Top 766 Roaring Twenties Quotes & Sayings - Page 11

The food of my childhood was revolting because I was a child of rationing. However, I still managed to be a very plump child and, indeed, as a teenager, positively fat. In my early twenties I lost three stone in one summer using the only diet that works: the pure protein diet. I kept to it until I was about 50.

I have not spent years in therapy; I tried therapy in my mid-twenties, and it did not go very well. I just thought, 'This is so not for me. I would rather talk to one of my girlfriends.' I'm not at a point in my life when I'm analyzing too much. I have young children, and I'm just pretty much crazed.

A lot happens at 50, the best thing being that you just don't care anymore. At 40, you still care. At 30, you care way too much - and your twenties are quite frankly a nightmare. Bring on 60, I say: just imagine the joy of having grandchildren.

I used to be much heavier when I first started out acting and did a lot of crash dieting and a lot of crash exercise - a ton for a month before you burned out. Then I made a decision in my twenties to only do things that I can do for life, so everything's kind of in moderation for me.

Chain me with roaring bears; Or shut me nightly in a charnel-house, O'er-covered quite with dead men's rattling bones, With reeky shanks and yellow chapless skulls; Or bid me go into a new-made grave, And hide me with a dead man in his shroud; Things that, to hear them told, have made me tremble; And I will do it without Fear or Doubt, To live an unstain'd Wife of my sweet Love.

I think that every young person is a little mentally ill, you know? If we're not totally shutting down, we're all a little bit mentally ill in our twenties and maybe into our early thirties.

In my twenties, I thought it was getting a sitcom. Then I got a sitcom pilot in my early thirties, and realized I didn't want it. It was a rude awakening. When it wasn't picked up, I was crushed, but then in retrospect I've made two films and produced three one-man shows since then. It's the luckiest thing that happened in my life.

I'd spent my twenties trying to be everything to everybody. I had my family, my straight friends, and I was starting to develop a gay circle of friends. I was seeing some men, seeing some women, and trying to sort it all out.

You do certain things in your twenties that are just not appropriate in your thirties and certainly not appropriate in your forties. Eventually you even the scales, and it's time to move on and become an adult and start working hard again and going to sleep a little bit earlier. Fortunately, I got a job to facilitate that transition.

I'm torn about late parenting. I believe people should spend their twenties living and having fun and not having any regrets later. I also think people in their thirties generally make better parents but so many of my friends are having trouble - myself included - as fathers get older.

John Fahey, thought during his lifetime to be possibly more than a little crazy, was the author of some thirty albums of gnomically introverted droning guitar instrumentals, which I listened to heavily in my teens and twenties; I even produced an hour or so of banjo music in an imitative John Fahey style.

A boy comes to me with a spark of interest. I feed the spark and it becomes a flame. I feed the flame and it becomes a fire. I feed the fire and it becomes a roaring blaze.

Okay, so, when I was a kid, definitely the drawings and the illustration. Then I stopped in sixth grade or so. And then I started again when I was in my twenties. I really didn't progress since then, so the way I draw is the way I drew in sixth grade.

Sometime when I was in my mid-twenties I noticed, "Hey, even I don't go into too many art galleries. Why? Because I don't like the vibe in them. If even I'm not going into galleries, then who goes into art galleries in the first place?" It's just a certain, very narrow percentage of the population.

When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.'

I was haunted always by my other life-my drab room in the Bronx, my square foot of the subway, my fixation upon the day's letter from Alabama-would it come and what would it say?-my shabby suits, my poverty, and love. While my friends were launching decently into life I had muscled my inadequate bark into midstream... I was a failure-mediocre at advertising work and unable to get started as a writer. Hating the city, I got roaring, weeping drunk on my last penny and went home.

I think it took me until - my twenties were really a time of exploration and experimentation with different groups and different types of music. Then I kind of developed the sound, which first appeared, I guess, on my first solo album 'Englaborn,' which came out in 2001.

When you're in your twenties and starting out, the problem is that you care about being cool. Being older, I can care less about being cool, which is a liberating feeling.

I didn't go to many movies. My mom would make a family outing and bring chicken in the theater. Smell up the whole place. The most impactful movies were 'Godfather II' and 'Scarface'. I loved the human complexity, and those movies are so well shot. Cinematic greatness. I really stopped going in my early twenties.

Droplets, droplets: We are all identical drips and drops of people, hovering, waiting to be tipped, waiting for someone to show us the way, to pour us down a path. ... He has tipped us over, all of us in our teetering expectancy, and now we are pouring toward him, coursing on a wave of sound, of roaring shouts and applause. ... They are the moon; we are a tide, their tide, and under their direction we will wipe clean all the sickness and blight from the world.

