Top 1050 Robert Heinlein Quotes & Sayings - Page 16

I follow my own nose. So I read things that are different. People will always say to me, "Have you read Robert S. Bosco's latest novel?" or "Have you read so and so's history of Peru, which is reviewed in the New York Review of Books and the New York Times and has a buzz about it?" I don't even know what you're talking about. I'm like from another planet. I'm a pygmy from the jungle.

My high school English teacher in junior year, Dr. Robert Parsons, assigned us some Poe stories, including 'The Black Cat' and 'The Purloined Letter.' Being an animal person, I had trouble with 'The Black Cat!' I got hooked instead by 'The Purloined Letter,' a Poe story with detective C. Auguste Dupin.

Robert De Niro inspires me as a young actor; even at that age and even with that success you have to come to work fully prepared and ready to dive into it, it doesn't matter how far in your career you are. And that's what he did. It was a real wake up call for me because I know actors who let success get to their head and then it affects their work.

There was a man named Robert Dear who in court said he was a warrior for the babies, whose ex-wife talked about his Christian beliefs motivating his desire to attack and murder three people, including a police officer, in Colorado.That man is a Christian. He`s an avowed Christian. He appears to have acted on those Christian beliefs to undertake that act of violence.

It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’­—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.

In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.

She said Robert Joyner had killed himself with a gun. And then I asked why, and then she told me that he was getting a divorce and was sad about it.' 'Lots of people get divorces and don't kill themselves,' I said. 'I know,' she said, excitement in her voice. 'That's what I told her.

My guitar heroes are Eric Clapton and Jeff Beck and people like that - so I've tried to make an album of Robert Johnson covers that, well, while not totally faithful for blues purists, is faithful for people like me that grew up with the '60s and the electric blues-rock versions of Johnson's songs.

Although he reputedly hated the label of 'guru', Peter Drucker was, by any standards, the greatest management guru the world has yet seen. In 1996, the McKinsey Quarterly journal described him as the 'the one guru to whom other gurus kowtow' and Robert Heller described him as 'the greatest man in the history of management', praise indeed for a man who described himself as 'just an old journalist'.

I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.

Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain. ... Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend.

Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.

This involves more than I can discuss here, but do it. Read the writers of great prose dialogue-people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.

The first thing that strikes you about Timothy Murphys verse is the palpable texture of his line - that sound of sense practised by that other American poet-farmer, Robert Frost. And just as Murphys ear is trained on the rhythms of local speech and classical epigram, his eye holds fast on the image. This is an undeluded vision, sometimes bleak, often funny, and never less than painstakingly crafted.

Military metaphors are rarely exact, but sending Republicans against Democrats when the issue hangs in the balance is nearly always as futile as sending George B. McClellan against Robert E. Lee, the Italians against Marshal Montgomery's desert rats or an Arab armored division against an Israeli rifle company. The copy desk can write the headline before the battle begins and take the rest of the night off.

There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo Castelli, and a third big gallery man to serve us, the artists, at the table. So they were dressed up as waiters, we were sitting at the table, and they were only allowed to sit down at the end of the table for the cognac. This is not possible now.

There's a theory that nobody believes. That Robert Mueller is Mr. Honest and Mr. Integrity, has no preconceived notion and is really gonna look to find what happened in White House and whatever he finds is what he's gonna tell us. That's the thing that you would associate with Mr. Integrity, with Mr. Honesty, with Mr. Character, is the last thing anybody thinks is gonna happen.

I did Bored To Death with Jason [Schwartzman] and Zach Galifianakis and those guys. I mean, how lucky can you be that you get to be the old guy? I get to be Robert Preston to them now. That's what I feel. My job is to pass on what Preston and other people gave to me, which was show up, take the work seriously, don't take yourself seriously, and have a good time and be of service. Be there to support.

