Top 1040 Robert Quotes & Sayings - Page 17

Much has been said about Robert, and more will be added. Young men will adopt his gait. Young girls will wear white dresses and mourn his curls. He will be condemned and adored. His excesses damned or romanticized. In the end, truth will be found in his work, the corporeal body of the artist. It will not fall away. Man cannot judge it. For art sings of God, and ultimately belongs to him.

It is amazing that Jeff Sessions is still in the job. Any self-respecting Attorney General of the United States would have publicly resigned as soon as the president`s words became public. It is now clear that Jeff Sessions is going to be a witness against the president of the United States. It`s also clear that the Donald Trump's defense to special prosecutor Robert Mueller is going to be, "I don`t remember".

Originally I was supposed to do Grand Prix, but I was under contract to 20th Century Fox at that time and Alex North was supposed to do Sand Pebbles, but he got sick, so Fox preempted me out of Grand Prix, and to my good fortune, I got to do Sand Pebbles. It was my first time working with Robert Wise and it was a great experience.

I leave pansies, the symbolic flower of freethought, in memory of the Great Agnostic, Robert Ingersoll, who stood for equality, education, progress, free ideas and free lives, against the superstition and bigotry of religious dogma. We need men like him today more than ever. His writing still inspires us and challenges the 'better angels' of our nature, when people open their hearts and minds to his simple, honest humanity. Thank goodness he was here.

I look up to actors. I look up to Robert DeNiro, I look up to Johnny Depp, I look up to Al Pacino, I look up to run-of-the-mill really good actors. I love watching movies, and I love watching other actors and learning from them.

When students are first at the Kerouac School we harp on Gertrude Stein's very basic poetic insistence that words are things . Not to invalidate your experience or all the great feelings you have, I tell them. Although poetry may be good for you, it's not therapy. You're making something with words which are visceral, muscular, active, not just markers of how you feel. And we have classes studying William Blake, Ezra Pound, Charles Olson, Robert Duncan, Stein.

I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.

I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."

I belong to a generation that had so many choices available. In 1970, when [former premier Robert] Bourassa launched the James Bay development project, nobody in Quebec asked whether we had the means to do it. Today could we launch another James Bay? Imagine the debates we'd have? We were a young, rich society with almost no debt. The generation that comes after us, and which will lead Quebec, must also have choices. And for that, they'll need financial manoeuvring room.

The others can’t see me,” said the little ghost. “I know,” I said. “My name’s Gwyneth. What’s yours?” “Dr. White to you,” said Dr. White. “I’m Robert,” said the ghost. “That’s a very nice name,” I said. “Thank you,” said Dr. White. “I’ll return the compliment by saying you have very nice veins.

I felt that there's an obligation when writing a piece about an urban expressway made in the 50s to acknowledge the context, and Robert Moses is sort of an iconic figure in New York, and he influenced the shape of the city more than anyone else before or after him. He was one of the most powerful and influential civic architects in the world, because of how much he transformed the city. He built multiple bridges and highways and parks and recreational spaces, beaches - in the course of a few decades, he completely changed the city

Only a God of love is fully personal. Thus the Trinity is crucial for maintaining a fully personal concept of God. As theologian Robert Letham writes, “Only a God who is triune can be personal.... A solitary monad cannot love and, since it cannot love, neither can it be a person.” Therefore it “has no way to explain or even to maintain human personhood.

My father was a very good amateur pianist, and he had a collection of books on technique. One of the things he had was a small volume of exercises by Rudolf Ganz, in which Ganz mentions the pedagogical work of the Swiss composer, Émile-Robert Blanchet, who wrote a ton of polyphonic exercises for one-hand. These exercises were a great help for finger independence, which I acquired early on. This might have given me somewhat of an edge, a facility to be able to knock any obstacle that was in my way.

