Top 822 Rib Cage Quotes & Sayings - Page 12

There's a book of interviews with John Cage by Joan Retallack called Musicage that was finished the summer that he died, in 1992. And in one of the last interviews, he was very excited to talk about nanotechnology. There's real technophilia from him, a kind of utopian embrace of the idea that nanotechnology will free people up to do what they really want to do.

I grew up mostly in Champaign, Illinois. My dad was at the University of East Illinois, so I was always around the music. One of my dad's buddies was the avant-garde composer John Cage, so I picked up on that weird classical and eclectic music.

If we have come to think that the nursery and the kitchen are the natural sphere of a woman, we have done so exactly as English children come to think that a cage is the natural sphere of a parrot: because they have never seen one anywhere else.

Luke Cage is using his open hand instead of a closed fist. It's a little disrespectful but it's very effective. Some people call it a pimp slap, we call it smack-fu. He's doing you a favour by hitting you with an open hand. It hurts, it renders you unconscious but you live.

I wrote this 12-page 'Luke Cage' comic book for Marvel once, and I got to create a villain. His name was Lone Shark, so there was this running thing of whether it was spelled L-O-A-N or L-O-N-E. I like the idea of 'I'm a lone shark,' and then people are like, 'You are here to collect a debt?'

I've always been very competitive, and I've always had this desire to win my entire life. I guess when it comes to being in the cage, especially, I just hate losing more than I like to win. The idea of someone beating me just doesn't sit well.

There must be something beyond man in this world. Even on attaining to his highest possibilities, he is like a bird beating against his cage. There is something beyond, O deathless like a sea-shell, moaning for the bosom of the ocean to which you belong!

There's nothing nice about the cage. There's nothing soft about it. It's nasty. You get in there. You get dirty. You get beat up.

For after years of living in a cage, a lion no longer even believes it is a lion . . . and a man no longer believes he is a man.

There is a raging tiger inside every man whom God put on this earth. Every man worthy of the respect of his children spends his life building inside himself a cage to pen that tiger in.

The police are paid by the public and carry a public trust, and they take an oath to protect us as citizens. The police have lost sight of that and must be reminded that we pay them to protect us, not to simply engage and cage us.

What I've learned from fighting is that the lights in side the cage will tell everything you did or did not do in your camp! Once the doors close there can be no lie or deception and the lights will tell all!

I have this creative mind where I can create a lot of different things, but a lot of people never really gave me the chance and opportunity to do that because when they see me, they just see this dumb fighter that fights in the cage and howls like a wolf and knocks people out.

When a man confines an animal in a cage, he assumes ownership of that animal. But an animal is an individual; it cannot be owned. When a man tries to own an individual, whether that individual be another man, an animal or even a tree, he suffers the psychic consequences of an unnatural act.

We never will have any prosperity that is free from speculation till we pass a law that every time a broker or person sells something, he has got to have it sitting there in a bucket, or a bag, or a jug, or a cage, or a rat trap, or something, depending on what it is he is selling. We are continually buying something that we never get from a man that never had it.

I don't ever know the people I fight at all. I just know their name and I show up on the night, they show up, and we fight in a cage and we paid for it. That's what we like to do.

When you're walking out to the cage and fighting a guy like Vitor Belfort and you've got the crowd going crazy, most people would lose the fight right there and then. Since I've fought in a crowd that crazy and wild, I feel that nothing else is going to be like that.

What I like about my character: Luke Cage is a person first and foremost. We do have other black superheroes, but he's important because he's touchable. Luke has moments when he has to try to forget his pain, but then, unlike the rest of us, he's also able to channel that frustration into fighting bad guys. Real martyrs aren't trying to be martyrs.

Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.

Peace in the struggle to find peace.. comfort on the way to comfort. And if I shed a tear I won't cage it I won't fear love. And if I feel a rage I won't deny it. (I won't fear love.

I remember when I first came out, it was like half and half, half the female fighters were like, 'I understand why she did it, and I'll fight her,' and half said I shouldn't be in the cage and said horrible, horrific transphobic comments about me.

I have a talent for coming up with an analogy about martial arts training for everything. It's because training to improve your martial arts skills and training to step into a cage and fight another person teaches you a lot about... everything.

