Top 1200 Rock Bands Quotes & Sayings - Page 18

Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.

What excited me when I first came into it was the performing aspect and doing blues-oriented material, rock/blues oriented stuff, basic stuff, basic what they call rock 'n' roll.

I think that prog rock is the science fiction of music. Science fiction speculates on what the future might be and look like and how we'll get there, and yet there's always a central theme of humanity, or there should be. Progressive rock has the same concept of exploration into the parts of the music world that hasn't been explored.

Men come and go, cities rise and fall, whole civilizations appear and disappear-the earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break....I sometimes choose to think, no doubt perversely, that man is a dream, thought an illusion, and only rock is real. Rock and sun.

I don't know that my voice ever makes sense anywhere, necessarily. I would sing bluegrass music, and I don't fit in there; I would sing rock music, and I'm probably a little too hillbilly for that. And country, I'm too much rock n' roll for there sometimes.

When it comes to girl bands, we're all rivals.

I'm a Taurus, which sounds like the name of a pickup truck. I'd prefer to be born under the sign of the rock wallaby. If you're going to interpret your life pursuant to an utterly irrational dogma, why can't it have a cute mascot? Rock wallabies really are fabulous animals, and in any remotely just world, they would have their own star sign.

Eclectic is a word that appears almost as much as the word smarmy in rock journalism and I've come to the fact, just as a personal side, this reminds of Oscar Wilde's insight that criticism is the highest form of autobiography. I think that's exactly what rock journalism has attempted to do, to celebrate its autobiography at my expense.

I collect head shots from bands.

I was in a lot of bands growing up.

I think pure country music includes rock and roll .. I've never been able to get into the further label of country-rock .. how can you define something like that ? - I just say this: It's music. Either it's good or it's bad; either you like it or you don't

The rock is a field of battle between our weakness and our strength. We wouldn't touch rock if we were perfectly self-controlled. And he who would climb and live must continuously wage this battle and never let folly win. It's an outrageously demanding proposition. But I never said it was easy.

I saw my rock'n'roll past flash before my eyes. And I saw something else: I saw rock and roll future and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.

The bands I like are not obscure at all. Far from it.

I always loved bands with mystique.

If you take away a rock from a pile of rocks you haven't changed much. It's still a heap of rocks - just a rock or two smaller. Take away a component from the mousetrap and it isn't a mousetrap any more.

Just as Bowie, Zeppelin, etc., became rock stars by remaking themselves in the image of the California girls, the Go-Gos became rock stars by pretending to be the Buzzcocks and the Sex Pistols. Jane Wiedlin always said her biggest influence was growing up in L.A. as a Bowie girl.

Sonic Youth is one of my favorite bands.

There are many fans of hard rock music that have been wrongly pigeonholed as apathetic. This music is not music for the elitist coffeehouse culture in SoHo. It' s rock 'n' roll music for kids across the land, and I think that makes it much more subversive in a way, in that it has the form and the function of a powerful, populist music, but it can carry very incendiary messages.

I'm a rock singer, but I love soul, I love blues, and I love theatrical stuff, too, like theatrical rock like Queen and Meat Loaf.

When I was a young student, I only listened to foreign music, mainly rock music and hard rock. Then I surprised myself by discovering ethnic music. Now I like to listen to music from different places, and in many situations. Even when you work, some ethnic music calms the nerves.

Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.

Love." She looked at me with those blue eyes. "Isn't it astonishing how confused and complicated such a small,simple word is? It attracts so many other things, doesn't it, that stick to it like barnacles on rock...fear, guilt. Need. You can't even see the rock anymore. I imagine love in its purest form is a rare thing.

I like most bands.

I'm always forming bands.

When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.

Had I lived in Norman and those bands hadn't existed, who knows where I'd be, I might be doing something awful; I might be a doctor, or a physicist or something. Having those kinds of experiences at 12...the Chainsaw Kittens had a flamboyant homosexual lead singer, and the Flaming Lips were obviously very weird. I had only listened to the radio before that - things like Willie Nelson - so having people say, "These are the bands around here that you should listen to," I was like "Ok, I guess this is what normal music sounds like." That definitely changed things.

Heart has always been a rock band. It's always been hard-rock.

I'm into the old school. I listen to rock, soft rock, jazz, old school R&B.

