Top 1200 Room With A View Quotes & Sayings - Page 19

It is never too late to turn on the light. Your ability to break an unhealthy habit or turn off an old tape doesn't depend on how long it has been running; a shift in perspective doesn't depend on how long you've held on to the old view. When you flip the switch in that attic, it doesn't matter whether its been dark for ten minutes, ten years or ten decades. The light still illuminates the room and banishes the murkiness, letting you see the things you couldn't see before. Its never too late to take a moment to look.

But there's something about the simplicity of Auschwitz... there's just nothing. There's just photographs, there's a room full of limbs, a room full of hair, and then you go into the place where the gas chambers were. You walk down these halls and the efficiency of it is so inhuman. The place is so powerful, just for its utter bald, bare simplicity.

Virginity is now a mere preamble or waiting room to be got out of as soon as possible; it is without significance. Old age is similarly a waiting room, where you go after life's over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.

There are two ways of resisting war: the legal way and the revolutionary way. The legal way involves the offer of alternatinve service not as a privilege for a few but as a right for all. The revolutionary view involves an uncompromising resistance, with a view to breaking the power of militarism in time of peace or the resources of the state in time of war.

Once you have the View, although the delusory perceptions of samsara may arise in your mind, you will be like the sky; when a rainbow appears in front of it, it’s not particularly flattered, and when the clouds appear, it’s not particularly disappointed either. There is a deep sense of contentment. You chuckle from inside as you see the facade of samsara and nirvana; the View will keep you constantly amused, with a little inner smile bubbling away all the time.

I just think that pop music is very interesting in how it can reach so many people. I like that I can tell stories and I just wanted to be heard more, I guess. That's why it's pop, but in my mind I don't really view my music as pop, I don't really view it as anything. I just look at it as a picture, I like visuals.

And old Dave, he'd go up to his room, y'understand, put on his green velvet slippers - I'll never forget - and pick up his phone and call the buyers, and without leaving his room, at the age of eighty-four, he made his living. And when I saw that, I realized that selling was the greatest career a man could want.

There's always someone who's going to interpret my material as racist, but it's not. Racism comes from intent and power. A racist will tell a joke about a group of people only when they're not in the room. I'll talk about a group of people only when they're in the room.

Back at the Chateau Windsor there was a rat-like scratching at the door of my room. Vinod, the youngest servant, came in with a soda water. He placed it next to the bag of toffees. Then he watched me read. I was used to being observed reading. Sometimes the room would fill like a railway station at rush hour and I would be expected to cure widespread boredom

I'm sorry, I don't know what any of you want, or why guns and knives are being waved around, or why the girl has just been taken hostage, but everyone seems to be acting like having a TALKING SKELETON in the room is perfectly normal. And you, where are your eyes? How can you see? How come the only people with eyes in this room are me and her?

I know what she used to do sometimes. She kept her best cape she wore on the street in there, and she used occasionally to go up there to get it and to take it into her room. She kept a great deal in the guest room drawers.

I've stayed in so many hotel rooms that I'm shocked if, when I stay in a hotel room, the hotel phone isn't on the desk. Then I'm like, "This isn't a real hotel room." If there's not outlets next to the desk, or if they have an iPhone adapter for an iPhone 4, that's when I'm sitting there annoyed. I understand that it's ridiculous, but that's just me spending way too much time in hotels.

Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.

I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.

Then I only wondered who put the toys in the stocking; now I wonder who put the stocking by the bed, and the bed in the room, and the room in the house, and the house on the planet, and the great planet in the void.

I have found a certain type calls himself a Liberal...Now I always thought I was a Liberal. I came up terribly surprised one time when I found out that I was a Right-Wing Conservative Extremist, when I listened to everybody's point of view that I ever met, and then decided how I should feel. But this so-called new Liberal group, Jesus, they never listen to your point of view.

It's so important that we say 'I can see his point of view and I can see his point of view'.

Our view of nature will influence the way we treat nature, and our view of human nature will affect our understanding of human responsibility.

There's so many variables in comedy. Comedy is not this thing that's a performance like a play. It's really an interaction with every single person in the room. And if there's a weirdness in the room for any people, be it something the comedians did at the top of the set or be it the mixture of the people isn't right, something can go awry. So it's really great to see you proven wrong about someone.

... up to this date, I have never been shut up in a separate room, or hedged off with any observances. My study, all the study I have attained to, is the little 2nd drawing room where all the (feminine) life of the house goes on; and I don't think I have ever had two hours undisturbed (except at night, when everybody is in bed) during my whole literary life.

Many people who call themselves deflationists are deflationists about propositional truth but not about sentential truth. I only ever mention that view to distinguish it from disquotationalism. I don't really have any objection to it, other than that I don't believe in propositions, so I don't think there's any such thing as a proposition's being true. Truth, on my view, is primarily a property of representations, such as sentences and certain kinds of mental states.

