Top 1092 Robert De Niro Quotes & Sayings - Page 16

From meeting Robert Plant, John Bonham, and John Paul Jones, teaming up, rehearsing, playing selected gigs outside of Britain, coming back into Olympic Studios to record the first album, and then going to America, which we crack open like a nut with the debut record - all that happened, literally, within months.

I have favorite authors from a lifetime of reading, so there are some I'll automatically read every time they have a new novel. Included in them: Robert Goddard, Jeffery Deaver, Sophie Kinsella, Katherine Neville, Greg Isle, Laurie King, Lee Child, Lisa Tucker, Susan Howatch, Paul Auster. Barry Eisler, David Hewson, Tracy Chevalier.

One of my earliest memories, movie-related or otherwise, is of seeing a man dunking a man's head in a toilet on television, and my mom telling me that this is what would happen to me if I ever joined the Army. It wasn't until my senior year in high school that I would discover that this was a scene from 'The Great Santini,' starring Robert Duvall.

Robert McKee says humans naturally seek comfort and stability. Without an inciting incident that disrupts their comfort, they won’t enter into a story. They have to get fired from their job or be forced to sign up for a marathon. A ring has to be purchased. A home has to be sold. The character has to jump into the story, into the discomfort and the fear, otherwise the story will never happen.

Robert Duvall taught me years ago. He said, "You know theatre is not real. I don't like plays." You know, he doesn't like plays. And I agree with him in certain ways, you know. They can be fun. I don't mind going to see them. I went and saw Phantom of the Opera. I thought hey, that's cool. Look at the mask and all that.

Our top story, in 'Threat Matrix Reloaded' news ... Attorney General John Ashcroft and FBI Director Robert Muller held a press conference today to announce that Al Qaeda is planning attacks somewhere inside the United States at sometime in the future. So go about your normal lives, but with a vague sense of foreboding.

I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.

Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.

I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson, and a few others.

Otherwise you have to repeat a lot when you're filming. And I've seen the film and it's in a border town in Mexico close to the border with the United States, so of course you have a lot of traffic and noise and dogs barking right nearby, and for that you have to repeat a lot and Robert Rodriguez didn't do that. Smart, smart, smart, you better have smarts also.

writing is like being in love. You never get better at it or learn more about it. The day you think you do is the day you lose it. Robert Frost called his work a lover's quarrel with the world. It's ongoing. It has neither a beginning nor an end. You don't have to worry about learning things. The fire of one's art burns all the impurities from the vessel that contains it.

Robert Louis Stevenson, one evening, stood transfixed at his nursery window watching the lamplighter in the street. When his nanny asked the boy what he was doing he replied: 'I'm watching the man knocking holes in the darkness.' We live in a universe made dark by sin. Let's knock holes in the darkness.

I am not one to generalize, but cartoonists, as a group, exhibit a level of social sophistication generally associated with pie fights. In high school, when the future lawyers were campaigning for class president, the future cartoonists were painstakingly altering illustrations in their history books so that Robert E. Lee appeared to be performing an illegal act with his horse.

There is little doubt that, until 1846 when he helped to engineer the resignation of Robert Peel, Disraeli was driven by an ambition to make his mark rather than by any consistent political purpose, and that his attacks on Peel would have not have been so mounted had he been given in 1841 the office for which he had asked.

In the Middle Age, in Germany, if you wanted to learn addition and multiplication, you could go to any university. But if you wanted to learn division, you could only do it in one place, Heidelberg. This makes sense, since in my theory with Vladimir Retakh and Robert Wilson, addition and multiplications are cheap, but division is expensive.

Few generals were as brilliant as Robert E. Lee and few battles as titanic -- and puzzling -- as Gettysburg. Why did Lee fail? In Lost Triumph, Tom Carhart offers a bold and provocative new assessment. Agree or disagree, it is sure to stimulate debate among even the most seasoned Civil War buffs.

Goddard represented a unique combination of visionary dedication and technological brilliance. He studied physics because he needed physics to get to Mars. In reading the notebooks of Robert Goddard, I am struck by how powerful his exploratory and scientific motivations were - and how influental speculative ideas, even erroneous ones, can be on the shaping of the future.

Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable.

I think Robert F. Kennedy really, finally, cared; he realized that all of the rhetoric had to be put down into some form of action. That's perhaps the reason they killed him. They don't care what you say, you can say as much as you want to, provided you don't do anything. If you start to do something and your shuffling raises too much dust, they will disestablish you. That's what happened to Martin Luther King.

There are a number of things that I'm trying to get into the books. There's a meta-fictional aspect, if I may use that pretentious word, to writing anything. You're writing in the shadow of all the people that have gone before and, in a way, you're having a dialogue with them. As someone who's read J.R. Tolkien and Robert E. Howard and all the great fantasists before, this is almost my answer to them.

