Top 1200 Rock Bands Quotes & Sayings - Page 9

I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to R&B and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.

I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.

I don't know if it was a single-blade or one of those straight-edge razors, but I used to play in bands that were, like, show bands and would play different clubs, and, in those days, I would go to the barber twice a week.

When I was younger, bands helped me connect to part of my humanity; bands that had nothing to do with anything political helped to form me. There's a correlation in that: If people can connect to music, maybe they can connect to each other.

Before you could actually have face-lifts, they would pull your skin around the back of your head with rubber bands, where they would tape it. And then you'd have to wear a wig over it to hide the rubber bands. It was not the most comfortable.

I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. That's just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.

Christian musicians today, minus about ten bands, have never had to fight to be accepted or heard like general market bands have to make a living. It's just overlooked that the Christian market is safer and more lucrative, but requires musicianship that applies to the lowest common denominator.

I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.

I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).

Do you ever look at the sky and think, I'm glad I'm alive? After I heard System of a Down, I thought, I'm actually alive to hear the shittiest band of all time. Which is quite something when you think about it. Of all the bands that have gone before and all the bands that'll be in the future, I was around when the worst was around.

Rock'n'roll is an attitude, it's not a musical form of a strict sort. It's way of doing things, of approaching things. Writing can be rock'n'roll, or a movie can be rock'n'roll. It's a way of living your life.

I think everyone's trying to come up together and bring up other bands along the way, and we've always been really blessed to have bands like Metallica and Iron Maiden take us under their wing and say nice things about us.

I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to RB and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.

We've pumped waste into cavities in solid rock and found that it spread through the rock.

That taught me one lesson which is that you're naive to believe that bands can change the world. Bands are very naive to think that just if their audience thinks that they can change the world, that they can. That was quite a lesson for my career, really.

I first started going to shows when I was about 16 - seeing local bands. I mean, I loved music before that, and I played a bit of guitar when I was younger and thought maybe I'd become a guitar teacher or something, but when I saw other kids doing it, I was like, 'Whoa, these are great bands! I can do it, too.'

We went through rock 'n' roll, which then became just rock, then punk rock, then the worst disease of all - rap music. It's an oxymoron, because rap is not music.

As many bands as you heard [in New Orleans], that's how many bands you heard playing right. I thought I was in Heaven playing second trumpet in the Tuxedo Brass Band -- and they had some funeral marches that would just touch your heart, they were so beautiful.

Let's be perfectly honest. I love Rock to death. We're all different people, but Rock's a showman.

Rock 'n' roll is meant to entertain. Hippie folk singers are supposed to be singing about leftist views, but I don't think rock 'n' roll was ever that way. I don't remember the early rock 'n' rollers ever expressing any political views.

I got to a point in my life when I'd done loads of things I regretted. I made all the wrong decisions. I was trying to fill my life with all these projects, hoping that one of them would succeed. I was like a cheating girlfriend. I was cheating on all the bands with other bands, and I was trying to manage everything.

Actually, I hear a lot of rock music. My husband is a big rock fan.

Prince is extremely soulful, but he can get real rock-'n'-rollish. So can Lenny Kravitz. Lenny's real soulful but he's got that rock with him, too. On the whole, I guess black folks ain't trying to handle rock-'n'-roll, really.

I know it's financially lucrative to go out on my own, but I don't like it. It's really hard work, just the performance aspect. I like people who look like they've been together for too long and sound like they've been together too long. I like rock n' roll bands.

When I first got involved in the underground metal scene in '82, '83, there were only about five or six major Death or Black Metal bands around. There were so many other bands that were inspirational, that really helped.

I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. Thats just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.

I'm not a rock star. Sure I am, to a certain extent because of the situation, but when kids ask me how it feels to be a rock star, I say leave me alone, I'm not a rock star. I'm not in it for the fame, I'm in it because I like to play.

Obviously, as the music business has suffered tremendously, with being able to illegally download everything, it's also become amazingly easy to find new bands, because everyone can put their stuff online. Even if you can't find a record label, you can find these awesome bands, all over the world.

Yes, 4% is the government-mandated target to the MPC. The plus/minus 2 percentage-point upper and lower bands are the tolerance levels specified by the government. If we breach those for three consecutive quarters, we need to inform the government of why that happened and what we propose to do to bring inflation within the two bands.

I didnt ask to save rock, I dont even like rock that much.

Bands don't last. Bands don't last forever - it's a rarity when they do.