I was an empty shell. Like a vacant house?condemned?for months I'd been utterly uninhabitable. Now I was a little improved. The front room was in better repair. But that was all?just the one small piece. He deserved better than that?better than a one-room, falling-down fixer-upper. No amount of investment on his part could put me back in working order.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

I view the major features of my own odyssey as a set of mostly fortunate contingencies. I was not destined by inherited mentality or family tradition to become a paleontologist. I can locate no tradition for scientific or intellectual careers anywhere on either side of my eastern European Jewish background. I view my serious and lifelong commitment to baseball in entirely the same manner: purely as a contingent circumstance of numerous, albeit not entirely capricious, accidents.

I only like the live audience. I don't even like to do standup where it's being filmed. Because it affects the way the audience responds to what you say, because it makes them uncomfortable. You have to perform in a light room, and I prefer a dark room. But I love to perform, and I don't really see myself doing any television at all.

You have to have more people who don't look like you in the writers room. I try to have some people who don't look like me in my writers room. I think it's important to have a group of voices, of people who can dissent.

In the Islamic world, the U.S. is seen in two quite different ways. One view recognizes what an extraordinary country the U.S. is. Every Arab or Muslim that I know is tremendously interested in the United States. Many of them send their children here for education. Many of them come here for vacations. They do business here or get their training here. The other view is of the official United States, the United States of armies and interventions.

If you clear your mind, you can fill it with your character. If it is cluttered, if it is anxious, if you're thinking about your date, about your dinner, about filling your refrigerator, there's no room. There's no room for the character you're trying to build.

Everyone loved my father. He was so nice that people took advantage of him. We were lower middle class. I slept in the hallway on a cot that rolled away during the day, and my younger brother and sister slept in my parents' room. My goal as a kid was to someday have my own room and to own a car - and I wanted to be able to take care of my parents.

If I'm in a room full of intense people, I'm pretty normal. If I'm in a room full of people who aren't, maybe I'm intense.

I want to make a world more magical than my own. I don't care if it makes sense, I don't care if it's ridiculed or if, rather than a neat round planet that goes around forever, it ends with a cliff that falls off into nothing. I want to have my eyes wide open, and I want to see this room and at the same time, not this room.

You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.

I'd rather live in a cave with a view of a palace than live in a palace with a view of a cave.

I think when you start analyzing trends and start making shows for a particular audience, you are making a fatal move. I think that's why people are doing too many revivals, that's why there's a plethora of rock musicals. There's room for everything, but not room for too much of anything.

A woman with confidence is hypnotic. A smile is mesmerizing. Presence, openness, a sense of humor—these are all things that make a woman attractive. We’ve all experienced the presence of someone who walks in and lights up a room. It’s never about their looks but about their energy. Allow yourself to light up the room by being your beautiful self.

I think that's what's happened with a lot of people in films these days: they're so enamored with the process, whether it's CGI or using a huge crane that they lose sight of being resourceful. Sometimes you go into a room and all you need is one lamp to light the room. Sometimes all you need is just one simple location to do the job. I think that's more out of habit: you work with what you have to work with.

Before I go to those teams, I say, 'Hey, I'm a Muslim and I have to pray five times a day.' And they respect it so much that they give me a prayer room. So before the game, after the game, before practice, before I fly out, I can go to that room whenever I want and pray.

...photographers who carry 60 pounds of equipment up a hill to photograph a view are not suffering enough, although their whining causes enough suffering among their listeners. No, if they really expect us to respect their search for enlightenment and artistic expression, in [the] future they will drag the equipment up the hill by their genitals and take the view with a tripod leg stuck through their foot.

If you work with such people almost on the level of spiritual direction, you see that they are people who prefer a world view of order and even punitiveness. And for some reason, there's a feeling that the male psyche is going to give that to them. And if that's your view of religion, which it is for many people, if they've never come to the mystical level, religion is for social order and to maintain social order.

Outside, you don't hear a single bird, and a deathly, oppressive silence hangs over the house and clings to me as if it were going to drag me into the deepest regions of the underworld.... I wander from room to room, climb up and down the stairs and feel like a songbird whose wings have been ripped off and who keeps hurling itself against the bars of its dark cage.

We are born into a vast room whose walls consist of a thousand doors of possibility. Each door is flung open to the world outside, and the room is filled with light and noise. We close some of the doors deliberately, sometimes with fear, sometimes with calm certainty. Others seem to close by themselves, some so quietly that we do not even notice.

One of the great unresolved psychological enigmas of the modern western world is the question of what or who has persuaded us to accept as virtually axiomatic a self-view and a world-view that demand we reject out of hand the wisdom and vision of our major philosophers and poets in order to imprison our thought and our very selves in the materialist, mechanical and dogmatic torture-chamber devised by purely quantitative and third-rate scientific minds.