I made the first 'Blumen' picture after looking at Robert Mapplethorpe's Pictures book. I was struck by how much freedom Mapplethorpe was able to extract from his model's restraint-that in tying up and cropping his models, he appears to be able to work with people as forms. I never thought about my flowers as related to his (which I saw as annoyingly erotic); I thought of them in relationship to bondage. I wanted to make the flowers more aggressive and ironic and less docile and sensual.

As the worldly philosophers of the past affirmed, the goal of economics is to improve the way society functions. In The New Financial Order, Robert Shiller joins this proud tradition by directing his brilliant economic skills toward the creation of financial institutions designed to reduce the risks an unknown future visits on most members of our society and others. Shiller's imaginative and compelling analysis will appeal to all readers who share his passion for initiating not only a richer, but a better, century.

I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say ... something that everyone knows already in words that nobody can understand. Commenting to him about the poetry J. Robert Oppenheimer wrote.

I graduated in June 1948 and then went in the fall to the art school. I stayed with my cousins on Seventeenth Street in the beginning, and later had my own apartment very near there and was able to walk to the Art Institute on Elmwood Avenue. The school had a faculty of local artists - Jeanette and Robert Blair, James Vullo who were well known in the area. It was a school that I think thrived on returning GIs, as many schools did at that time. It was a very informal program - but it was professional.

I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.

Madame Ratignolle hoped that Robert would exercise extreme caution in dealing with the Mexicans, who, she considered, were a treacherous people, unscrupulous and revengeful. She trusted she did them no injustice in thus condemning them as a race. She had known personally but one Mexican, who made and sold excellent tamales, and whom she would have trusted implicitly, so soft-spoken was he. One day he was arrested for stabbing his wife. She never knew whether he had been hanged or not.

Robert Nozick [a Havard philosopher, famous for his book "Anarchy, State and Utopia"] defined revenge as delivering the message that you know what someone has done, and it doesn't involve hurting them or doing anything to them beyond that. It's just delivering the message that their crime has been noted not just by its victims, because the victim might be dead, but by another who has a different moral view and will challenge the perpetrator's view.

Last season I scored 27 goals but still lost out against Robert Lewandowski. This season has started very well for me, but again I have some tough opponents, most notably with Anthony Modeste from FC Koln. I texted him the other day: "Keep calm, my friend." I am happy for him to be so successful. And in a certain way it even helps me. The better the other strikers are, the more I have to work to be to be ahead of them.

I'd seen the Led Zeppelin reunion and I've never been such a huge Led Zeppelin fan as much as the Doors or Beatles. I went and saw the reunion and watching them play "Stairway to Heaven," it was very breathtaking for one reason mostly. I can imagine these two guys looking at each other, Robert Plant and Jimmy Page. Not to compare us to Led Zeppelin, but I did miss the fact that I could look over at the guy, Twiggy Ramirez, that wrote "The Beautiful People" and "Dope Show." Emotionally, it's taken a long time to repair that.

Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resurrection of Edward, she had one again.

When I was nine years, growing up on the south side of Chicago, in the ghetto. The Robert Taylor Projects. I came home from school, I showed my mother a picture and said "Momma, that's you in the rocking chair. There's daddy over there." I said, "Momma, one of these days, I'm gonna be big and strong. I'm gonna be a football player. I'm gonna be a boxer. I'm gonna buy you a beautiful house and I'm gonna buy you pretty dresses." That's all I want to do in life.

Where's our Paul Newmans? Where's our Robert Redfords? We've got Jason Statham, who is great... blue collar and cool, which is fantastic. And we've got Hugh Grant, which is great. But where's this crossover, this blue collar guy who is cool? Where is our James Dean? Where is our John Travolta and Steve McQueen?

What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein - Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example - like a caboose? I am not talking about engaging directly with another artist's work or ideas, but of perpetuating a look or, in the case of Wade Guyton, the various monochromatic, striped and geometric surfaces we associate with Minimalism.

Robert Torricelli, a powerful fund-raiser who helped raise more than $100 million for the Democratic party, took inappropriate gifts from a businessman, including an $8,000 gold Rolex watch, for which he was severely admonished by the Senate Ethics Committee in July. To recap: raising $100 million in contributions from gigantic corporations - ethical; taking a watch - unethical. That's the Senate Ethics Committee, an oxymoron since 1974.

