Top 1200 Saw Movie Quotes & Sayings - Page 4

Explore popular Saw Movie quotes.
Last updated on December 11, 2024.
I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
I've got a varied taste in films. I love a good horror movie - the first few 'Saw' films for example - but I also like comedies.
I just saw 'Men, Women & Children' last night, and it's a devastating movie in a lot of ways, but it's so well done, so well acted. — © J. K. Simmons
I just saw 'Men, Women & Children' last night, and it's a devastating movie in a lot of ways, but it's so well done, so well acted.
I hadn't done a comedy for a while. I had directed a very low budget movie called The Ape and it was playing at a festival in Austin. Judd [Apatow] was there and he came and saw it and it's kind of funny.
If some actors were more realistic and others bordering on caricature, that would have been imbalanced. It would be as if we saw an airplane in a 3 Musketeers movie.
Jaws, first time I saw it, I forgot I was in it. True. Totally forgot, and got as scared as everybody else, and it's a great movie.
My first soldier role was in 'Flags of Our Fathers.' Casting director Jay Binder saw that movie and was looking for soldiers for 'Journey's End,' which led to 'Generation Kill.'
I saw the movie, he said. I know what it's about. Listen to this. When girls get to be about twelve or so - he leaned toward us - their tits bleed.
I saw Sinatra many times. I saw him at Caesars. I saw him at the Sands.
Basically I got an insight into what it really was through Alcoholics Anonymous. One day the switchboard lit up and I saw where it was all going. I saw what alcohol could do to people and I saw that it wasn't a good thing anymore. Plus I wasn't a teenager anymore myself.
He saw wan Woman toil with famished eyes; He saw her bound, and strove to sing her free. He saw her fall'n; and wrote "The Bridge of Sighs"; And on it crossed to immortality.
I saw 'Alien' when I was 8 years old. To me, it was like a combination of Jaws and Star Wars, and that's the movie that made me want to be a director.
I saw Food, Inc. last night - it was like a horror movie. I'm definitely thinking about my food supply now and how I want to grow my own. — © Lauren Ambrose
I saw Food, Inc. last night - it was like a horror movie. I'm definitely thinking about my food supply now and how I want to grow my own.
I remember when 'Daddy Day Care' came out, I saw fathers and their sons and daughters walking out of the theater and talking about the movie. That's the neatest thing.
I remember in high school thinking that I wanted to be a lawyer, and now I realize I saw that movie 'And Justice for All' when I was a kid and thought, 'That's what lawyers do, and I want to get up and yell and scream in the middle of a courtroom.'
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
I saw 'Food, Inc.' last night - it was like a horror movie. I'm definitely thinking about my food supply now and how I want to grow my own.
People sometimes, they just stop because they see this scope movie. They say "oh, this is a real movie, this is not a TV movie."
The Bible never says anything about dinosaurs. You can't say there were dinosaurs when you never saw them. Somebody actually saw Adam and Eve. No one ever saw a Tyrannosaurus Rex.
There weren't many options growing up, so I would wear whatever possible. I once saw a little boy wearing Jordan sneakers in a movie... and that made me dream.
The first movie I saw where it convinced me I could be an actor was 'Mean Streets,' so whenever I see Robert De Niro and he says, 'Hi, Denis,' it's still a really big deal.
I've been a huge fan of Quvenzhane Wallis since 'Beasts of the Southern Wild.' To me, she's our Shirley Temple, a phenomenal talent, and I wanted to work with her as soon as I saw that movie.
I remember, when I saw the movie of 'Cabaret,' I was amazed by Liza Minnelli: like, 'Wow, that kind of looks like someone I could be similar to.'
I've had stuff of mine adapted by other people, so I've come to the conclusion that a movie is a different form from a novel and there is no such thing as a true adaptation. You have to adapt to this other thing and do it right. But that voice of the original should somehow still be there, and the original intent should still be there. So if the original writer saw the movie, the writer would say, "Well, that's not what I wrote, but that's what I meant." And if you can do that, I think you've done your job as a screenwriter.
I never saw a Laurel & Hardy movie in a theater when they first ran, when I was a kid. But as a child, I knew who they were, and knew the culture of it, what they meant.
When I saw the first video iPod, I thought this could have the same impact VHS/home video had on the movie business.
With my first pay cheque I sent my parents to Jamaica, so they actually got passports! They're pretty grounded; it wasn't until they saw the trailer for 'Battleship' that they were like, 'Ooh, this is a big movie, isn't it?'