I think the majority of the people in the band still play in other bands, because we're not that active. But for me, it's the only thing I want to do and it's the only thing I'm focused on. I've always played in a couple of different bands at once, but now I'm only interested in the Dead Child stuff.

There are bands that I am friends with, who will invite me up on stage. Like Les Savy Fav, who have had me on stage, and I have played on their record. There are a couple of bands like that. Yo La Tengo has invited me to play with them.

He stops rocking the cage. "Oh, come on, Callie. It won't be fun if we don't rock it. In fact, the more we rock it, the better it'll feel." His voice drops to a deep whisper. "We can rock it nice and slow or really, really fast."... "Do I have your permission to rock away and give you the ride of your life?" Why does it feel like he's secretly talking dirty to me? "Yeah, go ahead, rock it nice and hard," I say without thinking, then bite down on my lip as the dirty section of my brain catches up with me. Honestly, I didn't even know that side existed.

I loved 'Rock Lobster.' I probably heard 'Rock Lobster' first at a party or dance. Then we would do the Rock Lobster - get down on the floor and do the whole dance. I thought that was really cool and exciting, that there was actually a band that had their own dance at that point.

It was always my belief that rock and roll belonged in the hands of the people, not rock stars.

Well, 'Crunk Rock' doesn't mean rock. Initially when I started the album, I did collaborate with a bunch of rock musicians and producers. But as I started to have time to free my mind and catch different vibes, it started to mean something different.

I got my influences from 70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released "Money", it wouldn't even get played.

Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.

I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.

If you like something, rock it. If you want to rock a cape every day, go for it.

Belief in God? An afterlife? I believe in rock: this apodictic rock beneath my feet.

I never really felt like a rock singer or a rock star or whatever.

I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.

With 'Elect the Dead,' I learned how to make a rock record without a rock band and make the rock record I've always wanted to make.

The bands of perception vary greatly. There is the human band of perception. There are lots of different bands of perception. Simply because we are in one band of perception, doesn't mean others are not there.

I like the old school heavy metal bands like AC/DC and Aeromith. I like that type of music. As the director, I tried to influence the type of music the bands in the movie would play.

Now bands have to sing live, now people watch who sings on the record, now people want to hear the real music and not just plastic bands anymore. So I think we changed the music business to a better, more honest way.

For the name Lion Babe, we are a little avant-garde, a little left. And with bands like Blondie, Pink Floyd, or Jamiroquai, you don't know they're bands, you just kind of hear the name and you're like 'What is it?' so that was the kind of thing we wanted to do.

Hanoi Rocks was our baby and we were the core and we started the band. All those years that went to waste because of that accident, it's only right that we have some kind of advantage because it's our history. The name 'Hanoi Rocks' I think is one of the very best names, if not the best name of all rock n' roll bands.

My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.

I have made up my mind that if there is a God, he will be merciful to the merciful. Upon that rock I stand. That he will not torture the forgiving. Upon that rock I stand. That every man should be true to himself, and that there is no world, no star in which honesty is a crime. Upon that rock I stand.

With any "new" form of music, the originators are usually good bands that have good music and good ideas, like Nirvana. But then you get all the followers and wannabes, bands like Silverchair, etc...and that really sucks.

One month I'll be completely obsessed with Bob Dylan and the next Arcade Fire. I like early Elton John and David Bowie, Bob Dylan and Bruce Springsteen. I listen to a lot of American bands. But I like listening to new bands, too.

I think a lot of the intention of bands, especially in the last year, is to spread themselves out geographically and borrow from different cultures and different sounds, and to be eclectic. And that's great in terms of dynamics, but it also tends to not have that torpedo and fire running through it. If you're spreading yourself out across the globe, you're also not emphasizing a singular point, which I think great rock music has always done.

Tastes are varied, man, so much in this music world. Look, I adore the bands that I adore. On the flipside, as much as you love a 100 different genres of bands, there are another 100 I can easily say I dislike, too.

If what you want to do is make artwork for bands, you have to love doing it because there is almost no money in it. In order to start doing it, you just have to put yourself out there, work for bands you love and for as little as possible to start, if not free, that's what I did for years.

I got sick and tired of hearing bands that didn't mean anything to me. I mean, there are some bands out there that are good, but if you want to hear stuff you want to hear, you got to do it yourself.

It seemed record companies wanted bands to be creative because they didn't know how to manufacture underground music. We could do our own thing and go at our own pace. But that changed when major labels started wanting bands that would sell 7 million records.

You know, there's so many great bands out there, visual bands, that we have to do something that makes us individual, and makes us stick out from everybody else, and something that is even bigger than just the music.