Top 1200 Scary Stories Quotes & Sayings - Page 18

Explore popular Scary Stories quotes.
Last updated on November 24, 2024.
You'll notice that my books offer great variety. Some are for adults, some for children and some for teens. There are mysteries, historical novels, picture books, love stories and stories of crisis and courage.
It's not all about content. It's all about stories. It's not all about stories. It's all about great stories.
It's always really scary to release new work. — © Alex Prager
It's always really scary to release new work.
Some of the most amazing stories are happening on the global scene. My extraordinary producing partner, Joslyn Barnes, she's just virtually changed my life with the way she constructed this company and how we go about telling the stories we want to tell.
Indonesia is one of the most scary and scared places on earth.
There are enough scary rock & roll mothers in the world.
I felt more doubtful than usual with 'Goon Squad,' because I knew that the book's genre wasn't easily named - Novel? Stories? Novel-in-stories? - and I worried that its lack of a clear category would count against it. My hopes for it were pretty modest.
Being a comedian is an incredible thing, but it can be scary sometimes.
We learn best to listen to our own voices if we are listening at the same time to other women-whose stories, for all our differences, turn out, if we listen well, to be our stories also.
We learn best to listen to our own voices if we are listening at the same time to other women - whose stories, for all our differences, turn out, if we listen well, to be our stories also.
I want to work with great directors and tell great stories - storytelling is the one great love of my life, and it means so much, and we have the ability to change the world by telling stories, and I want to keep doing that.
Monsters aren't as scary if you start shining lights on them.
I have found that the person with a sense of story built in from childhood is in better shape than one who has not had stories . . One knows what stories can do, how they can make up worlds and transpose existence into these worlds. . . .One learns that worlds are made by words and not only by hammers and wires.
In a pure anonymous encounter you find a world alive and full of character. In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in people's faces. You hear the songs immediately. Here, in Los Angeles, there are fewer characters because they are all inside automobiles.
Each day has a story to - deserves to be told, because we are made of stories. I mean, scientists say that human beings are made of atoms, but a little bird told me that we are also made of stories.
I know peace exists. And we are always changing. It's scary.
I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story.
Good stories flow like honey but bad stories stick in the craw [gullet]. What is a bad story? It's a story that cannot be absorbed in the first time of reading. It's a story that leaves questions unanswered.
I am really inspired by strong, badass, female characters. I would start with a revenge film, then ease into stories of badass everyday woman who make a difference in their own life for the better of people and environment around them. Stories of self realization.
To play anybody real and famous is very scary. — © Vanessa Kirby
To play anybody real and famous is very scary.
Stories heal us because we become whole through them. In the process of writing, of discovering our story, we restore those parts of ourselves that have been scattered, hidden, suppressed, denied, distorted, forbidden, and we come to understand that stories heal.
When 93 percent of our stories are told by white men, it's an issue. And if those white men go on and tell the stories the way they see their world, which is all white, then it's an even bigger problem.
Stagnation is death. If you don't change, you die. It's that simple. It's that scary.
I'm misrepresented as a scary person. I'm not. It's all about my size and my eyebrows.
In my mind, I'm not scary at all. I'm channeling my inner Cary Grant!
What's scary is the unknown, the stuff you can't put your finger on.
I tell stories about the people around me, I tell stories about me. I tell stories about my hood.
It's okay to laugh at me, I only look scary.
Freedon is a scary thing. Most people don't want it.
Beginning in middle school, the era of wide-margined, Bible-paged anthologies, short stories develop unpromising associations - and these associations often linger through college, when stories become the things distributed in Xeroxes missing entire pages of line-endings.
I want to be scary, boring, philosophical, funny, touching.
Like many writers, I started by writing short stories. I needed to learn how to write and stories are the most practical way to do this, and less soul-destroying than working your way through a lengthy novel and then discovering it's rubbish.
When a culture is not mythologically instructed, not instructed in story that gives us a call, then we start looking for quasi-stories, little toxic stories that keep our selves alerted and spared until we find another story.
