Top 1200 Rock Band Quotes & Sayings - Page 9

I love walking down Beale Street, which is home to countless cafes, restaurants and bars. Every bar has a live band, and as you walk along the street in the evening you can hear raw blues and rock n' roll spilling out of them.

I was two years old when I told my mom I was going to be in a band when I grew up, and I was four years old when I started my first band with my neighbors. Before I knew how to do anything, I was figuring out how to be in a band.

To be in a band, at least according to the rules of rock in the 1970s, one must know how to play an instrument. But rather than waste time solving that problem, No Wavers ignored it. The point was simply to make music, not to learn how first.

There's two kinds of rock n' roll casualty: the one that has huge success and adoration, and then suddenly it stops. Or there's when you're in a band: it is all-consuming, so then you have the dream of that, and then the dream's taken away from you even before it happens.

To me, the band is like one of my homes, in fact. It's not like, 'I've got to get out of this band. I've got to go home.' This band is home in a lot of ways. It's my closest friends; it's a place where I really feel comfortable and happy.

One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Motley Crue could be the first band to play on the moon.

When Dad stopped playing in a rock band and was done chasing that dream, he devoted himself to his family. I would love to do the same thing - just without driving a 1991 Suburban and wearing sweatpants, a fanny pack, and six-year-old Pumas.

I actually knew Sully's sister, and I was in a band called Stripmind, and then I became roommates with Sully and being out of a band, he asked if I wanted to join in his. Tony was originally the second guitarist in the band; a guy by the name of Lee Richards was the first. The rest is pretty much history.

When we formed Bad Company, I looked around and asked, 'Who is the biggest rock band in the world?' The answer was undoubtedly Led Zeppelin. Peter Grant was their manager, so we got him to work with us. That made the difference for Bad Company.

It is seldom right to say that anything is true 'according to Google.' Google is the oracle of redirection. Go there for 'hamadryad,' and it points you to Wikipedia. Or the Free Online Dictionary. Or the Official Hamadryad Web Site (it's a rock band, too, wouldn't you know).

There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.

A good analogy is stretching a rubber band. You can stretch and stretch and even feel the tension increase in the muscles in your hands and arms as the gap from one end of the band to the other widens. But at some point you reach the limits of elasticity of the band and it snaps. The same thing happens with human systems.

I pretty much built a band out of the most incredible guys I could possibly find. I didn't really want a six-piece band, but it just ended up being a six-piece band because these guys are all awesome.

Is punk rock really music, or is it really just an attitude? I get into that discussion with people all of the time. I personally consider be-bop jazz to be punk rock. And prog rock would definitely fall in that category too.

Although my music is electronic, it has a lot of influences from my past, which is all sorts of genres; I've been in a rock-metal band for a long time, and I still feel like, personally, I have a lot of influence from that. My classical influence, you can find spots here and there.

Rock music pays off. Rock music takes me on a joyride. Rock music keeps me off the hell city bus. Rock music will always look out for me. But I will not let my torture profanity demon shoot it down.

You know, when most girls say they want a big rock, they don't mean, you know, literally a big rock." "Very amusing, my sarcastic friend. It's not a rock, precisely. All Shadowhunters have a witchlight rune-stone.

We know what we are doing by now.We seem to make an album every 18 months or so and I think every band should do that. We're not writing "Sgt. Pepper" every time; we are writing straight ahead rock n' roll.

I feel like you've gotta be able to get up every night in front of a live audience. Whether it's 10 people or 50 people or a hundred people, whether you're in a rock band or doing the comedy circuit.

If you were to ask me, 'What the hell does a musician have in common with a restaurant?' I would say a huge amount. It's show time every day, it's a team of people, like, running a circus, which is running a rock-and-roll band.

For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountains of ignorance; he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries.

I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.

Because I don’t work with an outline, writing a story is like crossing a stream, now I’m on this rock, now I’m on this rock, now I’m on this rock.

My mother is a rock. She's my rock, she's Ariana's rock, and she has been a huge example of how to get through some difficult situations with strength, dignity, her head held high.

Obviously, any living musician born after 1960 has been touched by rock and roll. It's the music of our time, and it's 'in the air,' as Steve Reich would say. My experience of it is just really direct because I'm actually playing in a collaborative band.

One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Mötley Crüe could be the first band to play on the moon.

The age of the rock star was coterminous with rock n' roll, which, in spite of all the promises made in some memorable songs, proved to be as finite as the era of ragtime or big bands. The rock era is over. We now live in a hip-hop world.

I have seven uncles, and my dad played bass, they had a band together, that was the family band. And of course as the cousins got older, including myself, we joined a family band. All the cousins played. That's my heritage.

I never pretended to be rock star. I would make a lousy rock star. I don't have the right voice for it. I don't have the "sex, drugs and rock 'n' roll" spirit. But the greatest flattery in the last couple of years is being called a "badass" by young singers.

When it comes to influences, we are influenced not just by Japanese and overseas metal acts, but J-pop acts too. One Japanese rock band we're particularly fond of is Seikima-II. We were attracted by their brand of devil imagery and of course, their high-quality musicianship.

