Top 766 Roaring Twenties Quotes & Sayings - Page 10

I really like Adam Curtis' 'Century of Self.' It's about how artists have failed the general public by being so exclusive, like being in an echo chamber. I was definitely more like that in my early twenties - my music was completely inaccessible.

I never pursued anything in terms of performing comedy until I was in my twenties. I was basically forced into it by a couple of my friends who were starting a sketch troupe and thought I'd be good at it. I was kind of terrified by it, but I gave it a try. I am so grateful to those guys for believing in me and viciously twisting my arm!

I was talking to my mom one time, like, "Gosh, I'm 30." And she's like, "In your thirties you're even stronger than in your twenties." I didn't believe her, but I have played better in my thirties.

Throughout your teens and twenties, it's pretty easy to live in a suspended reality - one where you never get old or need to spend much time thinking about 401Ks, mammograms, or renewing your license. You don't need me to tell you: that ends.

Anger can offer a sense of indignity to replace a sense of shame, and offer a voice-raised above others-which can finally be heard. Those voices are most effective when they are raised in unison, when they have mercy as well as anger behind them, and when, instead of roaring at the anger of old pain, they sing about the glorious possibilities of a future where anger has a smaller house than hope.

In your twenties, you might want to be radical and change the world, but in your thirties, you might just want to be happy and ground yourself.

I think most people start rock bands in their early twenties or teens, but I was almost thirty at the time when the band started really doing anything and it took another several years before people started caring about us.

Suddenly, I was thirty, very unhappy entertaining people in their forties, and here came a group of people in their teens and twenties who had similar anti-authority problems and similar dreams and wishes, hopes for mankind. So I gravitated toward them.

When I look back on my twenties, I just remember being afraid of everything, and in my thirties, I'm actually excited by things. And if things don't work out, you know, by the time you've hit your thirties, you've had your fair share of disappointments.

When I lived in Minneapolis in my twenties, and my mom lived there, too, I used to take her 'storm chasing' - by which I mean I'd see a pulsing blob of radar on The Weather Channel and make her drive us toward the storm.

I think people solidify the direction they want to go and the style they want to have once their puberty passes. I think your twenties is when you learn new things and you have the opportunity to give your all to something, whether it's work or love.

My twenties were about exploring love and being a wildflower and trying to figure everything out. Now I'm not comfortable being that happy wildflower anymore, but I still don't feel like a woman. I wonder when that moment's going to hit.

I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished Drown was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.

I wasn't thinking about my pension plan until about two years ago. When I was in my twenties, the idea that you'd be thinking of taking a job based on its health-care policy was completely foreign. But these days young people are thinking about these things.

I go wading into the fire fit, but the conservative movement - jeez. Look at Milo [Yiannopoulos]. He's in his twenties. He's flamboyantly gay. We're nowhere near the conservative movement here. Ideologically he's pure. Ideologically he's brave, he's right down the line.

You know, when you're in your twenties you use a great deal of symbolism. You somehow think that a character standing beneath a cross is more interesting than a character standing underneath a billboard, but when you get a little older you realize that there's not much difference.

As women glide from their twenties to thirties, Shazzer argues, the balance of power subtly shifts. Even the most outrageous minxes lose their nerve, wrestling with the first twinges of existential angst: fears of dying alone and being found three weeks later half-eaten by an Alsatian.

When I'm doing interviews, I'm doing interviews, and when I am writing, I'm writing. I sit there with a musician and I write. It's the same process since I started writing in my twenties. I like to come in and leave with a finished song.

It is a solemn sight to see so many Christians lying in their blood, some here, and some there, like a company of sheep torn by wolves, all of them stripped naked by a company of hell-hounds, roaring, singing, ranting, and insulting, as if they would have torn our very hearts out; yet the Lord by His almighty power preserved a number of us from death, for there were twenty-four of us taken alive and carried captive

You see these casting directors' lists of characters, and they're all boxed in. Twenties is the hot girlfriend, thirties you can still be hot but moving swiftly to hot mum. Forties, you're the legal person in a pantsuit. Then, once you reach your fifties, you're positively elderly.

Oh, the twenties and the thirties were not otherwise designedThan other times when blind men into ditches led the blind,When the rich mouse ate the cheese and the poor mouse got the rind,And man, the self-destroyer, was not lucid in his mind.

