Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.
I finally got to junior high and I got to start saxophone. There were a few of us that were in the beginner band in sixth grade that made it to the advanced band, which was called the morning band at our junior high school in Staten Island.
I asked all through third, fourth and fifth grade, when they were asking kids to be in the band, to be in the school band. But they wouldn't let me do it.
I had a band when I was in middle school, but I was the drummer. I kind of thought if I was going to be in a band, I'd be the drummer. I'm innately drawn to rhythm. But we didn't have any shows. We just jammed in our parents' basement.
It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.
When I was in high school, The Dave Matthews Band was a local band, and that was the first time I was starting to connect with a live band that was something that wasn't on the radio or TV.
You can never rely on musicians. I quit high school at one point to make a go of it with this band and we kept breaking up. So I went back to school.
When I was going to high school, in the high school band we would play these kind of hour-long concerts for our parents. All the parents would come to the gymnasium, and the band would play an hour-long kind of orchestra piece. 'Synchestra' is supposed to be similar, like a high school band orchestra piece.
There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.
I'm really a product of an excellent school system and supportive parents. My high school band director gave me recordings of Louis Armstrong, Kenny Ball, and contemporaries like Nicholas Payton.
The band? No way! There ain't no band. The band is not 'the band' right now. It's just three guys.
I've sung before, first in a band in high school and then in a band in Norway, but never in a musical.
There were so many specific things from high school jazz band that I remembered: the conductor searching out people who were out of tune, or stopping and starting me for hours in front of the band as they watched.
My grammar school graduating class in 1941 had a little party for 13 or 14 year-old kids. [Trumpeter] King Kolax's band played for the party and Gene Ammons was playing tenor saxophone with the band. And that's when I said, "That's it!" Just like that, tunnelvision ever since.
My first love of jazz came from joining the Chilliwack Middle School band - it was like an 18-piece jazz band, and I wanted to join just because the older kids looked like they were having so much fun.
I just started as a part of the public school music program. I took lessons at the school every Friday and was a part of the school band. I was just a normal kid taking instrumental lessons at school, nothing special.
I did the marching band all throughout junior high and high school. Music was one of my favorite things in school.
I grew up singing in Kansas. My dad had a band when I was growing up. So I sang in church and school and started singing with his band when I was seven. So I've been singing all my life.
I was really running a music school back then, because my band wasn't making any money. I keep talking about money, because most people don't understand the part of money in running a band.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
We've been through the experience of being in high school and starting a band. Then we were also a garage band, while we were going to college, trying to make ends meet.
Revamp is a band that would deserve the hundred-percent devotion a band needs, and at this moment, I don't see any future for another band next to a band such as Nightwish, and with the ambition to become a mother, I will have to let Revamp go, which is a very sad decision.
I think that every band is different, and in fact that's one of the biggest problems with the old-school music industry is that... one band would be successful according to a certain approach, and then every other band in the label gets sent down the same tube.
When I was growing up, in L.A., I went to these schools, Fairfax High School, Bancroft Junior High School, and they had great music departments. I always played in the orchestra, the jazz band, the marching band.
Both my brothers played football. My mother had season tickets as a school board member. I was in the band, my sister was in the band. The thing was, the unifying civic activity was obsession over high school football.
You know, in the 1970's, when I was in high school, I belonged to a band called the Happy Funk Band. Until an unfortunate typo caused us to be expelled from school.
Hopefully people can look at our band and see that we're a heavy rock band. We're definitely not a metal band, but we're a band that focuses on meaningful lyrics and melody.
When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'
I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.
So, we went from being an Athens band to being a Georgia band to being a Southern band to being an American band from the East Coast to being an American band and now we're kind of an international phenomenon.
I went to a boarding school when I was 13, and it was a very arty school, so there was an opportunity for a lot more. I joined a band and so on. We would do concerts at school, and I would play cover tunes and thought, 'This is really great.'
From the age of four, I loved ballet and tap. I was in the school band, the choir, and all my school plays.
I actually studied engineering in school - I have a degree in mechanical engineering. But, when I got out of school, instead of going to work as an engineer, I was in a band.
When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos.
At 14, I was in my own little classic rock country band. Then, after high school, I started another band called Northern Comfort. That was based out of Chico, Calif.
My parents went out of their way for me ever since I left school. When I was 15, I said to Mum, 'I'm leaving school,' and she was like, 'Okay.' I joined a cover band and played three nights a week, and they were really supportive of that.
Over the years, the critics have said, 'They never change.' Maybe the little guy's got a new color of school uniform. I always thought, 'Well, what were we going to change into?' A jazz band? A keyboard band?
In high school no guys wanted to be in a band with me unless I was going to play bass or play grindcore or be in a scream-o band, so it was fun to finally have that experience of having my songs backed by a drummer and a bassist who were just as excited about it as I was.
When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.
The best part of the high school in Hastings must have been the Music Department. Its orchestra and concert band did well in county competitions, and the dance band formed by its students was the best in the region. I played lead trumpet in all of them.
I've loved football since I was in the marching band of junior high and high school and was the water girl for my high school's team.
Around middle school I studied jazz guitar and ended up playing in a jazz band for a bit. But, after high school, I haven't even touched a guitar.
Power is the thing that holds a band of perception together, and a band of perception is life for those who perceive in that band. If the band of perception were to go away, they would not exist.
Since high school, I was in this band. And you know, it's one thing when you're in a band in high school, but then to have it last for so long - that's who I am and what I did forever.
My band got signed in high school when I was 16, and we all dropped out of high school and went on tour. Then I quit the band because I was the manager, and I was doing everything, so I went solo.
Most of the time I was in grammar school through high school, I was in some kind of rock n' roll band. I would say that at least 80 percent of my energy was involved with whatever band I was involved in.
What's interesting about Vampire Weekend, everyone in the band, except for me, had a band in high school in which they were the lead singers. And I'm the one who never had that experience.
I only went a year to high school. I should have been in high school, but I was in a band, and when you're successful doing that - well, you aren't too likely to go back.
I shined off high school band, marching, jazz studies. At the time I was too cool for school, I had this professional gig and I was going home taking a shower and heading to downtown Hawaii, Waikiki.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
The premise of 'Secret Coders' is reminiscent of 'Harry Potter.' An intrepid band of tweens stumbles upon a secret school, only instead of teaching magic, the school teaches coding.
We're a rock band. We're proud of it. We're not an art band, a noise band, or an extreme band.
I got in the school band and the school choir. It all hit me like a ton of bricks, everything just came out. I played percussion for a while, and stayed after school forever just tinkering around with different things, the clarinets and the violins.
We still talk about [school band]. Almost 40 years later. It's like people are talking about, "Man we need to have a morning band reunion".
Actually, when I was in elementary school, I saw a saxophone. A band came to my school, and I saw this guy get up and play this solo. And I said, 'Oh man, what is that! That must be fantastic!'
I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
My world was a community ballet school, a marching band, my two sisters and my girlfriends. I played saxophone in the band and was a bit nerdy.
I was just a kid in 1987 when I heard of the Pixies, the year after I graduated high school. But I had my band together, and my best friend at the time, Corey Hickock, who was the guitar player in the band that would become STP, Mighty Joe Young, turned me on to the Pixies.
I've always seen My Chemical Romance as the band that would have represented who me and my friends were in high school, and the band that we didn't have to represent us - the kids that wore black - back then.
My older brother was the guitar player in the neighborhood band. My parents were the cool ones that had the basement for rehearsal. Rather than hang with my peers after school, I wanted to just listen to the band. More than that, I wanted to play.
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