Top 1200 Sad Movie Quotes & Sayings - Page 5

Don't be sad cause your sun is down, the night doesn't need your sorrow. Don't be sad cause the light is gone, just keep your mind on tomorrow.

I showed my mom the movie then I told her the movie got bought and that it was gonna be shown in theatres and be on video. Everyone was really psyched about it. Everyone in my little town of hounds started to call me movie star.

Night Watch itself is a very Russian movie. Its impossible to imagine this kind of movie somewhere else: a movie with a depressing ending, a lot of inexplicable storylines, strange characters. Its a Russian reflection of American film culture.

The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.

I liked it because it was such a dangerous script and showed just what human beings are capable of. Here was a movie in which Morgan Freeman and Brad Pitt, who always win in every movie they ever do, simply don't win. I felt that was outrageous for a commercial movie.

There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!

The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work.

I went to see a children's matinee at the movie theatre one summer, but at some point they had changed to the grown up movie in the late afternoon, and I ended up seeing this movie called 'The Bad Seed.' It just terrified me.

As a painfully shy kid, my fun time was locking myself away and watching movie after movie after movie. Watching a good performance, to me, was like getting a new toy.

I went into Xanadu going, 'I really dislike this movie - let me try to make it something wonderful,' but with 'The Band Wagon,' I really revere this movie. It's really a beautiful movie musical. And, yet, because I'm a writer and look at it that way, I see that there are faults in it.

I think that, oftentimes, what people say is, 'We need an actress who'll be able to greenlight a movie,' and my counterargument to that is always that, when it comes to a teen movie, you have very few people who can greenlight a movie.

There's nothing really original. Alien was a B-movie. Five directors passed on it before me. Because I was into Heavy Metal, I read it, and thought, "Wow, I want to do this." I was on a plane to Hollywood in 22 hours. It was a B-movie and was elevated to an A-plus movie by sheer good taste.

Every time I read a script, I see the movie in my head, and I try to see the best movie in my head because everybody interprets the movie differently.

Sad words are just another beauty. A sad story means, this storyteller is alive. The next thing you know something fine will happen to her, something marvelous, and then she will turn around and smile.

When I get to the movie set, I don't need to have a sort of iron fist that a movie is about me and my ideas. A lot of filmmakers don't have that benefit, so when they have their moment to let all that creativity out of them, it's all about them. It's their movie; it's their thing.

Don't be afraid to cry. Everyone needs a good cry sometimes. Sometimes I'll feel it in my throat, like, 'Today I'm going to cry about something stupid,' so just to get it out of the way, I'll watch a sad movie or something, accepting that that's totally fine and feels good.

When you go from movie to movie, it's like going from family to family. You work with people for really intense hours on really long days and a bond happens. So even when a movie is terrible, you love it.

'The Dark Knight,' 'The Rocketeer' and definitely the first 'Superman' movie by Richard Donner are the best. I tend to be softer in my judgment about what's a bad movie - I don't think anyone intends to make a bad movie, and sometimes it just doesn't click for some reason.

I love movie sets. It's another home for me. Movie theaters and movie sets - they're just the best places to be. I love them.

So when Community came up and then the movie roles started happening I was very grateful. I am trying to be careful with the movie roles I select because if you pull the trigger too quickly, like choosing a lead role in a crappy movie then you will be put in movie jail and you will never be heard from again. If it's not a big hit you'll be forgotten pretty fast.

Even if my songs are quite sad or quite dark, I don't want my songs to make people sad. It's very important for me that all my songs have some kind of hope or light.

When I see a news story on a site, about a movie that I'm interested in, it's like the mouse going for the pleasure button and I click it. But then, when I see the movie, it's like, "Oh, I would have enjoyed the movie that much more, if I hadn't known that."

A lot of people tell me that my paintings are sad-looking, but they're actually more pensive than sad. They're very colorful and that says a lot about my disposition in life, how I'm very hopeful.

The approach to that movie wasn't, 'Lets make this movie about Amsterdam and maple syrup.' The concept was, 'Lets go to Amsterdam. Amsterdam is fun.' So we flew to Amsterdam with our cameras and we saw what happened and then we got back and we sat down and we said, 'What's the movie here.' That's when we realized that the movie was 'The Maple Syrup Saga'.

This is a sad, sad reflection on our times, when people must feed off the carcasses of beloved stories from their youths – just because they can't think of an original idea of their own, like I did with my Avengers idea that I made up myself.

I own one movie by fellow Swede Ingmar Bergman, because I have to. You can't be a movie critic with a collection of six or seven hundred DVDs that includes everything from 'Tokyo Story' to 'Poison Ivy: The New Seduction' and not have a Bergman movie.

I just write about what makes me sad, and then when I write, I hear myself. It's like therapy, where I write something sad and then I make it happier or hopeful.

Even if my songs are a bit low-spirited, they make me happy. I become happy when I hear sad songs. When you sing about sad things in a beautiful way, the atmosphere turns upside down

I'm the only one in my family who is deaf, and there are still conversations that go around me that I miss out on. And I ask what's going on, and I have to ask to be included. But I'm not going to be sad about it. I don't live in sad isolation. It's just a situation I'm used to.