I don't separate Robert DeNiro's comedy from the serious stuff. The one thing I realize working with him in all of his work, is that he doesn't do anything unless something happens to him in scenes - unless something happens to make him react. He never came in with a set idea of how he was going to do it, he never came in with guns blazing. He would just show up and wait to see what happened.

I think when you leave a band in any situation that you are a part of.. I mean, when I was with It Bites I was a quarter of something, and when I was with Robert Plant I was a sixth of some- thing and when you leave you become the whole thing. So just after you spend time realizing what you are, and it just happened that I was doing that in my life as well as musically, it kind of happened at the same time. I was getting to a point in my life where I was beginning to realize who I am, and I like me.

There are three popular theories being bandied about to explain Robert Mueller investigation, but we have to remember that it was the Donald Trump administration that decided to do this. Mueller is hiring some of the biggest Democrat lawyer donors he can find. He's hired huge donors to Barack Obama, huge donors to Hillary Clinton. He has hired fundraising lawyers, I mean, people that are lawyers in their private sector lives who have bundled and raised money. There are some on his staff who aren't, but it's noteworthy for all of the partisan leftists that Mueller has hired.

Why do you think the Bible has survived thousands of years of tumultuous history Why is it still here Is it because its stories are such compelling reading Of course not...but there is a reason. There is a reason Christian monks spend lifetimes attempting to decipher the Bible. There is a reason that Jewish mystics and Kabbalists pore over the Old Testament. And that reason Robert is that there exist powerful secrets hidden in the pages of this ancient book...a vast collection of untapped wisdom waiting to be unveiled.

I thought, "What the hell happened with James Comey ? Who did this? I mean, the only people clamoring for this are the Democrats! What the hell?" My initial reaction was, "Why do the Democrats get what they want in every damn one of these things?" Then I had to stop and catch myself. It's not just the Democrats. This is the Washington establishment. As I looked at it, digested more, I started reading this universal love and admiration for Robert Mueller. And I started saying, "Everybody's happy with this! This is the most acceptable outcome there could have been".

If Robert Heinlein is more to your taste than George Lucas: “If you are part of a society that votes, then do so. There may be no candidates and no measures you want to vote for, but there are certain to be ones you want to vote against.” That’s certainly true of me. Over my lifetime, the Republican Party has done far more to repulse me than the Democratic Party has done to appeal to me. But the result in the voting booth would be about the same either way.

No one really knew the sciences except the Lord Robert, Bishop of Lincoln, by reason of his length of life and experience, as well as of his studiousness and zeal. He knew mathematics and perspective, and there was nothing which he was unable to know; and at the same time he was sufficiently acquainted with languages to be able to understand the saints and the philosophers and the wise men of antiquity but his knowledge of languages was not such as to enable him to effect translations until the latter portion of his life.

The interesting thing about that is one of the greatest critics of socialism and leftwing writings was Robert Michels who wrote a series of essays called "The Iron Law of Oligarchy" and in these essays he discusses how no matter what sorts of freedoms are advertised or put into a society structure, that all societies, all form of governments - whether they be a Roman republic, whether they be a democracy, whether they be a Russian communist system, whatever, a tribe... a tribal council - all of the continuously, throughout the ages, have all converted back into an oligarchy.

What we really need the poet's and orator's I help to keep alive in us is not, then, the common and gregarious courage which Robert Shaw showed when he marched with you, men of the Seventh Regiment. It is that more lonely courage which he showed when he dropped his warm commission in the glorious Second to head your dubious fortunes, negroes of the Fifty-fourth. That lonely kind of courage (civic courage as we call it in times of peace) is the kind of valor to which the monuments of nations should most of all be reared.

It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.

The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.