I did not always know I would be a writer. Until I had a room of my own, I did not write much at all - no more than any other child who read a lot of books. I began to write fiction and poetry when I first had a room that was truly my own with a door that shut and some measure, however fragile, of privacy.

A few more days, and this essay will follow the Defensio Populi to the dust and silence of the upper shelf... For a month or two it will occupy a few minutes of chat in every drawing-room, and a few columns in every magazine; and it will then be withdrawn, to make room for the forthcoming novelties.

Photography is much more about elimination than inclusion. The images we make with a lens typically eliminate ninety percent of our field of view and everything that is out of our field of view. The shutter slices time, eliminating all moments before and after it opens and closes. Three dimensions are reduced to two. And in some cases color is removed. How can we call these kinds of artifacts unaltered?

Spending a week aboard an aircraft carrier as a 10-year-old was pretty wild. I wandered into the war room - I'm still not exactly sure what that is, but apparently it's not a place that a 10-year-old should be. I remember them paging my dad to have him come get me out of the war room.

Composing easy? I find it easy if - big if - the idea is right, if I have the right collaborator, and if my collaborator is in the room. I like my collaborator to be in the room.

The first space walk, it's really got your attention. You know you're travelling eight times faster than a rifle bullet, and you're outside. Second space walk, you're a lot more relaxed, you're looking over your shoulder, admiring the view of Earth. What was funny about the third space walk was that mission control in Houston called and said, "Take a moment and enjoy the view".

I've always been inspired by Dr. Martin Luther King, who articulated his Dream of an America where people are judged not by skin color but "by the content of their character." In the scientific world, people are judged by the content of their ideas. Advances are made with new insights, but the final arbitrator of any point of view are experiments that seek the unbiased truth, not information cherry picked to support a particular point of view.

The state of mind of a fighter is so important. I don't like to see a fighter stay locked up in a room. Sometimes it works against them. They think and they worry. They dwell, sitting in that dark room. You come back and they're psyched out. I like to see boxers eat and then walk, mingle with people. You have to have a certain amount of movement.

I'd love to try and teach Donald Trump how to write a song. I'd love to put him in a room with another person - someone who's protesting him at the Women's March. I'd put the three of us in a room and all write a song together. If that can happen, it proves we can get over our differences.

My roomate at 'Harvey' is this guy Morgan Spector, an actor in town, and I've taught him Hive and Fastrack. Others have played For the Win, but Cards Against Humanity has been the dressing room hit. We've had the understudies, even Jim Parsons playing it. Our dressing room is practically sponsored by Cards Against Humanity.

I wanted to create a film that hadn't been created yet. I studied film for many years. The Room is almost 20 years of my work. You see, I understand young people unlike the media. I don't expect people to love The Room 100% but I respect that people enjoy it and that maybe it opens certain doors for them. That's what makes me happy.

Don't give anybody up." He stroked her. "Or leave anybody out. Me and you both left her out today, and I'm ashamed for us." "There just wasn't room in today for it ... He said, "There's room for everything, and time for everybody, if you take your day the way it comes along and try not to be much later than you can help."

…the samurai ethic is a political science of the heart, designed to control such discouragement and fatigue in order to avoid showing them to others. It was thought more important to look healthy than to be healthy, and more important to seem bold and daring than to be so. This view of morality, since it is physiologically based on the special vanity peculiar to men, is perhaps the supreme male view of morality.

On how he spent his first Hollywood paycheck "I think my first big purchase was actually for my mom. She had one of those '90s TVs in her living room that's like a 10×10 brick, so I purchased her a flatscreen for her living room.

We don't have a clue what's really going down, we just kid ourselves that we're in control of our lives while a paper's thickness away things that would drive us mad if we thought about them for too long play with us, and move us around from room to room, and put us away at night when they're tired, or bored.

Man never ceases to seek knowledge about the objects of his experiences, to understand their meaning for his existence and to react to them according to his understanding. Finally, out of the sum total of the meanings that he has deduced from his contacts with numerous single objects of his environment there grows a unified view of the world into which he finds himself "thrown" (to use an existentialist term again) and this view is of the third order.

Writing about the indignities of old age: the daunting stairway to the restaurant restroom, the benefits of a wheelchair in airports and its disadvantages at cocktail parties, giving the user what he described as a child's-eye view of the party and a crotch-level view of the guests. Dying is a matter of slapstick and pratfalls. The aging process is not gradual or gentle. It rushes up, pushes you over and runs off laughing. No one should grow old who isn't ready to appear ridiculous.

Thanksgiving dinner's sad and thankless. Christmas dinner's dark and blue. When you stop and try to see it From the turkey's point of view. Sunday dinner isn't sunny. Easter feasts are just bad luck. When you see it from the viewpoint of a chicken or a duck. Oh how I once loved tuna salad Pork and lobsters, lamb chops too Till I stopped and looked at dinner From the dinner's point of view.