Top 1200 Saw Movie Quotes & Sayings - Page 20

I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very hard at that time for me to balance what I really believed was the right way to live with the violence I saw all around me - I saw too much of it among the people I knew.

When you're watching a Hitchcock movie, you, for most of the movie, are playing the guessing game. What's the endgame? What's the plot? How are these people involved? It's the best way to tell the story, and as a viewer, that's what you want to experience.

Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.

In the movie 'Wall Street' I play Gordon Gekko, a greedy corporate executive who cheated to profit while innocent investors lost their savings. The movie was fiction, but the problem is real.

I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.

There are people I'm drawn to that you just can't do a tiny, no-budget movie with. I would like to pursue some of that stuff, to see if I could do a movie with some of those people. And I don't really write scripts myself, but if I read a script I thought was really great, I would totally be up for doing a more traditional movie. It's just that I don't exist in that world. right now.

I had not grown up on theater - in Hughes, Ark., you went to see a movie on Saturday. So my acting heroes were movie stars. It was a natural thing for me to want to get into the movies.

Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects

My favorite movie is Lawrence Of Arabia. But that's a long, long movie. So although I've seen it several times, it's not as fun as Jaws.

'The Graduate' must be the best use of songs ever in a movie; it adds a layer to the movie you wouldn't ever get from a score.

The first time I saw my father, he was chained. Gone was the mirage of the invincible man, the man who would protect me once I found him. At the age of 12, I finally saw my father - in an orange jumpsuit, looking weak and vulnerable.

Saw myself naked in front of a mirror a couple days ago - that's not the joke, that's what we called the setup. I saw myself naked, and I said, 'Holy cow, I'm 'The White Man.' I've heard a lot of bad things about you, cracka.

You're going to pull out your phone and try to use whatever is the most appropriate app on your iPhone or your Android device. Yelp saw that very early on. And when we launched the mobile product, we saw immediate growth, and we were stunned.

Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.

'Infernal Affairs' is really amazing and was a really popular movie. I would be fine with playing any character in the movie.

When I saw the letter of acceptance for Snap - the Supplemental Nutrition Assistance Program, popularly known as food stamps - it was a moment of gratitude, and brief catharsis and relief. Still, I knew it wasn't a socially acceptable means to feed my family with. I saw the memes friends posted, chastising people on welfare.

I don't normally get very star struck. However, I was just at a table read for a movie. It was an animated movie where they have all the actors come in and sit around a big table and read the whole script out loud so you can see what's working, what's not working. And this is an animated movie that Paul McCartney is doing and he's producing it. So I got to meet Paul McCartney.

Sometimes events happen in one Marvel movie that mean you have to adjust what you planned to happen in a different movie, because they're interconnected.

Each movie was a challenge for me, as a man, as an actor. After each movie, something changed in my life, in my character.

Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear.

3D really altered the way I shot the movie completely, and it was exciting because, after 20 years of filmmaking, I felt like I was making my first movie, all over again.

I like to try to do anything active when I'm not on a movie. When I'm shooting a movie, it's really hard for me to do anything besides work.

When I started out in Facebook, it had only 20 people. I saw it grow to a thousand employees and from five million users to over a billion users. I saw it evolve from a service that served college students to one that served the world.

Starting my carrer, I had three rules. I called a press conference and said: you can't kill me in a movie; I win all my fights in a movie; I get the girl at the end of the movie if I want her. They weren't about to hear that, and I knew that I would have to do that myself, but I set the public up and set the press up letting them know what I was going to do: continuing to sell the brand and image that I had.

I remember being in India one time where I saw people who were struggling to find food at the bottom of a trash can, and then I walked into my hotel and saw people arguing over how the quality of food at the buffet wasn't good enough.

I feel like at the end of your days, the last thing that's going to happen is that you're going to watch the movie of your life. It's very important to make sure that you love your movie and that you want to watch your movie, so I try to always make sure that I'm doing something fun and interesting.

People took notice of me and saw that I can carry off light-hearted roles as well. They started talking about Pritam Vidrohi, and it became a lovable character; I saw that people were clapping and whistling. It was a big high to watch this kind of reaction.

Back in the '90s, we saw prominent non-film artists like the Bombay Vikings do a splendid job on old classics and people danced to those new tunes without ever feeling that the song had been spoiled. We slowly saw this trend creeping into mainstream cinema.

We were lucky to get Sam Jackson and Jeremy Irons and John McTiernan back. Long movie and hard movie to make and difficult for me because instead of working, my biggest concern was not repeating things I had done it in the previous films. And it rang notes in my head of episodic TV. A sequel is not a new movie; it's a chapter in a movie that you have already seen. Thank god Sam was there and thank god Jeremy was there. Again, it went outside the template of that series of films but it did well and made a ton of dough and the third chapter of a lot of sequels is always the one that falls down.