This is all very fine, but it won't do-Anatomy-botany-Nonsense! Sir, I know an old woman in Covent Garden, who understands botany better, and as for anatomy, my butcher can dissect a joint full as well; no, young man, all that is stuff; you must go to the bedside, it is there alone you can learn disease! Comment to Hans Sloane on Robert Boyle's letter of introduction describing Sloane as a 'ripe scholar, a good botanist, a skilful anatomist'.

It takes an entire book to tell you what it was like. To see Robert De Niro play your father - it's not a simple answer. To see Julianne Moore play your mother. To see Paul Dano play you - that's an even more inscrutable question... he's amazing, he's totally amazing, but I can't really say if he's a good me or not.

When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.

I think I've had my taste.I got to work with Sam [L.Jackson]. I can say I did it. I had my shot. I'd love to do something with [Robert] De Niro or Dustin Hoffman or Al Pacino. Those are guys I grew up watching. That would be wonderful. Now that I've gotten a taste working with a bona fide movie star, I think I'd be more prepared to go head to head with some of the big boys.

I think Robert F. Kennedy really, finally, cared; he realized that all of the rhetoric had to be put down into some form of action. That's perhaps the reason they killed him. They don't care what you say, you can say as much as you want to, provided you don't do anything. If you start to do something and your shuffling raises too much dust, they will disestablish you. That's what happened to Martin Luther King.

I think all of us thought that by the '70s, at the latest the '80s, all the world's problems would be solved and everyone would be getting along fine. And instead we saw that Martin Luther King Jr. was assassinated that year, Robert F. Kennedy died. We saw that it was going to be a lot more difficult than I think we had thought.

There is little doubt that, until 1846 when he helped to engineer the resignation of Robert Peel, Disraeli was driven by an ambition to make his mark rather than by any consistent political purpose, and that his attacks on Peel would have not have been so mounted had he been given in 1841 the office for which he had asked.

Hillary had never run for office before, but she decided to give it a try. She began her campaign the way she always does new things, by listening and and learning. And after a tough battle, New York elected her to the seat once held by another outsider, Robert Kennedy.

In a black-and-white world, back in the '50s, were voices from another era. All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men's voices, but they weren't Everyman, it was them.

If I'm intimidated, I shouldn't be directing a movie. I gotta treat 'em as characters, not as stars. It's hard to not treat Marlon Brando as a legend, a star, it's difficult not to treat Robert De Niro as a star, but that had to go away very fast after I knew them, because I had to work with them. I'm the director, I'm the boss. They're looking to me for guidance.

Robert de Niro has always been fascinating to me. And if John Cazale were still alive, that would be a man I'd love to work with. I'm a big fan of Paul Thomas Anderson's films - I would be honored to work with him. I think he's a brilliant director, and he gets such compelling stories out of his actors and out of his crew.

We stand now where two roads diverge. But unlike the roads in Robert Frost's familiar poem, they are not equally fair. The road we have long been traveling is deceptively easy, a smooth superhighway on which we progress with great speed, but at its end lies disaster. The other fork of the road - the one less traveled by - offers our last, our only chance to reach a destination that assures the preservation of the earth.

Nobody in TV makes as much money as Robert Redford, who likes to make movies for several million dollars only on the condition that they contain some sort of social message. I cannot take very seriously a social message delivered by an actor who is paid nine million dollars to deliver it, and who charges you five dollars to see it.

Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen. For example, Steve McQueen, if you cut the sound, you don't know what he's acting really. He gives to the lines, to the text, something very special, and he's very good. He was a great actor. But, to do a silent movie, you have to have more expressive actors.

Without a doubt, Robert Rodriguez is the reason I was drawn to it. The fact that he even knew who I was and then was interested in me for the role was amazing. I am a huge fan of his and it's like a bucket list thing for me to be able to work with him and knowing that Jessica Alba and Jeremy Piven were in it I knew that part was going to be good and as you said, the pedigree of the series was great, so it was really one of those things I couldn't resist.

The reason why worry kills more people than work is that more people worry than work.- Robert Frost Now that all your worry has proved such an unattractive business - why not find a better job?