The name Yunupingu means 'rock - rock that stands against time'. The name Yunupingu belonged to my grandad, like he was a hero in his time. It was passed down through the generations to my Father. It's a name that makes us understand who we are, where we're coming from and what our connections are to mother earth and the universe.

You're in for a live band. That's really what I wanted; I wanted to put on a show for people where they could come for the gay and stay for the musicianship. It's a live show; there's some rock stuff, too. Some rock and roll. Get ready.

My father hated rock and roll - hated it. My first real argument with my father was over the Rolling Stones. And he never, ever liked rock and roll. He just liked me.

I know what that tastes like, to be a rock-and-roll star - to have a limousine, to have girls screaming when they see you, girls trying to cut my hair, get a piece of me. But I don't walk around with a concept of myself as a rock-and-roll star, and certainly not as a musician, because I really can't play anything, except primitively.

There was a 'magic rock' my mom would lift up, and under the rock was a bunch of bugs. Roly-poly bugs and worms. Somehow I thought that it was a magical world of insects, and I wanted to go there. It was the same impulse as 'Pikmin' - I wanted to go into that world.

It is a pity that instead of the Pilgrim Fathers landing on Plymouth Rock, Plymouth Rock had not landed on the Pilgrim Fathers.

My greatest personal Survivor Series moment was facing The Rock in 1998 and having Mr. McMahon turn on me. That set into motion one of the best series of matches I've ever had and some of the most important with The Rock. Not only did we have great matches, but then we became teamed up following the rivalry, so that was big.

My mother was into folk-rock when I was little, so I think of folk-rock as the norm from which everything else deviates. Of course, that's completely preposterous, but that's how I grew up. What is the norm by which to judge wordiness? I think I'm less wordy than Madonna.

If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.

I don't ever put down bands.

Rock and roll is about desire, about wanting something better. I think my characters all want something better. My understanding of the rock and roll dream is that a kid in an isolated place or a small town or an underprivileged world could transcend it somehow.

Perception is made up of bands.

Most of the people who are given these Rock n' Roll Hall of Fame things sell millions of records, so it's kind of like a trophy for them. But for the Ramones, it really was a symbolic gesture of, 'Yes, you guys are special and are important to rock n' roll.' So in that sense, the Roll Hall of Fame served its purpose.

I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.

I love British bands.

I love marching bands.

I always wanted to be in bands.

The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.

Stylistically speaking I would put us in the pop/rock vein. Although our songs tend to have a darker or moodier current running through them than usual pop/rock. I would say our music is very honest. We're not trying to be anybody or anything for anyone

I've sung background for a couple of bands.

When you're living the Crunk Rock lifestyle, you don't let anybody tell you what to do. You live your life to the fullest, you live every day like it's your last, and you party like a rock star. It's just a crazy lifestyle.

No, I'm sure that there's a lot of L.A. bands out there.

Jesus Christ rose up from the tomb. Well, he's the son of God, and now he's like God's spirit at this point. Why would a spirit need to move a rock? Why not just pass through the rock? But also, why wait for the guards to go to sleep?

To some extent, the idea that rock 'n roll used to have this sort of free antediluvian identity, frolicking in the 1950s with Elvis or something, is totally wrong. It's insane. Elvis' relationship with Colonel Parker, his manager, was one of the most possibly corrupt, certainly lucrative, and intense business partnerships ever in rock n' roll.

Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But then we uncovered another, deeper level, the history behind rock and R&B, the music behind our music. All roads led to the source, which was the blues.

There are no great jazz-fusion bands.

The music is at this weird intersection of dance music and indie music. It's not quite dancey enough to do a full-blown DJ set, and it wasn't quite rock enough for a rock band. But I guess it's what makes us unique - drawing from a lot of different influences.

In Philadelphia, there's no delineation, they address me as Rocky, for real. They'll say things like: "Rocky, do you like this coat?" Or: "Rock, say hi to my sister." Or: "Yo Rock, I know a great restaurant." There's no Sylvester. Even the Mayor goes: "It's good to have Rocky here today."

I was in two very horrible bands.

I think the live show is a different kind of catharsis. It's an event. It's supposed to be entertaining. To keep myself entertained, I like to play a rock n' roll show. I still kind of feel like I'm a rock n' roll musician anyway.

There are loads of bands I'd love to produce.