Top 274 Rhymes Quotes & Sayings - Page 4

Poetry carries its history within it, and it is oral in origin. Its transmission was oral. Its transmission today is still in part oral, because we become acquainted with poetry through nursery rhymes, which we hear before we can read.

Seohyun's so pure that if Seohyun wasn't a singer, she'd still be singing nursery rhymes. Seohyun watches TV until 2am in the morning. What she watches is the cartoon channel.

When I'm in the studio, I'm strictly thinking about the beats, the rhymes and the song. The decision I make once the songs are created, and there's a barcode put on the package, and I'm out there in the street selling it, those decisions as a businessman are different than the creative decisions you make.

Rhymes, meters, stanza forms, etc., are like servants. If the master is fair enough to win their affection and firm enough to command their respect, the result is an orderly happy household. If he is too tyrannical, they give notice; if he lacks authority, they become slovenly, impertinent, drunk and dishonest.

I think it's important to know how to free in case you fall of what you've written, you can be able to keep going with your rhymes. I think it's also good for the culture of emceeing. It's about microphones and about controlling the crowd; it's about rocking the party.

Everybody nowadays rhymes, but out of the people that really, really do it well, it's still a small community of artists. We all tend to be in the same circles - people like my Wu-Tang brothers, or Black Thought from The Roots.

It is not just shameful for a contemporary American poet to use rhymes, it is unthinkable. It seems banal to him; he fears banality worse than anything, and therefore, he uses free verse - though free verse is no guarantee against banality.

Doing the Best I Can' is a sure fire hit. Incredibly commercial. But what could you say about it? Catchy and good to dance to. But 'Nothing Rhymes' is different. A much bigger risk but it was lyrics people could talk about. So that was the one to launch me on.

I get inspiration from things that have nothing to do with painting: caricature, items from newspapers, sights in the street, proverbs, nursery-rhymes, children's games and songs, nightmares, desires, terrors. ... That question [why do you paint?] has been put to me before and my answer was, 'To give terror a face.' But it's more than that. I paint because I can't help it.

We pass the billboard and I console myself in two ways. First, I know that most photographs taken are a gamble at best. Second and more important: I remind myself to find the pleasure in this moment, a time in which the red sky passes to black, children create unanticipated rhymes, and the stars fall closer to earth.

I was excited to play Lil' Kim and I wanted to do the role justice. I worked really hard on that role, whether it was performing the rhymes, studying the dialect, her swagger and her stage performances. I wanted people to see my range and stretch my wings as an actress.

Think, just blink and I made...a million rhymes. Just imagine if you blinked...a million times. Damn, I'd be paid...I got it made.

I know Busta Rhymes for about a year now and we did a song together and we got an album together which is called "Godzilla vs. King Kong", which is going to be me and Busta. That was really the first time we rocked together on stage.

Read to your children all of the time Novels and nursery rhymes Autobiographies, even the newspaper It doesn't mater; it's quality time Because once upon a time We grew up on stories in the voices in which they were told We need words to hold us and the world to behold us For us to truly know our souls

Hollywood and Disneyland are the legacy of Europe's cultural imperialism. We gave them nursery rhymes and they gave back film. Televised riots are as American as Barbie/ Big Macs. Tomorrow the riots will be forgotten but Mickey mouse will still be there. Welcome to Disneyland.

I don't understand what people are talking about in different rhymes glorifying jail. If you like going to bed early, getting yelled at, seeing a fight, seeing somebody getting their head split open, or fighting over the TV then that's the place for you.

Bebop and hip-hop, in so many ways, they're connected. A lot of rappers remind me so much of bebop guys in terms of improvisation, beats and rhymes. My dream is to see hip-hop incorporated in education. You've got the youth of the world in the palm of your hand.

For we live with those retrievals from childhood that coalesce and echo throughout our lives, the way shattered pieces of glass in a kaleidoscope reappear in new forms and are songlike in their refrains and rhymes, making up a single monologue. We live permanently in the recurrence of our own stories, whatever story we tell.

One of the dark truths about dictators - and it applies to Gaddafi - is that on some level, they love their people. But it is a strange love. It says, 'I love you for me; I don't love you for you.' That rhymes with a certain kind of Libyan father who was always certain about what was good for those around him. Those fathers lose in the end.

I love beats that are hardcore, dirty and raw. I love takin niggas burners when they scared to draw. I love plottin on my enemies, I love to attack. I love beatin down niggas when they rhymes is wack!

Living by synchronicity isn't merely about getting messages. It is about growing the poetic consciousness that allows us to taste and touch what rhymes and resonates in the world we inhabit, and how the world-behind-th e-world reveals itself by fluttering the veils of our consensual reality.

He had never been interested in stories at any age, and had never quite understood the basic concept. He'd never read a work of fiction all the way through. He did remember, as a small boy, being really annoyed at the depiction of Hickory Dickory Dock in a rag book of nursery rhymes because the clock in the drawing was completely wrong for the period.

I love music. In a lot of my downtime, I spend time listening to other people's music or other people's rhymes and writing my own.

End rhymes are not enough. Every word-sound in a poem should find an echo in another, neighbouring word's sound to achieve what Ezra Pound called melopoeia. (This is something like what the Welsh call Cynghanned.)

Now between the meanings of words and their sounds there is ordinarily no discoverable relation except one of accident; and it is therefore miraculous, to the mystic, when words which make sense can also make a uniform objective structure of accents and rhymes.

I'd always written rhymes but I was scared to share them. They stayed on paper or in my head, until I started going to watch battles and eventually thought to myself, "I'm definitely as good as some of these guys, and maybe even better than them".