If my life is a movie - in the movie, there's always the bad part. There's also the parts where you're down and out, and there are parts where everything's amazing.

Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.

There's something that's very human about 'Warriorv that brings you out. You're watching the movie and, yeah, there's fighting - there's a tournament at the end of the movie - but it takes a long time to get to know these people.

I have more fans and more followers and more supporters. Because the people who actually saw the Joe Frazier Muhammad Ali fight, they saw me win at least nine rounds - the people who know boxing.

When you shoot an independent movie you have a very limited amount of time, and you don't want to be that actor, when a poor director is trying to get through a movie, that you're asking at every second to discuss performance.

In a daydream sort of way, I think it would be pretty cool to direct a movie. But I have been on movie and TV sets and know it is hard work. I like directing it in my mind. It is easier.

I’m prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.

Christian audience, I think, have grown very tired of movies that try to pander to them. For instance if someone goes, "Ok, we're designing what we're going to do with this movie. It's a Christian movie and they'll eat it up." And you know what? Consumers are smarter than that. They go, "The movie isn't that great and he thought that I would just be a sucker and plop my $10 down for it?" Because you're looking down at the audience. You can't pander to an audience.

I was a very shy girl who led an insulated life; it was only when I came to Oxford, and to Harvard before that, that suddenly I saw the power of people. I didn't know such a power existed, I saw people criticising their own president; you couldn't do that in Pakistan - you'd be thrown in prison.

We can't make a giant sprawling movie. We're going to make a small movie. And what we got is what I could get, performance-wise.

I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.

I'm prepared to take risks. And every movie that I do is a risk. No one knows what the movie is going out turn out like.

A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.

We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.

I saw this documentary he did years ago called 'Fade to Black.' I was always a Jay Z fan - I liked Jay Z - but after I saw that documentary, I loved Jay Z. I realized how intelligent he was.

I found a movie called “Light in the Piazza.” I finally made the movie with Olivia de Havilland and myself, but initially there was no way I could make that movie, so I went to work on becoming that character. They told me they had an Italian [actor], and I said, “That’s a Cuban boy!” His name was Tomas Milan. I thought that’s the craziest thing I’d ever heard: They have a Cuban who’s going to play an Italian, and I can’t play it because I’m an American.

'Rocky' is a movie that just happens to be about boxing. It's really about characters and story lines and relationships and all those things, and the backdrop is boxing. You can go back and watch the final fight in 'Rocky' a thousand times. If you dig that movie, if you like the characters, you'll watch the whole movie over and over.

I fall asleep to a movie every night! I don't have a go-to movie, but I like Netflix or whatever I can find. Usually, it's just noise in the background; I think it's damage from living in New York, where it's so noisy.

Every movie, I find myself adrift at the beginning of the movie, and then I find my way through the dark forest.

The unique idea of [The Darkest Time] movie is because in usual if you are in darkness, you are scared. But this movie is the opposite. In darkness, you are okay.

There were birds in the sky, but I never saw them winging, No I never saw them at all, Until there was you.

If you are dating someone in New York City, and they invite you over to watch a movie, they don't really want to watch a movie.

Three of my childhood dreams went unfulfilled. I never saw a no-hitter, never saw a triple play, and never caught a ball that had been hit into the stands. But I did see the Yankees beat the Brooklyn Dodgers in a World Series game when I was 10.

I think our movie, 'Now You See Me,' is an emotional movie rooted in smart and wits and fully amazing actors working perfectly together. It's like a supergroup of musicians.

A movie of mine is going to be released in Japan next year. I play a waitress who's a really regular girl in this movie. The English title isn't decided yet, but in Japanese it's I'll Get on the A Train Sometime.

Everybody wants to be a movie star. I bet if you ask that guy would he like to be a movie star, he'd say, 'Sure.'

The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.

In Baltimore, I was walking with a friend who was playing at a pub he kept referring to as the Horse. But when I saw the sign 'The Horse You Came In On' - I thought, 'My God.' I had no intention of ever setting a Jury novel in the U.S., but when I saw that, I thought, 'That's it.' The names are very important.

For a movie's success, comedy must blend with the storyline. Else, comedy might click but the movie will die.

I've had tragedy in my life, and it doesn't stop comedy, so I think it's important to do both. Particularly in a superhero movie, but in any movie that accesses all people. Nobody wants to be abused for two hours.

Sometimes I test myself saying, 'If I get a death sentence if I don't make this movie, would I still make this movie?'