Top 1200 Rule Book Quotes & Sayings - Page 20

We had 1 book, the phone book, I've read it, it wasn't a great read, lots of characters, and on the end loads of polish people turn up.

Success is so fleeting, even if you get a good book deal or your book is a huge success, there's always the fear: What about the next one?

'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.

I always do book signings with the same blue pen. That way, if I add a personalised message to a book I've already signed, it'll be in the same colour as my signature.

It was exciting to work with director Jennifer Baichwal, who made Manufactured Landscapes and others, on the film of Payback: Debt and the Shadow Side of Wealth. It's called, simply, PAYBACK. Jennifer didn't want to do a transliteration of the book, a kind of illustrated version, but to go into the core of the book: owing and being owed, paying and paying back, on all sorts of levels. So she found real-life, visceral stories that embodied the themes of the book.

I have not been in a book club where there were any men, and I have not, in fact, heard of book groups that were mixed.

Turning the blog into a book was extremely difficult, a tremendous amount of sustained, hard work. Blogging is easy; writing a book is difficult.

So March: Book One was the first book I ever wrote. And it was the most terrifying process I've ever been through.

I look at life like a big book and sometimes you get half way through it and go 'Even though I've been enjoying it, I've had enough. Give us another book.'

[Book's subtitle:] Designed as a beacon of light to guide women to life liberty and the pursuit of happiness, but which may be read by members of the sterner sect, without injury to themselves or the book.

A book cannot apologize for what people may think it should be. It has to be authoritative. That's what I want as a reader - I want to be confident that the book will do its job.

Yeah, when you're making a film, the book is a good tool, but once you have the script and you're making a movie, you have to let go of the book.

He will find one English book and one only, where, as in the "Iliad" itself, perfect plainness of speech is allied with perfect nobleness; and that book is the Bible.

My first book, 'Contest,' had a guy fighting aliens in the New York Public Library. The second book, 'Ice Station,' and 'Temple' were present-day military thrillers.

Every new book I read comes to be a part of that overall and unitary book that is the sum of my readings...if you need little to set the imagination going, I require even less: the promise of reading is enough.

As during the time of kings it would have been naive to think that the king's firstborn son would be the fittest to rule, so in our time it is naive to think that the democratically elected ruler will be the fittest. The rule of succession is not a formula for identifying the best ruler, it is a formula for conferring legitimacy on someone or other and thus forestalling civil conflict.

Being a hardcore old-school comic book lover, it took me a while to accept the need for comic book movies.

I had ideas about music and sound and listening and time and so on that I wanted to pursue as an individual, and by doing that book, Brian [Eno] opened the door, and he decided to do a record based loosely on the book.

In the early '90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called 'Xombi,' published by Milestone Media.

If writing and publishing a book is like giving birth to a child, then book marketing is like rearing it.

A status symbol is a book. A very easy book to read is The Catcher in the Rye. Walk around with that under your arm, kids. That is status.

When I sold my first book, 'A Conspiracy of Tall Men,' it was part of a two-book deal. It wasn't hugely lucrative, but it was enough money for me to quit the paralegal job I had in San Francisco.

It doesn't really matter what "genre" your book is. What matters is that it's a good book of its kind. Whatever that kind may be.

It may be important to write a book that doesn't come up to what I would like to have rather than to write no book at all.

I love it when people ask who my influences are... or what my favorite part of my last book was... or the last great book I read.

I've always said that Watership Down is not a book for children. I say: it's a book, and anyone who wants to read it can read it.

Usually a feeling of disappointment follows the book, because what I hoped to write is not what I actually accomplished. However, it becomes a motivation to write the next book.

We were to found a University magazine. A pair of little, active brothers-Livingstone by name, great skippers on the foot, great rubbers of the hands, who kept a book-shop over against the University building-had been debauched to play the part of publishers. We four were to be conjuct editors and, what was the main point of the concern, to print our own works; while, by every rule of arithmetic-that flatterer of credulity-the adventure must succeed and bring great profit. Well, well: it was a bright vision.

