I've developed this love of trashy Russian literature. There's a women's detective series that I was obsessed with for a while, written by Aleksandra Marinina, the former chief of police.
I belong to Russian literature, but I am an American citizen, and I think it's the best possible combination.
Visas represent one bureaucratic obstacle, so to say and, if removed, might increase the inflow of Russian money into the Czech economy. And not only Russian money, but Russian tourists, Russian entrepreneurs and so on.
I didn't get the Russian Jew part because they didn't think I looked Russian or Jewish enough - and, mind you, I am both Russian and Jewish - so I was cast as the racist Mexican.
That is almost the whole of Russian literature: the phenomenal coruscations of the souls of quite commonplace people.
I can say without affectation that I belong to the Russian convict world no less than I do to Russian literature. I got my education there, and it will last forever.
'The Gambler' by Dostoevsky. It was the first time I realised that it was possible to have good and evil in one person. It led me to read a lot of Russian literature.
I lived next to Russian soldiers. We had Russian army guys in our house when I grew up. We made lemonade for them; they were everywhere. I had a Russian school. I grew up with Russian traditions, I know Russian songs... it infiltrates me a lot. I even speak a little Russian.
I've been writing a lot about a new form of Russian imperialism. Actually, Russian Orthodox imperialism. It's very little remarked that the cement, the political, ideological cement of the Russian regime now, communism having collapsed and imploded, is increasingly a confessional one.
Lots of Americans, they do think that yes, Russian hackers are everywhere. Russian hackers are in every fridge, Russian hackers are in every iron and so on and so forth. But this is not true. Those are fake news and this is slander.
The tradition of Russian literature is also an eastern tradition of learning poetry and prose by heart.
Persecution mania is still around. In your writing, in your exchanges with people, meeting people who are in Russian affairs, Russian literature, etcetera.
Reduced... to a crude formula, the Russian tragedy is precisely the tragedy of a society in which literature turned out to be the prerogative of the minority.
The biggest Russian problem - not all Russian jerks have moved to the US and UK yet.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
I think that Indian writing in English is a really peculiar beast. I can't think of any literature - perhaps Russian literature in the nineteenth century comes close - so exclusively produced by and closely identified with a tiny but powerful ruling elite, the upper-caste, Anglophone upper middle class, and dependent for so long on book buyers and readers elsewhere.
I always really loved Russian literature, and I think Tolstoy's writing is full of a sense of melancholy and humanity, so it seems really modern.
There's an old Russian saying that goes some way or another. I don't know it. I don't speak Russian. But sometimes I think about it and wonder if it's relevant to what I'm going through at the time. Probably not. I mean what do Russian know about hunger, anyway?
I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far. Literature should not disappear up its own asshole, so to speak.
The effect of sanctions on the Russian economy are clear to everybody, first to the Russians and to the Russian leadership, and the surroundings of the Russian leadership, the circle that is close to the Russian political leadership.
This is my country. The Russian people are in bit of trouble. Russian court doesn't work. Russian education decline every year. I believe that Russia has a chance to be free. Has a chance. It's difficult, but we must do it.
The Russian Dept of Tourism has declared Ukraine its most dangerous destination. Many Russian tourists have disappeared there.
I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
Russian literature got me interested in what literature means.
I think if German literature could survive the '40s and Russian literature could survive Sovietism, American literature can survive Google.
I love the Russian classics very much, the Russian classical literature. But I also read modern literature. As far as Russian literature is concerned, I am very fond of Tolstoy and Chekhov, and I also enjoy reading Gogol very much.
I've travelled to some of the places where Russian language and Russian culture were made part of the fabric of life long before Lenin arrived at Finland Station - and where Russian is now being rolled back, post-1991.
I love 19th-century Russian literature, the avant garde, the Soviet period.
There's definitely a culture of Russian literature in Turkey. And in the U.S. too, to an extent - especially Dostoevsky.
The book that made me decide to go into Russian literature was 'Anna Karenina,' which I first read in high school. The thing that appealed to me and constituted its Russianness for me was that it was simultaneously incredibly funny and sad.
There are a lot of things about Russian culture, art, music, photography and literature that I'm love with.
The thing about Russia? Everyone is Russian. They're just Russian. They're Russian.
Twentieth-century Russian literature has produced nothing special except perhaps one novel and two stories by Andrei Platonov, who ended his days sweeping streets.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
I took a Russian class at Notre Dame. Never in my wildest dreams did I think I would fly someday in a Russian spacecraft with two cosmonauts, speaking only Russian.
I am a human being, a citizen of the Russian Federation, a Russian.
Unfortunately, when Trump meets with the Russian foreign minister and the Russian ambassador, he gives more fuel to the fire.So, I think he should stop meeting with the Russian leaders. They are not our friends. They are our adversaries.
Hillary Clinton's top priority when she became secretary of state was the Russian reset. The Russian reset. After the Russian reset, the Russians invaded Ukraine and took over Crimea.
The Russian government imposed my head on the body of Russian models in straight jackets.
In the Russian experience, although the Russian state is oppressive, it is their state, it is part of their fabric, and so the relation between Russian citizens and their state is complicated.
I never had meetings with Russian operatives or Russian intermediaries about the [Donald] Trump campaign.
Chechens are not ethnically or culturally Russian, and have now been fighting for generations to free themselves from Russian rule.
I've always considered myself to be Russian: my native language is Russian.
Russian literature, like colonial Canadian literature, comes with a lot of landscape backdrop.
All literature has this moral strain, but in Russian literature, it's particularly sharp.
It`s the only time my education has come in remotely handy. -on using her Russian literature studies for copying her "Van Helsing" script into Russian to acquire a Slavic accent.
The Russian people are suffering from economic fatigue and from disillusionment with the Allies! The world thinks the Russian Revolution is at an end. Do not be mistaken. The Russian Revolution is just beginning.
The greatest books in Russian literature are satires. Gogol's Dead Souls, for example, is a very over-the-top satire about life in Russia. I think it's the thing we do best.
It's very difficult to write in Russian for someone who has never been schooled in Russian.
My father was a teacher of the Russian language and literature in high school.
My dad's Russian. My mother's English. I would say my bottom half is Russian.
The Russian yearning for the meaning of life is the major theme of our literature, and this is the real point of our intelligentsia's existence.
Russian literature saved my soul. When I was a young girl in school and I asked what is good and what is evil, no one in that corrupt system could show me.
Vladimir Putin is a Russian czar. He's kind of a mix of Peter the Great and Stalin. He's got both in his veins. And he looks out first and foremost for the national security interests of Russia. He accepts that, in Eastern Europe, that is a Russian backyard, that is a Russian sphere of influence. Ukraine lives most uncomfortably and unhappily in a Russian backyard.
Russian citizens being attacked is an attack against the Russian Federation.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
I read Russian literature a lot.
It is the custom when praising a Russian writer to do so at the expense of all other Russian writers.
I hadn't planned on going to law school. I wanted to study 19th-century Russian literature.
I feel very uneasy with a lot of aspects of the Russian life and the Russian people.
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