Top 89 Sassy Quotes & Sayings - Page 2

Playing normal is hard; especially playing normal that's not you. The biggest challenge in playing Alicia is trying to make a teenage girl seem fully formed and not the quintessential moody teenager with a quippy, sassy line here and there.

I think most people, almost 96 percent, remember me as Catwoman on the 'Batman' television series. It is a part I will always be grateful for, because it was one of the great parts ever written for a woman. She was sexy, sassy and successful. I played many things, but that is what I will probably be best remembered as.

I fall into that nebulous, quote-unquote, normal American woman size that legions of fashion stylists detest. For the record, I'm a size 8 - this week, anyway. Many stylists hate that size because I think to them, it shows that I lack the discipline to be an ascetic; or the confident, sassy abandon to be a total fatty hedonist.

When Veronica Mars was canceled, the following season of pilots for The CW had been announced, and one was Gossip Girl. I read it, and I knew I was sort of old to play any of the kids. I called Dawn Ostroff -- who was the head of The CW at the time -- and said, 'Hey, I did so much narration on Veronica Mars, can I narrate this show? And she said, 'Hey, that's a very good idea.' They knew I had a younger voice, they liked me and they knew I'd show up for work, and I guess that was all I really needed. It was so clear to me how sassy and catty she needed to be.

There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific.

The only thing I consciously avoid is playing the victim. I think women are portrayed as the victim in so many things, and I really like women with strength - although I feel now I may have gone overboard by playing so many strong, sassy women.

All black women aren't sassy, loud, difficult, or subservient. We are, in fact, very complex and very diverse, living very complex and diverse lives. That point cannot be made enough.

I think that I come off as, 'Nothing bothers me, I don't care! I'm funny and sassy.' But I'm deeply sensitive. Not only about myself but to others. Not to pat myself on the back, empathy is a quality I've cultivated over my life. It came naturally to me as a child.

I absolutely am a big Call of Duty fan. Every time a new Call of Duty comes out – I never play the games online, but I play the solo version super fast. My family knows not to interrupt me the day they come out, they know it's a sacred date for me. I think my favorite visually, of all of the Call of Duty games -- even if it's not as sassy and high tech -- is World at War because. That game has some really incredible episodes in Berlin and the Japanese fields. It's really quite arresting for me, visually, and it was very immersive. But I love Modern Warfare, too.

I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.

Shore Leave is the one who evolved the most - because he started as a one-off joke because we were gagging on how the G.I. Joe vocationally specific-themed characters reminded us of the Village People. We made a sassy Village People kind of guy, and then we brought him back.

The nineties as a pop cultural sphere was a really fertile time for feminism that was grounded and located in popular culture. I'm talking about before the Spice Girls - Sassy Magazine, riot grrrl, the Beastie Boys, Nirvana. You had this alternative culture that was very much speaking up on behalf of women and in favor of women.

The black characters on TV are the sidekicks, or they're insignificant. You could put all the black sidekicks on one show, and it would be the most boring, one-dimensional show ever. Even look at the black women on 'Community' and 'Parks and Recreation' - they are the archetype of the large black women on television. Snide and sassy.

Throughout the course [of Twilight], you get to see a little more of her vampiric side, because I think she's this vampire with a heart of gold and so that was kind of fun - to show her be a little tough and a little fierce, and to show that she has a little bit of a sassy side when she's dealing with the wolves or with Jacob. So I feel like I got to really round [Alice Cullen] out quite nicely.

Pat Phoenix kept that amazing sassy look. I always wonder, was that because she was thrilled with that look, and thought it looked marvellous, or was it because she was too scared to change it? It's a double thing. Security and insecurity.

After graduation, I wanted to work for 'Sassy', which I loved, but it had folded. So I wound up at 'Seventeen' for three years on staff and two as a contributor, and I wrote these great stories that nobody ever believes 'Seventeen' does. Serious stories for teens about social justice issues - gun control, migrant farm workers.