A book can change the world... Every book a child reads creates new neurons in that child's brain.

The greatest compliment of the book [One Thousand Gifts]? Maybe the Muslim man in Iraq who was given the book and came to a saving knowledge of Jesus, wanted to live his life in thanks to God?

I find I'm waking up really early now, just to read. Waking up at ungodly hours. But I try to keep up, religiously. When I was a kid, it used to be a book a day. Then a book a week. Now it's like a book every two weeks. But I read every day.

I loved the idea of a book of fairytales meant especially for peculiar children, and I love even more the idea of making that fictional book real.

Success is so fleeting; even if you get a good book deal, or your book is a huge success, there's always the fear: 'What about the next one?'

There is absolutely no point in sitting down to write a book unless you feel that you must write that book, or else go mad, or die.

As to the book called the bible, it is blasphemy to call it the Word of God. It is a book of lies and contradictions and a history of bad times and bad men.

Whatever a writer gets paid for his book, it's never enough. I think that's true. It's hard work. But in the end, you wrote a book. It's something real and tangible that sits on a shelf forever.

I was lucky: I feel like I've written four books that mean something to me, and one book that means everything to me, and that's 'The Book Thief.'

Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.

I believe Jack Smith might have written THE BOOK on writing and revising for publication. Clean, direct, succinct--a book that is full of pure wisdom and truth, but also amazing technical advice.

I know what kind of books I read on vacation, and it is not necessarily 'Diplomacy' by Henry Kissinger. No disrespect to that book; I have read that book. But not on spring break.

The exercise of letters is sometimes linked to the ambition to construct an absolute book, a book of books that includes the others like a Platonic archetype, an object whose virtues are not diminished by the passage of time.

The book that convinced me I wanted to be a writer was 'Crime and Punishment'. I put the thing down after reading it in a fever over two or three days... I said, 'If this is what a book can be, then that is what I want to do.'

What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.

You either ignore the comic book and make a great movie or you stay very close to the comic book.

Writing a book is usually a full-time job that takes years. I didn't have years. So I decided to crowdsource content for the book.

Comic book companies are like comic book villains; they keep coming back after they die.

If he can give his readers no reason why they should read his book, except that the events happened to him, it is not a valid book.

Whether the author intended a symbolic resonance to exist in her book is irrelevant. All that matters is whether it's there. Because the book does not exist for the benefit of the author, the book exists for the benefit of YOU. If we as readers can have a bigger and richer experience with the world as a result of reading a symbol and that symbol wasn't intended by the author, WE STILL WIN.

Authors should be as involved with the marketing of their books as they want to be. No more, no less. I happen to recognized, quite early on, that no one was going to buy my book if I didn't do everything I could to let them know that the book existed.

I don't think I could write a book that had an ideological plan going in - I think that would be a terrible book.

You see? I know where every single book used to be in the library. She pointed to the shelf opposite. Over there was Catch-22, which was a hugely popular fishing book and one of a series, I believe.

Each my book feels like my last book. And then I think, like a dedicated alcoholic, that one more won't do me any harm.

My first book, 'Running Loose', was censored back in 1983 or '84. Every book I've written since has been censored somewhere.

The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.

I didn't want to write a book as Stephen King's son, because all I did was get born, and that's not much of an accomplishment. If that was the reason my book was published, it wouldn't be worth the paper it was printed on. I wanted to do my own thing.

Be kind and considerate with your criticism... It's just as hard to write a bad book as it is to write a good book.

But one of my absolutely favorite things to do is go to comic book stores on the weekends. I'm a huge comic book nerd.

You can't write a book and just expect it to sell itself, you know. We're not building that better mousetrap and waiting for the world to beat a path to our dear. You've got to build a market for your book.

A dangerous book will always be in danger from those it threatens with the demand that they question their assumptions. They'd rather hang on to the assumptions and ban the book.

When a book's pattern and the shape of its inner life is as plain to the reader as it is to the author -- then perhaps it is time to throw the book aside, as having had its day, and start again on something new.