I was in my early thirties writing about my early twenties, so there was this way of seeing my younger self from enough of a distance to have perspective but also not to feel that I had to protect myself. My dreams for myself then would have undersold myself in a way.

Answers to Frequently Asked Questions: Yes. Yes. No. One time in high school. Three times in my twenties. Rocks no salt. Yes. Four. Never. And how dare you! I will take no further questions.

True beauty, the kind that doesn't fade or wash off, takes time. It takes incredible endurance. It is the slow drip that creates the stalactite, the shaking of the Earth that creates mountains, the constant pounding of the waves that breaks up the rocks and smooths the rough edges. And from the violence, the furor, the raging of the winds, the roaring of the waters, something better emerges, something that would have otherwise never existed.

Being a straight white guy in his, like, early twenties - there's some sort of thing about it. A sort of privilege, a sort of anger or something. You just say some really stupid things.

I'm 47, I have gray hair, and yet people still come up to me on the street who are in their twenties, who weren't even born when 'Singles' was made... well, they were pretty tiny, anyway... and they say, 'Oh, I love that movie.' And I always say, 'How OLD are you?'

Adolescence was only recognised as a life stage in the early 20th century, when psychologists got down to work. Today's generational battle obscures the fact that adulthood is happening later. A new transitional stage has emerged after adolescence: the twenties.

I might have had too many friends in my twenties. I probably said yes too much, and then I had to learn how to say no. How to get away in order to work on stuff.

I was so boisterous in high-school, I don't think a lot of boys liked me that much 'cause they were like, 'Oh, she's so loud and so crazy.' But then this thing happens in your late twenties, and guys begin to take note of women's personalities more or something.

My twenties were carefree in the worst ways. There's a nice balance now of work ethic and healthy lifestyle and carefree attitude, which is pretty nice. You get to a point where you don't care so much what people think of you and you care more about yourself.

Here's the truth. Your teens and twenties are your Plan A. At 50, you're assessing whether Plan B or Plan C or any of the other plans you hatched actually worked. Your sixties and seventies, they're an improvisation.

There ought to be more grants that go to people in their late twenties and early thirties. That's a crucial age, although it's very hard to judge who is worth supporting and who is not. Looking back on my own life, I see that was the period when I was closest to giving up as a novelist and when I most needed some encouragement.

If I were to see the case of a boy aged ten or eleven who's intensely erotically attracted toward a man in his twenties or thirties, if the relationship is totally mutual, and the bonding is genuinely totally mutual, then I would not call it pathological in any way.

I take the stage as a man in his fifties and walk off the stage like a man in his twenties.

In my twenties and early thirties, I wrote three novels, but beginning in my late thirties, I wearied of the mechanics of fiction writing, got interested in collage nonfiction, and have been writing literary collage ever since.

I don't feel like a very feminine woman sometimes. I feel manly. When I was in my twenties I would say I was a masculine girl and now I realise the whole idea of femaleness is a construct. I'm a boyish girl, who talks over people and I do a boyish job.

I started to study the flute in 1951. The flute has been utilized by African-American musicians as far back as the early Twenties. If you take a look at some of the old pictures of Chick Webb, then you will see the flute right there on the bandstand among the woodwinds.

In many ways, the physical dimension of life becomes less important as the soul enlarges. In my late twenties, I was astonished by the elders with whom I began to spend most of my professional time - how vivacious so many of them were, once I looked beyond my negative bias.

His impression was that he had been imprisoned in a shelter deep down in the underworld of his personality, listening and biding his time while insanity rushed like spring flood through the upper layer of his soul, roaring and crashing, leaving terrible destruction in its wake, a deserted, ravaged country. No, he hadn't been crazy, but something inside him had been crazy.

I was a big party guy in my twenties, and kind of a playboy as well. I adopted a lot of values and goals that were fairly superficial and, in many cases, self-destructive. They looked cool and sounded sexy on the surface, but underneath, there was no real meaning going on, just a lot of escapism.

It's hard to say that my twenties were the most miserable time in my life or that my first wife drove me crazy or that I hated the job that I had. You can say all of those things. But for the most part, people manage to have a good time when they're that age.

