Top 1200 Scary Stories Quotes & Sayings - Page 2

People really want to see what I'm up to, and that's crazy. It's a really lovely feeling. It's kind of scary, but a good scary. It's a lovely position to be in.

I can't imagine making something that is made only to be scary. For me, the darkness and scary material has to have meaning attached to it, or I can't invest the time and energy it takes to write and script or make a movie. It has to mean something.

I think marriage is a scary concept. It's a scary concept for anybody. I'm not sure where I sit with that.

What's really scary about the original 'Blair Witch' is that it doesn't really answer any questions, so what makes that ending so scary is you walk out feeling dirty because you don't even know what happened. It feels wrong.

I have had stalkers over the years. The police deal with it but it is very scary. One man kept turning up where we filmed 'Countdown in Leeds,' which was scary. It was sad as he'd been sectioned and thought I was talking to him through the TV.

I don't remember the first image of a werewolf I saw, but I suspect it was the hybrid type, up on two legs, with long limbs, hair, claw-like fingernails and lupine head. To me there's nothing scary about complete transformation from human into wolf. Wolves aren't scary. They're dangerous, yes, but so are geese, in the wrong mood. What's scary is seeing the human in the wolf but knowing it's beyond the reach of reason or emotional appeal. That's where the horror and dread kicks in.

We are essentially in the business of telling stories. We would like to think that most of our stories are basically human stories with sports as a backdrop.

I always say, what is cool for me with 'The Conjuring', is it's not just another scary set piece or another scary case; it's more about what I can do with the characters of Ed and Lorraine Warren.

Most ideas are a bit scary, and if an idea isn't scary, it's not an idea at all.

Being alone is scary, but not as scary as feeling alone in a relationship.

There are tons of stories out there. I read a lot of scripts on a weekly basis. I'm looking for stories to tell and stories that I hope will be interesting to an audience.

If you ever go behind the glass and look at the focus groups that are deciding what you're gonna watch, it's scary. This cross-section of people they just happen to bring in to decide the fate of mankind on television is really scary.

I love hearing stories, telling stories, sharing stories. I've shared 37,000 on the Oprah show! Every day I was like the town crier.

Sometimes you arrive late in the process of filming, which makes it a little scary because they've already got this well-established technique going on, and all of the relationships are comfy and cozy. You have to figure out how to fit in, which can always be a scary first day.

Most of the stories I write are women's stories - but the darker, unseen stories.

I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.

Part of the criteria for doing a project is that it's scary or challenging because at some point you go, 'It's too scary; it's too challenging. I don't want to do it.' But things that seem easy are never any fun.

I don't tend to work directly from life, except in trying to mimic or match the outlines of its insanity. In other words, when I live through something, I just try to say to myself, "OK, remember this - life is really this crazy or scary or beautiful or surprising - so try to 'get at' that in your stories.

The stories I grew up with, whether it came to queer representation or representation of anyone that was different, it was always a story of, like, very sad, usually ended up with somebody dying, and it made the idea of being queer or different really scary, actually.

We see images of people being beheaded on TV. That's not a thing that you see all the time. That's a different kind of scary. Unfortunately, some of the scary stuff is political, and that's a change from our past.

Everything that is worthwhile in life is scary. Choosing a school, choosing a career, getting married, having kids - all those things are scary. If it is not fearful, it is not worthwhile.

My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.

Sometimes to speak as a woman is to cry, and to speak from our emotional, intuitive knowing, as opposed to graphs and charts and vertical lines. And that's scary - that's scary to do. And the fallout from it can be brutal.

Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.

To people, secrets are only scary when they're secrets. Once you let the secret out, it's not so scary anymore.

I was seven years old when 'Creepshow' came out, and I'm guessing I was around 10 when I saw it for the first time on VHS. The opening theme reminds me that there are five stories to be told, all so different, and the process of telling a scary story is a dark, glorious trip.

Well, religion has been passed down through the years by stories people tell around the campfire. Stories about God, stories about love. Stories about good spirits and evil spirits.

What I see as the particularly exciting prospect for writing horror fiction as we go forward is setting stories in more internal landscapes than external ones, mapping out the mind as the home for scary things instead of the house at the end of the lane or lakeside campground or abandoned amusement park.

