Top 1200 Romantic Love Quotes & Sayings - Page 8

There may come a time when it will be possible for you to humiliate your worst enemy or even to defeat him, but in order to love the enemy you must not do it... The Greek language has another word [for love]. It calls it agape. Agape is more than romantic love. Agape is more than friendship. Agape is understanding, redemptive goodwill for all men. Agape is an overflowing love, a spontaneous love, which seeks nothing in return. And theologians would say that it is the love of God operating in the human heart. When you rise to love on this level you love all men, not because you like them, not because their ways appeal to you, not because they are worthful to you, but you love all men because God loves them. And you rise to the noble heights of loving the person who does the evil deed while hating the deed that the person does. And I think this is what Jesus means when he says, “Love your enemies.”

I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with.

I've done a road trip across Italy with a girlfriend, and that was very romantic. I think that road trips are probably one of the romantic things you can do. To take your girlfriend and just stay wherever; don't have a destination and just drive and see where the road takes you is pretty cool.

I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.

Some nights, a romantic dinner can be killed by having to do dishes afterward, so it probably suits you better to go out for dinner. But I love cooking and always have.

My husband is so useless that it's hard for me to be romantic with him. I get down on the floor and say, If you love me, blink your eyes.

What you discover on your own is always more exciting than what someone else discovers for you - it's like the marriage between romantic love and an arranged marriage.

I think one of the downsides of the sort of obsession with romantic love and personal fulfillment is that the plain fact of the matter is that those feelings don't last for ever and so they better be replaced and reinforced by things that do.

On one level, this was the biggest challenge out there - to make a film of this scope, in this amount of time, and to go into a different genre, essentially. Yes, I've done a vampire film, but 'Eclipse' is a very different kind of thing. This is a romantic story, which swings from a darker, more abject feeling to very pure romantic scenes.

Ressentiment is always to some degree a determinant of the romantic type of mind. At least this is so when the romantic nostalgia for some past era (Hellas, the Middle Ages, etc.) is not primarily based on the values of that period, but on the wish to escape from the present. Then all praise of the “past” has the implied purpose of downgrading present-day reality.

Get this, kids - how a man proposes isn't what makes him romantic. It's how a man purposes to lay down his life that makes him romantic.

One could argue that it's romantic to die for love. Of course, then you're dead and unable to take that honeymoon trip to the Alps with all the other fashionable young couples, which is a shame.

In real love you want the other person's good. In romantic love you want the other person.

Believe me, I'm no romantic, and while I've heard all about love at first sight, I've never believed in it, and I still don't. But even so, there was something there, something recognizably real, and I couldn't look away.

It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.

I am a hopeless romantic who falls in lust and gets in trouble. I love my work and am very productive, yet I always find time to play.

I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.

This is how life works. Deciding whom to love is not an alien form of decision-making , a romantic interlude in the midst of normal life. Instead, decisions about whom to love are more intense versions of the sorts of decisions we make throughout the course of our existence, from what kind of gelato to order to what career to pursue. Living is an inherently emotional business.

To write a novel is to embark on a quest that is very romantic. People have visions, and the next step is to execute them. That's a very romantic project. Like Edvard Munch's strange dreamlike canvases where people are stylized, like 'The Scream.' Munch must have had that vision in a dream, he never saw it.

I spent the '80s in the Soviet Union and when I came to America it was '89 and I was in an immigrant bubble and we didn't have MTV or cable, so I kind of discovered the '80s when I was already older, maybe in college. And I continued to have this romantic obsession with all those films and there's this sound I hear in my head and it's kind of this bittersweet romantic, dark sound.

I'd like to do 'My Best Friend's Wedding,' 'Pretty Woman,' Meg Ryan type stuff. Romantic comedies. I'd love to do some action stuff as well.

Say what you will about Queen Eleanor, she was a savvy, quick-witted woman who made her mark on history. And as the founder of the Courts of Love, what better patron monarch could there be for a romantic novelist?

When I started dating I had this kind of Romeo and Juliet, fateful, romantic idea about love. It was almost that you were a victim - that there was a lot of pain involved and that was how it should be.

Clearly romantic comedy is my franchise genre, I don't mind saying that, it's true. I love doing them and hopefully always will do them.

I had an instinct to take my husband's name when I got married. It felt like a romantic statement of pride, love, and permanence and of doing what's always been done in my family.

The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves.

I'm romantic. I fall in love every day. Not with people but with situations. The other day, I saw a tramp polishing his shoes. That just gripped my heart.

What I see as being romantic is probably different from what other people see as being romantic.

I'm always trying to reach a transcendent point, a romantic point, but reach it in a really unconventional way, a really profane way. To get to that romantic, touching, heartbreaking place, but through a lot of acts of profanity.

Revolution is a bitter thing, mixed with filth and blood, not as lovely or perfect as the poets think. It is eminently down to earth, involving many humble, tiresome tasks, not so romantic as the poets think... . So it is easy for all who have romantic dreams about revolution to become disillusioned on closer acquaintance, when a revolution is actually carried out.

'180' is a romantic film, but I don't think it can be classified as a fluffy love story. It is a wonderful story with a script that is layered and more complex than the normal ones.

There's really not much in life that's as violent or traumatic as an encounter with somebody who really surprises you and opens up that strange dynamic that's involved in romantic love.