With filmmaking, I for so long was like, oh, I need permission to go out and be a director and be a filmmaker. And I read Robert Rodriguez's 'Rebel Without a Crew.' He just went out and did it, man. In his book, he even says just put your name on a business card and say you're a filmmaker. Congratulations, you're a filmmaker.

The benefits of a modest warming would outweigh the costs - by $8.4 billion a year in 1990 dollars by the year 2060, according to Robert Mendelsohn at Yale University - thanks to longer growing seasons, more wood fiber production, lower construction costs, lower mortality rates, and lower rates of morbidity (illness).

There were four major 20th-century science fiction writers: Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and Ray Bradbury. Of those four, the first three were all published principally in science-fiction magazines. They were preaching to the converted.

They [Rappites] were moving from Southern Indiana to Pennsylvania, where they had originally settled when they came from Germany. They were looking for someone who wanted to buy a pre-built town, which wouldn't have been appropriate for any kind of normal settlement. That's when Robert Owen [Welsh industrialist and utopian socialist] buys the village and founds New Harmony.

There is absolutely no doubt that Robert Mugabe and ZANU-PF have lost the popular support of the people of Zimbabwe. And the more they become intransigent, the more they become vicious and try to repress people, the more it turns people against them, and the less chance they have of ever holding onto power.

One of the big breakthroughs, I think for me, was reading Robert A. Heinlein's four rules of writing, one of which was, 'You must finish what you write.' I never had any problem with the first one, 'You must write' - I was writing since I was a kid. But I never finished what writing.

I remember staying up all night waiting to see the first screening of Cape Fear because you knew that every time Robert DeNiro had a performance it was going to be revelatory. Then DeNiro hit this place, he seemed like he was done with the emotional cost of impaling himself like that, and he dedicated himself to comedy.

I loved IRON MAN: Robert Downey Jr. has been and probably will be my favourite actor for a long time…but IRON MAN, THE INCREDIBLE HULK, SUPERMAN RETURNS and all the others feel a little like Saturday morning cartoons next to the carbon black glory that is 'The Dark Knight.' Trust me, *this* is the future of this sort of thing.

The challenge for me was not just the prosthetic work and how to move like an older man would move, but more so how to have 50 years of experience in the workplace and talk to a young Robert F. Kennedy as if he was some political upstart that didn't know what the hell he was talking about. That was the big challenge [in the J. Edgar Hoover m?vie].

Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.

I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility.

I think Michael Heizer and Walter De Maria had a love-hate relationship because they both had a lot in common. But inevitably one would get more publicity than another. Of course, Robert Smithson's gotten so much attention through the years. One of the reasons is not only that his work is quite wonderful, but the fact that he was a writer himself.

If any further proof were needed that the Liberal Democrats live up to neither part of their name, then the treatment of Roman Catholic Robert Flello would have provided it. They were glad enough to have him when he defected from Labour but have now deselected him because he supports neither abortion nor gay marriage.

Nothing that Robert Plant does will ever equal Led Zeppelin, but that doesn't mean he's going to stop being creative. Jimmy Page has so many incredibly cool projects, but it's not Led Zeppelin; there will only ever be one Led Zeppelin.

A. E. Maxwell wrote one of the smartest, most consistent PI series in recent memory. Big plots, great villains, and a kickass private eye with plenty of humanity. The toughness of Robert B. Parker's early Spenser novels blended with the wry humor and scope of Ross Thomas. Wholly original, endlessly entertaining. The books of A. E. Maxwell are a forgotten treasure.

I think all of us thought that by the '70s, at the latest the '80s, all the world's problems would be solved and everyone would be getting along fine. And instead we saw that Martin Luther King Jr. was assassinated that year, Robert F. Kennedy died. We saw that it was going to be a lot more difficult than I think we had thought.

I discovered very soon, especially for movies, because I started in theater, that every director has his own universe. You have to be free enough to try to understand what he wants from you. Especially when that director has a tremendous personality. And I'm talking about people like Pedro Almodovar and Robert Rodriguez and Quentin Tarantino and Woody Allen. And you have to adapt. If you don't adapt to them, you are off the thing.

In my early 20s, I had this idea that I was going to front a band, like Robert Plant of Led Zeppelin. I didn't just want to be the chick singing ballads about somebody breaking my heart. Everyone in the business said, 'Why don't you do what Olivia Newton-Jonn and Linda Ronstadt are doing?' But I wanted to sing as a powerful female who wasn't afraid to speak her mind or be sexual.

I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt, who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson and a few others.

