Top 1200 Romantic Moments Quotes & Sayings - Page 6

The fact in acting, you can tap into your darkest moments in life to your lightest moments. And people will watch it, and appreciate it, and even engage with you because of that. That's the greatest job one Earth.

The moments that matter most are with your family, your friends. They are the realest moments.

The most famous man in the world has his down days. It's life. But, for me, the rainy moments are isolated moments. I'm always at least half-full. And the rest of the time I'm smiling - all the way up to the brim.

The greatest part of each day, each year, each lifetime is made up of small, seemingly insignificant moments. Those moments may becooking dinner...relaxing on the porch with your own thoughts after the kids are in bed, playing catch with a child before dinner, speaking out against a distasteful joke, driving to the recycling center with a week's newspapers. But they are not insignificant, especially when these moments are models for kids.

When you're going through tough moments, you never know when you're going to have good moments.

The art of writing is mysterious; the opinions we hold are ephemeral , and I prefer the Platonic idea of the Muse to that of Poe, who reasoned, or feigned to reason, that the writing of a poem is an act of the intelligence. It never fails to amaze me that the classics hold a romantic theory of poetry, and a romantic poet a classical theory.

I love to play humorous moments in dramatic shows. That's always the most fun: to keep the logic of the character in a show that's basically action-adventure and then play the comedy moments.

The great moments of life are but moments like the others. Your doom is spoken in a word or two. A single look from the eyes; a mere pressure of the hand, may decide it; or of the lip,s though they cannot speak.

I am neither romantic nor a visionary, and that is my weakness and perhaps my power; at any rate it is one difference. In less romantic and visionary terms, I am a Jew, (with powers of introspection and eclecticism attendant, perhaps.) But I am alien to your natural grace, to the spirit which you would know as a participator in America.

On one level, this was the biggest challenge out there - to make a film of this scope, in this amount of time, and to go into a different genre, essentially. Yes, I've done a vampire film, but 'Eclipse' is a very different kind of thing. This is a romantic story, which swings from a darker, more abject feeling to very pure romantic scenes.

I'm quite shy and quite reserved. But when things start heating up, I don't hesitate to show my character, whether that's in good moments, like when we won the World Cup, or more difficult moments.

Most of my characters are romantic rather than sexual. I think that's an essential difference in my pictures. I think they are more accurate in portraying young people as romantic - as wanting a relationship, an understanding with a member of the opposite sex more than just physical sex.

We’re conditioned to think that our lives revolve around great moments. But great moments often catch us unaware – beautifully wrapped in what others may consider a small one.

Storytelling is about patience, about making sense of the moments of pathos and beauty that you find, and about carrying these moments back into your own life.

Slice of life comedy is something which I enjoy more. These moments make you smile when you think about them. And these moments work for a film as well, rather than slapstick comedy.

I love watching action films, and especially the little moments of wit and humor in the choreography in a lot of them. The editing of an action sequence often has great moments of comic timing.

I don't think of myself as a romantic person; I'm kind of more rough and tumble, I think. The things I'm drawn to are outdoorsy, I only get dressed up when I have to. I'm drawn to women who are into the same type of thing. If you're going to call it romantic, I'm very spontaneous. That's probably the best thing I have going for me.

Ressentiment is always to some degree a determinant of the romantic type of mind. At least this is so when the romantic nostalgia for some past era (Hellas, the Middle Ages, etc.) is not primarily based on the values of that period, but on the wish to escape from the present. Then all praise of the “past” has the implied purpose of downgrading present-day reality.

I've been fortunate throughout many moments in my career, and whether that was traveling to Antarctica just a year ago on a mountain-climbing expedition or flying in air shows or world-record flights. These are all significant moments that I try to reflect on.

I hyper-analyze everything; I'm always in my head. Those moments where you don't think and you're just part of the environment did not come easily to me, but it was those moments and highs that I chased.

So often the most meaningful moments in our lives are those that we share with our families. Treasured memories are created by celebrating, sharing and embracing the moments of life with the people we love.

The thing is, I've always tried to create transcendent moments. Moments that take people away from their concerns. Heaven to me is when people find a way to become so involved with life that they're no longer concerned for the future.

The purpose of romantic relationships is to encourage you to grow spiritually. Romantic relationships can do this because they are interactions in which you come to see those parts of yourself that are constructive, healthy and creative. You see them because you project them onto someone else.

A lot of the moments and experiences in 'Warcross' were inspired by specific moments that I remember as an intern working at Disney or having fun with my coworkers. A lot of it is very anecdotal.

There are some moments in man's life that looking back might cause him fall into the precipice! At those moments, man must just look forward!

I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.

If I were to have any sort of solid idea about which moments were God's manifestations, they would be those moments where one has practically nothing to do with what's going on. It's one of the best feelings in the world.

Some moments it feels longer, other moments it feels like it's flown by; you can't believe you've done it all that time... Overall, you have a strong sense for the full spectrum that you've sort of traveled.

