Top 1200 Rhythm Of Life Quotes & Sayings - Page 18

It is from him, from Beolco Ruzzante, that I've learned to free myself from conventional literary writing and to express myself with words that you can chew, with unusual sounds, with various techniques of rhythm and breathing, even with the rambling nonsense-speech of the 'grammelot.'

Rock has to absorb other rhythmic forms, because the underlying rhythm of music changes with fashion, and people like to move differently, and the underlying rhythms have to be the ones that people want to dance to.

I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.

Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.

Rock & Roll is feeling, and after you know most of the basics ... chords, rhythm, scales and bends ... getting that feeling is just about the most important aspect of playing guitar

When we design for non-Latin, we always aim to create a rhythm and texture that is sympathetic so when you have the two scripts running side by side, they create, ideally, the same tonal value on the page.

Not a lot of people or pros in this game know how to train correctly. That's why they don't have a long career. Their body gets banged up. They get into a rhythm of heavy sparring and heavy work, but through that, they're limiting movement.

Our bodies like rhythm and our brains like melody and harmony.

I think all the actors I've worked with knew that I was an actor. Like, I get into the dirt with my actors and we figure out the rhythm of the scene and how it needs to sound and what the blocking is, the way you would with another actor.

I don't know much about pop music, and we sample music from all different cultures. I was trained in West African dance, so my sense of rhythm when I move is obviously informed by that, and I obviously sing in Portuguese.

I don't ... like rhythm, assonance, all that stuff. You just go on your nerve. If someone's chasing you down the street with a knife you just run, you don't turn around and shout, 'Give it up! I was a track star for Mineola Prep.'

In Buddhism there are words you can say... as you say the words with rhythm the conscious tells the subconscious

Is as if the music is another character or as if it was a part of this great opera. I also through about this project as a structure or as a sculpture made out of colors, rhythm, characters, and brush strokes, but with every single one of these always supporting one another.

It's the hillbilly rock, beat it with a drum. Playin' them guitars like shootin from a gun. Keepin' up the rhythm, steady as a clock. Doin' a little thing called the hillbilly rock.

It's funny: I look at songs, and I guess they each tell a story, and the different songs talk about different things. But they're unified by the rhythm underneath and the way that we decided to arrange and play them.

My style of singing is very much Latin jazz meets Latin and a little bit of rhythm and blues. When I do ballads, my fans love it. They want to listen to my classics. They want to party.

Some of my favorite experiences of art are when I am there but my attention has wandered. I think stimulation is overrated, and persistent stimulation is exhausting. You sometimes have to be banal, tedious: make the rhythm go soft and slow, give the mind a rest.

I think the problem with a lot of the fusion music is that its extremely predictable, its a rock rhythm and the solos all play the same stuff and they play it over and over again and theres a certain musical virtuosity involved in it.

I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.

I try to tweet, but I still haven't gotten into the rhythm as much as some people who have, like, 20,000 tweets. There are some great comedians on there, so you get some pretty funny hot takes and bits.

Harmony is the third element of music, after melody and rhythm, and also the one which requires the most study to actually master. People can be very instinctive and extremely gifted melodically and rhythmically, and harmony can still be difficult.

In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.

In Buddhism there are words you can say... as you say the words with rhythm the conscious tells the subconscious.

There's an easy way to tell if you have a good song. You get hit in the head with a message, and you get hit in the feet with a rhythm. You're beaten up with music. It's a beautiful thing when that happens.

The way one perceives a book and a film are totally different. You read a book in the privacy of your room. You are the boss; you set the pace and rhythm of your reading. In the movie house, you can't do that.

Jazz was the beginning of rhythm music, which developed into rock and roll. But what the jazz musicians lost because they were so far from their homeland was the intricate rhythms of African music.

It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leader.

Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.

And it came to Marcus suddenly that slaves very seldom whistled. They might sing, if they felt like it or if the rhythm helped their work, but whistling was in some way different; it took a free man to make the sort of noise Esca was making.

And the writers are good in that it's easy to memorize, and good writing has an innate rhythm to it. And I've always felt that it's easier to get in your head than writing that has very kind of mind busting moments.

I think the most important thing about learning comedy is to start from who you are. If you begin the process by imitating what you perceive to be a comedy rhythm, you will get laughs sooner, but you will not be unique.