I went on tours with [Bob] Dylan - the big one was in 1975 and called Roaring Thunder Review. I knew him well because I met him around the time he did his second album, in 1963. He recorded one of my songs called Shadows. In the 1970s, it was suggested that we do a duet, because we had the same manager, Albert Grossman, who also managed Odetta and Peter, Paul and Mary. Dylan and I respected what each other did, but I just decided not to do it.

Somewhere in my early twenties I realized I was pretty constantly monitoring myself, judging how I was always falling short, whether it was about not being a good enough daughter or friend, or my appearance, or whatever. I ended up becoming involved with a spiritual path in the yogic tradition, living in an ashram, doing a very rigorous spiritual practice.

When I got married in my twenties, I had a happy marriage and happy kids but at some point in time I let it go off the rails; I let it go off the rails.

As a woman now, I want to share things. I have girlfriends in their twenties, and I say, "Ask me anything. You can learn from the things I did wrong, and you can learn from the things you think I'm doing right. Take whatever you want and make it your own."

When I got married in my twenties, I had a happy marriage and happy kids but at some point in time I let it go off the rails I let it go off the rails.

I think I did a lot of really stupid stuff really quickly in my twenties and that sort of led me to want to sort of just relax a little bit. Relax a lot.

I think George Bush is the most corrupt American president since Harding in the Twenties. He is not the legitimate president. This really is a completely unsupportable government and I look forward to it being overthrown as much as I looked forward to Saddam Hussein being overthrown.

You get to a certain point - gratefully - when you’re out of your twenties, and you realize how fleeting life is. So, it becomes important to feel as if the people in your life know exactly how you feel about them at all times.

I'm always very aware of the physical challenges of work. I train much more than I did when I was in my twenties, and I've done some very physical films, and I always get properly prepared for them and get as fit as I can.

Until your mid-twenties, you're still growing up mentally. It's fair to say there's a bigger difference between twenty and twenty-five than between twenty-five and forty in terms of who you are, how you relate to your work, and what you want out of it.

I definitely divide my life into decades. Almost every ten years, something in my work life has changed. My twenties were my journalistic phase, then there was my screenwriting phase, then I became a director, then I started doing some plays.

If you're going to listen, you have to be willing to be changed by what you've heard. My life has gone through so many changes. I'm sixty-two years old right now, and I'm as busy changing now as I was when I was a teenager, or in my twenties. Every day is different. Every day brings new information.

I spend a lot of time hanging out with kids in their early twenties who feel like they've messed up and have really screwed up in a lot of ways. We spend a lot of time talking to them and saying, 'You can change that.'

I like to say I had a very varied undergraduate education. I was an English major first, and then at the end of my college career I decided I was interested in urban planning. I became an urban studies major, with a minor in poetry. I don't think I knew what I was looking for in my early twenties, but I know I kept not finding it.

"Ay," said the Captain, reverentially; "it's a almighty element. There's wonders in the deep, my pretty. Think on it when the winds is roaring and the waves is rowling. Think on it when the stormy nights is so pitch dark," said the Captain, solemnly holding up his hook, "as you can't see your hand afore you, excepting when the wiwid lightning reweals the same; and when you drive, drive, drive through the storm and dark, as if you was a driving, head on, to the world without end."

The question so often asked of modern painting, "What is it?", contains more than the dull skepticism of the man who is not going to have the wool pulled over his eyes. It speaks of a fundamental placement in relation to the work, that of a voyager in the world coming upon a strange object. The reader reconstitutes the work by his active participation, by approaching the object, tapping it, shaking it, holding it to his ear to hear the roaring within. It is characteristic of the object that it does not declare itself all at once, in a rush of pleasant naïveté.

I grew up around food and in a restaurant, so it never dawned on me that this was a thing to do; it just was. Then I found it as a profession in my mid-twenties after years of bad decisions and depression. The first step was going to the bookstore and learning about this craft. Then applying in kitchens and just getting to work.

By the time you are in your thirties, most of the time, you've got a job, you can pay for your rent, you can create this nice world around you. And still, you're only in your thirties - you're not that far away from your twenties, which is when you're making all of your stupid mistakes.

I spent a lot of my twenties wanting a maid, really. I thought I wanted a relationship, but I just wanted somebody to fix and nurse me, and I'd take her hostage for six months. When you're 23, 24, you want to be in a relationship because they look brilliant - you've heard all the songs about it and seen all the movies and it looks great.

The women I know who have children and have careers, they seem to be very happy. They love their children and they love their jobs. But happiness comes out of being willing to do your work in your twenties to find out who you are, what you love.

