Top 1200 Scary Stories Quotes & Sayings - Page 4

Gorillas would be less scary with bunny ears. Actually, what isn't less scary with bunny ears? Osama Bin Laden with bunny ears. Ha! So cute.

My stories are of gas chambers, shootings, electrified fences, torture, scorching sun, mental abuse, and constant threat of death. But they are also stories of faith, hope, triumph, and love. They are stories of perseverance, loyalty, courage in the face of overwhelming odds, and of never giving up!

Writing 'Deadpool' can be a lot of fun. When I first started working with the character, I wasn't sure I'd like him. I quickly realized, though, that a writer can do pretty much anything with him - comedic stories, serious stories, completely nonsensical stories.

People who entered the Courtyard without an invitation were just plain crazy! Wolves were big and scary and so fluffy, how could anyone resist hugging one just to feel all that fur? “Ignore the fluffy,” she muttered. “Remember the part about big and scary.

Saying it out loud as a child is scary, but saying I felt unstable out loud as an adult with children was really scary. The fear of losing your children stops you from saying anything. It's a never-ending battle.

Stories were primarily verbal to begin with. Before there were cave paintings, stories were told over generations. We tell each other thousands of stories in the course of everyday life.

AS SOMBRAS DA ALMA. THE SHADOWS OF THE SOUL. The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? But that isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?

Stories match the way our species thinks. Equally important, stories are something we share - everyone everywhere tells stories and oddly enough, in the same way. It all probably started around some campfire a million years ago.

We live in stories. What we are is stories. We do things because of what is called character, and our character is formed by the stories we learn to live in.

It's a great wake-up call for our entire industry: What movies are we making? What storytellers are we allowing to tell the stories? What people are we allowing to be cast in those stories? I think we need newer stories, and more people given the opportunity to do anything they want.

'Cosmos' wouldn't deserve its place in primetime evening network television were it not a landscape on which compelling stories were told. People, when they watch TV in the evening, want to see stories, and science simply tells the best stories.

Some stories don't have happy endings. Even love stories. Maybe especially love stories.

There are people. There are stories. The people think they shape the stories, but the reverse if often closer to the truth. Stories shape the world. They exist independently of people, and in places quite devoid of man, there may yet be mythologies.

The mind needs stories as much as the body needs food. There are junk stories and more nourishing ones. The food we eat becomes our bodies, assimilated stories form our identities

The desire for story is very, very deep in human beings. We are the only creature in the world that does this; we are the only creature that tells stories, and sometimes those are true stories and sometimes those are made up stories. Then there are the larger stories, the grand narratives that we live in, which are things like nation and family and clan and so on. Those stories are considered to be treated reverentially. They need to be part of the way in which we conduct the discourse of our lives and to prevent people from doing something very damaging to human nature.

My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.

I feel like so much of what I'm doing is making a road where there is no road and inviting people on that road with me. It's scary. It's scary, but I can't listen to the voices that are saying form is the only way, or that there is only this kind of form or that kind of form.

I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.

As a film enthusiast and a lover of stories, I have read biblical stories and I've seen biblical films with the same zeal as I have read and seen my own country's stories. Most of the time, the creator doesn't know where he gets his inspiration from.

On one tour, I was collecting stories about pet monkeys. You'd be surprised how many people have stories about monkeys. The problem is, most monkey stories end tragically.

I suppose the other thing too many forget is that we were all stories once, each and every one of us. And we remain stories. But too often we allow those stories to grow banal, or cruel or unconnected to each other.We allow the stories to continue, but they no longer have a heart. They no longer sustain us.

Mindfulness helps us get better at seeing the difference between what’s happening and the stories we tell ourselves about what’s happening, stories that get in the way of direct experience. Often such stories treat a fleeting state of mind as if it were our entire and permanent self.

Sharing art makes me feel vulnerable. Sharing a piece of you that cannot be objectified, that is so truly you. It is scary releasing new music to the public, because as soon as you do, it becomes a shared receptacle to which others can attach their own opinion and meaning. What makes it scary is also what makes it worth doing.

I write my own stories. I like telling stories to little children. I think the good thing about stories is they carry you to another place which you've never been. And you feel like you're just enveloped by the book and the characters.

I love ghost stories. I remember when I was about 12, I read M. R. James' 'Ghost Stories Of An Antiquary' under the covers, way too young to fully understand what was going on with those stories, completely terrified but absolutely loved them.

I want to have a lengthy career. I want to play interesting characters. I want to tell beautiful stories, complex stories, deep stories.

There are stories we take on from our culture, and there are stories based on our own personal history. Some of those stories lock us in limiting beliefs and lead to suffering, and there are others that can move us toward freedom.

We don't only tell stories when we set out to tell stories, our memory tells us stories. That is, what we get to keep from our experiences is a story.

Readers are hungry to have their stories in the world, to see mirrors of themselves if the stories are about people like them, and to have windows if the stories are about people who have been historically absent in literature.

This is my life - I want to tell stories. There is something huge inside me that pushes me to tell stories, and tell stories for an audience and everybody.

