Top 1200 Rock Bands Quotes & Sayings - Page 7

I got my first real job, one that didn't involve wearing a hairnet or bending over the hood of a wet car with a towel in my hand, in the early '90s working for CBS Records. While there, I started my first of several rock bands and eventually wrote my first book, the semi-autobiographical novel, 'Don't Sleep With Your Drummer.'

I don't know how these bands did it back in the '70s when they would crank out two records a year and tour at the same time, which is incredible to me. I have so much respect for all those bands working so hard like that.

Rock is rock, and, rock and roll, rock is just short for rock and roll.

When I was a very young kid, the first music that really turned me on was a new wave of British heavy metal - big, dumb rock music. There was a band called Diamond Head - they were basically the band that inspired Metallica. But I also liked bands like Saxon and Iron Maiden.

I rock with Chance, I rock with Kanye, I rock with Common.

When I was in high school, there were these British blues-rock-type bands with really good guitar players that would jam on one song for half an hour. And as much as I was amazed by some of those guitar players, seeing them prompted me to make a note that that's not something I could do.

I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.

In the studio, you can always stop, rewind and do it again, but on stage, you can never do that - it's a different energy. It separates good bands from bad bands, being able to play, perform and really capture an audience. I think that's the hardest part.

There is a definite sound with all-girl bands, a good rudimentary sound, and that's what's cool and punk about all-girl bands that you still find, largely - it's really kind of primal.

There's an interesting thing I've seen with Australian bands: when you put them side-by-side with bands from other parts of the world, they're just more musical. They're just better.

Being in two full-time rock bands is pretty impossible. I love to tour but I have a dog and I want to see him. And, being a songwriter, you have to have experiences and do things. You can't just go on tour all the time, otherwise you get nothing to write about. It's finally at a point where the balance is perfectly right.

I have seen so many bands and musicians fade away, especially the ones in my early days that treated me and my bands with contempt for no other reason than that they were headlining the show, not all though, with great exceptions such as Slade and Vinegar Joe.

I was in several bands before I joined Judas Priest. Being in those early unknown bands were the stepping stones, really, so I learned a lot in those short few years jumping from one band to another.

Rock music pays off. Rock music takes me on a joyride. Rock music keeps me off the hell city bus. Rock music will always look out for me. But I will not let my torture profanity demon shoot it down.

My mother is a rock. She's my rock, she's Ariana's rock, and she has been a huge example of how to get through some difficult situations with strength, dignity, her head held high.

Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.

We let the lyrics be the focus of the song. Which is not what you hear with some of the zeitgeisty bands, like the War on Drugs, who I love, their lyrics are usually buried and The National, one of my favorite bands, Matt Berninger writes in fragments, in a very impressionistic way.

We were fans of Green Day and Nirvana or whatever, but the bands we really loved were Chicago bands that didn't really sound anything like Alkaline Trio.

I'm a street player, and all of my influences come from bands that I was listening to at the time when I was growing up. I was very impressed with guys like Mitch Mitchell. I liked rock and roll drummers, and I loved rhythm and blues guys like Clyde Stubblefield with James Brown. Man, that band blew me away all of the time.

In a way, Jersey really supports rock, maybe more than New York City and Long Island. I know plenty of bands that tour and do much better at Starland or other clubs in New Jersey than others in the tri-state area.

I think people have a clear idea of my style of music I want to do, which is rock, but it's not heavy rock. It's more rock that is feel good and makes you feel something, whether or not that's heartache and pain or it feels like a celebration.

There were a lot of times where there was a great deal of fodder recorded and played, because there was a market for it - just as there is today. And there were more bad bands than there were good bands - I think that should always be remembered.

So many bands have the same performance-based videos, and it's so lame. I know bands whose labels rent a crowd, so they have these fake audiences that jump up and down trying to make it look like a pit or something.

Playing live is a lost art, and you don't see a lot of bands that go out and play the way the older bands do. It's a celebration, and a lot of people treat it like a commercial or a distraction.

A lot of punk rock. I listen to various stuff just cuz my friends now listen to a lot of different bands. I listen to a lot of underground stuff like jungle music.

The '60s was a magical time in the music business. So much creativity and talent. I think a lot of it came from the fact that we had grown up before rock n' roll. We listened to all the great songwriters and big bands, songs with great lyrics and melodies. I think that really influenced everybody.

Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.

How movies are financed, it's a world market now... I feel like, you know, the independent film way of working is something that was in my bones. It's like being a part of a punk band, but no one's singing punk rock anymore. Only a few bands are able to play, and Woody Allen is one of them.

I followed most of the 80's bands into the 90's as most of those folks who hadn't moved away were all still active. However, there was a point when I lost track of the new bands coming up.

After graduating college in 2010, I got to work - writing and co-writing all the time, playing and touring in bands, playing for other people's bands, working in coffee shops all over town.

The street's alive as secret debts are paid, Contacts made, they vanished unseen. Kids flash guitars just like switch-blades Hustling for the record machine. The hungry and the hunted explode into rock'n'roll bands That face off against each other out in the street, down in Jungleland.