A decade ago, I really did believe that the average investor could do it himself. I was wrong. I've come to the sad conclusion that only a tiny minority, at most one percent, are capable of pulling it off. Heck, if Helen Young Hayes, Robert Sanborn, Julian Robertson, and the nation's largest pension funds can't get it right, what chance does John Q. Investor have?

Robert Spencer, a prolific anti-Islam writer and a leading Islamophobe who is bent on distorting Islam and demonizing Muslims, has persistently argued that violence and terrorism employed by Muslim extremists is rooted in the Quran and its message. Spencer calls the Quran, a book sacred to Muslim, 'the jihadists' Mein Kampf,' in reference to Hitler's memoir.

My guitar heroes are Eric Clapton and Jeff Beck and people like that - so I've tried to make an album of Robert Johnson covers that, well, while not totally faithful for blues purists, is faithful for people like me that grew up with the '60s and the electric blues-rock versions of Johnson's songs.

My old mom told me, 'Robert, you can't go to heaven if you hate anybody.' We practice that. There are white niggers. I've seen a lot of white niggers in my time. I'm going to use that word. We just need to work together to make our country a better country, and I'd just as soon quit talking about it so much.

With The Host, I think the actors could be really big names. That would be cool. Id love to see Robert Redford put on a beard and be Jeb; he would be amazing... Matt Damon has some very Jared-esque qualities, and then Casey Affleck as Ian and Ben Affleck as Kyle. Imagine the interplay.

I read a lot of science fiction, but I also mixed it up with a lot of other genres: crime, literary fiction, as well as nonfiction. Author-wise, I'm a fan of Stephen King, Lauren Beukes, Robert McCammon, Raymond Chandler, Greg Rucka, Ed Brubaker and Gail Simone, among many others.

I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.

We got to the moon on Christmas Eve 1968, at the end of a poor year for this country. We had Vietnam. We had civil unrest. We had the assassinations of Robert Kennedy and Martin Luther King. But we went around the moon and saw the far side for the first time. A script writer couldn't have done a better job of raising people's hope.

I was pretty nervous when I met Robert DeNiro. I kind of felt like a kid in a candy store for the first time. I couldn't wipe the grin off of my face. But Bobby DeNiro was really, really sweet and made me feel very comfortable. He's very low-key and just a superstar professional, and totally someone to be admired.

Fireflies in the Garden By Robert Frost 1874–1963 Here come real stars to fill the upper skies, And here on earth come emulating flies, That though they never equal stars in size, (And they were never really stars at heart) Achieve at times a very star-like start. Only, of course, they can't sustain the part.

Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.

Hillary had never run for office before, but she decided to give it a try. She began her campaign the way she always does new things, by listening and and learning. And after a tough battle, New York elected her to the seat once held by another outsider, Robert Kennedy.

I'm a big believer than a great bit is a great bit - if I go and see someone I love, like Robert Klein. I want to hear some classics and some new stuff. But a great stand-up bit takes a long time to really polish and perfect, and they're beautiful things when they're done.

Robert Frost had a house in Bennington, Vermont, and I had a friend, the poet Mary Ruefle, who was the caretaker of it when it was owned by Norman Lear, the TV producer. She got a grant to go to Scotland, and she had to be gone six or nine months, so I moved in, and my job was just to make sure the ravage didn't overtake the place.

I was just reviewed by Robert Gottlieb, who was my editor at 'The New Yorker,' and he sort of wondered at the fact that I still need to exorcise my parents at my age. I think he makes a basic mistake in thinking that exorcism can ever be total. The exorcism of your parents will still be occurring on your own deathbed.

In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.

You have been a very foolish boy, wasting your time dreaming of impossible things when you speak of Mr. Pontellier setting me free! I am no longer one of Mr. Pontelliere's possessions to dispose of or not. I give myself where I choose. If he were to say, 'Here Robert, take her and be happy; she is yours,' I should laugh at you both.

Brighter Than a Thousand Suns' by Robert Jungk and 'Surely You're Joking, Mr Feynman!' by Richard Feynman were both books my father purchased for me when I was in high school. Both left a lasting impression on me, because they chronicle the lives of some of the most creative scientists of the 21st century.

I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.

Characteristically skeptical of the idea that living things would faithfully follow mathematical formulas, [Robert Harper] seized upon factors in corn which seemed to blend in the hybrid-rather than be represented by plus or minus signs, and put several seasons into throwing doubt upon the concept of immutable hypothetical units of inheritance concocted to account for selected results.

Robert Rodriguez, makes a feature film in 35mm celluloid one and a half hours long, and nobody believed him, I think he wrote a book about it and gave all the details of how he spent the money, even making a 35mm celluloid feature film was possible, at least for Rodriguez.