Top 1200 Rock Song Quotes & Sayings

I grew up listening to all kinds of music, everything from country to rock, pop, R&B and even rap, so for me, music is music and a great song is a great song.

I'm listing to music all the time. I have favorite artists. Kid Rock loves the Civil Wars' song 'Barton Hollow.' We both said that's our favorite country song of the year. That knocks me out.

Rock'n'roll starts between the legs and goes through the heart, then to the head. As long as it does those three things, it's a great rock song.

I remember walking into a department store and you would hear an instrumental version of a Beatles song and it was usually kinda cheesy and very un-rock. Kenny G, for example, is a musician that I certainly dont want to sound like, but technically he is flawless but somehow the rock and roll aspect has been sucked out of it.

There's a punk-rock attitude, clearly, to 'Hated.' There's even a punk-rock attitude to 'The Hangover,' I think. We start the movie with a Glenn Danzig song.

If you take a song like 'We Will, We Will Rock You,' 'You got blood on your face... ' - he's rhyming on that! And if you take the lyrics out of that song, you get a hip-hop beat. It's a rock song, though. So it's not out of my element for me to get with Black Lips.

When I became a 'rock musician,' I assumed pop music was easy to write and that interesting rock music, or alternative music, was hard. It was only later I realised that writing a pop song is the hardest thing musically.

I wrote a song with Kara DioGuardi called 'What If,' and it's a really beautiful song. It's kind of like a rock ballad. There's a lot of guitars and drums in it.

Barriers have been broken: rappers are singing, and singers are rapping. You might catch a rapper on a rock song, a pop artist on a hip-hop song - there are so many different things that are going on today. That is the same way in which we live our lives; we're all over the place. I like to try different things.

Good music is timeless, whether it's a country song, rock, or R&B.

There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?

In a way it's the emotional feeling that you get in a good rock song or folk song, there's just nothing that rivals that.

I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.

I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.

I like "Rock, Paper, Scissors Two-Thirds." You know. "Rock breaks scissors." "These scissors are bent. They're destroyed. I can't cut stuff. So I lose." "Scissors cuts paper." "These are strips. This is not even paper. It's gonna take me forever to put this back together." "Paper covers rock." "Rock is fine. No structural damage to rock. Rock can break through paper at any point. Just say the word. Paper sucks." There should be "Rock, Dynamite with a Cutable Wick, Scissors."

With Rock Band, you can play along to Black Sabbath or Nirvana and possibly find new ways of appreciating their artistry by being allowed to perform parallel to it. Rock Band puts you inside the guts of a song.

We've gone further on this album, where we have a Big Band song, kind of a Sinatra-type song; we have a couple songs that have electronic music on them. We've got a couple rock songs, maybe a little heavier than what we've done. So the title 'Jekyll & Hyde' really covers the breadth of the record.

My music is very diversified. I'll have a rock song then I'll do a ballad.

I wanted to write a song that's known to the world as a classic, stadium-rock anthem.

When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva

A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.

Every rock song is some variation of 'Pull down your pants'

If you asked me to write a rock song or a rap song, I couldn't do it because they're not in my fingers.

'She's Dynamite' was a 100 years ago, and I recorded that song because the company thought that it was a great song and it was hot. That was the beginning of rock n' roll, and I guess they thought it would be a BB King version of rock n' roll.

I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.

I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.

That was something we were trying to figure out: Are we allowed to do a jazz song? Are we allowed to do cabaret? Just from hearing the Beatles, it was like, 'Well, they did it. It's okay to write something other than a standard rock song.'

It's just so obscure to take a folk song in a different language and be a pretty well-respected English-speaking rock band and totally take a song and twist it around and have fun with it.

To the U.S. and the world, I'm just known as some funny song and some funny music, some funny video guy. But in Korea I'm doing one of the biggest concerts; it's not a dance music concert. I'm playing with the band, so I change my every song to a rock song.

No, there's something about the sing-song cadence of children's music that has its place in rock.