'M Train' will take you in and out of dreamscapes and reality and remembrances with prose so spare and matter-of-fact that it delivers a much bigger emotional punch. Patti Smith doesn't need to embellish; she just tells her stories... and her stories are incredible.
A lot of times, we also have to live and work. You have to make money to pay rent. In that respect, I don't think you can be so demanding. Those great stories are not the normal stories that come on a daily basis. It's a struggle to land those roles. Everybody is looking for the good parts.
Both are about telling stories and bringing truth to those stories. In most of my music it's firsthand experience, and some of the same rules apply in TV. The difference in music is the control, whereas doing this, it's someone else's words that you can play in your own way.
I love stories about teachers. For some reason I can't get enough of those kind of stories. If I turn a movie on about a teacher, I love it. I love that idea of an adult influence on kids.
We promote Asian storytelling - not just Asian stories but Asian people in stories with the full spectrum of the human experience. When you say, 'Oh, it's not enough attention on Asians. It's more black and white,' that game becomes like you're playing the discrimination Olympics.
We read novels because we need stories; we crave them; we can’t live without telling them and hearing them. Stories are how we make sense of our lives and of the world. When we’re distressed and go to therapy, our therapist’s job is to help us tell our story. Life doesn’t come with plots; it’s messy and chaotic; life is one damn, inexplicable thing after another. And we can’t have that. We insist on meaning. And so we tell stories so that our lives make sense.
I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.
For in Calormen, story-telling (whether the stories are true or made up) is a thing you're taught, just as English boys and girls are taught essay-writing. The difference is that people want to hear the stories, whereas I never heard of anyone who wanted to read the essays.
My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.
The first story I wrote was "Catface" which was later selected for The O. Henry Collection, so that gave me some confidence to try some more. Gathering these stories together was fun, but I realized when I read them that I have certain mental preoccupations and they keep recurring in my stories.
I had breast cancer. Yeah, I know it's scary. — © Wanda Sykes
I had breast cancer. Yeah, I know it's scary.
Do the scary thing first, and get scared later.
Conventional wisdom is so scary because what if everybody's wrong?
Why can't Google, which likes to see itself as a 'Don't Be Evil' benevolent force in society, just write us a big check for using our stories, so we can keep checks and balances alive and continue to provide the search engine with our stories?
If you feel stuck in your present life, if you feel no enthusiasm for anything, if you think you have no purpose or that you lost that purpose somewhere along the way, I guarantee you are living in a dungeon made of stories. And that none of those limiting stories are true.
Literature for me… tries to heal the harm done by stories. (How much harm? Most of the atrocities of history have been created by stories, e.g., the Jews killed Jesus.) I follow Sartre that the freedom the author claims for herself must be shared with the reader. So that would mean that literature is stories that put themselves at the disposal of readers who want to heal themselves. Their healing power lies in their honesty, the freshness of their vision, the new and unexpected things they show, the increase in power and responsibility they give the reader.
It's kind of scary making a faith-based film.
I love stories about women, and I think stories about women are generally pretty underrepresented.
Stories--from the literature of our culture to descriptions of our days to the lunatic's ravings--appear to be hardwired into us. Even in sleep we tell ourselves stories through our dreams, and it's been shown that those who are prevented from doing so cease to function.
I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.
It is easy to say that if such harassment happens, walk out of your job. But people depend on that job. It is about their livelihood, a question of survival. So while we must encourage victims for coming up with their #MeToo stories, we should not judge women for not sharing their stories.
Politics boils down to the stories we tell ourselves. And unfortunately, we tell ourselves different stories. — © Ron Chernow
Politics boils down to the stories we tell ourselves. And unfortunately, we tell ourselves different stories.
The idea of someone projecting things on to me is scary.
There's something scary about stupidity made coherent.
I grew up reading Updike. I remember being alarmed to find that he had published short stories by the time he was 22. I think 'Pigeon Feathers' was the first collection of stories I read. Only much later did I discover his non-fiction reviewing and art criticism.
At the end of the day, as cheesy as this sounds, people love love stories and Bachelor Nation truly wants to root for somebody and have people find their love stories.
A community, a family, is a group of people who share common stories. The health of any community depends directly on the health of the stories the community embraces.
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