Well I listened to mostly rock music, and I felt like hip hop was like an extension of rock music when it was done well. So energetically, again I felt like it was in line with punk rock and maybe hard rock, more than it was in line with R&B, which I never really liked.

A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about

I have a personal Twitter for band purposes, but I don't use social media a lot. I fall in a weird age gap. I was on band message boards when I was 16, but I was on the early curve of Facebook. I did it for work when I worked in media, and I did it for the band, but I can't relate to the idea that you live your life online.

The only advice I can give is to absorb as much as you can from as wide a spectrum as you can. If you're in a rock band and only soak up Black Sabbath, Led Zeppelin, and Deep Purple kind of beginnings, then you're not going to have much leeway.

The act of the being in the band has very little in common with writing songs. The songs come out of it, and the band is necessary for the songs to emerge, but the band doesn't exist just so the songs can emerge.

I play 'Rock Band' with my friends' kids, and they completely beat me senseless with it. I feel like I'm holding them back. I try to play the drums, and I just can't play the drums. I think I need to work on my skills.

We started the band when I was about 19 or 20. At that age, it would have been kind of hard to imagine a lot of the stuff that I've written. We were playing garage rock. I wanted to dash out three chords and scream. But if you do that for 20 years, what's the point?

I didn't want to live in LA again, although I'd go back every couple of months to do an interview, usually with a heavy rock or metal band. And as the decade went on, so much of that scene had become totally corrupted by too much coke and money and silicone.

When I started covering The Beatles and The Rolling Stones in a rock 'n' roll band, it helped me realize that my natural voice is actually really high. It helped me find my voice.

When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.

The Beatles never sounded intimidated by their idols. They never interpreted old rock; they simply played it as well and as joyfully as they knew how. On 'Rock 'n' Roll,' John Lennon does nothing but interpret old rock.

I was in a band called Episode Six with Roger Glover, which was more of a harmony band, really. At one gig, there were a few dodgy characters leaning up against the wall of the venue - and we ended up joining their band. Purple was the talk of every musician in the country - they had something new and very exciting.

Gord [Downie] does so much Waterkeeper stuff. They were involved in [protesting clearcuts at] Clayoquot Sound [in the early '90s]. It's hard sometimes to use the capital you have as a beloved rock band and put it to various causes, especially when they're a bit more controversial, like energy issues.

You'll never find a Manchester band slagging off another Manchester band, but within each Manchester band, people will rip each other apart: Mondays, Smiths, New Order, Roses, Oasis.

You tend to put your rock stars on pedestals - they seem like they've been there for time immemorial. But you realize that the rock stars have their own rock stars. They were fans and kids once, too.

Every improv must be song specific. It has to grow organically out of the particular elements involved or it's just glib self-expression. I hate when I feel like I'm the lead guitarist in a rock band. We all gotta be going somewhere strong together, you know?

I conceived of a concept, a project, a band. The Tide. The Tide, acting as a sonic exemplar of flow and fluidity. The way of things. The way of nature. Guitars, rock and surf music, psychedelia, transcendence from everyday bourgeois consciousness.

I sang in a rock band when I was training as a lawyer. You know, not professional, we just did it for fun. We just did gigs all over Edinburgh and some in Glasgow and some at festivals.

I don't wanna be a rock star. I don't believe in rock stars. If you really examine what goes with being a rock star, I've avoided that really well.

A great rock band searches for the same kind of combustible force that fueled the expansion of the universe after the big bang. You want the earth to shake and spit fire. You want the sky to split apart and for God to pour out.

When I played in a band, people just stand there and look at you and criticize what they didn't like. But if you watch a D.J. show, people go crazy from beginning to end. Say what you want against D.J.'s, but you can't deny that the energy level in the audience is for the most part far above what rock bands have.

I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.

I don't ever really list things that I want to do. The only two things that I've ever wanted to do are be in a rock band and be a wrestler. Those were my two goals.

There are a few things that I will hopefully be credited for as a pioneer. One is my four-mallet playing. Another one is the starting what was first called jazz rock in 1967 when I started my first band, later became jazz fusion by the 1970s.

Originally, AXS TV came to me last year and asked me if I'd be interested in doing an acoustic 'Live from the Grammy Museum' performance. But I was bound and determined to do an electric show with this great band to dispel any notion that I wasn't a 'rock guy' in Styx.

People hear a powerful female singer in a rock and roll band, and they say, 'Janis Joplin.' I think people just make that comparison because it's easy. But I don't think I sound like her at all.

We kinda were a radio-rock band. We were still pretty technical, but I think the prog people hated us because we didn't do a bunch of weird time signatures... which are cool at times, but I'm more interested in progressive harmony.

Every band is different just because of the different combinations of people really are super unique to every band. The way you work together and the personalities that are being brought to the table. Our band is definitely the best combination of personalities I've worked with so far.

It's a farmers market. You can get whatever - peaches, a sandwich. There might be a little band there. I'd sit in with the band. Yeah, that's what I would do. Sit in with the band at the farmers market. Sing a couple of songs, eat a peach, and hug people.

If your album sells, that's cool, more people find out about you, more people get turned on to what we're really about-which is a live rock and roll band.