I was working through a lot of challenges at every angle of my life, and a lot of self-doubt, a lot of pity-partying. And I think every woman in her twenties has been there - where it feels like no matter what you are doing to fight through the thing that is holding you back, nothing can fill that void.

What the altar-bound of today end up buying from their numberless vendors is a dog's breakfast of bridal excess - part society wedding of the twenties, part Long Island Italian wedding of the fifties. It's The Philadelphia Story and The Wedding Singer served up together in one curious and costly buffet.

I am pleased to say that I am not a tortured comedian - I laugh a lot. My twenties weren't particularly happy, but it's the same for a lot of people. In your thirties, you realise that your life and your worries are really insignificant, and you have to force yourself to be more positive and take each day as a gift.

Leading a band and producing yourself and picking cool tunes and putting a show together takes a lot of thought, and a certain amount of courage. In my early twenties, if I wasn't getting good enough at it, then people would not come and see me. Anybody who has lasted this long - I hope we get better with age.

I started using drugs when I was thirteen. By twenty-one, I was shooting up coke and heroin. In my early twenties, I unconsciously used asana to make the "getter" inside me stronger. Sure, I got a hit of the yoga high - serenity at the end of class - but how sustainable is that if you're holding grudges against yourself or others?

Puberty extends into your twenties, for sure, and some people don't get over that until much later in life. I feel like I'm just starting to get over puberty - basically twenty years of insufferable, totally self-obsessed hell.

I've never really been on a date, because I've been with the same girl since my early twenties, but on our first date, I showed her The Texas Chain Saw Massacre. I was like, "Hey, you've got to see this!" And we've been together ever since.

I think our culture views success as visibility, being seen as being successful. Whereas I've learned that success is rooted in helping and connecting to other people, and knowing where you can contribute. I've kind of spent my thirties doing that, because in my twenties I was seeking any kind of success.

My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth, at midnight, in the dark, when the wind is roaring like a bear in the chimney? When the lightning strikes shadows on the bedroom wall and the rain taps at the window with its long fingernails? No. When fear and cold make a statue of you in your bed, don't expect hard-boned and fleshless truth to come running to your aid. What you need are the plump comforts of a story. The soothing, rocking safety of a lie.

You get to a certain point - gratefully - when you're out of your twenties, and you realize how fleeting life is. So, it becomes important to feel as if the people in your life know exactly how you feel about them at all times.

I’m 23 right now and I feel like I’m still trying to figure it out. Maybe in another two years, I’ll have it all together. So maybe 25 is the age at which a woman feels her most beautiful just because she’s survived her teenage years and early twenties.

It took me a long time to make that leap to being a grown-up and responsible adult because I carried on being a child actor into my late twenties. It's OK to be precocious when you're young, but when you're a man of about 27 or 28 and playing a 17-year-old in a TV show, it kind of prolongs your childhood.

My entire twenties were filled with decisions that make me think, 'You had to go there, huh?' But that's part of exploration and I think a lot of the most beautiful moments of my life and a lot of the most amazing things have come out of some of the most tumultuous times.

When you are 18, 19 or 20 you can get away with more, but as you get into your twenties you realise that it is harder and harder to lose what you put on. Look at Ricky Hatton. That isn't good for you and so you know not to come back overweight or out of shape. Why? Because you'll get stick from fellow players and you'll struggle.

When I was at seminary in my early twenties, one of my teachers said to me, "You're going to have to decide. Either you're going to be an academic or you're going to be a pastor. You can't be both." I remember thinking, Rats! I want to be both! Why are you telling me I can't do these two things?And so I have kind of oscillated to and always wanted to do both.

I don't know what age the people who review my concerts reached puberty, I don't know if people in America reach puberty a lot later than they do in England or something like that, but the majority of those people are in their late teens and early twenties.

If there was any creature in American culture more derided than the young girl... I know people will argue with me about that, but everything girls are into gets ridiculed. I have a lot of compassion in my heart for girls in their teens and twenties who are going through this particular passage, because I get it. It makes sense!

I had enormous self-image, problems and very low self-esteem, which I hid behind obsessive writing and performing. It's exactly what I do now except I enjoy it now. I'm not driven like I was in my twenties. I was driven to get through life very quickly.

My plan was always to leave school and live in a flat with some friends, have a 9 to 5 job, and try to get as many gigs as I could. I wanted to keep writing and then eventually, in my twenties, head to a record label and hope they'd sit down and listen to my book of songs, sign me as a songwriter and maybe an artist in development.

When you're sixteen and struggling to forge an identity out of a morass of hormones and daydreams, remarks like that cut a deep groove in the brain. I trace the ongoing, victorious-feeling semi-starvation of my twenties directly back to adolescence - as a way of showing those assholes that I could control my appetites... Which is so sad, in retrospect, because of course no one cared.