Music is music; you can't change rock and say well this is punk rock and this is acid rock or rockabilly.

A lot of bands are still just bands that artists ask to get involved, but a lot of artists are using sound they create. This is different from referencing music.

In my naïvety, I thought people who were in rock 'n' roll bands were great artists, and it was a huge shock to the system to realise that they weren't, that they didn't even aspire to be, really. Some of them did, maybe, but some of them, like Samson, were very frightened of the idea.

Growing up I played in garage bands and cover bands with my older brother, and he got us a gig opening up for some hippie jam band. I was 15. I felt like such an adult!

I've played in bands myself, and sat on the floor photographing some of the greatest bands in the world while they rehearse. What's always struck me is how different the sensory, especially auditory, experience is when you're in the middle of the music with the musicians playing off each other around you.

I can play punk rock, and I love playing punk rock, but I was into every other style of music before I played punk rock.

I've always loved R&B. That love seemed to start in church. But then I saw Carrie Underwood on American Idol, and I fell in love with country. Heck, I loved the hair bands of the '80s too, so I have always loved country and rock 'n' roll.

We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands.

You tend to put your rock stars on pedestals - they seem like they've been there for time immemorial. But you realize that the rock stars have their own rock stars. They were fans and kids once, too.

Well I listened to mostly rock music, and I felt like hip hop was like an extension of rock music when it was done well. So energetically, again I felt like it was in line with punk rock and maybe hard rock, more than it was in line with R&B, which I never really liked.

I think the earnestness of what we're saying and what other bands like us are totally saying - or other queer bands - is 'We exist.'

Scary rock n' roll bands had all the devilish imagery. But at the same time, it's not because they were devil worshippers, they were saying that society is run by devils. It was human society that created these things, they become the devils. This is what you worship. This money is what you worship. This idea is what you worship.

I got into alternative rock in the early 80s, bands like Husker Du and The Replacements. Bob Mould's playing was a huge influence. It was very heavy with a lot of open tunings, which was great because I played in trios, so I used open tunings to get a fuller sound.

I've got friends in bands who seem like they're always on tour, even still. It may be in some people's blood. I'm sure some bands do it just to earn a living or for the experience.

Unlike a lot of my cohorts from the '80s and '90s who totally blamed the shortness of their careers on bands like Nirvana and Alice in Chains and Soundgarden and whatever, I was very into a lot of those bands.

In grade one and two, I was definitely into heavy metal and Satanic rock music, bands that had attributes that were quote-unquote 'Satanic,' even things like the Rolling Stones with 'Their Satanic Majesties Request' and 'Sympathy for the Devil,' but also like Motley Crue and Kiss and Alice Cooper.

All the universes are bound together by a web, a matrix, which is our perception. And our perception actually has colors; it has bands. We call them bands of attention.

You had your black bands, and you had your white bands, and if you mixed the two, you found less places to play.

Sometimes I forget that the label's been around so long that some of the bands they're singing now might be influenced by the first wave of Sub Pop bands. Is there anyone on that label that you look up to or borrow from?

I never pretended to be rock star. I would make a lousy rock star. I don't have the right voice for it. I don't have the "sex, drugs and rock 'n' roll" spirit. But the greatest flattery in the last couple of years is being called a "badass" by young singers.

When I got my record deal at Atlantic, at the time, 'indie' wasn't a style of music: it was a kind of label. And I think, eventually, the bands that ended up on those labels began to be branded as 'indie bands,' and then it became a genre.

KISS has always been outside of the borders of what other bands can do. Not that some of these other bands wouldn't want to do it - the fact that they may snicker or look down their noses at what we do is more out of jealously than anything else.

I felt very proud to be part of a music scene that was changing the face of commercial music and rock music internationally, but I also felt like it was necessary for Soundgarden - as it was for all of these Seattle bands - to prove that we deserve to be on an international stage, and we weren't just part of a fad that was based on geography.

People didn't know certain things about me, which... I was out of creative writing class in school, Syracuse University; had a B.A. in English and wanted to write the great American novel but I also loved rock and roll. I was in bar bands all through college, playing fraternities and have to know all the songs in the top 10. That kind of thing.

I know of some guitar-based rock bands that refuse to record anything that they can't play live. But some of the best stuff I come up with are studio-based performances - bringing out whatever accident I had in the studio and building a song around that.

I started playing guitar when I was in eighth grade, and that led to trying to write songs and trying to figure out how to play in bands. That led to meeting people, and getting into the local punk rock scene, and going to shows. So that was how I really got into the culture of it.

Bands can become absolutely huge and actually be pretty terrible musicians, and bands can be the most amazing songwriters and musicians in the world and never play for more than 10 people. With that in mind, getting successful doesn't mean anything.

I tried so many different musics. I kind of burned out on classical and wanted to make it fun again. I started playing with indie bands and country bands and finally realized electronic music brought my style to life.

Because I don’t work with an outline, writing a story is like crossing a stream, now I’m on this rock, now I’m on this rock, now I’m on this rock.