Top 1200 Science Fiction Movie Quotes & Sayings - Page 20

Explore popular Science Fiction Movie quotes.
Last updated on November 16, 2024.
Science is taught like the history of science, and it's boring. Doing science fair, anything that's project-based learning, that involves field trips, that's really valuable.
You know, every year 'Torchwood' has become something a little different than it was before. It's still sci-fi, but it doesn't just deal with spaceships and aliens all the time, because we've done that. Our science fiction is more psychological.
Debunking bad science should be constant obligation of the science community, even if it takes time away from serious research or seems to be a losing battle. One takes comfort from the fact there is no Gresham's laws in science. In the long run, good science drives out bad.
I got to spend all of my time every day at work reading and editing papers about cutting-edge technical research and getting paid for it. Then I'd go home at night and turn what I learned into science fiction stories.
When I was a young writer if you went to a party and told somebody you were a science-fiction writer you would be insulted. They would call you Flash Gordon all evening, or Buck Rogers.
I grew up reading comic books, pulp books, mystery and science fiction and fantasy. I'm a geek; I make no pretensions otherwise. It's the stuff that I love writing about. I like creating worlds.
Now, Venus is an extremely hostile environment, and as such presents a lot of challenges for a science fiction author who wants to create life there. However, as I began to research it more thoroughly, I found myself intrigued by the possibilities the world offers.
I wanted to be a scientist. My undergraduate degree is in biology, and I really did think I might go off and be some kind of a lady Darwin someplace. It turned out that I'm really awful at science and that I have no gift for actually doing science myself. But I'm very interested in others who practice science and in the stories of science.
I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters.
Tokyo in the late 1960s seemed to be like one of the futures that science fiction presents. Here was the proto- super-technology of the future, electronically, robotically, blahblahblah, intercut with traditional Japanese cultural patterns, Shinto patterns.
Rod Clark has one of the most unique voices I have ever encountered. I still quote some of his political insights years later. To have him write political science fiction is both appropriate and intriguing.
I'm always a little bit cautious around invented terminology because so much science fiction is off-putting to the uninitiated. You open up the first page, and it's full of all these made-up words.
I've actually usually been wary of taking on science fiction as an actor because it's really tough to do. It's really difficult to execute. There's often lots of prosthetics, green screen and special effects, and it can get very technical.
Science is the key to our future, and if you don’t believe in science, then you’re holding everybody back. And it’s fine if you as an adult want to run around pretending or claiming that you don’t believe in evolution, but if we educate a generation of people who don’t believe in science, that’s a recipe for disaster. We talk about the Internet. That comes from science. Weather forecasting. That comes from science. The main idea in all of biology is evolution. To not teach it to our young people is wrong.
Science fiction has always been a means for political comment. H.G. Wells' 'The War of the Worlds' wasn't about a Martian invasion - it was a critique of British colonialism, and... 'The Time Machine' is really an indictment of the British class system.
A lot of the things you see in science fiction revolve around black holes because black holes are strong enough to rip the fabric of space and time. — © Michio Kaku
A lot of the things you see in science fiction revolve around black holes because black holes are strong enough to rip the fabric of space and time.
I thought it must be pure science fiction. But when I checked it out I found a lot of magazine articles that actually supported the theory behind the book which was incredible. That's when I decided to acquire the rights of the book and everything went from there.
Sometimes people talk about conflict between humans and machines, and you can see that in a lot of science fiction. But the machines we're creating are not some invasion from Mars. We create these tools to expand our own reach.
If I had unlimited funds, wall space and storage, I would collect a lot more things, like 'Planet of the Apes,' 'Star Wars,' science fiction stuff, autographs, and prop guns and weapons. I have to draw the line somewhere.
Today, blood work and science are able to provide more of a movie of your health, identifying trends before they become an issue.
I had a long writing history behind me before I got into anything in film. It comprehended science fiction, it comprehended historical, it comprehended, you know, just about everything that you can think of.
