Top 1092 Robert De Niro Quotes & Sayings - Page 17

[Robert] Aikman would write horror stories that weren't gore, they weren't slashers, and they weren't monster stories either. He called them ghost stories. The main thing about them was the vibe. It was really disquieting. He wanted to sketch the scene so that you could see it and know the characters and get a feel for the motion - and then ask yourself why and not get a final answer. Leave something that itches. I loved that!

This involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.

The same advice my commanding officer at Patrol Squadron 17, Cmdr. Robert J. Quinn, gave me before I was grilled to be given the responsibility to lead a crew of 12 all over the world, ready to stop a Russian submarine preparing to wipe out an American city with a nuclear missile: ‘Always remember that common sense and communication will solve 95 percent of the challenges you face in the Navy and life.

Although he reputedly hated the label of 'guru', Peter Drucker was, by any standards, the greatest management guru the world has yet seen. In 1996, the McKinsey Quarterly journal described him as the 'the one guru to whom other gurus kowtow' and Robert Heller described him as 'the greatest man in the history of management', praise indeed for a man who described himself as 'just an old journalist'.

Iran has agreed to deepen our coordination as we work to locate Robert Levinson, missing from Iran for more than eight years. Even as we rejoice in the safe return of others, we will never forget about Bob. Each and every day our hearts are with the Levinson family, and we will not rest until their family is whole again.

There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo Castelli, and a third big gallery man to serve us, the artists, at the table. So they were dressed up as waiters, we were sitting at the table, and they were only allowed to sit down at the end of the table for the cognac. This is not possible now.

Everything having to do with President Trump and Russia, whether it is Mr. Trump's demand for an investigation into the investigation by the special counsel Robert Mueller, or whether Mr. Trump will testify, requires an answer to one essential background question: Can Mr. Mueller seek to indict the president?

There was a man named Robert Dear who in court said he was a warrior for the babies, whose ex-wife talked about his Christian beliefs motivating his desire to attack and murder three people, including a police officer, in Colorado.That man is a Christian. He`s an avowed Christian. He appears to have acted on those Christian beliefs to undertake that act of violence.

Yes, you can have art films about the triumph of the human spirit and all of that, but you'll have it done with a big-budget icon with a $20 million salary. You'll have Julia Roberts, you'll have Robert Redford, you'll have Russell Crowe doing those films, because if they're going to cost $90 million, they're going to make that movie for a public that's very large and mainstream. They're not going to make it for three or four million black people.

Mikhail Gorbachev's historic leadership, which transformed Russia and international relations, cannot be fully understood without the diary-memoir of Anatoly Chernyaev, one of his most important advisers and closest confidants. Splendidly translated, edited, and introduced by Robert English and Elizabeth Tucker, his Six Years with Gorbachev is now available to everyone who wants to comprehend those final momentous events of the twentieth century.

Look at the movies of the sixties and seventies. They were making a different kind of movie then. Would 'Network' ever be made now? No. Would 'Kramer vs. Kramer' ever be made now? No. Would 'Tootsie' ever be made now? Probably not. Robert Altman films? Never.

PERENNIAL wisdom from divine revelation and human experience dictates that all earthly things great or small, beautiful or ugly, good or bad, sad or happy, fool...ish or wise must finally come to an end. It is from this sobering reality that the end of executive rule has finally come for Robert Mugabe who has had his better days after a quarter of a century in power.

This is all very fine, but it won't do-Anatomy-botany-Nonsense! Sir, I know an old woman in Covent Garden, who understands botany better, and as for anatomy, my butcher can dissect a joint full as well; no, young man, all that is stuff; you must go to the bedside, it is there alone you can learn disease! Comment to Hans Sloane on Robert Boyle's letter of introduction describing Sloane as a 'ripe scholar, a good botanist, a skilful anatomist'.

All scientific work is incomplete - whether it be observational or experimental. All scientific work is liable to be upset or modified by advancing knowledge. That does not confer upon us a freedom to ignore the knowledge we already have, to postpone action that it appears to demand at a given time. Who knows, asks Robert Browning, but the world may end tonight? True, but on available evidence most of us make ready to commute on the 8:30 next day.