I'm interested in the moments where the audience is restless. I'm interested in the moments where they lean in and become incredibly engaged: the laughter, the silence. All of that is part of how I think about shaping and rewriting the play.

Best memories - obviously, winning a title for the first time. Probably my last fight against Gray Maynard where I was able to finish him for the trilogy. Those were definitely great moments. The worst moments are the losses, for sure.

People struggle with moments of deep dread about life and moments of surety. Often within the course of the same day. Life is a roller coaster, especially if you take risks.

Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone.

I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.

Some moments I feel sad, some moments I'm happy. Overall, I'm proud.

Sometimes in football, you live great moments, and you live some sad moments.

I take the really sad moments with me to the court. I'm able to transform all that energy, and from it create strength, faith, and a will to honor everything I've gone through. I use the memory of those painful moments as a weapon to keep fighting.

I think [George] Orwell is right. There are certainly moments when political differences appear minor, and someone can claim to be non-political or to want to stay out of the fray, but today is not one of those moments.

I keep telling the players to enjoy the good moments. There are too many moments in this world currently that are pretty miserable and downbeat, so if there is light at certain times, I want them to enjoy it.

Life is not always going to be roses and rainbows. You are going to have uncomfortable moments. It's what we do with those moments that is going to count and determine our destiny.

Jimmy Fallon and I play regularly at the Bayonne Golf Club in Jersey. He's eighteen holes of fun. Any time we play he has moments of brilliance, but also moments of utter catastrophe.

To write a novel is to embark on a quest that is very romantic. People have visions, and the next step is to execute them. That's a very romantic project. Like Edvard Munch's strange dreamlike canvases where people are stylized, like 'The Scream.' Munch must have had that vision in a dream, he never saw it.

Revolution is a bitter thing, mixed with filth and blood, not as lovely or perfect as the poets think. It is eminently down to earth, involving many humble, tiresome tasks, not so romantic as the poets think... . So it is easy for all who have romantic dreams about revolution to become disillusioned on closer acquaintance, when a revolution is actually carried out.

I think you have moments of doubt and moments where it feels really hard. You certainly have to be patient, and I'm a very impatient person. It's been like when Yoda teaches Luke to be a Jedi; the things that I do professionally have taught me new levels of patience.

My 22-minute film, which I called 'The Sword and the Flute', turned out to be a romantic film about India made by someone who had never been to India, but who already had very romantic feelings about everything Indian.

I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.

One of those moments he knew he'd remember and look back on, one of those moments that he'd try to capture in the stories he told. Nothing was happening, really, but the moment was thick with mattering.

The difference between romantic love and friendship love is that romantic love involves a lot of compromise. It is a very giving type of love. With friendship, you can be a little bit more autonomous. You are not expected to compromise, in the same way. Maybe that's why friendships tend to last longer.

Thrift is the really romantic thing; economy is more romantic than extravagance... thrift is poetic because it is creative; waste is unpoetic because it is waste... if a man could undertake to make use of all the things in his dustbin, he would be a broader genius than Shakespeare.

We talk about defining moments, but I think nothing can define you. They're all refining moments. You're constantly refining yourself and refining your life.

I find happiness comes from numerous sources in my life. Most often, the happy moments I cherish most are quiet moments with my wife and family back home in Nova Scotia.

I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.

As in any person's life, there have been difficult moments: I have a son with Down's syndrome; through my photography, I have witnessed all manner of human degradation. But there have also been very happy moments.

Here is something that Peach, one of the Casserole Queens, says about men and women and love. You know that scene in Romeo and Juliet, where Romeo is standing on the ground looking longingly at Juliet on the balcony above him? One of the most romantic moments in all of literary history? Peach says there's no way that Romeo was standing down there to profess his undying devotion. The truth, Peach says, is that Romeo was just trying to look up Juliet's skirt.

The greatest moments of the human spirit may be deduced from the greatest moments in music.

The source of inspiration can be any of the things:deep emotional experiences - say, romantic love or spiritual contemplation.I think such rare moments come only when you have total concentration. You are consumed in and by the music. I guess you could say that it is akin to contemplation. In order to reach this desirable state of mind you have to rise above the environment you're in at that particular time - a bad piano, glaring stage lights, or the attitude of the audience. Sometimes the inspiration of the other musicians you're playing with helps you reach this stage.

The day is made up of 24 hours and an infinite number of moments. We need to be aware of those moments and make the most of them regardless of whether we're busy doing something or contemplating life.

Get this, kids - how a man proposes isn't what makes him romantic. It's how a man purposes to lay down his life that makes him romantic.

Pull your boots up by the bootstrap and know that everything is temporary. All good moments are temporary and all bad moments are temporary. Nothing lasts forever.

I went through a lot of good moments in Arsenal and a lot of difficult moments as well.

There have been many articles about the top regrets that people have when they're dying. They are always, "I missed the ordinary moments." We miss those ordinary moments, and yet, that's what we're trying to distract ourselves from at the same time.