Top 1200 Room With A View Quotes & Sayings - Page 14

I feel like I've been observed as an individual more than a gay person, or as a filmmaker with a certain point of view rather than a lesbian filmmaker with a gay point of view.

The role of empirical work in informing our philosophical theories, as I see it, is not that it gives us a better view of our folk concepts, but that it gives us a better view of knowledge, and the mind, and so on.

This is show business, and there's room for the shows and the personalities. But I think there's also room for music, for people to play music, and there seems to be an audience developing that's willing to go listen to music again, rather than just be blown away by drum machines and choreography.

It was my view that the catastrophe. . . . could have been avoided if Vasilevsky had taken the position he should have. He could have taken a different position. . . . but he didn't do that, and as a result, in my view, he had a hand in the destruction of thousands of Red Army fighters in the Kharkov campaign.

Skiers view snowboarders as a menace; snowboarders view skiers as Elmer Fudd.

But for me, I knew that if I had a baby, I would have to take care of that baby, and I wouldn't have been happy with a nanny taking care of my baby and walking into the room and having my child run across the room to another woman.

Rosemary and Guy Woodhouse had signed a lease on a five-room apartment in a geometric white house on First Avenue when they received word, from a woman named Mrs. Cortez, that a four-room apartment in the Bramford had become available.

Whenever someone says zygotes are babies, I reply: 'Imagine a thousand zygotes in test tubes in one room, and three toddlers in another. A fire breaks out, and you only have time to get to one room. Which would you save from burning - the zygotes or the children?'

When Bruce Lee gets his cameo in 'The Green Hornet' - as one of the drawings in Kato's notebook - it clarifies what the film is: an unrealized sketch. A sketch can afford to allude to a point of view. Moviemakers need to show their point of view, something this shrug of a movie never gets around to doing.

I've noticed two things about men who get big salaries. They are almost invariably men who, in conversation or in conference, are adaptable. They quickly get the other fellow's view. They are more eager to do this than to express their own ideas. Also, they state their own point of view convincingly.

While a book has got to be worthwhile from the point of view of the reader it's got to be worthwhile from the point of view of the writer as well.

I tell people all the time that producers, writers, and directors really don't know what they want until it walks into the room - you have to show them what they want. Everyone is rooting for you when you walk into the room. Everyone wants you to be good because it means their day is over!

Around the time Andre Villas-Boas became manager I went to a summer training camp in America. But when I got back, to my horror, I found that all my kit had been moved into the reserve team changing room. I was told I wasn't allowed in the first team dressing room anymore.

There is no more reason for a room on a stage to be a reproduction of an actual room than for an actor who plays the part of Napoleon to be Napoleon, or for an actor who plays Death in the old morality play to be dead.

Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.

I'm very confident in my point of view. 'Cause I think that that's all you can really have. I'm never really going to know what anybody else is going through, so it's just kind of your job to be expressive with your point of view.

I used to go to Caerphilly with my brother Les, two years older than me, with my mother to see her sister, Gladys. When they wanted to talk we'd have to leave the room. She'd say to her husband Stan 'take them in the front room and play the piano.'

After games, my wife gives me a lot of advice and criticism. Sometimes, I am upset. I say, 'Why do you advise me this?' But I like it, because to listen to a different point of view is always important. You can find a different position or point of view that can help you to be more creative.

Always remember that when a man goes out of the room, he leaves everything in it behind. When a woman goes out she carries everything that happened in the room along with her.

We became enthralled with the view that wealth trickled down from the top and that if you poured money into rich people, sort of like an ingredient, prosperity and jobs would squirt out of them like donuts. And if you understand economies in the 19th-century way, that view is plausible, and I think a lot of people accepted it.

With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.

For me I always need to have two sides to me when I play! I need to be a performer and at the same time the producer. So I need to be somewhere up in the air and producing my music. I can't just be the performer; otherwise I can't see the whole view. I need the big view!

Sometimes I look around my living room, and the most real thing in the room is the television. It's bright and vivid, and the rest of my life looks drab. So I turn the damn thing off. That does it every time. Get my life back.

And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.

I feel like, growing up, I haven't had a lot of room for error - I don't have room to make mistakes. You need to make mistakes to grow and learn, but I'm just a little different because the world is watching me, every single thing I do.

I think my first big purchase was actually for my mom. She had one of those '90s TVs in her living room that's like a 10x10 brick, so I purchased her a flatscreen for her living room.

You cannot trust 25 guys in a locker room to have the same respect and training as I do with a weapon. That I do understand. I've carried a gun for 10 years. I've carried them in the locker room, and nobody really knows about it. I know how to handle myself.

I don't know how people view me. At the end of the day, I'm going to try to be me and do whatever I think is right, and however people view that, they have a right to that. I'm not going to lose any sleep over it, regardless.

It's Will," she said. "He's being absolutely ridiculous in the dining room." Charlotte looked puzzled. "How is this different from him being totally ridiculous in the library or the weapons room or any of the other places he's usually ridiculous?

...being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.