Life is like a motion picture, everything is like a movie. In one of my rhymes I say, "My life is like a movie/Directed by King Louie".

You're gonna get your traditional Busta Rhymes and Pharrell collabo. My man Focus from the Aftermath crew; Dr. Dre; the late, great J Dilla got work on the album. It's gonna be great - look forward to the new bang-out.

I recorded my first song at 15. But I started rhyming a few years before that. At first it was trading lyrics at school. We'd get in a circle in the playground with a beat-boxer and spit rhymes. Then it would turn into a big gathering after school.

My first rap name was Ralo. Because my first name is Carlos. I likened myself to what Busta Rhymes was doing when he first came out. And what Onyx did when they first came out - they reminded me of me.

The best way to write a song is to think of something else and then the song kind of creeps in. The beginning makes no sense whatsoever. It just, like, rhymes. And then all of a sudden I'll go into, I am an old woman named after my mother.

I keep a composition book with me at all times to write rhymes, to write down ideas, write down my thoughts, you know just so I don't forget any ideas.

Enough of satire; in less harden'd times Great was her force, and mighty were her rhymes. I've read of men, beyond man's daring brave, Who yet have trembled at the strokes she gave; Whose souls have felt more terrible alarms From her one line, than from a world in arms.

I was always talking about what I could and would do, and you would always make rhymes about the competion even though we werent thinking about competition.

Humanity has a strange fondness for following processions. Get four men following a banner down the street, and, if that banner is inscribed with rhymes of pleasant optimism, in an hour, all the town will be afoot, ready to march to whatever tune the leaders care to play.

All life is an experiment. Place yourself in the middle of the stream of power and wisdom which animates all whom it floats, and you are without effort impelled to truth, to right and a perfect contentment. I wish to write such rhymes as shall not suggest a restraint, but contrariwise the wildest freedom. Immortality. I notice that as soon as writers broach this question they begin to quote. I hate quotation. Tell me what you know.

Rock and roll is a music, and why should a music contribute to ... juvenile delinquency? If people are going to be juvenile delinquents, they're going to be delinquents if they hear ... Mother Goose rhymes.

It's called 'I Wanna Thank You,' and I'm encouraging everybody out there to blog, Tweet, Facebook, anything about it. Let's sign a petition. The petition is called 'Busta Rhymes Make 'I Wanna Thank You' Your First Single.'

With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.

I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.

There are no rhymes or reason, actually. Having said that, you know, cause there are people who are absolutely single-minded about their process and they can still come up with great work. But (what) I enjoy and it's the same, I suppose, as I became more of a family man, I enjoy, I enjoy an atmosphere where it, you know, doesn't have to be about conflict to get good results.

I just want to thank Wayne for even mentioning me. I've been following his career since he started, just watching him evolve. He was always clever with the rhymes. My own quest was always to get my music out to everybody in the world and working with Wayne is truly a way to get it out there.

Writing is praying with me. You know a child would look up at every sentence and say, 'And what shall I say next?' That is just what I do; I ask Him that at every line He would give me not merely thoughts and power, but also every word, even the very rhymes.

I stayed away from drugs, I never smoked a pipe. When I wanna get high, I smoke the mic. I never did white lines, I only write lines, and I ain't sniffin' nothing but the vapors from hype rhymes.

Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.

If you're a battle rapper on the block, the emcee battle challenger, not writing your rhymes could really hurt you. When you're an artist where maybe the focus is really the talent and the different things you bring to the game, I believe it's more understandable.

You speak to me in riddles, you speak to me in rhymes, my body aches to breathe your breath, your word keeps me alive.

Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.

Straight out of Blackpool, I'm William Regal. My rhymes so intense, they shouldn't be legal. My style is refined, not crude and crass. I'll keep you grounded, like volcanic ash. I'll take you down, rung by rung. I'm just like British Parliment; I'm completely hung. Straight-up gangsta trippin'. Yes, boy!

I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.

I started writing rhymes first and then put it to the music. I figured out I could lock it to the beat better if I heard the music first. I like to get a lot of tracks, put the track up and let the music talk to me about what it's about.

I have to take what I say and make it heavy, so every single bar means something. And there's no riddles in my rhymes. Every single word means something.

I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.

There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.

I write a lot of rhymes, but I don't really end up using them a lot of times, and I end up just freestyling. I like to write music, though, more than I like to freestyle, to be honest.

My parents both worked full-time flipping burgers at the local fast-food joint, and my grandmother looked after us. English was her second language, so instead of books, I learned spoken French nursery rhymes and curse words.

I would listen to artists like My Chemical Romance, Eminem, Busta Rhymes, Blink-182, Paramore... all these bands were so unafraid of being themselves. They talked about their problems and what was going on in their heads. It grabbed and latched on to me, and I felt like I could do that, too.

I grew up on the rough side of the tracks. If you looked like you were soft, you would be fodder for the wolves. I came up in my neighbourhood like, 'I'm just gonna be me,' and all the thugs just said, 'It's OK, he's special.' They knew I had the talent with the rhymes, so they kept me around.

One of the things I try to do is try to make repetitions, rhymes, and mirrorings across the subject matter of my own books so that the chapter titles and the epigraphs and pictures all kind of form a tapestry. In this book, I retell fifteen of the stories. You have the critical frame, and then you have these rosettes like the motif in a carpet.

With mimicry, with praises, with echoes, or with answers, the poets have all but outsung the bell. The inarticulate bell has found too much interpretation, too many rhymes professing to close with her inaccessible utterance, and to agree with her remote tongue. The bell, like the bird, is a musician pestered with literature.