I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it. Those who turn sad faces toward the world find only sadness reflected. But a smile is reflected in the same way, and cheers and brightens our hearts. You think there is no pleasure to be had in life. That is because you are heartsick and-and tired, as you say. With one sad story ended you are afraid to begin another-a sequel-feeling it would be equally sad. But why should it be? Isn't the joy or sorrow equally divided in life?

When I watch a movie myself, I want to forget that I'm watching a movie, and I want to be inside the movie. That's the kind of experience I want my audience to have.

If you're producing a movie you're involved in every aspect of the movie and that can be daunting and then going and doing a movie where you're just an actor for hire, and you can kind of sit back and giggle where you can see somebody sitting over there wasting time and wasting money.

You ever talk about a movie with someone that read the book? They're always so condescending. 'Ah, the book was much better than the movie.' Oh really? What I enjoyed about the movie: no reading.

It's, like, you know, if you're sad, it's a way of connecting with other people. And we - a lot of times we sort of feel embarrassed by being sad, and we go off by ourselves to hide and cry by ourselves. But, really, it's a way of re-establishing relationship.

I've never written a movie, I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on, and that feels like enough of a job for me.

Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.

Some movie I was in, I forget which one, some awful little movie, a reviewer said, What is Jessica Walter doing in this movie? And I said, Hello? Trying to make a living?

I had the opportunity to do a movie with Roger Daltrey of The Who. In the movie, I played a guitar student. Since I had to learn how to play somewhat for the movie, I was introduced to the guitar.

There's the movie you write, there's the movie you shoot and the movie you edit, and often, you find that you're getting the same information out of a scene that you already have and a scene that's actually more powerful, so you have to make the tough decision to take it out.

I've had people tell me that I should just be sad and not joke around on Twitter, but they don't understand that joking and being deeply sad are very close to each other. I'll have a horrible memory that I find hysterical one day, and the next day I'll cry about it.

I’ve accomplished everything I wanted out of life, like way beyond my wildest dreams. Anything from here on is just icing. Seriously, if you find out that I died tomorrow, I’m fine. Don’t be sad for me, because I’m not sad. I died with a smile on my face.

It is a pro-U.N. movie. It's a pro-American movie. It's a pro-American movie. It's a movie people should be watching and not denigrating.

There's a feeling of despair for some, but that's not what we wanted. Because the whole movie is without dialogue, it's more a question than an answer. We wanted to make a question mark so people could project what they wanted onto 'Electroma' - some people see it as sad, some as happy. Everyone is different.

I go to movies expecting to have a whole experience. If I want a movie that doesn't end, I'll go to a French movie. That's a betrayal of trust to me. A movie has to be complete within itself; it can't just build off the first one or play variations.

I didn't even know how to judge 'Die Hard 1.' It's not anything I know how to judge. I'd never seen an action movie. I'd never seen a Sly Stallone movie or an Arnold Schwarzenegger movie or a Charles Bronson movie. And that is the truth.

With Dawn I was afraid people would just think it's a B-movie and I didn't know what I was doing. That's really what I was afraid of. Like the subtlety of the movie they would miss. If the movie succeeds, it's that people understand the subtlety. That they're able to see past the conventions of what they think a movie is and go a teeny bit deeper and let it be both.

You start to fall in love with characters as you work with them, and anytime that you care about your characters and you realize that you're gonna have to kill them, that fear creeps in. It's sad. It's scary, and it's also sad. Because you like these people.

For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.

'Infinity War' needs no teasing. That movie literally needs no teasing. It's going to be the biggest movie of all time. Believe me; no one is ready for this movie.

I love it in a movie when they throw a guy off a cliff. I love it even when it's not a movie. No, especially when it's not a movie.

It's fun to sing sad songs. And it's fun to listen to sad songs. Enjoyable. Satisfying. Something.

I cooked a little bit in my first movie; I did a movie called 'Made.' For the little kid in the movie, I do a scene where I'm preparing a pasta puttanesca. I always loved watching that scene.

If I've got a script, you think I'll go to Hollywood to get money? I was bored with the people around me, so I just created my own movie, my own character. I'm the story of my own movie, and you know what? My movie is going to be better.

I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."

When somebody is making a movie about your life, that's different. A show is a live performance. Things are going to go wrong. You are going to get away with things. A movie is indelible. A movie is through a microscope.

It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.

I am a Gobot junkie, and I pitched the Gobots movie as an animated movie a few years ago, and we're trying to work something out now that the rights are cleared. But that's my dream project, besides 'The Goldbergs' - doing a Gobots movie.

When the first movie to show the anger people have about the war is a grade Z zombie movie, that tells you all you need to know about how afraid of ruffling anyone's feathers people in the movie business are today.

In the sense that Watchmen references movies, comic books, pop culture in general. It knows it's a movie. I really do like movies that ride that fine line, the razor's edge between parody and supporting the fake movie part of the movie.

View life as a series of movie frames, the ending and meaning may not be apparent until the very end of the movie, and yet, each of the hundreds of individual frames has meaning within the context of the whole movie.