In comparative terms, there's no poverty in America by a long shot. Heritage Foundation political scientist Robert Rector has worked up figures showing that when the official U.S. measure of poverty was developed in 1963, a poor American family had an income twenty-nine times greater than the average per capita income in the rest of the world. An individual American could make more money than 93 percent of the other people on the planet and still be considered poor.

I've only had a sit-down encounter with Robert once, and that one conversation was the best advice that I have gotten from any individual in the music industry. R Kelly told me that as long as I write life and not music I will always have a job. He listened to several of my records and told me that they were great records and for that to come from a man who has produced hit after hit gave me a comfort and reassurance that making honest and good music was not in vain.

The poems in Katherine Soniat's new collection, The Swing Girl, weave emotion's 'spray going farther than thought' with the 'bedrock things' of the trod-upon world. These poems eddy and pool in unpredictable and often surprising ways, much as the mind moves in its twilight state between waking and sleep. The fluidity of their cadence and the luminosity of their imagery carry the reader to the wellspring of poetry itself, that deep delight of which Robert Penn Warren spoke, whose source is, in Soniat's words, 'beauty on its way to being mystery.'

I appeal to the contemptible speech made lately by Sir Robert Peel to an applauding House of Commons. 'Orders of merit,' said he, 'were the proper rewards of the military' (the desolators of the world in all ages). 'Men of science are better left to the applause of their own hearts.' Most learned Legislator! Most liberal cotton-spinner! Was your title the proper reward of military prowess? Pity you hold not the dungeon-keys of an English Inquisition! Perhaps Science, like creeds, would flourish best under a little persecution.

I feel like I've had a strong relationship with Robert [Kraft] and his family since I was here in 1996 and I think it's gotten stronger every year that I've been here with the Patriots. The more things we do together, talk about together, work together on, the closer we become and the more we rely on each other. I feel like our relationship is very close and continues to grow closer every year as we grow older together.

When Robert Bly visited Interlochen Center for the Arts so many years ago, he spoke to the creative writing majors and said, "The eye reports to the brain, but the ear reports to the heart." Perhaps this is the thing that musicians can do that writers can't ever, quite, but it is what I aspire to, that sense/power of the auditory, and the belief that to hear more clearly is to see more clearly, and that to see more clearly is to feel more deeply.

In Prodigal Son, Christine Sutton has penned a tight, brutally honest portrait of a psychopath reminiscent of Theodore Sturgeon's 'Some of Your Blood'. This dark descent into the broken mind of Timothy Robert Shively will send chills down your back. Every word rings true, and every page is dark with menace. Do yourself a favor and pick this one up right now. You can thank me later.

My mom had this inate ability. Whatever town my mother moved to, the second she walked into town, she would instantly attract the alpha loser of that town. This guy was not a good guy. This guy was half O.J. Simpson and half O.J. Simpson. Scott Peterson sprinkles on the top, a side of Robert Blake. You know, not a good guy.

Donald Trump is now at war with Jeff Sessions. He`s now at war with James Comey. He`s at war with Andrew McCabe, and he`s at war with Robert Mueller. He`s attacked all of those people in this New York Times extraordinary interview. And I`ll just remind people that the last time Donald Trump went to war with an establishment, that was the intelligence establishment, he started that back in December 2016 , that did not work out for him well.

I got to work with Robert DeNiro once and it was a strange experience. Gwyneth Paltrow and I were doing Great Expectations movie together and we were complaining about what a mediocre film experience it was. DeNiro showed up on set and all of a sudden the director got better, the director of photography got better - everybody got more interested and excited. DeNiro isn't waiting for other people to create the environment that he wants, he brings it along with him.

A moment of grace. There rose up within me a profound sense of being loved. I felt "gathered together" and encircled by a Presence completely loving, as if I were enveloped by the music of a love song created just for me. It was not overwhelming or even emotional. Just a warm knowing that I was in God's loving embrace...centered and unified there. [Love]encounters cannot be analyzed, only shared. If you take a butterfly, Robert Frost said, and pin it down into a box, you no longer have a butterfly.