A Home Run Derby is fun. It's just like taking batting practice, and you just want to go deep. Guys do it every day. Yes, there's a little more pressure when they pull that cage back, but if you practice properly, it shouldn't affect the second half of your season at all.

The unicorn halted in her slow, desperate round of the cage, realizing for the first time that the magician understood her speech. He smiled, and she saw that his face was frighteningly young for a grown man-untraveled by time, unvisited by grief or wisdom. "I know you," he said.

If one thinks about racism by examining only one wire of the cage, or one form of disadvantage, it is difficult to understand how and why the bird is trapped. Only a large number of wires arranged in a specific way, and connected to one another, serve to enclose the bird and to ensure that it cannot escape.

Prosthetics just felt very foreign to me: You wear them on your shoulders, strap them to your chest, and they're heavy and uncomfortable. If someone gave you a hug, you'd miss that touch. They were more like a cage for me.

All my kids will train in martial arts; it's a requirement. Do I want them to fight professionally? Hell no. If they ever step into a cage, I'll cry. I would rather my daughter and sons be doctors and lawyers or wear a suit to work and use their brain and after work go train at the gym and spar hard.

I can know what Brian Cage is doing before he's doing it because he's doing me. I've been facing the man in the mirror my entire life. That's been my hardest battle is the one where it's me versus me.

She felt a cage coming down around her; too late she realized that he had her trapped by the heart. And like any unwilling animal that was well and truly caught, she could escape only by leaving a piece of herself behind.

I don't believe in a lot of things from the Bronze Age, but an eye for an eye does make a sort of symmetrical sense to me. I really believe that if somebody takes a life, that [death penalty] is what they should get. I also think it's a lot more humane than keeping people in a cage for the rest of their life.

Let The Rock understand this, he beats your ass in cage match last week and now your the number 1 contender? Well The Rock knows exactly why that is; you've got a three foot nose you turn it sideways and stick it straight up Vince's ass!

Cain's an animal, man. Cain's a competitor. I want to spar with Cain because I know if I'm able to hang with him here in the gym, once I get out there in the cage and fight, I mean, I've already gone toe-to-toe with Cain Velasquez, you know?

Fighting in the ring or cage is very much different from fighting in the street. Fighting in the street is very much fueled by anger, pride, and male dominance and ego.

My mother used to tell me, 'I'm fake thin, but don't tell anyone.' I think part of her reputation for dieting too much was to do with her upper body and thoracic cage being thinner than average, thus her thin waist.

I listened to a clip someone had put up of me singing 'I Am What I Am' in the musical 'La Cage aux Folles.' I thought I was absolutely dreadful. It's like when you see photos of yourself at parties - at the time you thought you looked so cool and glamorous but you just look a bit drunk.

If consumers weren't thinking this way, companies would be a lot less responsive. Right now, consumers don't really have a way to get information about where exactly their clothing is coming from - that's a barrier. We have labels on your eggs, "cage-free hens." They need to get something along those lines to allow the consumer to discriminate.

For 'Luke Cage,' of course, I was familiar with Power Man and Iron Fist. I read the comics. That was really more stuff that you read for fun. It wasn't that you read either of those comics for profound moments, although they have profound moments.

If I could sum up 'Shadow's Claim' in six words: cage fights with hot alpha males. Seriously, though, while the fights are the backdrop for Trehan and Bettina's love story, the main emphasis is on how Trehan - a pitiless master assassin - wages the ultimate battle to win her heart.

For sure I think the traditional martial arts is a good background to have and definitely allows me to do a lot different things inside the cage. My wrestling background definitely helps me out a lot, but I don't think either one led directly to MMA.

I don't like the way the cage is set up. I think it's really dangerous that the metal comes up about three inches off the ground. People were putting their foot on it. I can see it. And I was worried about being taken down and landing backwards with my elbow. and damaging my elbow or even my head.

In my early work, my time in the batting cage, that's serious, and that's when I feel like I'm really working. That's where I have to lock in on my approach, make sure my mechanics are right, and make sure my mindset is right for the upcoming game. But then, when the game comes up, it's a game! You're supposed to have fun when you play games.

