Top 1200 Romantic Book Quotes & Sayings - Page 3

I'm not really a fan of Valentine's Day. I think it can be romantic doing nothing on Valentine's Day. It's more romantic than being given a big bunch of flowers that everyone else is doing.

I had simply been inspired by Arthur Godfrey (40's) and Ukulele Ike and Cliff Edwards (20's). In there day, they were huge in this country. I bought Godfrey's book "You Too Can Learn To Play Ukulele" and taught myself. It's a very romantic instrument. You can take it on a canoe.

I think with romantic comedies it's a lot about tone, because different romantic comedies have different tones.

I'm usually working either on a picture book and a young adult book, or a middle grade book and a young adult book. When I get bored with one, I move to the other, and then I go back.

Unlike typical romantic comedies, Definitely Maybe is not formulaic or predictable and it spans a decade while being set against a political background. Also, the audience doesn't know who ends up with who until the very end, which makes it a sort of "romantic mystery comedy".

For food to be romantic, it should be light. Too many times people plan a romantic meal, and the food is too heavy.

If I were asked what book is better than a cheap book, I should answer that there is one book better than a cheap book, - and that is a book honestly come by.

Boys like romantic tales; but babies like realistic tales-because they find them romantic.

I love romantic comedies. I love romantic movies. I'm kind of a sucker for them, and, sort of end up crying at the end of them all, like a child.

My husband is the romantic one in our relationship. He's always doing sweet things for me. Each year, we recreate our first date - it was a blind date, and we met at the zoo, followed by a trip to the museum. I'd have to say that's my favorite romantic date.

I don't think of Home Depot as romantic, but I do think the Christmas wonderland they put up during the holidays is magical. That is what Home Depot is to me, and that is the only romantic thing about it.

Somehow, the French got this idea of the starving artist. Very romantic, except it's not so romantic for the starving artist.

To gain the book, one must give up all hope for the book. It is the only way the book can get written.

Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic.

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

Romantic love reaches out in little ways, showing attention and admiration. Romantic love remembers what pleases a woman, what excites her, and what surprises her. Its actions whisper; you are the most special person in my life.

It's important to read a book, but also to hold the book, to smell the book... it's perfume, it's incense, it's the dust of Egypt.

Many people who say they're looking for love are merely looking for superficial comfort. They're not looking yet for the true romantic adventure. For that entails a readiness to die to who we were, in order to be born again prepared for love, truly worthy of the romantic heights.

I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.

What I'd really like to write is a romantic comedy. This is my favorite kind of movie. I feel almost embarrassed revealing this, because the genre has been so degraded in the past twenty years that saying you like romantic comedies is essentially an admission of mild stupidity.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more romantic the couple must be.

I wasn't any good at romnace. I was a total nerd. My thing is, I was just too romantic. I was the romantic goofball. I wasn't cynical enough or harsh enough. I cared too much, so I always made a fool out of myself.

When you say that you write romantic fiction, there are a lot of people who have an image in their mind of the 'bodice ripper.' It's the one term that most romantic fiction writers absolutely hate because it has no bearing on what people are writing.

As it now stands, I Enoch appears to consist of the following five major divisions: (1) The Book of the Watchers (chaps. 1-36); (2) The Book of the Similitudes (chaps. 37-7l)-, (3) The Book of Astronomical Writings (chaps. 72-82); (4) The Book of Dream Visions (chaps. 83-90); and (5) The Book of the Epistle of Enoch (chaps. 91-107).

When I was a child, the temptation to sin was always a romantic option. This romantic option led me to the cinema, a place where sin was welcome.

I am not doting and am not romantic. I can have spurts of romance but am not consistently romantic.

My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters.

I read a very romantic book when I was young, when I was in college: Rilke's 'Letters to a Young Poet.' And I've always felt that if you are in any kind of an artistic, creative endeavor, and you feel there's something else you can do for a living and be happy, I think you should do something else.

For every Book of Job, there's a Book of Leviticus, featuring some of the most boring prose ever written. But if you were stranded on a desert island, what book would better reward long study? And has there ever been a more beautiful distillation of existential philosophy than the Book of Ecclesiastes?

Ooh, it's too ­embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well ­received but that was before she started studying Shakespeare at drama college. Now I feel so ­inept.

It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.

I'm publicizing the book that's done. I'm writing the book that's in the hopper, and I'm doing a little advance research on the book to come.

All the atoms we are made of are forged from hydrogen in stars that died and exploded before our solar system formed. So if you are romantic, you can say we are literally stardust. If you are less romantic, you can say we're the nuclear waste from fuel that makes stars shine.

I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources

My personal telephone book is a book of the dead now. I'm so old. Almost all of my friends have died, and I don't have the guts to take their names out of the book.

Attending a book group is always a salutary experience for a writer. There's no guarantee that the people there will have enjoyed your book, and, as anyone who has taken part in a book group will know, half the fun is in ripping a book you haven't liked to shreds.

You don't want romantic advice from me, you want romantic advice from Edward Cullen. I completely understand but he is completely unavailable right now and I'll tell you why. He doesn't exist.

The book is not really the container for the book. The book itself is the narrative. It's the thing that people create.

There is not on the face of the earth-after the Book of Allah - a book which is more sahih than the book of Malik.

I rarely, if ever, had another book in mind while I was writing the previous book. Each book starts from ashes, really.

I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.

I didn't want to do a book just to do a book. I wanted to do a book that, if you should read it, you might take one thing from it. Until that was clear in my mind, I wasn't going to do one.

Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.

Romantic lovers require from each other at least the facade of reason: We desire to be what romantic love makes us appear in the other's eyes. We want to imagine we are deserving of the love we inspire.

It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.

The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, "Look at all the cool stuff you can have in a real book and how different it is." The differences are manifold.

The book. The book...think about a book. What a perfect invention. The best and most important ever.

If i write a book it will probably be a book about how not to use the internet or a book of poetry.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

Many years, I would publish four books - an anthology, a book of criticism, a new book of poems, a book of essays.

Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.

I don't think I am a traditional romantic who thinks about candlelight dinners and wonders if my husband is going to bring me flowers, though I'm delighted if he does. I'm more practical-minded. I find it incredibly romantic that my husband does the dishes.

In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.

Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.

One of the traps or the pitfalls of writing a trilogy - or a triptych, or whatever term you want to use - is that the second book can be a long second act to get you from book one to book three, which borrows all of its energy from the first book.

I am a romantic, in a literary way, by which I mean the Romantic poets, who thought just because a sensation is fleeting doesn't mean it isn't valuable. If the only criterion of value is whether something lasts, then the whole of human life is a waste of time.

The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.

Ooh, it's too embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well-received but that was before she started studying Shakespeare at drama college. Now I feel so inept.

Suddenly, this romantic agony was enriched by a less romantic one: I had to go to the bathroom. Needless to say, I couldn't let her know about this urge, for great lovers never did such things. The answer to "Romeo Romeo, wherefore art thou, Romeo?" was not "In the men's room, Julie.