The vision shared by both [French utopian] Charles Fourier and Robert Owen was for an entire town to fit into one structure. Owen's design for what he called a "parallelogram" was essentially to have a whole city in one building, laid out around a huge quadrangle. Fourier's scheme was to build a massive Versailles-like structure that he called a "phalanstery." In both cases they had these architectural dreams that we now recognize as pretty unappealing.

Robert Frost says in a piece of homely doggerel that he has hoped wisdom could be not only Attic but Laconic, Boeotian even - "at least not systematic"; but how systematically Frostian the worst of his later poems are! His good poems are the best refutation of, the most damning comment on, his bad: his Complete Poems have the air of being able to educate any faithful reader into tearing out a third of the pages, reading a third, and practically wearing out the rest.

Darling," he said distractedly,"about the moon..." "Yes?" "I don't think it matters whether you want it or not." "What are you talking about?" "The moon. I think it's yours." Victoria yawned, not bothering to open her eyes. "Fine. i'm glad to have it." "But--" Robert shook his head. He was growing fanciful. the moon didn't belong to his wife. It didn't follow her, protect her. It certainly didn't wink at anybody. But he stared out the window the rest of the way home, just in case

The "New York Times" interview shows that the president Donald Trump believes he can get through the special prosecutor`s investigation of obstruction of justice with the simple words "I don`t remember". Jeff Sessions has been publicly attacked by the president. And in the middle of that attack, the president told all of his teammates who were in the Oval Office that day how he is going to testify when Robert Mueller asks him under oath if he kicked all of them out of the room when he asked to speak with James Comey alone.

I remember one time I tried to pity this fool. He told me his name was Jeff. He was married. He pulled out his wallet and showed me three pictures of his kids; Kelly, Robert, Brittany. Real cute kids. Don't get too close man. It's hard to pity a fool if you get too close.

It was a figure painting class, where you had a model, and [Robert von Neumann ] would wander around and he'd come up behind someone and say, "Well, what are you trying to do?" And if you told him what you were trying to do, he would then proceed to discuss this with you and suggest things that you might look at and ways in which you could improve what you were attempting to do, etc - never worked on your painting, never touched your painting but talked extensively about what you were trying to do.

The particular skill that allows you to talk your way out of a murder rap, or convince your professor to move you from the morning to the afternoon section, is what the psychologist Robert Sternberg calls "practical intelligence." To Sternberg, practical intelligence includes things like "knowing what to say to whom, knowing when to say it, and knowing how to say it for for maximum effect.

At lunchtime I bought a huge orange The size of it made us all laugh. I peeled it and shared it with Robert and Dave— They got quarters and I had a half. And that orange it made me so happy, As ordinary things often do Just lately. The shopping. A walk in the park This is peace and contentment. It's new. The rest of the day was quite easy. I did all my jobs on my list And enjoyed them and had some time over. I love you. I'm glad I exist.

All his life Robert Grainier would remember vividly the burned valley at sundown, the most dreamlike business he’d ever witnessed waking—the brilliant pastels of the last light overhead, some clouds high and white, catching daylight from beyond the valley, others ribbed and gray and pink, the lowest of them rubbing the peaks of Bussard and Queen mountains; and beneath this wondrous sky the black valley, utterly still, the train moving through it making a great noise but unable to wake this dead world.

The songs are not meant to be real life. They're meant to have a psychic - rather than a factual - bearing on the listener. It's rare that a song grounded in reality moves me because I don't feel like I'm getting the whole story. Songs are made to exist in and of themselves, like a great James Jones or Robert Louis Stevenson novel - they're not autobiographical, and yet there's a reality in every single page. It's real life of the imagination.

The power of reading a great book is that you start thinking like the author. For those magical moments while you are immersed in the forests of Arden, you are William Shakespeare; while you are shipwrecked on Treasure Island, you are Robert Louis Stevenson; while you are communing with nature at Walden, you are Henry David Thoreau. You start to think like they think, feel like they feel, and use imagination as they would. Their references become your own, and you carry these with you long after you've turned the last page.