I've always kind of gravitated toward characters who are a bit distant from the narrator or the point-of-view characters, so that's kind of important to me, to set up a different character who would be the point-of-view character for the story.

What is art?... From a strictly logical point of view, a question with no clear answer comes under the suspicion of being meaningless. But a strictly logical point of view never shows us much about art.

Reviewers have called my books 'novels in verse.' I think of them as written in prose, but I do use stanzas. Stanza means 'room' in Latin, and I wanted there to be 'room' - breathing opportunities to receive thoughts and have time to come out of them before starting again at the left margin.

It was pretty daunting. Normally, I never go to a gym, but before we started shooting, I thought I'd better. I reckoned I was in really good shape, and then I looked around and I was half the size of everyone else. A lot of these American actors have this - in my view - misplaced view that they have to look like Action Man. The trouble is, they all run the risk of being interchangeable.

As a Third World citizen, I always feel that I need to express my point of view. Sometimes the points of view of Third World countries are never expressed. We don't have that possibility, sometimes, to spread what we feel and how we see things.

You don't need equipment of any kind to get a good workout in. In fact, you can get a good workout in the smallest of spaces, from a dorm room, to a studio apartment to a hotel room.

The monolithic view that many Americans have of Pakistani culture is as inaccurate as the monolithic view that many Pakistanis have of American culture.

Sharing a room with a cadaver is only mildly different from being in a room alone. They are the same sort of company as people across from you on subways or in airport lounges, there but not there. Your eyes keep going back to them, for lack of anything more interesting to look at, and then you feel bad for staring.

Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.

My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.

Once I'm on set, the only thing I'm really interested in is being in the room. Being present. And trusting that what I've done is sufficient, and I'm also trusting that I've also left room for magic.

I am not committed in any way to the traditional concept of character - the concept of "character trait" as involving predictable behavior. I am committed to a view in the neighborhood - the view that the moral worth of one's actions depends on the quality of will expressed in them.

My mind was always very cluttered, so I took great pains to simplify my environment, because if my environment were half as cluttered as my mind, I wouldn't be able to make it from room to room.

My new house has a deck that wraps around my writing room; my writing room has many windows, and outside the windows I've hung bird feeders... for enticing different species. So I imagine I will be writing about that.

What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important.

our unconscious reactions come out of a locked room, and we can't look inside that room. but with experience we become expert at using our behavior and our training to interpret - and decode - what lies behind our snap judgment and first impressions.

I chose the name "Padded Room," because, when I'm in the booth, it would be the padded room. When I'm in the booth, I can say a lot of things and speak about a lot of things that normally I wouldn't be able to speak about to a friend or to family or to a crowd. A lot of times, the things that I say, if you had to categorize it, they would probably call me nuts or crazy. So, you add that aspect of "The Padded Room," which would be almost like an insane asylum.

I'm deeply in love with my wife, and she's my best friend, and yet we share different viewpoints of life, which I think is one of the things that holds our marriage together. She came from Texas, and she has an optimistic view of life. I came from Detroit and have a very pessimistic view.

Christmas is God lighting a candle; and you don't light a candle in a room that's already full of sunlight. You light a candle in a room that's so murky that the candle, when lit, reveals just how bad things really are.

We had no money, and we had to go through 'punk' school. We ended up living in the rehearsal room that used to be the Sex Pistols rehearsal room at Malcolm McLaren's office. So we had this sort of interesting beginning.

I came down to the living room one day and my wife was standing in the living room. It wasn't an illusion. I saw her out of the corner of my eye. The moment I saw her, she vanished.

I've stood in rooms in urban, rural, and suburban parts of my state and asked a room of middle class voters to raise their hands if the college debt of someone in their family is affecting their financial situation. Without exception, at least three quarters of the room will raise their hand.

I see myself as a climate change skeptic and a skeptic looks at the evidence and bases conclusions on the evidence rather than on belief. To hold the view that this is not an issue that you need to do something about, to hold the view that it's all a furphy takes belief.

Our view is that we would want to see the situation in Ireland resolved, but we do not intervene in that situation for tactical reasons. Our view is commonly known that imperialism wherever it is must be fought and that justice must be done in Ireland.

You don't do any show to be celebrated. In fact, you don't do any show thinking what's going to happen in the end. You immerse yourself in a room full of talent and a room full of designers and you hope for the best.

You don't want to be the smartest person in the room; you want to be the dumbest in the room. You want to be surrounded by other thinking people who are going to say something that makes you think, "Oh, my God, that's an amazing idea. Why didn't I think of that."

Practise love. Sitting alone in your room, be loving. Radiate love. Fill the whole room with your love energy.

I'd been told, or warned, that when you paint one room, not only will it look nice, but it will also make the room next to it look as if raccoons have been living in it for the past decade.

If you work for a team, you have a different view, if you own a team you have a radically different view.

For 'Frost/Nixon,' I had eight people who were present at those interviews - they were all in the room - and when I interviewed each of them, they had a totally different narrative of events, to the degree where you thought, 'Were you all really in the same room?'