Dawes is a rock 'n' roll band playing guitars, writing songs, working in a certain tradition. Through our attitude and personality, I hope, you can hear a song and go, 'That's a Dawes song.'

No matter what though, there's always rock & roll. There's rock 'n' roll in hip-hop, there's rock & roll in pop music, there's rock 'n' roll in soul, there's rock 'n' roll in country. When you see people dress and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock & roll. Everybody still wants to be a rock star.

I would never know how that person felt when they first heard my song. They coulda been at rock bottom and my song could have literally been the thing that saved them, but I would never know that.

A song has to take on character, shape, body and influence people to an extent that they use it for their own devices. It must affect them not just as a song, but as a lifestyle. The rock stars have assimilated all kinds of philosophies, styles, histories, writings, and they throw out what they have gleaned from that.

Rock n' roll was a bad and evil thing. l remember once I was singing a Barry Manilow song, "Mandy," In the back seat of the car. It came on the radio, and I kind of sang with it, and I got smacked In the mouth because that song was "evil."

I cut my teeth playing rock songs on the accordion when I was a teenager and my friends always thought that was extremely amusing. I think that was the genesis of my polka medleys, because every rock song I played on the accordion just sounded like a polka and my friends thought it was funny. So that was a joke that I continue up to this very day.

I like seeing someone that can sing jazz and then flip over and sing a pop song and then sing a rock song.

I feel comfortable in my pop shoes. They let me walk in any direction. I like to go from one extreme to the other. One day I feel that I want to do a song with reggaeton influence, I do it. The next day I feel I need to do a song with rock elements to it, I do it.

Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore. I don't consider a lot of the pop things I hear on the radio to be rock n' roll. It's just kind of fragmented.

I was in band that played mostly covers for a while, and the bands that we would cover were, like, the alternative rock bands of that day: we did a Jane's Addiction song and a Faith No More song. All the kind of alternative radio of that time, the late '80s, basically.

When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.

If Mozart were around now he would write a killer rock song.

I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.

Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.

Whether it be a reggae song, rock song, a love song, the main thing was just to, whatever I was feeling, to try to capture that emotion.

What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'

It's like a little folk song. I think it might've been Harry Belafonte or someone like that who did it. And "Merry Christmas, Everybody" by Slade, which is a rock group - a rock-pop group who are very big over there.

I can understand why rock stars are rock stars and why they play in front of people because the buzz that you get is insane. It's probably the same as when you do something on stage and you work off the audience. The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.

Hard rock will always be hard rock, but you don't really know what is rock - and what isn't - anymore. I don't consider a lot of the pop things I hear on the radio to be rock 'n' roll. It's just kind of fragmented.

The landscape everywhere, away from the river, is of rock - cliffs of rock; plateaus of rock; terraces of rock; crags of rock - ten thousand strangely carved forms.

I'll cover just about anything - except for a Kid Rock song.

I rock because sometimes I'm scared and that's alright. I rock because I'm not afraid to cry. I rock because I'm loved and I'm able to love. I rock...I rock.

That's the beauty of creativity. It comes from the ether. I like to think, sometimes, it's like I haven't written it, it's more like I just reached up and grabbed it from somewhere. That song, 'Song of the Red Rock Mountain,' is one of them. I recorded it and thought, 'Where did that come from?'

But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.

The most important part of any rock song is the guitar solo.

I've always believed that there's an amazing number of things you can do through a rock'n'roll song and that you can do serious writing in a rock song if you can somehow do it without losing the beat.

There was a moment when Prince did rock & roll with a sponge-y seductive sound. I think that's what was in our head for 'Get On Your Boots.' But actually, the song is much more punk rock.

When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.

I don't really have a favorite genre. I could listen to a rock song, a metal song, jazz, pop music, whatever. For me, whatever style it is, it always depends on the chord progression, the lyrics, and the melody used.

Generally, if you could picture a bunch of rock and roll momentum behind a song and it was particularly melodious, maybe the Pornographers would do it. If it was kind of moody and more lyrical, then maybe it would be a Destroyer song. Anything that's really lyrically driven I would keep for Destroyer.