Top 1200 Road Movie Quotes & Sayings

The easy road in Olympia is a yes vote. That's the easy road in Olympia. The easy road in Olympia is not carrying the banner for freedom and liberty. The easy road in Olympia is worrying about getting reelected. The easy road in Olympia is going along to get along.

Wanderer, your footsteps are the road, and nothing more; wanderer, there is no road, the road is made by walking. By walking one makes the road, and upon glancing behind one sees the path. . .

The one thing I did know - because I've seen many, many of the road trip movies that everyone thinks about - is that death to a road trip movie happens when you spend too much time in the car.

One has to inculcate a feeling that if I build a road, then a Hindu or a Muslim or a Parsi or a Christian can walk on that road. We all have equal right to share water, electricity, or road.

The road to anywhere is the road to nowhere, and the road to nowhere leads to dreams sacrificed, opportunities squandered, and a life unfulfilled. In our journey we will encounter forks and turnings in the road.

I would agree 'Paul' is a sci-fi genre movie. And a road movie.

Films like 'Road, Movie' and 'Brick Lane' add a lot to your resume.

It's a road movie [Valentine]. I mean, yes. We film it here and it takes place from basically Colorado to Louisiana. That's the road trip. So we're all over the place. We go through bits of Texas and bits of Oklahoma.

Mainstream Mumbai movies are my bread and butter, but films like 'Brick Lane' and 'Road, Movie' provide sustenance to my creative soul.

NBC is making a movie about Martha Stewart that will cover the recent stock scandal. They are thinking of calling it 'The Road To Extradition.'

Self-recognition is necessary to know one's road, but, knowing the road, the price of the mistakes and perils is worth paying. The following of that road will be all the discipline one needs. Discipline does not mean being molded by outside forces, but sticking to one's road against the forces that would deflect or bury the soul. People speak of finding one

A movie that I'm involved with and have a lot of love for, which is 'On The Road,' does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.

I don't know of any wrong road to Dictionopolis, so if this road goes to Dictionopolis at all it must be the right road, and if it doesn't it must be the right road to somewhere else, because there are no wrong roads to anywhere. Do you think it will rain?

Winter is on the road to spring. Some think it a surly road. I do not. A primrose road to spring were not as engaging to my heart as a frozen icicled craggy way angered over by strong winds that never take the iron trumpets from their lips.

One of the greatest moments of my career was on the road promoting 'Superbad' with Michael Cera and Chris Mintz-Plasse. We were showing the movie at colleges.

A beautiful road does not create enough reason to make a journey on that road, because the road to Hell is often a beautiful road as well!

I found out long ago, it's a long way down the holiday road. Holiday road, holiday road. Jack be nimble, Jack be quick. Take a ride on the West Coast kick. Holiday road.

Alas! the road to Anywhere is pitfalled with disaster; There's hunger, want, and weariness, yet O we loved it so! As on we tramped exultantly, and no man was our master, And no man guessed what dreams were ours, as, swinging heel and toe, We tramped the road to Anywhere, the magic road to Anywhere, The tragic road to Anywhere, such dear, dim years ago.

I've tried the female thing. I was in a movie called Dinner for Schmucks a couple of years ago with Steve Carell and I created a female character for that movie. And after a few months of trying her out on the road it just didn't work. I mean, I can think like a terrorist, I can think like a white trash guy, I can even try and think like an African American, but I can't figure out how a woman.

I'd like to be making more films more frequently, but I do find that making movies, for me, has proven to be an extremely challenging road. No movie is easy; no movie has come together quickly.

'Love Aaj Kal' is not really a road movie, but it does involve some travel.

I haven't died in a movie in a while,'The Departed,' 'Body of Lies,' 'Revolutionary Road,' 'Shutter Island' and 'Inception.' I guess I did die in 'The Departed.'

A movie that I'm involved with and have a lot of love for, which is On The Road, does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.

My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. I need to say, "Okay, enough, take the easy road." But the easy road for me is not - it might just come out coincidentally. I wouldn't ever choose a movie because it's easy. I might choose a movie because I feel like being funny, or I feel like being able to do something that is perhaps dramatic, but to a lesser degree. Because I like switching it up, basically, not because I would take the easier road.

'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

I live a very simple existence when I'm not on the road. Because when I'm on the road making a movie, I'm away from home.

I have this fascination with being on the road, all things music, and the '70s. My favorite movie is 'Almost Famous.'

A person's life is a journey, a road. Sometimes you go off the road and sometimes you stay on all the way through. But you are the only one on that road. It's your road.

When I'm doing a movie, I'm not doing anything else. It's all about the movie. I don't have a wife. I don't have a kid. Nothing can get in my way... I've made a choice, so far, to go on this road alone. Because this is my time. This is my time to make movies.

