I don't want to say that most rock bands live these formulaic biography existences - but they kinda do. There's always a divorce. There's always an OD. There's always a bad business manager.
Bands like - even Kiss to a degree - bands like Kiss and Motley, Ratt, Poison, Bon Jovi - I just think the days of those bands going out and selling ten or twelve, fifteen million records like they used to do back in the day, it's not happening.
I do love dance music. I love Daft Punk. I mean, I was a child in the '80s, so bands like the Eurythmics and just so many great '80s bands were dance bands, but they had the whole soul thing happening, too.
If you break down most rock songs and look at the lyrics on a piece of paper, it's all about melody. It's all about presentation. And a lot of bands are really great, but you can't understand a word of what they say.
Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore.
I don't consider a lot of the pop things I hear on the radio to be rock 'n' roll. It's just kind of fragmented.
I grew up with my dad's music, so my introduction to rock was Alice Cooper and Cinderella and Dio and Black Sabbath, so I was listening to a lot of dude bands - Guns N' Roses and Metallica, all that stuff.
When I was around 13 years old, I started playing in bands and became obsessed with Blink-182 and Newfound Glory. I didn't pay attention to country music anymore; I wanted to do more pop rock stuff.
I remember hearing, back in the day, so-and-so got a deal, and bands are spending the money. Some of them live in the old days, where money is coming in and budgets are endless, but bands have to pay that back. Some bands just don't realize that.
It's the faster bands that made me want to play guitar, bands like The Jam.
People think this is a competition between bands, when the reality is the more successful bands the better.
To me, the 90's signaled the end of glam rock, the beginning of gangsta rap, and hopefully the beginning and end of boy bands.
I think rock 'n' roll is very visual. All of the best bands, like The Stones, The Who and Small Faces, were very valid both musically and visually.
When the band begins to get a name for themselves, and the writers get assigned to bands, they'll hit somebody who just doesn't like that kind of music, or they love hip hop but hate guitar rock.
Rock and roll is not an instrument. Rock and roll isn't even a style of music. Rock and roll is a spirit that's been going since the blues, jazz, bebop, soul, R&B, heavy metal, punk rock and, yes, hip-hop.
We were watching bands like the Ramones and Blondie and other bands beginning to ignite.
Rock never meant the same thing to everyone, but when I was growing up in the late seventies, everyone could identify the five, ten bands that formed the center.
For a long time, when I was very young, I went to go see arena rock bands. I was 16, and it was all I could get in to see, legally. And I saw Led Zeppelin and Ted Nugent and Van Halen and all that.
I think we all feel incredibly fortunate and grateful that we're still around. We're one of the last punk-rock bands standing. And, to be honest, if we weren't getting paid well, and there weren't these teenagers coming to see it and saying, "... this is good, these guys play hard," we probably wouldn't do it.
And rock being a male-dominated, testosterone-driven place that I've been in the eye of the hurricane now for several years, I realized that it can be a place that can perpetuate homophobic behavior unless it's addressed by bands like us.
Growing up, I went to the Warped Tour a lot, and I got to see bands like Rancid and AFI and Dropkick Murphys and these bands that meant so much to me when I was a kid - all in succession on these stages, so to get to play that same stage that I watched those bands play is a huge thing for me.
Whitesnake more than most rock bands would get a very significant percentage of women in the audience and those were the ones I'd hear the voices because from where I am on stage is a pretty good spot.
There are many unidentified bands in the spectra of stars. Wide bands are produced by some complex molecules in the interstellar space.
I love rock and roll. Sometimes I feel like I was born in the wrong decade because I love Led Zeppelin and Jimi Hendrix and... those are my bands.
I drummed in some rock bands. I asked for a drum kit when I was 15 and my parents were kind enough to buy me one and I just started playing with my buddies who played guitar.
There are always young bands playing in their garages. A lot of punk rock is not going to be in the mainstream. It's below the radar. The beauty of it is that you're not supposed to always know. It's subterranean.
I'm an out and out basic man and AC/DC are one of the best rock'n'roll bands in the world, doing things just to the basics, you know.
When I first started playing in a band, before the Beatles, working bands played standards and they saved their rock material til the end of the night when they were really stretched out. It could be pretty lame.
My tastes are pretty varied. For instance, I love Wilco. But it's considered dad rock. It's one of my favorite bands, and yet I find it impossible not to think of myself as a dad-in-training when I listen to it.
American rock was, and still is to some extent, a closed shop. REO Speedwagon, Toto, Boston, Foreigner all those bands, and I wouldn't be able to tell which from which.
The Rolling Stones are constantly changing, but beneath the changes they remain the most formal of rock bands. Their successive releases have been continuous extensions of their approach, not radical redefinitions, as has so often been the case with the Beatles.
Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore. I don't consider a lot of the pop things I hear on the radio to be rock n' roll. It's just kind of fragmented.
The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work.
The Rock'n'Blues Fest is my kind of festival series! It's always great playing shows with my brother and, add to that, all the other great artists and their bands and this should make for one historic round of concerts.
I'll never forget, I was talking to the singer in one of the heavier rock bands I was in, and it was like a screaming band, and I was like, 'Man, why don't we make a song that's like 'Let's Celebrate!.'
I'm also performing regularly in Southern California with two bands. As a solo artist doing acoustic sets and a member of the Jenerators, my rock n roll band that has been around for a long time now.
I was in bands all through my youth. Things started out more acoustic and then piano ballads. Then R&B followed by sappy pop music and then rock, punk and heavy metal.
The Rolling Stones were one of the best bands ever, and 'Sticky Fingers' is one of the best rock albums I've ever heard.
Most people get into bands for three very simple rock and roll reasons: to get laid, to get fame, and to get rich.
I'm 24, and a lot of people my age grew up listening to bands that were big and making it from around here. I was going to Flaming Lips and Chainsaw Kittens concerts when I was 12, and getting my mind blown at a young age... and maybe for people in bands, there's irreparable damage from those kind of things, and it turns out weirder bands.
Once I got into punk rock, I started mail-ordering albums, because a lot of the record stores in my area didn't carry the punk bands from England or Sweden or Chicago or Los Angeles
I used to play in rock bands. Then I went to the first school of electronic music in the world. It was in Paris headed by one of the most important people involved in electronic music.
I got to be about 13 and everyone started playing guitars and being in rock bands. There was no place for me with my trumpet and I wasn't cool anymore. Although now if I played the trumpet it would be the coolest thing in the world.
There are few people who define the word, 'rock star' better than U2's Bono. He's revered the world over not just for leading one of the biggest bands ever, but for his very public work on behalf of the underprivileged in Africa.
I was in lots of dodgy bands growing up and I always fancied myself in a band. But, you know, I was rubbish at writing music. So maybe one day I'll play a rock star, or punk rocker.
The Rock and Roll Hall of Fame is a joke - the fact that Madonna is in before Rush and Kiss. Those two bands have influenced so many groups and people other than in metal.
When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.
Maybe if they start playing new rock bands videos, then maybe but there is no point in a guy like me spending 250 grand for a video that no one is ever going to see.
I'm not into bands for the sake of being into bands. I've grown past that. There was a time in my life when I was that guy.
Like a lot of the newer bands, like the more poppy kinda bands, although they make really good records and they produce them really great and everything, they don't really deliver onstage. And I think that's where like the heavier bands kinda score.
Blackfoot was one of the ultimate live bands... there was no pretense, no gimmickry; it was sound, lights, and rock and roll. Our whole goal was to be terrifying... to strike fear and cause havoc in a closing band's minds.
I was in bands many years ago, so that's where it started. I played in bands, sang backing vocals and all the rest of it.
I enjoy looking at old photos of some of my favorite rock icons, but also get inspired from the younger bands that are coming up and really creating their own style, their own image.
Im also performing regularly in Southern California with two bands. As a solo artist doing acoustic sets and a member of the Jenerators, my rock n roll band that has been around for a long time now.
I think the whole concept behind lyrics is you better mean what you say, or you should like, become a storyteller. I mean, there's a lot of bands who are just storytellers, and then there are bands who actually have something valid to say. And the bands who have valid points are few and far between.
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
We didn't go for music that sounded like blues, or jazz, or rock, or Led Zeppelin, or Rolling Stones. We didn't want to be like any of the other bands.
I like "Rock, Paper, Scissors Two-Thirds." You know. "Rock breaks scissors." "These scissors are bent. They're destroyed. I can't cut stuff. So I lose." "Scissors cuts paper." "These are strips. This is not even paper. It's gonna take me forever to put this back together." "Paper covers rock." "Rock is fine. No structural damage to rock. Rock can break through paper at any point. Just say the word. Paper sucks." There should be "Rock, Dynamite with a Cutable Wick, Scissors."
Because you have things like 'American Idol' and you've got radio stations that play music made entirely by computers, it's easy to forget there are bands with actual people playing actual instruments that rock.
The music industry has completely restructured itself in the last couple of years because it hasn't been making money. Labels are signing bands they trust as artistic entities, instead of cash cows. They're signing bands because they believe that the bands have tastes beyond anything they could concoct themselves.
I don't think that bands that make it on their first album are as strong as bands that don't: there is nowhere to go but down.
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