I was quite intimidated by Ralph Fiennes. I didn't really talk to him while I was doing Harry Potter and the Goblet of Fire and the only thing I did with him was when he stepped on my head. Then I went to this play and he was there. And this girl said, “you've worked with Ralph Fiennes haven't you, Robert?” and I was like, “well, no...” and Ralph said, “yes, I stepped on your head.” And that was the extent of our conversation.

Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain. ... Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend.

In a sense, I never got over Robert Lowell's History. A flawed, infinitely brilliant project I never tire of going back to. It's a modern Inferno, where Lowell plays both Dante and Virgil, guiding us through dozens of illuminating, bitter episodes from human history, all the while managing to hold a mirror to our confused hominid face as it squints at eternity and fails to grasp any of it.

Embraced by the Light. It's about a woman who passed away during surgery, and she went to heaven, had her experience, and then came back. My dad [Robert Kardashian] would try to get me to read it, and I wouldn't. Then when he passed away, I was cleaning out my room in his house, and I found it. I read it, and it helped me. I felt like my dad was okay.

When Robert Bly visited Interlochen Center for the Arts so many years ago, he spoke to the creative writing majors and said, "The eye reports to the brain, but the ear reports to the heart." Perhaps this is the thing that musicians can do that writers can't ever, quite, but it is what I aspire to, that sense/power of the auditory, and the belief that to hear more clearly is to see more clearly, and that to see more clearly is to feel more deeply.

When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.

I had seen this comic called 'Invincible' created by two people I had never heard of before, Robert Kirkman and Cory Walker, and I was a huge fan. 'Invincible' probably had five or six issues under the belt, and the book was so impressive to me, I was surprised that I had never heard of them before. It's like they came out wholly formed.

My mom had this inate ability. Whatever town my mother moved to, the second she walked into town, she would instantly attract the alpha loser of that town. This guy was not a good guy. This guy was half O.J. Simpson and half O.J. Simpson. Scott Peterson sprinkles on the top, a side of Robert Blake. You know, not a good guy.

The reason why worry kills more people than work is that more people worry than work.- Robert Frost Now that all your worry has proved such an unattractive business - why not find a better job?

My high school English teacher in junior year, Dr. Robert Parsons, assigned us some Poe stories, including 'The Black Cat' and 'The Purloined Letter.' Being an animal person, I had trouble with 'The Black Cat!' I got hooked instead by 'The Purloined Letter,' a Poe story with detective C. Auguste Dupin.

Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen. For example, Steve McQueen, if you cut the sound, you don't know what he's acting really. He gives to the lines, to the text, something very special, and he's very good. He was a great actor. But, to do a silent movie, you have to have more expressive actors.

The best writing advice I had was [in] ‘Heinlein’s Rules for Writers’ by (American science fiction author) Robert A. Heinlein. His first rule is that you must write, and I was already doing that, but his second rule is, ‘You must finish what you write,’ and that had a big impact on me.

A lot of fantasy names are too much. They’re too difficult to pronounce. I wanted the flavour of medieval England. I took actual names we still use today, like ‘Robert’, and in some case I tweaked them a little bit. I made ‘Edward’ into ‘Eddard’. If you look back at medieval times, no one knew how to spell their own names. There are a lot of variations that we’ve lost.

I follow my own nose. So I read things that are different. People will always say to me, "Have you read Robert S. Bosco's latest novel?" or "Have you read so and so's history of Peru, which is reviewed in the New York Review of Books and the New York Times and has a buzz about it?" I don't even know what you're talking about. I'm like from another planet. I'm a pygmy from the jungle.

The reason some crime writers have a chip on their shoulder about the label is because their good books are shelved beside books about nuns and birdwatchers and cats who solve crimes. Overseas, my books are reviewed alongside those of authors like Robert Stone and Don DeLillo, and I have to live and die by that comparison. They don't ghettoize crime writers in other countries, and of course they shouldn't.

In Prodigal Son, Christine Sutton has penned a tight, brutally honest portrait of a psychopath reminiscent of Theodore Sturgeon's 'Some of Your Blood'. This dark descent into the broken mind of Timothy Robert Shively will send chills down your back. Every word rings true, and every page is dark with menace. Do yourself a favor and pick this one up right now. You can thank me later.