Robert wanted to be loved. My brother Tyrion has the same disease. Do you want to be loved, Sansa?” “Everyone wants to be loved.” “I see flowering hasn’t made you any brighter,” said Cersei. “Sansa, permit me to share a bit of womanly wisdom with you on this very special day. Love is poison. A sweet poison, yes, but it will kill you all the same.

In a sense, I never got over Robert Lowell's History. A flawed, infinitely brilliant project I never tire of going back to. It's a modern Inferno, where Lowell plays both Dante and Virgil, guiding us through dozens of illuminating, bitter episodes from human history, all the while managing to hold a mirror to our confused hominid face as it squints at eternity and fails to grasp any of it.

The reason some crime writers have a chip on their shoulder about the label is because their good books are shelved beside books about nuns and birdwatchers and cats who solve crimes. Overseas, my books are reviewed alongside those of authors like Robert Stone and Don DeLillo, and I have to live and die by that comparison. They don't ghettoize crime writers in other countries, and of course they shouldn't.

If Robert Mueller is gonna return after Russian's influence investigation and say, "We looked at everything, and, I'm sorry, there's just nothing here. We did find that Donad Trump flushed his toenails down the toilet in the Oval Office, but we don't think there's a crime there. Aside from that, nothing happened." The left would burn down the White House, unless the investigators are all Hillary Clinton and Barack Obama loyalists.

I had seen this comic called 'Invincible' created by two people I had never heard of before, Robert Kirkman and Cory Walker, and I was a huge fan. 'Invincible' probably had five or six issues under the belt, and the book was so impressive to me, I was surprised that I had never heard of them before. It's like they came out wholly formed.

Iran has agreed to deepen our coordination as we work to locate Robert Levinson, missing from Iran for more than eight years. Even as we rejoice in the safe return of others, we will never forget about Bob. Each and every day our hearts are with the Levinson family, and we will not rest until their family is whole again.

Different influences at different times in my career, and some have stayed with me more, some less. Chester Himes. Ralph Dennis, who wrote a series called Hardman which is a big influence on the Hap and Leonard novels. Harlan Ellison, Philip Jose Farmer, Gerald Kersh, Fredrick Brown, Robert Bloch, and I'm just getting started. I read constantly. As for the epic Western, that's Paradise Sky.

When I was in graduate school in Princeton, I was told to take three courses. One of them to work on really hard, another to work on moderately hard, and the third one just to absorb. In my case, I never showed up to the latter class, taught by Robert Gunning, on Several Complex Variables. Several Complex Variables (Cn) was starting to get vary fashionable then, but I decided to specialize in n=1/2.

We would do improvisation together. And that in a way, had almost a "student-film side" where we'd be sitting there with Robert Downey and Jon Favreau and we're playing around, we're jamming around and we read those pages and in next couple of days that's what we do, so it was a good experience. Kind of frightening at first because you didn't quite know how it was going to work out, but they had some very talented people there so it worked out well.

I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.

Robert Spencer, a prolific anti-Islam writer and a leading Islamophobe who is bent on distorting Islam and demonizing Muslims, has persistently argued that violence and terrorism employed by Muslim extremists is rooted in the Quran and its message. Spencer calls the Quran, a book sacred to Muslim, 'the jihadists' Mein Kampf,' in reference to Hitler's memoir.

My old mom told me, 'Robert, you can't go to heaven if you hate anybody.' We practice that. There are white niggers. I've seen a lot of white niggers in my time. I'm going to use that word. We just need to work together to make our country a better country, and I'd just as soon quit talking about it so much.

PERENNIAL wisdom from divine revelation and human experience dictates that all earthly things great or small, beautiful or ugly, good or bad, sad or happy, fool...ish or wise must finally come to an end. It is from this sobering reality that the end of executive rule has finally come for Robert Mugabe who has had his better days after a quarter of a century in power.