I love being on the road, but to make a living as a road comic, you have to be on it most weeks out of the year. That's just too much for me. But I would love to be such a successful road comic that I don't have to go on it every week.

I love the road. That's always been my goal. I've said that to many record labels. I want to make records. The road is my favorite. Some people hate the road, I love the road.

When I'm not on T.V. or working on a movie, I'm on the road doing stand-up. That's my roots.

Is It Unloving to Speak of Hell? If you were giving some friends directions to Denver and you knew that one road led there but a second road ended at a sharp cliff around a blind corner, would you talk only about the safe road? No. You would tell them about both, especially if you knew that the road to destruction was wider and more traveled. In fact, it would be terribly unloving not to warn them about that other road.

If the road is beautiful, walk the road slowly; be a turtle, be a snail and even better than this: Stop walking; live the road fully!

If you attach your mind to any ideology, you're going to be on a road, and that road may or may not lead you in a good direction. But you're gonna stay on that road because you are attached to an ideology. It could be a terrible road, but you stick with it regardless of rational thinking.

In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.

Every day we have a choice. We can take the easier road, the more cynical road, which is a road sometimes based on a dream of a past that never was, fear of each other, distancing and blame, or we can take the much more difficult path, the road of transformation, transcendence, compassion, and love, but also accountability and justice.

I wanted 'Hell or High Water' to feel like a road movie and an exciting, fun film - until it's not.

I never thought I would ever be middle-of-the-road anything, much less a middle-of-the-road Christian, but it actually ended up I'm extremely middle of the road.

The thing I always loved about the movie business is it is really a cowboy industry in the sense that there's no prescribed road into it or through it.

We are all treading the vanishing road of a song in the air, the vanishing road of the spring flowers and the winter snows, the vanishing roads of the winds and the streams, the vanishing road of beloved faces.

I love the smell of Waffle House; it's the smell of freedom, being on the open road and knowing that ninety percent of the people eating around you are also on that road. Truck driver's, road-trippers, hangovers--those who don't live that monotonous life of society slavery.

I'd actually love to do more comedy, but what I really wanna do is an indie drama - an intense indie road-trip movie.

I would agree Paul is a sci-fi genre movie. And a road movie.

Even at the end of the road, read the first sentence, there is a road. Even at the end of the road, a new road stretches out, endless and open, a road that may lead anywhere. To him who will find it, there is always a road.

The Road was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

Obedience is the road to freedom, humility the road to pleasure, unity the road to personality.

When you are moving toward an objective," said Petrus, "it is very important to pay attention to the road. It is the road that teaches us the best way to get there, and the road enriches us as we walk its length.

In the beginning there was a river. The river became a road and the road branched out to the whole world. And because the road was once a river it was always hungry.

This movie 'On the Road' with Kristen Stewart - they were trying to make that movie for 30 years. She says she wants to do it, and they can finally make it. You have so much at your disposal if you're in a successful commercial film.

Mankind has tried the other two roads to peace - the road of political jealousy and the road of religious bigotry - and found them both equally misleading. Perhaps it will now try the third, the road of scientific truth, the only road on which the passenger is not deceived. Science does not, ostrich-like, bury its head amidst perils and difficulties. It tries to see everything exactly as everything is.

Whenever I hear an American say Aussies drive on the 'wrong side of the road,' I just lose it. You ever think about how those people grew up driving on the 'wrong side of the road,' watched a lot of people get hurt on the 'wrong side of the road,' die on the 'wrong side of the road,' while other people cheered from the 'right side of the road'? Australia has a thing called Highway Fights, so it's touchy.

Buddha left a road map, Jesus left a road map, Krishna left a road map, Rand McNally left a road map. But you still have to travel the road yourself

Hope is like a road in the country; there was never a road, but when many people walk on it, the road comes into existence.

My daughter will say she's hungry, and I'm like, 'Buddy, you're just bored. Do you understand? And you're already starting a pattern of satisfying an internal disconnect with an external stimulation, and that's a dead-end road, sweetie. Courtney Love lives on that road; you don't want to live on that road.

What's your road, man? - holyboy road, madman road, rainbow road, guppy road, any road. It's an anywhere road for anybody anyhow. Where body how?

Every movie is a road movie. Every novel is a mystery. Every tortilla chip is sacred.

A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.

The road has been viewed as a male turf. If you think of the classic "Odyssey," of, you know, classical literature or Jack Kerouac or almost any road story, it's really about a man on the road. There's an assumption that the road is too dangerous for women.

Traditional people of Indian nations have interpreted the two roads that face the light-skinned race as the road to technology and the road to spirituality. We feel that the road to technology.... has led modern society to a damaged and seared earth. Could it be that the road to technology represents a rush to destruction, and that the road to spirituality represents the slower path that the traditional native people have traveled and are now seeking again? The earth is not scorched on this trail. The grass is still growing there.