost something. But not something silly, like my keys or my gum; more like my arm or my foot, something that really mattered. Like something that I could live without, but would make life much harder if it were missing. And life is hard enough. Life is hard enough with everything we're given.
Sometimes when Zelina is injured or something, sometimes when I go to the ring and Zelina's not in my corner, something is confused or like I forgot something.
My district doesn't come to vote to the polls against something because they fear something. They will come to the polls to vote for something because they are inspired by something.
Maybe there is a sort of a sweet middle ground there, where you can do something with something with like 20 to 40 million and do something which is much more character driven, but still create a sort of visual spectacle around it. That is what I'd like to do.
They told me that I had a leaky valve, which is something that is certainly not life-threatening. It's common and it's something that had I not known about it, would I have lived? Sure. But it's something that I think is important to know, especially as I get older and given that I have heart disease in my family.
There's something to play if there's conflict going on. Whatever that conflict is, that's where drama is; if the character is grappling with something you've got something to play, there's layers to it.
As an actor, I enjoy variety. That's a big thing for me. So, if I'm going to put my name to something and commit to something that's going to take up a lot of my time, it has to be something that I know is going to be enjoyable and worth my while. Otherwise, what's the point?
Grief is never something you get over. You don't wake up one morning and say, 'I've conquered that; now I'm moving on.' It's something that walks beside you every day. And if you can learn how to manage it and honour the person that you miss, you can take something that is incredibly sad and have some form of positivity.
There must be something in books, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.
Always have the highest bar for yourself. Wake up everyday and no matter how crappy you feel, want to change something for the better. Do something that makes someone happy. Create something that inspires someone. Be someone's light when they are hopeless.
We all live in the same house, we all must be part of the effort to hold down our little house. When you see something that is not right, not fair, not just... do something about it. Say something. Have the courage. Have the backbone. Get in the way. Walk with the wind. It's all going to work out.
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