I think because I did become a well-known face in my thirties and not in my twenties, I was pretty settled in my boots and I knew who I was. And I think there's a sort of Scottish thing, too, where you don't take yourself too seriously, and you don't get carried away with your own sense of self-importance.

I wasted too much time in my twenties. I worked, but I would do theater in the evening, and during the day I would surf and do irascible things. And then, for some reason, as I got closer to my thirties, I thought, 'Okay Joel, you've wasted enough time.'

People always think that when they grew up it was better. The people who went to Studio 54 say, "Oh, this is nothing!" or "The Limelight is nothing. In our day it was much better." But I mean, it's always great. It's always fresh to the kids. And to me, you've just got to make it happen. You can't be a downer and say, "This is nothing like the roaring 20s."

I had the idea in my twenties that a writer could immediately become the late Henry James. Henry James himself had to mature. Even Saul Bellow did.

Some time ago we heard a strange story. The pilot of a small plane said that he had been caught in a one hundred fifty mile gale, which held his plane perfectly still. The motor was roaring, he claimed, but the plane was not moving. "It was weird," he said , "to be going one hundred fifty miles an hour and yet not be going anywhere at all."

The prospect of dating someone in her twenties becomes less appealing as you get older. At some point in your fife, your tolerance level goes down and you realize that, with someone much younger, there's nothing really to talk about.

Movie acting is a great job for your twenties: You travel all over, you have affairs with people, and you throw yourself into one part and then another. It gets more challenging as you get older, and it's not just having a daughter, it's wanting to have your own life and be yourself.

The moment that always comes to mind when I think fondly about 'The Hills' is when Lauren and I got to go to Paris. I was in my early twenties, and I had never been to Paris. The thought of the Crillon Ball was so glamorous - wearing designer gowns, getting hair and makeup done, and meeting all these amazing people.

I decided to start acting in my mid-twenties. I studied pre-med, and I have a bachelor's degree in Biology, so when I decided to pursue a different career, I got a lot of, 'What on earth are you doing?' But, I gave myself a year and thought, 'You know what, I'm going to just beat the odds.'

When you're in your twenties, you're made of expectations, and when they're shattered, you don't know how to behave. The fact is if you react really outraged, you fear that you'll get dropped and feel even more terrible. But there's only a certain amount you can put up with before you become obnoxious in your own eyes, right?

I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished 'Drown' was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.

The prospect of dating someone in her twenties becomes less appealing as you get older. At some point in your life, your tolerance level goes down and you realize that, with someone much younger, there's nothing really to talk about.

I'm not a stereotypically beautiful woman, and I'm so happy that I'm not. I've seen those ladies - the need to be attractive at all times is ghastly. Also, in your twenties, if you are beautiful, everything comes to you, so you never need to develop a personality. I never had that problem.

I was always interested in drawing and creating, but it never really occurred to me that I could pursue art as my profession until my mid twenties. From all I had heard from other people, art was just something you do as a hobby in between your real work and real jobs.

The Sexual Revolution offered us women this deal: you can particiapate in higher education and the labor market, as long as you agree to chemically neuter yourselves during your twenties, and endure expensive, humiliating, and possibly dangerous infertility treatment during your thirties and forties.

The silence is so intense that you can hear your own blood roar in your ears but louder than that by far is the mysterious roar which I alwas identify with the roaring of the diamond wisdom, the mysterious roar of silence itself, which is a great Shhhh reminding you of something you've seemed to have forgotten in the stress of your days since birth.

Most all of the writers I admired when I was in my teens and twenties died young. Fitzgerald lived the longest. He was 44. Dylan Thomas was 39. And then once you're approaching 40, you suddenly think, "Well, maybe I would like to live longer than Fitzgerald or Thomas."

I've always considered myself a little more fluid along the spectrum. So even being called bisexual... I remember, in my early twenties, I was like, 'But bisexual means I can only like girls and guys. What if I like something else?'

The absolutist lays down the law, but the relativist hears only roaring and bawling. Or, when the relativist voice, as it is heard from philosophers such as Nietzsche or James, itself starts to grate and sounds shrill, as it often does, and when the relativist then offers concessions, the absolutist hears only insincerity. The war of words can often turn into a dialogue of the deaf, and this too if part of its power to arouse outrage and fury.