Top 19 Salome Quotes & Sayings

Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.

My Salome is a mystic the sister of Salammbô a Saint Thérèse who worships the moon.

Basically what Salomé did with Rilke as a mentor was direct him toward the Russian Orthodox Church, so he could project his love of the divine feminine onto the Virgin Mary. She wanted him to stop the cycle of being disappointed by the ultimate humanity of women. She was like, "You don't want me, you want the Virgin Mary." It's kind of a mystical concept! She also changed Freud's opinion, a little bit too late, about the female psyche, which he had so wrong. If it had been better publicized, it would have changed Western society's perception of the female psyche, too.

I went through about 13 rounds of IVF before I got pregnant with Salome; it was very tough.

Salome had but seven veils; the artist has a thousand.

It has never been recommended to confuse "loving" with "seeking to please"... ...Salome pleased Herod's guests; I can hardly believe she was burning with love for them. As for poor John the Baptist... ...she certainly did not envelop him in her love.

Salomé, Salomé, dance for me. I pray thee dance for me. I am sad to-night. Yes, I am passing sad to-night. When I came hither I slipped in blood, which is an evil omen; and I heard, I am sure I heard in the air a beating of wings, a beating of giant wings. I cannot tell what they mean .... I am sad to-night. Therefore dance for me. Dance for me, Salomé, I beseech you. If you dance for me you may ask of me what you will, and I will give it you, even unto the half of my kingdom.

I don't like ordinary girls. But a girl who would kill a guy to make him hers and then kiss his still-warm lips... a girl like Oscar Wilde's Salome They drive me crazy. Like Kiyohime turning into a snake to chase her man or the grocery girl Oshichi who set fire to a building just to see hers one more time. I want to be loved like that be obsessed over be hated.

[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.

Salome's of royal blood. She knows whatever she asks she's going to get.

Jesus. Jesus Christ and Mary Magdalene. Delilah, Jezebel, Salome, Judith, Eve. Trouble, every last one. Add Minerva Highwood to the list.

The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.

After I made my hit in 'Salome,' Universal sent me to New York so I could learn to be a proper movie star.

The human mind is like Salome at the beginning of dance, hidden from the outside world by seven veils. Veils of reserve, shyness,fear.

I try in roles like Salome to sing earthily, but it comes out as sweet-earthy. You know, it's like when someone has a beautiful face: you can do what you want to it, but it's still beautiful.

I read a lot by female psychoanalyst Lou Andreas-Salomé, who wrote prominent biographies of Nietzsche, Rilke, and Freud because she studied with all of them. She had this unbelievable insight into contemporary psychoanalysis. What is so interesting is that she wrote her life, and she knew that her life would be about these men, and it didn't stop her from leading an incredibly successful academic career. But her strange self-awareness that she was going to bookmark these men's lives is really interesting to me.

I think what you see [in Salome the play backstage] is an artist having this fit of temperament.

When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story, the story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I'm struggling with - my own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.

Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.