Top 1200 Rock Musicians Quotes & Sayings - Page 4

I'm not really a musician. I'm a performer, and I love rock n' roll. I've embraced rock n' roll because it encompasses all the things I'm interested in: poetry, revolution, sexuality, political activism - all of these things can be found in rock n' roll.

Way back in the old days, say in Europe of the Middle Ages, you had an aristocracy, and they could afford to pay for musicians. The kings and queens had musicians in the castles, and that developed into symphony orchestras and what we call "Classical music" now.

It is my belief that there is a tendency among the so-called 'modern' or 'hip' jazz musicians to consider styles other that their own, 'corny', and it is my contention that in actuality it is these musicians who are producing that which in future years perceptive critics will deem 'corny'.

In between 15 and 20 - probably at around 17 - my interests switched from hard rock to punk rock. And then by 20 they were circling out of punk rock back into Black Sabbath, Led Zeppelin, the stuff that I didn't get to when I was younger.

Cheech and I used to call ourselves musicians; we never called ourselves comedians. We were musicians that were funny.

I can't do too much musical movement with a lot of MC's, because they don't know how to follow me. But with Souls of Mischief, I could go anywhere because they are musicians - they rap as musicians, and they play instruments and produce, so they get that.

My interactions with musicians have been simply that: interactions with musicians. Issues of gender, or anything else beyond the music-making, have in my experience played no role in whether or not a musician has been able to articulate my intentions as a composer.

Bands can become absolutely huge and actually be pretty terrible musicians, and bands can be the most amazing songwriters and musicians in the world and never play for more than 10 people. With that in mind, getting successful doesn't mean anything.

Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.

God looked down on this country because this country was founded on the rock and that rock was our Lord and Savior Jesus Christ. And when the storms came and the rains came, the rock, it did not move. But over the last 15 or 20 years, something began to erode.

Back then and later on when I was in NEU! and Harmonia I was too much preoccupied with my own music to be aware of the German music scene, let alone following it actively. But changes which were happening with S.o.S. (namely the development of individual ideas and the effort to distinguish from the Anglo- American rock patterns) also helped me recognize other musicians within my immediate vicinity.

Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.

Why do I constantly feel as if all of you are speaking a foreign language? What is ‘grabbing a burger at the Hard Rock’ supposed to mean? (Julian) The Hard Rock Café is a restaurant. (Grace) You eat at a place that advertises its food is hard as a rock? (Julian)

We have to focus on his early work, and just one or two of his movies, and elements of his TV shows, to keep his memory pure. People now know that Elvis could play a mean rhythm guitar himself, and needed no other musicians to perform a great song. But Elvis was not just a rock star, he was an all-round entertainer.

Just about every rock band and every guitar player from 1964 to 1984. To me, that's the golden period of rock. From the first Beatles album hitting America to the last Van Halen album with David Lee Roth. That's where all my favorite rock exists.

We always have a basic structure for a piece of music, but we encourage the musicians to elaborate on whatever they feel at that particular moment. There's a definite conversation happening on stage. I think it is very important for us as creative musicians, to instantaneously describe any energy that is visible at that time.

There actually had been a tradition within English music of the '60s of people looking eastwards, maybe in quite a naïve way, but nonetheless, you had musicians like George Harrison or Bryan Jones recording the musicians of Joujouka in North Africa.

We need musicians! We need them healthy - we need to dance and we need to escape - and none of that is possible when musicians themselves need support.

For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.

After the war, once the bop revolution had taken hold, there were all kinds of young musicians, talented young musicians, who were ready for this fusion of classical and jazz.

These days, rock 'n' roll is much more about rock than about roll. I don't do rock. But I'm interested in that roll part, because that's the funny little bit that makes it hip.

Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.

I know a lot of actors who started out as musicians and have very successful careers as actors, but most people don't know them as musicians.

I played with so many musicians and some of the musicians would have something I want. I steal a lot of them, and I mash it up, I mash it up into my chords.

I think the musicians I play with solo do a certain thing that the musicians we play with with the Indigo Girls don't do. It's just a different thing. And it sort of steers my writing in some ways.

With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.

When I go to a sci-fi convention, oh God, it's the closest thing to being a rock star I will ever know in this life. I want to be a rock star, don't you? It's a good thing to be, a rock star.

Is punk rock really music, or is it really just an attitude? I get into that discussion with people all of the time. I personally consider be-bop jazz to be punk rock. And prog rock would definitely fall in that category too.

The Beatles never sounded intimidated by their idols. They never interpreted old rock; they simply played it as well and as joyfully as they knew how. On 'Rock 'n' Roll,' John Lennon does nothing but interpret old rock.

I loved 'Rock Lobster.' I probably heard 'Rock Lobster' first at a party or dance. Then we would do the Rock Lobster - get down on the floor and do the whole dance. I thought that was really cool and exciting, that there was actually a band that had their own dance at that point.

These musicians, such as these Cubans in Havana, are a part of a scene that did produce great music and great musicians. They came from this tradition, so it's a good place to look. It's like prospecting: You gotta know where to look.