My stories are not Christianized at all. I don't even have any Christians in my stories. What they are, are stories about ordinary people going through extraordinary circumstances in which I'm exploring truth. How light overcomes darkness in a way that's unmistakable to anyone who has any kind of faith.

The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.

I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.

As an artist, I am interested in telling stories that haven't been told before, stories that are going to affect people, and also stories that shine light on areas of history that haven't had light shined on them before.

The scares are the easier part of scary movies. The hard part of scary movies is what leads up to the scares.

We sat down and told stories that happened to us in our childhood, to our children. They were all basically based on the truth. These stories were funny and poignant to us. They just took off. These are all stories from my life.

I was telling stories before I could write. I like to tell stories, and I like to talk to things. If you]ve read fairy tales, you know that everything can talk,from trees to chairs to tables to brooms. So I grew up thinking that, and I turned it into stories.

The language of the culture also reflects the stories of the culture. One word or simple phrasal labels often describe the story adequately enough in what we have termed culturally common stories. To some extent, the stories of a culture are observable by inspecting the vocabulary of that culture. Often entire stories are embodied in one very culture-specific word. The story words unique to a culture reveal cultural differences.

What I get really excited about are movies that I connect with emotionally. 'Deliverance' was on TV, and they don't really make movies like that anymore, just simple and scary. The truly scary thing is, 'I'm going to threaten your life, I'm going to threaten the people you love. What are you going to do about it?'

With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.

The funny thing is, I was not a fan of horror when I was a kid. I was scared to watch scary movies. And then along came 'Abbott and Costello Meet Frankenstein,' and 'Abbott and Costello Meet the Mummy.' And I like those films because they made scary funny, and it was kind of ironic that I ended up doing the 'Hotel' movies.

Stories? We all spend our lives telling them, about this, about that, about people … But some? Some stories are so good we wish they’d never end. They’re so gripping that we’ll go without sleep just to see a little bit more. Some stories bring us laughter and sometimes they bring us tears … but isn’t that what a great story does? Makes you feel? Stories that are so powerful … they really are with us forever.

I make different choices in regards to the stories I want to be a part of. In my mind, it's a totally different medium. Commercials are little skits, and movies are stories; I became a little more picky in my choices for stories that I wanted to be involved in.

So much of the knowledge in our minds is based on lies and superstitions that come from thousands of years ago. Humans create stories long before we are born, and we inherit those stories, we adopt them, and we live in those stories.

The only thing that kept me going was stories. Stories are hope. They take you out of yourself for a bit, and when you get dropped back in, you're different- you're stronger, you've seen more, you've felt more. Stories are like spiritual currency.

I like to tell untold true stories, or the lesser-known aspects of larger, familiar stories. I think people or topics that are slightly on the edge or outside the mainstream often reveal more than better-known stories.

After every fight, I knock myself down. I start from scratch again. I say, 'I'm not as good as I thought.' It makes you work harder. It makes you push harder. It's more than money. It's more than the title. It's my pride, and it can be scary thinking about it. I could lose. It's scary.

Old people are scary. And I have to face it. I am old and I am scary.

I would not know how I am supposed to feel about many stories if not for the fact that the TV news personalities make sad faces for sad stories and happy faces for happy stories.

Tough women who don't take sh*t are also put in positions that are really scary for them. It's important that they feel supported, but it's also important that we allow people to come to things on their own time. It's a very scary thing when you're a woman who's been assaulted or harassed to come forward. And it takes a lot of courage.

The stories of wine lords who trade wine on intimidation or food critics who trade free meals for reviews... those are the stories of my life. I am telling the stories of my life in a true way.

Stories are people. I'm a story, you're a story ... your father is a story. Our stories go in every direction, but sometimes, if we're lucky, our stories join into one, and for a while, we're less alone.

The Nigerian storyteller Ben Okri says that ‘In a fractured age, when cynicism is god, here is a possible heresy: we live by stories, we also live in them. One way or another we are living the stories planted in us early or along the way, or we are also living the stories we planted — knowingly or unknowingly — in ourselves. We live stories that either give our lives meaning or negate it with meaninglessness. If we change the stories we live by, quite possibly we change our lives.’

A lot of the stories I write about have an element of mystery. They're crime stories or conspiracy stories or quests. They do have built into them revelations and twists. But the revelations, to me, come from seeing history as it's unfolding, or life as it's unfolding.

The stories of wine lords who trade wine on intimidation or food critics who trade free meals for reviews those are the stories of my life. I am telling the stories of my life in a true way.

It is no response to assert that the Patriot Act has been useful; what you need to explain is how any particular safeguard would have so diluted investigative powers that it would have frustrated an investigation and created a security harm outweighing the benefit to civil liberties. If you'd rather trade scary stories, that's fine too - just let me know so I can buy a bag of marshmallows before our next round.?

Our vision is to break the projects into stories that must be told, stories that we would like to tell and stories that people go to movies for. If we can find great scripts that fit these three categories, we will go out and make a movie.

I get tired of stories that keep going and going and never get anywhere. It's like a promise that's never fulfilled. Stories need endings. Otherwise, they aren't really stories. Just pages.

Our stories are what we have,” Our Good Mother says. “Our stories preserve us. we give them to one another. Our stories have value. Do you understand?

Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.