Stories matter. Stories are how we make sense of the world, which doesn't mean that those stories can't be stupid and simplistic and full of lies. Stories can exaggerate and offend and they always, always matter.

Most politicians - those people who live, eat and breathe politics - like to sit around and talk about politics and tell political war stories. Reagan didn't do that. His war stories were movie war stories and Hollywood war stories. He loved that.

All they get around here is stories. Stories don't make you bleed. Stories don't make you go hungry, don't give you sore feet. When you're young smelling of pigshit and convinced there ain't a weapon in all the damn world that's going to hurt you, all stories do is make you want to be part of them.

The only advantage to being a middle-aged man is that when you put on a jacket and tie, you're the Scary Dad. Never mind that no one has had an actually scary dad since 1966. The visceral fear remains.

There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.

I try to do stories that make a difference -- stories that affect the way people think, stories that people need to hear -- and usually what drives me is to do stories about people who have no voice, people who have no political power, people who are overlooked by society.

Broken stories can be healed. Diseased stories can be replaced by healthy ones. We are free to change the stories by which we live.

My older sister showed me 'Hellraiser' when I was, like, 4, and 'Friday the 13th.' She kind of scarred me, but I like watching scary movies with people because you're together in this scary situation. It makes all that more fun.

I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.

The scary thing about the future... there will be tiny cameras everywhere, and they'll be flying around like mosquitoes and drones. That will be bad. Drones are scary. You can't reason with a drone.

I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.

You have to learn how to be in scary areas, make those comfortable, then go to the next scary area and make it comfortable.

The stuff I write about is pretty universal, the things my closest friends and I talk about - our anxiety about being here on this scary planet, during these scary times, as vulnerable as kittens, having lost so many people I couldn't live without.

Lies are just stories, and stories are all that matter. We all tell stories. Some are more truthful than others, maybe, but in the end the only thing that counts is what you can make people believe.

My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.

Acting itself is quite scary. Some people say that actors are show-offs, very egotistical and all that kind of stuff, but it is quite scary.

As a teenager I read a lot of books. Books with lots of scary trends, things like nuclear weapons and overpopulation and global diseases, and I thought, 'Wouldn't it be great to write stories that showed people these problems and that we could do something about them.'

I don't necessarily think stories have functions any more than diamonds have functions, or the sky has a function... Stories exist. They keep us sane, I think. We tell each other stories, we believe stories. I love watching the slow rise of the urban legend. They're the stories that we use to explain ourselves to ourselves.

I try to do stories that make a difference - stories that affect the way people think, stories that people need to hear - and usually what drives me is to do stories about people who have no voice, people who have no political power, people who are overlooked by society.

I guess the reason that I'm a horror fan is that I think it gives people the opportunity to enjoy the feeling of being scared in a safe environment. I think that's why, for all of human history, we've been telling each other scary stories: because it exorcises something that we need to exorcise in a safe place.

You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.

What I've found - and the older I get, the more I understand this and stand behind it - is, my whole life has been an exploration of telling the truth. It's scary to be truthful, and it's scary to reveal yourself, and I'm very attracted to doing things that scare me.

My anxiety about disasters is lower. The more you know, the less scary any of this stuff is. And that's my hope for the book. I want to get people's attention and tell them very valuable and ultimately hopeful information, and you find out nothing is as scary as your imagination.

'Scary Movie' was a different type of comedy than I'm used to. I've mostly done sitcoms, so working with David Zucker, who wrote the film and who directed the last two 'Scary Movie's and 'Airplane' and 'Naked Gun,' was a lot of help.

I love stories. I loved stories when I was a kid. My mom read stories to me all the time.

There are stories you build and there are stories you construct; then there are the stories that you hack out of rock removing all the things that are not the story.

Curtis Blaydes' ground and pound is really scary. Like, really, really scary.

How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?

I do like crime thriller stories. That's because these stories have a lot of layers. There are always three sides to such stories... there is a truth, there is a lie and then there is the ultimate truth. Different human emotions and intense interpersonal relationships form the core of stories in this genre.

I've always remembered this quote from a book that I read as a kid. It was something along the lines of "What's scary is not necessarily what goes bump in the night, but that which whispers at midday." And I've always held that. The day can just be as scary as night.

Scary movies are one of my favorite movies to watch and I've loved scary movies since I was like three years old.

Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.