Behind him Kaldar nudged Urow's youngest son. "Bet you he lasts at least thirty seconds." "Um..." Gaston looked at him. "No he won't." "Bet me something." "I don't have anything." Kaldar grimaced. "Pick up that rock." Gaston swiped the rock off the ground. "Now you have a rock. I bet this five bucks against your rock." Gaston grinned. "Deal.

There's always people saying that rock is dead, rock is over. People are always out to kill rock and roll.

You know as I started as a shy young conductor, I always wanted to cooperate. To build up the musicians. To help them to be better than without a conductor. And sometimes young talented musicians have to be encouraged.

Actors want to be musicians, and musicians want to be baseball players.

Rock 'n' roll is meant to entertain. Hippie folk singers are supposed to be singing about leftist views, but I don't think rock 'n' roll was ever that way. I don't remember the early rock 'n' rollers ever expressing any political views.

In between 15 and 20 - probably at around 17 - my interests switched from hard rock to punk rock. And then by 20 they were circling out of punk rock back into Black Sabbath, Led Zeppelin, the stuff that I didnt get to when I was younger.

A lot of musicians are good cooks, and a lot of cooks are musicians, but I think that may just be a result of the creative impulse finding several means of expression. Probably an equivalent number are visual artists, woodworkers or compulsive liars.

I can't fathom writers married to writers and musicians married to musicians. There's your enemy in bed beside you.

We're not like a nostalgia act, or the normal classic rock act - we're a really good musical organization, ... You're going to hear some blues, some jazz, a little of everything. The guys in the band are great musicians. When we play, we're there for real. It's not about posing, strutting in tights, that kind of stuff. It's all about music, and I've always respected my audience that way.

Prince is extremely soulful, but he can get real rock-'n'-rollish. So can Lenny Kravitz. Lenny's real soulful but he's got that rock with him, too. On the whole, I guess black folks ain't trying to handle rock-'n'-roll, really.

Jonny Lang has the power to move the music into the next millennium by reaching the ears of a new generation. The great musicians have the power to break all of the 'isms'-race, age, sex, et cetera. Jonny Lang is one of those musicians.

I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.

Artists, whether they're classical musicians or pop musicians, they have always been the reflection of society, and in many ways a healing part of whatever is wrong in society, and I think it's important for us to continue to do that, and I don't see enough of it today.

The age of the rock star was coterminous with rock n' roll, which, in spite of all the promises made in some memorable songs, proved to be as finite as the era of ragtime or big bands. The rock era is over. We now live in a hip-hop world.

You know, when most girls say they want a big rock, they don't mean, you know, literally a big rock." "Very amusing, my sarcastic friend. It's not a rock, precisely. All Shadowhunters have a witchlight rune-stone.

I've been a fan of The Rock ever since he first came to wrestling. Every time I went to school, I talked about The Rock. So when I finally got to meet him I couldn't believe it! When he walked through the door, I went bug-eyed! 'I'm standing next to The Rock, man!' He's huge. He's very nice, though.

Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.

The music business will be revitalized by musicians, not the labels or Live Nation. When the musicians decide to put music first, instead of money, the public will flock to the fruits and the scene will be healthy again.

I don't wanna be a rock star. I don't believe in rock stars. If you really examine what goes with being a rock star, I've avoided that really well.

The musicians that didn't know music could play the best blues. I know that I don't want no musicians who know all about music playin' for me.

The people who listened to rock 'n' roll, I thought, were bound together against the people who didn't listen to rock 'n' roll. That, of course, didn't work at all. Your taste in rock 'n' roll does not say anything about you, morally or otherwise.

By that point, I was about 12, 13 years old. I was this young black kid into rock music, which was kind of strange. People would always assume I'd be into like more modern R&B, which is a stereotype, but that was kind of what was expected. And I had all these guitar magazines of all these musicians that didn't look like me. So I assumed Jimmi Hendrix was one of those.

The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.

With 'Elect the Dead,' I learned how to make a rock record without a rock band and make the rock record I've always wanted to make.

One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those musicians and myself.

I've been asked why does Ireland produce so many great musicians, and the answer is it doesn't. When you count the great musicians Ireland has given the world in the last 20 years, you can do it on one hand.

They taught us because they wanted to pass the knowledge on and educate young musicians. It was not because they had to teach because they failed as musicians. There is a huge difference in the reasons why someone is teaching and what they can offer and what they cannot offer.

I grew up listening to a lot of that stuff, Motown and Stooges. But also early rock-and-roll like Chuck Berry, Little Richard, Jerry Lee Lewis, and Elvis Presley. I feel like as I grew older, I've been working with different musicians, people that have are constantly showing me different things.

Rock will never be dead for me. Do I like a lot of what I hear on rock music radio? No, not for the most part. I'm not a fan of the regurgitated Pearl Jam and Nickelback crap that's the biggest thing in the Midwest. There isn't that big of a market for rock anymore. Every once in a while something happens and you like it.