I would feel really dishonest writing a song that was really sassy, or really confident, because I'm not a supremely confident being. I think that's what people find interesting about what I do; it's very different lyrically.

In the CoverGirl Melting Pout Matte Lipstick ads, I am wearing this gorgeous purple color called Seismic. It's such a different shade, but it works well with my face. I've got hazel eyes, and so purple kind of compliments it. It's a nice shade to put on when I'm feeling a little sassy.

When somebody else calls you exotic, exotic is a box - it's the stereotype of snake charmers and face jewelry. You're just that stereotype. But I don't get offended anymore. I used to get offended by things that were said to me, or how I was seen. Now I educate. If I get pissed off, I'll educate in a sassy way. Other times I educate in a Gandhi-like way. You know - I have my moods.

I want girls to feel that they can be sassy and full and weird and geeky and smart and independent, and not so withered and shriveled. (The American Apparel ads) I'm over this weird, exhausted girl. I'm over the girl that's tired and freezing and hungry. I like bossy girls. I like people filled with life. I'm over this weird media thing with all this, like, hollow-eyed, empty, party crap.

There's a guy on YouTube ... who just re-voices Donald Trump. He does a thing called Sassy Trump which is just to take Donald Trump's words and revoice them. Doesn't change them ...and strangely enough it just makes you listen to what Trump is saying. I think the biggest answer to comedy against Trump is Trump's own words.

I feel like I've found my voice in the actor's business. Because when you first get out of school and you're looking for jobs, you don't want to rock the boat - you can't rock the boat. You'll get known for being that sassy girl that, like, has no résumé and no one wants to work with her. But now, I'm "proven," at least in the television world, and hopefully in the theater world. I'm working on the film world. Unfortunately, it takes a while to build that kind of street cred. It's been recently that I even started to have more confidence in myself.

There is a masculinity in riot grrrl music, which is probably why I don't identify with it, but also why it was so important and powerful. That is something our scene has - regardless of who is in it, it has this very powerful feminine energy, like a Nefertiti head bust or Storm from X-Men. It's a woman you see as very powerful, sassy, arrogant, and dark.

For the Anglo-Saxons, meat was the main meal of the day, which revolved around 'before-meat' and 'after-meat.' But it has ended up as the metaphor for the most basic: 'meat and potatoes' is as far from sassy - from 'sauce' - as you can get.

God's on the outside looking in. He doesn't have any legal entree into the earth. The thing don't belong to Him. You see how sassy the Devil was in the presence of God in the book of Job? God said, 'Where have you been?' Wasn't any of God's business. He [Satan] didn't even have to answer if he didn't want to ... God didn't argue with him a bit! You see, this is the position that God's been in Might say, 'Well, if God's running things He's doing a lousy job of it.' He hadn't been running 'em, except when He's just got, you know, a little bit of a chance.

My very sassy, older southern sister is very quick to point out that it's a luxury that my daughter gets to come to work with me. She does, and I have lunch with her every single day. My mom says I have 'high class problems.'

There's so much material out there that's unnecessarily racist. It takes a shot at what is 'urban' or demonstrates blackness with some sassy, neck-jiving character that's not even relevant to the plot. I see it time and time again, and it doesn't move the story forward. It just kind of cryogenically freezes us in this old racial paradigm.

Girlchild . . . unfolds a compelling, layered narrative told by a protagonist with a voice so fresh, original, and funny you'll be in awe. This novel rocks . . . In Girlchild Tupelo Hassman has created a character you'll never forget. Rory Dawn Hendrix of the Calle has as precocious and endearing a voice as Holden Caulfield of Central Park. When you finish this novel, your sorrow at turning the last page will be eased by your excitement at what this sassy, talented author will do next.

The best thing about Sassy Seats is that grandmothers cannot figure out how they work and are in constant fear of the child's falling. This often makes them forget to comment on other aspects of the child's development, like why he is not yet talking or is still wearing diapers. Some grandmothers will spend an entire meal peering beneath the table and saying, "Is that thing steady?" rather than, "Have you had a doctor look at that left hand?