What was evident was that Mozart was simply transcribing music completely finished in his head. And finished as most music is never finished. Displace one note and there would be diminishment. Displace one phrase and structure would fall. I was staring through the cage of those meticulous ink strokes at Absolute Beauty.

Actually, when I was young, I believe I met Nicolas Cage. I think I was probably eight, and I remember seeing him at somebody's house - it was an event and he happened to be there. People would ask me if I was his son, because I looked like him at that point, so I do remember feeling some connection and just wanting to say, like, 'Papa!'

The hardest fights I've had have been in the gym, not in the cage. It keeps you motivated. One day, you'll go in and feel like you can beat anybody in the world. The next day, you kind of get humbled. That's what keeps us coming back to train more and more.

I'm just a regular guy, and I think sometimes the persona of an MMA fighter are these superstars who are larger-than life-characters. I'm just me and I only try to be me, a normal guy who is interested in a lot of things and happens to have a talent for fighting in a cage.

When I was 7 and went to the zoo with my second-grade class, I saw chimpanzee eyes for the first time - the eyes of an unhappy animal, all alone, locked in a bare, concrete-floored, iron-barred cage in one of the nastier, old-fashioned zoos. I remember looking at the chimp, then looking away.

The first time I came to New York in 1952, I was busy with music. I made the acquaintance at this period with John Cage, and also the acquaintance of Varese for the first time. We were very good friends. He gave me some scores, and we recorded them a little later.

Think of Iraq as "East Korea," because it was a shoot the cuffs war for the edification of Kim Jong Il to let him know we've now circled the SUVs. Iraq was about breaking adhesions, getting lean, staying frosty - in short, getting ready for the big Doug MacArthur Memorial Cage Match to come.

Leonard de Vinci, for example, is a great artist, but he is living in the past. However, I don't feel John Cage and Matsuzawa Yutaka as artists who live in the past. Their ideas are still alive in our world because they express the very important concerns of our age. That is why I could trust them as "contemporary artists".

If you love a person, you say to that person, "Look, I love you, whatever that may be. I've seen quite a bit of it and I know there's lots that I haven't seen, but still it's you and I want you to be what you want to be. And I won't be happy if I've got you in a cage. You'd be a bird without song."

I've really been very focused on 'Jessica Jones.' Our series was well on its way to being created by the time we even saw scripts from 'Daredevil,' and 'Luke Cage' didn't even have a showrunner hired then. Jeph Loeb [Marvel TV boss] is the master of the connective tissue, but each series exists in its own world.

Fifty years ago people believed, accurately, that they were entitled to seek the blue bird, whereas today they believe, mistakenly, that they're entitled to find it and take it home, in a complimentary cage with a month's supply of birdseed....Those who think they've a right to catch whatever they are free to chase, are doomed to disappointment. That's our generation in a nutshell.

It happens all the time! People are always talking about that explosive moment in their family history that sort of changed everything and rattled the cage, and more times than not it has nothing to do with trans issues. That's why people are relating to the show Transparent, because our family is their family and they understand that dynamic.

My relationship with my dad was complex, especially when I came out. The years of verbal abuse, all of it drink-fuelled, were difficult. Later, though, he came to see me on stage in 'La Cage aux Folles' - one of his favourite shows - and loved it. Theatre won him over and he accepted me in the end.

A robin red-breast in a cage, puts all of Heaven in a rage. Think to yourself that every day is your last. The hour to which you do not look forward will come as a welcome surprise. As for me, when you want a good laugh, you will find me in fine state... fat and sleek, a true hog of Epicurus's herd.

I have this ideal listener, as John Cage did. This listener doesn't bring expectations that my music will fit into some part of music history, or that it will do any particular thing. This listener is just open to listening.

I glance at the exit across the room. I want out. The bird in my chest is crashing up against its cage. I can feel the heavy thump, thump, thump of its feverish body inside and I open my mouth, not to speak, but to let the bird out so I can breathe.

The difference between a brave man and a coward is a coward thinks twice before jumping in the cage with a lion. The brave man doesn't know what a lion is. He just thinks he does.

I daydream too. I visualise. I think ahead, I can do it now, sitting here. I think ahead to the walk-in, I can hear the crowd, the music, I can feel the cameras all around me, I can feel movements in my body as I am heading there, I can bring up that incredible feeling you get when you step into the cage.

'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.