In my second year of Harvard Divinity School, where I was studying to be a minister like my father, I met a guy named Robert Cox, who had been the editor of the Buenos Aires Herald during the Dirty War in Argentina. Bob used to print the names of those who had been disappeared the day before, above the fold in his newspaper. It was a kind of an awakening to me to see what great journalism can and should do.

A lot of fantasy names are too much. They’re too difficult to pronounce. I wanted the flavour of medieval England. I took actual names we still use today, like ‘Robert’, and in some case I tweaked them a little bit. I made ‘Edward’ into ‘Eddard’. If you look back at medieval times, no one knew how to spell their own names. There are a lot of variations that we’ve lost.

Now if you can recognize and memorize a grandmaster's game, and you have the respect to understand [Zimbabwean president Robert] Mugabe who has survived past anyone's expectations, and make the simple assumption it wasn't an accident, and you understand why he did what he did, now you're ready to predict ... The key to forecasting is to understand both the constraints nations are under and the manner in which the struggle for power shapes leaders.

[Robert] Aikman would write horror stories that weren't gore, they weren't slashers, and they weren't monster stories either. He called them ghost stories. The main thing about them was the vibe. It was really disquieting. He wanted to sketch the scene so that you could see it and know the characters and get a feel for the motion - and then ask yourself why and not get a final answer. Leave something that itches. I loved that!

We got through all of Genesis and part of Exodus before I left. One of the main things I learned from this exercise was not to begin a sentence with "And." When I pointed out that most sentences in the Bible began with "And," I was told that English had changed since the time of King James. In that case, I argued, why make us read the Bible? But it was in vain. Robert Graves at that time was very keen on the symbolism and mysticism in the Bible.

The same advice my commanding officer at Patrol Squadron 17, Cmdr. Robert J. Quinn, gave me before I was grilled to be given the responsibility to lead a crew of 12 all over the world, ready to stop a Russian submarine preparing to wipe out an American city with a nuclear missile: ‘Always remember that common sense and communication will solve 95 percent of the challenges you face in the Navy and life.

I saw 'Taxi Driver,' and 'Taxi Driver' kind of saved my life. The scene where Robert De Niro is looking at himself in the mirror saying, 'You talkin' to me? You talkin' to me? Who the hell else are you talkin' to?' That's the scene that changed my life by changing my attitude about acting.

I think Robert Altman could see things in me that I didn't know I possessed, which is really exciting. He also instilled a tremendous amount of confidence, because he would say things like, "These are the bare bones, but I want you to go fill it out. You find the character. You bring it to me. You write whatever you want." And if you had an idea, he wouldn't want to hear about it. He's want you to show it to him.

Fireflies in the Garden By Robert Frost 1874–1963 Here come real stars to fill the upper skies, And here on earth come emulating flies, That though they never equal stars in size, (And they were never really stars at heart) Achieve at times a very star-like start. Only, of course, they can't sustain the part.

The benefits of a modest warming would outweigh the costs - by $8.4 billion a year in 1990 dollars by the year 2060, according to Robert Mendelsohn at Yale University - thanks to longer growing seasons, more wood fiber production, lower construction costs, lower mortality rates, and lower rates of morbidity (illness).

Look at the movies of the sixties and seventies. They were making a different kind of movie then. Would 'Network' ever be made now? No. Would 'Kramer vs. Kramer' ever be made now? No. Would 'Tootsie' ever be made now? Probably not. Robert Altman films? Never.

With acting, it's all about internalizing the character for me and doing all the preparation you can. So the day you first step into your wardrobe, you can walk like the person. That's really the moment where the light bulb goes off. You're nervous; any actor will tell you that. Robert De Niro will probably tell you the same thing. He may not want to share that with you, but he probably goes through it. That's why actors are so neurotic.

Everything having to do with President Trump and Russia, whether it is Mr. Trump's demand for an investigation into the investigation by the special counsel Robert Mueller, or whether Mr. Trump will testify, requires an answer to one essential background question: Can Mr. Mueller seek to indict the president?