Top 1200 Romance Movie Quotes & Sayings - Page 17

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If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.

'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

If Irrfan plans to make a movie on me, I will be the hero of the movie, as I feel that no one better than me.

There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.

I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?

He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.

I think the location is almost as important as casting the leads of the movie. The location on 'The Purge' was crucial to that movie working.

A movie with nothing but violence is not a good movie. But one that is actually entertaining around the horror is one that people will remember and watch again and again.

Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'

I always say the movie came out good if they want another one. That always tells me that people really liked the movie.

We have a 'bad movie' club, and we go to whatever dumb movie is playing in the local theater, then go and have some beers and dinner.

I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.

I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.

Whether it's a popcorn movie or some really intellectual sociopolitical movie, I think to some degree they're all influenced by the social climate that we're living in.

I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.

I really like my first movie a lot, "Kicking and Screaming." I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't "Citizen Kane" right out of the box, you know? It wasn't "Sex, Lies and Videotape."

When you're in Los Angeles, everybody you meet is writing a movie, and they want you to be in it. Every cab driver is writing a movie!

My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.

We went through all the scenes and they became kind of funny and they expanded a little bit and because it seemed to be working so well in the movie, they added a couple of things later on in the movie and that's how it turned out.

Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?

I never knew how much you had to do to promote a movie, and I can't imagine what it would be like if you didn't like the movie you were promoting.

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.

I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."

It was Britney's movie. I liked that movie. It didn't get too much love, but a lot of people really liked it.

If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal.

When I watch the movie, which is I don't know how many times I've done now with editing and everything, I walk out giddy just because I feel like that's the movie that I want to see.

A movie is the product of the chemistry of the people that make it. Whatever that core group of people is, that becomes the DNA of the movie.

The only movie I can watch on a loop, over and over, is 'Help', the Beatles movie. It's so funny and irreverent and great.

God help me if I ever do another movie with an explosion in it. If you see me in a movie where stuff is exploding you'll know I've lost all my money.

'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.

Our kids seldom even get to see a movie. When we go to a movie, it's an event - and we make it an event.

I don't just do a movie to do a movie. Of course I want to amuse people, but some of Madea's greatest moments are when she gets to talk about child rearing and bullying and all kinds of things like that.

You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.

'Twin Peaks' is like a movie; 'China Beach' is like a movie. These are two of the most cinematic shows on television, and they belong together.

When I was 18, I drove from New York to California to be a movie star. Not an actor, mind you, but a movie star. Have you ever heard of anything so silly?

I have the best-ever body in 'Badrinath.' I have a six-pack body in this movie. I spent eight hours a day working out for the movie.

I was raised by my aunt and we bonded over the eight-o-clock movie on TV. We'd watch everything from James Cagney in 'White Heat' to Lon Chaney in 'The Wolf Man' and every Bogart movie.

After making a movie, maybe you weren't able to shoot many of your ideas, because a movie is only 1 1/2 or two hours long, but TV gives you space to film a lot of things.

When it comes to the ratings, I don't know what the rating system is. So when it comes to me, I've learned, with the little experience that I have, that when I feel really good about a movie in the editing room, it works. And when I've felt like a movie wasn't working, it didn't work.

When I came to America I thought, 'Wouldn't it be awesome to get into one movie?' And then I get cast in 'Bridesmaids' as my first job here and it's such a huge movie.

I start with the music before I start writing the movie. It's such an important part for me, emotionally, to set up the tone for the movie.

I think that making a movie is not just making the movie - it is also about having thoughtful ideas and embracing all the aspects of its launch.

I get confused between the rock and roll thing and my movie star thing... We're f - -ing movie stars.

I don't know a single person that's like, ''Avatar' is my favorite movie.' It never even comes up. I don't know anyone that will defend that movie.

I grew up on movie sets, I'm comfortable on sets. A movie set is like a circus. I don't understand why moviemaking has to be such an insane environment.

I think it is so much more fun to discover film in the movie theatre when there is so much anticipation about the movie.

When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.

It's very rare to watch a movie and think, 'That's the movie we shot!' So many things happen, with edits and things getting cut out.

Alec Guinness classed up that movie [Star Wars]. Nobody else in that movie knew how to act. Nobody else had a clue of what they were doing. The young guy was a complete loss, absolutely couldn't act his way out of a bag, but Alec Guinness carried that movie. He was such a class act that it elevated the film to be a joy to watch.

I think Alone in the Dark was too much an action creature movie than a horror creature movie.

Every movie is a surprise. That's what is so fun about it. You can be planning a movie for years, and then you'd better be surprised every day, or it's going to be stale.

I don't walk around like I'm a movie star because I don't think of myself as a movie star. People usually don't even notice me.

People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.

There's some kind of actors that can radically change who they are from movie to movie. I've never really been that kind of actor. I enjoy changing the worlds that I'm in.

The Road was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

Hitchcock was one of the few people in Hollywood who had a brand. Every movie he made was an Alfred Hitchcock movie, couldn't have been anyone else.