If Robert Mueller is gonna return after Russian's influence investigation and say, "We looked at everything, and, I'm sorry, there's just nothing here. We did find that Donad Trump flushed his toenails down the toilet in the Oval Office, but we don't think there's a crime there. Aside from that, nothing happened." The left would burn down the White House, unless the investigators are all Hillary Clinton and Barack Obama loyalists.

There's a theory that nobody believes. That Robert Mueller is Mr. Honest and Mr. Integrity, has no preconceived notion and is really gonna look to find what happened in White House and whatever he finds is what he's gonna tell us. That's the thing that you would associate with Mr. Integrity, with Mr. Honesty, with Mr. Character, is the last thing anybody thinks is gonna happen.

We would do improvisation together. And that in a way, had almost a "student-film side" where we'd be sitting there with Robert Downey and Jon Favreau and we're playing around, we're jamming around and we read those pages and in next couple of days that's what we do, so it was a good experience. Kind of frightening at first because you didn't quite know how it was going to work out, but they had some very talented people there so it worked out well.

I did Bored To Death with Jason [Schwartzman] and Zach Galifianakis and those guys. I mean, how lucky can you be that you get to be the old guy? I get to be Robert Preston to them now. That's what I feel. My job is to pass on what Preston and other people gave to me, which was show up, take the work seriously, don't take yourself seriously, and have a good time and be of service. Be there to support.

Without a doubt, Robert Rodriguez is the reason I was drawn to it. The fact that he even knew who I was and then was interested in me for the role was amazing. I am a huge fan of his and it's like a bucket list thing for me to be able to work with him and knowing that Jessica Alba and Jeremy Piven were in it I knew that part was going to be good and as you said, the pedigree of the series was great, so it was really one of those things I couldn't resist.

When students are first at the Kerouac School we harp on Gertrude Stein's very basic poetic insistence that words are things . Not to invalidate your experience or all the great feelings you have, I tell them. Although poetry may be good for you, it's not therapy. You're making something with words which are visceral, muscular, active, not just markers of how you feel. And we have classes studying William Blake, Ezra Pound, Charles Olson, Robert Duncan, Stein.

I think Robert Altman could see things in me that I didn't know I possessed, which is really exciting. He also instilled a tremendous amount of confidence, because he would say things like, "These are the bare bones, but I want you to go fill it out. You find the character. You bring it to me. You write whatever you want." And if you had an idea, he wouldn't want to hear about it. He's want you to show it to him.

The first thing that strikes you about Timothy Murphys verse is the palpable texture of his line - that sound of sense practised by that other American poet-farmer, Robert Frost. And just as Murphys ear is trained on the rhythms of local speech and classical epigram, his eye holds fast on the image. This is an undeluded vision, sometimes bleak, often funny, and never less than painstakingly crafted.

Commemorative stone in the floor of the Chapel of St. George in Westminster Abbey, London, dedicated in 1947: TO THE MEMORY OF ROBERT Baden-Powell CHIEF SCOUT OF THE WORLD 1857-1941 Upon one side of the stone was the badge of the Boy Scouts, the arrow-head to point the true way as it had pointed the way for sailors and navigators from the time of the earliest maps; and on the other the badge of the Girl Guides-the three-leafed clover.

Different influences at different times in my career, and some have stayed with me more, some less. Chester Himes. Ralph Dennis, who wrote a series called Hardman which is a big influence on the Hap and Leonard novels. Harlan Ellison, Philip Jose Farmer, Gerald Kersh, Fredrick Brown, Robert Bloch, and I'm just getting started. I read constantly. As for the epic Western, that's Paradise Sky.

The particular skill that allows you to talk your way out of a murder rap, or convince your professor to move you from the morning to the afternoon section, is what the psychologist Robert Sternberg calls "practical intelligence." To Sternberg, practical intelligence includes things like "knowing what to say to whom, knowing when to say it, and knowing how to say it for for maximum effect.

When I was nine years, growing up on the south side of Chicago, in the ghetto. The Robert Taylor Projects. I came home from school, I showed my mother a picture and said "Momma, that's you in the rocking chair. There's daddy over there." I said, "Momma, one of these days, I'm gonna be big and strong. I'm gonna be a football player. I'm gonna be a boxer. I'm gonna buy you a beautiful house and I'm gonna buy you pretty dresses." That's all I want to do in life.