I don't think of myself as a romantic person; I'm kind of more rough and tumble, I think. The things I'm drawn to are outdoorsy, I only get dressed up when I have to. I'm drawn to women who are into the same type of thing. If you're going to call it romantic, I'm very spontaneous. That's probably the best thing I have going for me.

When I started dating I had this kind of Romeo and Juliet, fateful romantic idea about love which was almost that you were a victim and there was a lot of pain involved and that was how it should be.

The art of writing is mysterious; the opinions we hold are ephemeral , and I prefer the Platonic idea of the Muse to that of Poe, who reasoned, or feigned to reason, that the writing of a poem is an act of the intelligence. It never fails to amaze me that the classics hold a romantic theory of poetry, and a romantic poet a classical theory.

I love to make songs out of some of those shadows - you know, some of the things you lie awake thinking about, social anxieties and romantic insecurities and all that stuff.

Most of my characters are romantic rather than sexual. I think that's an essential difference in my pictures. I think they are more accurate in portraying young people as romantic - as wanting a relationship, an understanding with a member of the opposite sex more than just physical sex.

Love is not simply a feeling of romantic excitement; it is more than a desire to marry a potential partner; it goes beyond intense sexual attraction; it exceeds the thrill at having "captured" a highly desirable social prize. Real love is an expression of the deepest appreciation for another human being; it is awareness of his or her needs and longings- past, present and future. It is unselfish, giving and caring.

That "ol' black magic" is a fickle force. The chemistry of romantic love can trigger the chemistry of sexual desire and the fuel of sexual desire can trigger the fuel of romance. This is why it is dangerous to copulate with someone with whom you don't wish to become involved. Although you intend to have casual sex, you might just fall in love.

In a way, being an opera singer is like being a very romantic sixteen-year-old who falls in love with great passion and conviction every month.

The most real thing of all, the only thing any of us wants, is to matter to somebody. To feel and share love, even on a friendship level or as deep as a romantic one. Who doesn't want that?

A romantic man often feels more uplifted with two women than with one: his love seems to hit the ideal mark somewhere between two different faces.

I get a lot of dramas, but I'd like to do a romantic comedy type of movie; that'd be a nice step for me. No more screaming or running or shooting... for one movie where I can just be in love with a boy.

I believe that when you're in love you have to pour your heart and soul out to your partner... or why bother? So in that sense I'm an incurable romantic when it comes to men.

Persistence only proves persistence-it does not prove love. The fact that a romantic pursuer is relentless doesn't mean you are special-it means he is troubled.

I bought into the myth that you are not complete without romantic love, without a mate. And it can really distract you from your goals. But sometimes you have to take a leap.

My 22-minute film, which I called 'The Sword and the Flute', turned out to be a romantic film about India made by someone who had never been to India, but who already had very romantic feelings about everything Indian.

Thrift is the really romantic thing; economy is more romantic than extravagance... thrift is poetic because it is creative; waste is unpoetic because it is waste... if a man could undertake to make use of all the things in his dustbin, he would be a broader genius than Shakespeare.

Along with the idea of romantic love, she was introduced to another - physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion.

Cant you understand that romanticism is no more an enemy of science than mysticism is? In fact, romanticism and science are good for each other. The scientist keeps the romantic honest and the romantic keeps the scientist human.

'Love Letter' reminds me of 'Chocolate Factory' and 'Happy People.' It's a little bit of both of those, yeah. I just wanted it to be classy, man. And romantic. And maybe 10 percent sexy.

I really loved Kelsey [Grammer]. It wasn't a romantic love, but there was something about him. It's very difficult to see someone you care about having a hard time.

The purpose of romantic relationships is to encourage you to grow spiritually. Romantic relationships can do this because they are interactions in which you come to see those parts of yourself that are constructive, healthy and creative. You see them because you project them onto someone else.

Elizabeth Taylor was an incurable romantic at heart. She never gave up on the notion that a love strong enough to last a lifetime was waiting for her around the next corner.

Old Hollywood icons such as Marilyn Monroe, Vivien Leigh, and Bette Davis are so inspiring; their style is romantic and feminine and their glamour mesmerizing. I love the idea of channeling that spirit on your wedding day.

Even actresses that you really admire, like Reese Witherspoon, you think, 'Another romantic comedy?' You see her in something like 'Walk the Line' and think, 'God, you're so great!' And then you think, 'Why is she doing these stupid romantic comedies?' But of course, it's for money and status.

I was lucky enough to date my first love for five years. We had a very romantic, very dramatic teenage love affair. And it has impacted me because I have married a man who is simply the grownup version of my first love. So, I believe my first love was just preparing me for the man I'm married to today. And it has also impacted the way I write, because there will always be a love story in every movie I write. Always! I think having a positive first love experience before the heartbreak made me a more confident in who I am, a more confident female today.

I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.

Love is a romantic designation for a most ordinary biological process-or, shall we say, chemical-process ... a lot of nonsense is talked and written about it.

I am neither romantic nor a visionary, and that is my weakness and perhaps my power; at any rate it is one difference. In less romantic and visionary terms, I am a Jew, (with powers of introspection and eclecticism attendant, perhaps.) But I am alien to your natural grace, to the spirit which you would know as a participator in America.