Top 1200 Revealing Something Quotes & Sayings - Page 20

There's something bigger than improvised music versus pop music versus something else. What actually succeeds in being communicated are human feelings, things that people can latch onto and say, "Yeah, I feel like that sometimes." It can be inspiring or it can be something that keeps you sane when you're not feeling well.

Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.

I want to make something great. I want to make something that I can be proud of in 10 years, something that is timeless.

If you borrow money to make money, you've done something magical. On the other hand, if you go into debt to pay your bills or buy something you want but don't need, you've done something stupid. Stupid and short-sighted and ultimately life-changing for the worse.

I would love an old classic car, or something like that. I'd get something much more subtle than any of those cars. The Lamborghinis were unbelievable to drive and to sit in and to film in. I loved the sensation because I love driving, so I appreciate them for what they are. But, I couldn't go into a showroom and buy something of that expense.

Something told the wild geese It was time to go. Though the fields lay golden Something whispered, "snow." Leaves were green and stirring, Berries, luster-glossed, But beneath warm feathers Something cautioned, "frost." All the sagging orchards Steamed with amber spice But each wild breast stiffened At remembered ice. Something told the wild geese It was time to fly- Summer sun was on their wings, Winter in their cry.

One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.

I'd love to shoot something in Toronto; I'd love to bring something to Canada. I'm dying to shoot something in Vancouver where I'm from.

It seems like journalism over here in UK, in general, is at a higher level: not overrun by all these teeny little blogs. There's more of a historical context for it or something. It seems like people review something or take a listen to something and they really do their homework. That's just what it seems like.

A lot of the songs on '2' are pretty personal, but even if I'm writing about something like that, I still tend to keep it pretty simple and open-ended. I like the idea of people listening to my album and it meaning something to me but maybe meaning something else to them.

The only reason to do a 'SpongeBob' on Broadway is if it's gonna bring something new to the brand, something new to 'SpongeBob,' and also something innovative to theater and to Broadway.

I'm about to start something new. I'm waiting to be whelmed. The whelming as you start something new is quite something.

Giving something back is a huge deal. You'll notice every successful athlete uses that at some point in his career during an interview. "I'm gonna give something back. Gotta give something back to the community." "Yaaaay! Right on!" People just fall for it. It's a necessary inclusion.

The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.

I feel like if you compare yourself to other successful musicians you will never be successful, because there will always be someone above you who has done something more or done something first or done something better.

Make sure you are doing something you love to do when working out. Nobody likes to work, so when you do choose a workout, make it something you enjoy doing. You won't stick with it if you hate it and if it feels like work. Find something fun. My favorite thing to do is Jujitsu.

We never will have any prosperity that is free from speculation till we pass a law that every time a broker or person sells something, he has got to have it sitting there in a bucket, or a bag, or a jug, or a cage, or a rat trap, or something, depending on what it is he is selling. We are continually buying something that we never get from a man that never had it.

It's very important to distinguish between what most people in the West think about knowledge, and what the Indian concept of knowledge is. In the West the knowledge is something that is tangible, is material, it is something that can be transferred easily, can be bought and sold; or as in India real knowledge is something that is a living being - is a Vidya.

To use biblical language, those who exchange the glory of God for something in creation will also exchange the image of God for something in creation - and because it is something less than God, it always leads to a lower view of humanity.

When I started out, everyone seemed to be adopting these names... Johnny Rotten, Sid Vicious. I wasn't really Rotten or Vicious or Nasty, so I wanted something a bit more funny - yet something that seemed real rock 'n' roll... something that acknowledged my ambition.

I think there's something unique in the fact that her powers come from the same thing that powers him, and that is how we've made them have that kind of... that specifically in common, as opposed to it being something else that the comics kind of created, which has been pure romance. But they do have something uniquely special because of that.

Advertising agencies come to you and they are great fans, they are great creative people themselves, but they ask you to do something, and you say, "Well, we will, we'll create something together." And it is work. It's like you're doing something and they're saying, "Change this" and "Change that." It's not hard, horrible work, but creatively it's not just freedom.

I think that obviously the quest for purpose, or meaning, or understanding to existence is something that I always think about, always deal with. I guess everybody does - that existential crisis of human condition. It's nothing new. But I'd love to come across something that really made me believe in something.

We need to think about what cooking is, what context it takes place in and what its relationship to the world of art is. If there were criticisms of my presence at Documenta, that's a good thing because it means we were doing something new. Your mission in creating something artistic is to produce something new and polemical.

There is something that is much more scarce, something finer far, something rarer than ability. It is the ability to recognize ability. The sternest comment that can be made against employers as a class lies in the fact that men of Ability usually succeed in showing their worth in spite of their employer, and not with his assistance and encouragement.

All I know is that I've wasted all these years looking for something, a sort of trophy I'd get only if I really, really did enough to deserve it. But I don't want it anymore, I want something else now, something warm and sheltering, something I can turn to, regardless of what I do, regardless of who I become. Something that will just be there, always, like tomorrow's sky. That's what I want now, and I think it's what you should want too. But it will be too late soon. We'll become too set to change. If we don't take our chance now, another may never come for either of us.

I simply can't do one-word message replies: Yes. Ok. No. Sure. Cool. None of these are options for me. I must write something extra. Something personal. I put kisses and emoticons. Emoticons, by the way, are my very best friends. They have removed all the pressure of thinking up something personal to say.

As long as you are promoting something that you really believe in - yes, it's incredible to see that designer earn the esteem they deserve - but there's something to be said about the fact that if you're convicted about an opinion, and you really believe something's great, you're not going to credit yourself for their success.