I saw how the Government was run there [in Africa] and I saw where black people were running the banks. I saw, for the first time in my life, a black stewardess walking through a plane and that was quite an inspiration for me.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
I want to open myself. ... I want the light of God, I want the sweet love of Jesus. I danced for the Devil; I saw him, I wrote in his book; I go back to Jesus; I kiss His hand. I saw Sarah Good with the Devil. I saw Goody Osburn with the Devil. I saw Bridget Bishop with the Devil!
I was there. I saw your sons and your husbands, your brothers and your sweethearts. I saw how they worked, played, fought, and lived. I saw some of them die. I saw more courage, more good humor in the face of discomfort, more love in an era of hate and more devotion to duty than could exist under tyranny.
I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.
I saw Danny Kaye in a movie, and he was doing voices and faces on that big, big screen and making whole audiences laugh. It was just an instant hookup.
With my first pay cheque I sent my parents to Jamaica, so they actually got passports! They're pretty grounded; it wasn't until they saw the trailer for 'Battleship' that they were like, 'Ooh, this is a big movie, isn't it?
As one who participated in all the wars of the state of Israel, I saw the horror of wars. I saw the fear of wars. I saw my best friends being killed in battles. I was seriously injured twice.
Snorkeling the Great Barrier Reef, I saw something - I don't know what it was to this day. My mind couldn't relate to what it was... If I saw it and knew it was a shark, I wouldn't be as afraid, but I saw something that looked prehistoric, and I haven't been snorkeling since.
My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.
I think I understand the line between my job and the director's. I have no interest in directing. Not my movie, not your movie, nobody's movie. — © Melissa Leo
I think I understand the line between my job and the director's. I have no interest in directing. Not my movie, not your movie, nobody's movie.
There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.
You can window-dress and promote a movie as much as you like but if the movie hasn't got substance and isn't an exciting movie, people won't watch it.
My brother need not be idealized, or enlarged in death beyond what he was in life; to be remembered simply as a good and decent man, who saw wrong and tried to right it, saw suffering and tried to heal it, saw war and tried to stop it.
When you work on a movie, you just have no idea how it's going to come out; you hope it's good, but you don't really know, and you don't see it until about six or nine months afterward, and I saw it and was pretty pleased.
It seemed funny that the sunset she saw from her patio and the one I saw from the back steps was the same one. Maybe the two worlds we lived in weren’t so different. We saw the same sunset.
'Jaws,' first time I saw it, I forgot I was in it. True. Totally forgot, and got as scared as everybody else, and it's a great movie.
My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes.
Every year I go to Broadway to see a musical - I like the music. I saw 'Mamma Mia;' I saw 'Les Miserables;' I saw 'Phantom of the Opera' like six, seven times.
When I was 9, I went to a birthday party. We were supposed to see a cowboy movie, but the programming got screwed up and we saw 'The Bad Seed' instead. Horrifying. For years I was frightened of girls with pigtails.
I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie. — © Jason Blum
I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.
I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.
I did watch 'Ee Varsham Sakshiga' with fans in the theatre and I saw them enjoying every bit of the movie. The critics would have had their own opinions, though.
I started writing movie scripts. They excited me a lot, but I didn't like them when they were finished because they were simple copies of the films I saw in childhood.
I saw 'Tootsie' with Jessica Lange when I was eight or nine. I remember feeling something in my stomach. I didn't know what it was, but I wanted to watch that movie over and over again.
I had to stop taking myself and the craft that seriously. Somehow I saw the bigger context of life. It's just a movie. What I wanted was to entertain and delight and put the audience on a nice ride.
I made this Swedish movie called 'Snabba Cash,' or 'Easy Money,' and it was shown at the Berlin Film Festival. A lot of American studios, agents, and people like that saw it there and liked it.
My dad was in the movie 'Moonwalker,' and I knew he could sing really well, but I didn't know he could act. I saw that, and I said, 'Wow, I want to be just like him.'
I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen.
I saw Alien when I was 8 years old. To me, it was like a combination of Jaws and Star Wars and that's the movie that made me want to be a director.
The first horror movie I saw, in first or second grade, was My Bloody Valentine [1981], where there's a deranged killer in a miner mask stalking a small coal town.
When I was a kid, I saw 'Heavy Metal' the movie, and my mind was blown. I loved the idea that you could have all these different stories in different styles that are linked together.
I didn't want to play music because the whole family did it. I wanted to work in a cubicle. I saw Office Space as a young tween and missed the point of the movie. I was like, "This looks good!".
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