I wanted to put a reference to masturbation in one of the scripts for the Sandman. It was immediately cut by the editor [Karen Berger]. She told me, "There's no masturbation in the DC Universe." To which my reaction was, "Well, that explains a lot about the DC Universe."
The joy of doing 'Sandman' was doing a comic and telling people, 'No, it has an end,' at a time when nobody thought you could actually get to the end and stop doing a comic that people were still buying just because you'd finished.
A candy coloured clown they call the sandman
Tiptoes into my room every night
Just to sprinkle stardust and whisper;
"Go to sleep, everything is alright"
From 'The Sandman' and 'Black Orchid' to 'Whatever Happened to the Caped Crusader?,' Neil Gaiman has provided some of the most memorable stories of the comic book industry.
Neil [Gaiman, creator of the comic Sandman, featuring the Amos-based character Delirium] believes that faeries have gone beyond cool. They've transcended cool. I just think alternate realities make you a good writer. If your work is any more than one dimension, you believe in faeries. I'm sure I'll start thinking now about all the people I know who don't believe, that I quite like. We can still go have a pint. Not the Chardonnay, though.
One of DC's strengths is our archive of storylines ranging from 'Watchmen' to 'Arkham Asylum' to 'Sandman.'
Neil Gaiman's 'Sandman' just rocked my world in the late '80s and early '90s. I couldn't read them fast enough.
The main riff for 'SandMan' was just something I wrote one night.
It's an essay that Sigmund Freud wrote about E.T.A. Hoffman's short story called "The Sandman" where someone mistakes an inanimate object for a living, breathing human being. And one of the things that Sigmund Freud really felt was that in modern life people assign qualities to objects around them that may not exist there whatsoever.
I didn't write 'Enter Sandman.'
I was hired to do as many Boy Commando, Newsboy Legion, and Sandman stories as I could.
A lot of the hardcore fans wanna hear the deep cuts - songs like 'Orion' or maybe like a 'Disposable Heroes' - you know, songs that we don't play all the time - and then, of course, they wanna hear 'Sandman' and 'Nothing Else Matters' and some of the hits.
I like monsters, and when the monster is a superhero, it's a byproduct. Like Hellboy, the Hulk, Man-Thing, Swamp Thing, Sandman, Constantine, Demon, Dr. Strange, Spectre, Deadman. Those are the superheroes I followed as a kid religiously.
Everybody who has ever read Sandman knows exactly what the Sandman looks like, which is more than anybody who has ever read The Catcher in the Rye can say about Holden Caufield.
Love isn't quite desire... Love is probably a little bit in The Sandman's domain. Love is partly a dream, it's partly to do with desire, and sometimes it's partly to do with death, as well. It's also very often something to do with delirium.
I think I've got 12... Superman, Batman, Wonder Woman, The Flash, Aquaman, Plastic-Man, Green Lantern, Sandman, The Justice League, The Atom Legion of Superheroes and Teen Titans.... Just about all of their top titles.
My brother had a big comic book chest, and he kept the key in the exact same place. So when he would leave for camp or be gone for a few days at a friend's house, I would totally sneak into that room and open the comic book chest and see 'X-Men' and 'Sandman' and all the Neil Gaiman stuff and all the Marvel stuff and some old 'Thor' comics.
Along with all else, Sandman is a comic strip for intellectuals, and I say it's about time.
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