I wanted my first film to be something where I was surrounded by an amazing cast. I wanted to do something that was completely unexpected, totally out of the box, something that would blow people's minds, that the last thing on the planet earth they would ever think I would do would be it.

Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.

Every person passing through this life will unknowingly leave something and take something away. Most of this “something” cannot be seen or heard or numbered or scientifically detected or counted. It’s what we leave in the minds of other people and what they leave in ours. Memory. The census doesn’t count it. Nothing counts without it.

What is important is not that you have a defeat but how you react to it. There is always the possibility to transform a defeat into something else, something new, something strong. All the good stories, all the people we remember are the ones who do this, who make victories out of their failures. Because the victories teach nothing. The victories are not useful. They are often dangerous.

We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.

Art is something in which you are never an expert at any point of time. It's something you hone all the time and something which is elusive all the time.

Fashion is something that brought me closer to my family as I grew up. It's something that was deep inside me, in my roots, and I started taking more interest as I grew older because it reminded me of my mother and my grandmother. It's not something I take lightly, and I'm going to be open about it.

The main thing I learned is that the more I can forget about being embarrassed when I make something, the more it is going to mean something to somebody else. I can't anticipate what it's going to be or how it's going to be perceived, so the quicker I let go of something I make, the better.

If I was having a bad day, or if something was really getting me down -- boy troubles, whatever -- I wanted to go out and get a new piercing. It was definitely a release for me. Something that made me feel a little more strong or empowered. Because it was something that had to do with me and no one else.

It's hard to program a computer to make jokes. The brain needs to do something here; the brain needs to come up with something bizarre to make something funny.

Where Miles Davis can make you feel things.That's what I'm looking for from young guys. I'm looking for somebody who not just has a command of the instrument, but can actually say something to make you feel something, make you think about something.

I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.

To see something spectacular and recognise it as a photographic possibility is not making a very big leap. But to see something ordinary, something you’d see every day, and recognize it as a photographic possibility - that is what I am interested in.

Do we want more of the same regulatory mission creep that has helped to harm America's poor and middle class? Do we want more of the policies that have stifled growth? Or do we want something else, something different, something that focuses on the need to reevaluate the size, the scope, the cost, the reach of the federal government?

Write because you love it and not because it is something that you think you should do. Always write about something or somebody you know about - something that you feel deeply and passionately about. Never try and force it.

I think that usually I'm just drawn to something that's different from something that I've done previously. Whatever makes me feel something. Whatever makes me excited and connected to it.

It's super easy to do what Conor does. He earned something. Then, he looks over the fence - he looks for something new - and it's very easy to be motivated for something new.

The best strikers make you sit up and take notice because every time they get the ball, you think that something amazing could happen. Of course they'll score goals, but they'll have something in their game which makes you think, 'Wow, he can win this game by doing something magical.'

Are you a person—with volition and maybe some stubbornness and at least the capacity if not the actual determination to do something surprising—or are you a tool? A tool just serves its user. It’s only as good as the skill of its user, and it’s not good for anything else. So if you want to accomplish something special—something more than you can do for yourself—you can’t use a tool. You have to use a person and hope the surprises will work in your favor. You have to use something that’s free to not be what you had in mind.

When I found skating, it was something that was individual, and it was something that I could focus on being my best. And I loved the whole practice, and I also loved performing. It was probably the first time I felt really good about myself and that I was good at something, because I always liked being athletic.

One of the big mysteries of music is, if you take music without words, it means something to us because we know it's about something. It's about something important humanly, but since there are no words, nobody knows what it's about.

All my tattoos, they've been thought out, thought over, been a work in progress for at least a year before I've got them. So I'm not walking into a tattoo shop, picking tattoos off a wall. It's something that means something to me. It's something that I believe in.

It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.

I've always thought that each album would be my last one, and then I would be out of ideas and I would move to photography or something. I thought it was transient and it's not because of this entrenched career stubbornness that I've done it for so long, it's just something I enjoy doing, and it's the most direct way I can express something.

If I want to read something that's really giving me something serious and fundamental to think about, about the human condition, if you like, or what we're all doing here, or what's going on, then I'd rather read something by a scientist in the life sciences, like Richard Dawkins, for instance.

You always learn something about movies. Directing or acting, there's always something new. It's the technological thing; there's always something to learn.

When people call something a 'fail,' it's because you tried to accomplish something but didn't make it. If you're just walking down the street and something bad just happens to you, that's not really a fail on your part. You might call that situation a fail.

Knowingly or unknowingly, every person has a particular role to play in their lives. When you are with your friends you are something else. When you are with your partner you are something else. When you are with your parents you are something else. So different sides of a personality come across.

...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!

It can be 10 people or thousands of people: I want them to see something special. I want them to say, 'I saw the best in the world at something,' and maybe that will inspire them to go do something in their life with the same vigor.

Simon, would you still care for me if you discovered I was not who I say I am?" What do you mean?" I mean would you still care for me, no matter what you came to know?" What a thing to ponder. I don't know what to say." The answer is no. He does not need to say it. With a sigh, Simon digs at the fire with the iron poker. Bits of the charred log fall away, revealing the angry insides. they flare orange for a moment, then quiet down again. After three tries, he gives up. I'm afraid this fire's had it." I can see a few embers remaining. "No, I think not. If..." He sighs, and it says everything.

That's the problem with drinking, I thought, as I poured myself a drink. If something bad happens you drink in an attempt to forget; if something good happens you drink in order to celebrate; and if nothing happens you drink to make something happen.