What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein - Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example - like a caboose? I am not talking about engaging directly with another artist's work or ideas, but of perpetuating a look or, in the case of Wade Guyton, the various monochromatic, striped and geometric surfaces we associate with Minimalism.

Nobody in TV makes as much money as Robert Redford, who likes to make movies for several million dollars only on the condition that they contain some sort of social message. I cannot take very seriously a social message delivered by an actor who is paid nine million dollars to deliver it, and who charges you five dollars to see it.

It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’­—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.

Robert wanted to be loved. My brother Tyrion has the same disease. Do you want to be loved, Sansa?” “Everyone wants to be loved.” “I see flowering hasn’t made you any brighter,” said Cersei. “Sansa, permit me to share a bit of womanly wisdom with you on this very special day. Love is poison. A sweet poison, yes, but it will kill you all the same.

I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.

When I was in graduate school in Princeton, I was told to take three courses. One of them to work on really hard, another to work on moderately hard, and the third one just to absorb. In my case, I never showed up to the latter class, taught by Robert Gunning, on Several Complex Variables. Several Complex Variables (Cn) was starting to get vary fashionable then, but I decided to specialize in n=1/2.

Well, if you’re a native Chicagoan, you know how dumb he [Dr. Robert Hartley] is. He gets on the Ravenswood El, he goes past his stop on Sheridan Road, he gets off in Evanston, where the El is on the ground, and then he walks back 55 blocks to his apartment. Now, would you want to have that man as a psychologist? A man who misses his stop every day?

In a black-and-white world, back in the '50s, were voices from another era. All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men's voices, but they weren't Everyman, it was them.

In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.

We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. The other fork of the road - the one less traveled by - offers our last, our only chance to reach a destination that assures the preservation of the earth.

Military metaphors are rarely exact, but sending Republicans against Democrats when the issue hangs in the balance is nearly always as futile as sending George B. McClellan against Robert E. Lee, the Italians against Marshal Montgomery's desert rats or an Arab armored division against an Israeli rifle company. The copy desk can write the headline before the battle begins and take the rest of the night off.

In my second year of Harvard Divinity School, where I was studying to be a minister like my father, I met a guy named Robert Cox, who had been the editor of the Buenos Aires Herald during the Dirty War in Argentina. Bob used to print the names of those who had been disappeared the day before, above the fold in his newspaper. It was a kind of an awakening to me to see what great journalism can and should do.

Well I've been calling myself Scarlet Pattinson for several weeks. Have you seen Robert Pattinson? Hottest. Man. Ever. And no, I don't care if that makes me a couger. He sings with the voice of an angel. Gods, I love when a man sings to me. You never did because your voice is terrrible." She shuddered in distaste. "I swear, its like a demon running its claws over brimsone.

Now if you can recognize and memorize a grandmaster's game, and you have the respect to understand [Zimbabwean president Robert] Mugabe who has survived past anyone's expectations, and make the simple assumption it wasn't an accident, and you understand why he did what he did, now you're ready to predict ... The key to forecasting is to understand both the constraints nations are under and the manner in which the struggle for power shapes leaders.

She said Robert Joyner had killed himself with a gun. And then I asked why, and then she told me that he was getting a divorce and was sad about it.' 'Lots of people get divorces and don't kill themselves,' I said. 'I know,' she said, excitement in her voice. 'That's what I told her.

When I went to Yale, I thought it would be like in Stenford 24 hours a day. Robert Brustein, former dean of the Yale School of Drama and founder of the Yale Repertory Theater was there, and we did all this very serious - I would go so far as to say completely humorless - Eastern European drama, as well as August Strindberg, and Henrik Ibsen, we weren't allowed to do William Shakespeare or Tennessee Williams or Eugene O'Neill. I was not in the right place.

We got through all of Genesis and part of Exodus before I left. One of the main things I learned from this exercise was not to begin a sentence with "And." When I pointed out that most sentences in the Bible began with "And," I was told that English had changed since the time of King James. In that case, I argued, why make us read the Bible? But it was in vain. Robert Graves at that time was very keen on the symbolism and mysticism in the Bible.

The murder of Robert Krentz - whose family had been ranching in Arizona since 1907 - by illegal alien drug dealers was the final straw for many Arizonans. But there are dozens and dozens of other citizens of our state who had been murdered by illegal aliens. Currently 95 illegal aliens are in Maricopa County jail for murder.