No matter how wonderful the story, it has to move on something, and that is language. The words that I use, the pace, the rhythm and cadences all need to be there. If they're not there, the story is like a boat that just sits there and doesn't move on the ocean.

When I was in the second unit, it just took me time to find my rhythm just playing with a lot of new guys. But once I got in the starting lineup, it kind of just opened up a little bit.

At the heart of each of us, whatever our imperfections, there exists a silence pulse of perfect rhythm which is absolutely individual and unique, and yet which connects us to everything else.

Seeing the ball go in during the game, getting to your spots, getting spot-up shots. You have that rhythm and you have that confidence in yourself. And everybody else has that confidence in you too, more importantly.

I think the way I write is kind of naturally rhythmic. If there's anything of my own in my writing, I think that's my own thing. Like when I start a song, I almost hear the rhythm more than the melody.

He put his hand on my waist, and my heart began to pound, a rougher rhythm than the music. I held my skirt. Our free hands met. His felt warm and comforting and unsettling and bewildering--all at once.

Once I start writing, I am a huge reviser. To me writing is revising. I probably turn over every sentence that I write, to see if I have the rhythm right. That's why my first drafts take a really long time.

I did a lot of theater, so especially as an on-camera camera actor, there are so many things that aren't in your toolbox. They're somebody else's job. You think about editors and rhythm. Volume isn't even in your control.

I feel I'm discovering something new, a different rhythm, and I guess these rhythms have a lot to do with walking, too, but it's a longer trajectory now. I'm traveling greater distances with each sentence. But I don't write about walking that much anymore.

Strangers have crossed the sound, but not the sound of the dark oarsmen Or the golden-haired sons of kings, Strangers whose thought is not formed to the cadence of waves, Rhythm of the sickle, oar and milking pail

Being in the D-League, I might be able to get into a rhythm and start shooting the ball well and get some confidence and get some reps.

I use both instruments with their strengths in mind. Mandolin - no sustain and attack of the right hand, for rhythm. Fiddle - use sustain of the bow and the ability to slide the non-fretted notes, like singing.

Souls have different journeys. The best thing to know is, not what everybody else does, but what you do. Self-discovery essentially is finding your own dharma, your own rhythm.

It's the change of rhythm which I think is what keeps me alive. In Spain I hear so much noise from my window that can't stand it. In Switzerland it's the lack of noise that drives me crazy.

You are an instrument if you understand your voice and how to use it - this sound, that sound and certain ranges and different pitch. Within that I try to find a rhythm and play the voice as if it was a horn.

somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.

As a leader, you must consistently drive effective communication. Meetings must be deliberate and intentional - your organizational rhythm should value purpose over habit and effectiveness over efficiency.

I really enjoy picking up the physical rhythm of somebody else, speaking with their voice. I've never done in anything in my own voice, and I can't imagine what that would be like. It would be weird, I guess.

Beauty of style and harmony and grace and good rhythm depend on simplicity - I mean the true simplicity of a rightly and nobly ordered mind and character, not that other simplicity which is only a euphemism for folly.

An acrobatic dunk will make it onto Sports Center. A simple, unspectacular bounce pass in the rhythm of the offense will not. System basketball has been replaced by players who want to be the system.

New Year's Eve, we're going to be doing a concert with the Philadelphia Orchestra in Symphony Hall. It makes me feel good, because of all the people they could have had, they wanted me! We do have to do a little work with the rhythm section.

I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.

I had a band when I was in middle school, but I was the drummer. I kind of thought if I was going to be in a band, I'd be the drummer. I'm innately drawn to rhythm. But we didn't have any shows. We just jammed in our parents' basement.

If the rhythm or beat of the music changes with a live orchestra, you have to think on your feet. If you feel like you are not on your leg, you have to make a decision to make it look as though nothing is going wrong.

I love to see when ya move with the rhythm; I love to see when you're dancin' from within; It gives great joy to feel such sweet togetherness, everyone doin' and they're doing their best!

I'm a guitar player. Actually, I think of myself as a songwriter/rhythm-guitar player.

I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it.

Honestly, what we use a lot is melatonin. So we use lower dosages of melatonin, taking it at different times, depending upon where we are traveling and that can really help adjust the body's rhythm to wherever you are going.

One thing about Italians is you can't let them in your head. They're inquisitive. The English and Germans are a dog tribe; the Italians are cats. They're very helpful, but it's in their own rhythm, their own way, and it can drive you crazy.