What I love about the 'State of Syn' concept is that, while it's exploring science fiction, it's also trying to explore the future of film and television and the Internet, just in the nature of how they put it together and promote it and add apps and all that kind of stuff.
I think readers nowadays are happy to have genres blurred. We're seeing that on screen too: The Pirates of the Caribbean mashes up history and fantasy, Cowboys and Aliens mixes the Western and the Science Fiction genres.
One of the liberating effects of science fiction when I was a teenager was precisely its ability to tune me into all sorts of strange data and make me realize that I wasn’t as totally isolated in perceiving the world as being monstrous and crazy
To solve the drug problem, we have to start at the root - first grade. If a boy has all the toys in his head that reading can give him, and you hook him into science fiction, then you've got the future secured.
With 'Futurama,' I was just worried that somebody would beat us to it; it seemed so obvious that there should be an animated science fiction show set in the future. And one of the reasons why it's not, I learned, is that it's really, really difficult.
I'm a compulsive reader of fiction. I fell in love with novels when I was a teenager. My wife Marilyn and I... our initial friendship began because we are both readers. I've gone to sleep almost every night of my life after having read in a novel for 30 or 40 minutes. I'm a great reader of fiction and much less so of non-fiction.
I don't like docudramas. Documentaries should not go together with fiction, or half-fiction or quarter-fiction. The two should not go together. They cannot mix.
I think all of us begin as writers. I wanted to be a writer from the time I as eight, long before I heard of jazz. The question is, once you have that obsession, what is your subject going to be and you often don't know for some time. It might become fiction, it might be non-fiction, and if it's non-fiction it can go in any number of directions.
In the culture at large, the war over science fiction's creative validity has been long since won, but guardians at the gates of literature, movies, and TV linger unconvinced, even as other genres fitfully transcend critical perceptions of insubstantiality.
I would love to do more science fiction. I always envisioned the Riddick franchise as a continuing mythology, so I always imagined that there would be many other films to follow.
There is a sort of genre of optimistic science fiction that I like, and I don't think there is enough of. One of my favourites is a short story by Arthur C. Clarke, 'The City and the Stars.' It's set in this far future on Earth in this somewhat static society and trying to break out.
I'm 40 years old, and I still love watching Bugs Bunny slap the bull on the nose. I still watch those cartoons, and yet I also enjoy reading books about science, or the current fiction.
I actually am grateful for Freddy Krueger, because the big surprise to me - with that sort of double punch of science fiction TV series and then the 'Nightmare on Elm Street' phenomenon - was that I got an international celebrity out of it.
Science fiction is a literary field crowded with strong opinions, and no SF novelist delivered himself more memorably of his views - on politics, sexuality, religion, and many other contentious topics - than Robert Heinlein.
It is baffling, I must say, that in our modern world we have such blind trust in science and technology that we all accept what science tells us about everything - until, that is, it comes to climate science.
At the core of 'Star Trek' is Gene Roddenberry's vision of the future. So much of science-fiction is about a dystopian society with human civilization having crumbled. He had an affirmative, shining, positive view of the future.
I've been getting a lot of science fiction scripts which contained variations on my 'Star Trek' character and I've been turning them down. I strongly feel that the next role I do, I should not be wearing spandex.
Science fiction is very well suited to asking philosophical questions; questions about the nature of reality, what it means to be human, how do we know the things that we think we know.
Science fiction writers create all sorts of futures - that comes with the job. But it's not the type that matters - hopeful or dark - it's the variety we see as readers. It's nurturing the imaginations of those who will go on to create the world around us.
Now, I'm a failed political consultant. But sometimes fiction has a way of capturing people's imagination in a way that non-fiction doesn't. Conservatives typically haven't written much fiction - specifically political thrillers - over the years to educate, inspire and mobilize people on issues of great import, but we ought to.
I am honorary President of the American Humanist Society, having succeeded the late, great science fiction writer Isaac Asimov in that utterly functionless capacity. We Humanists behave as well as we can, without any rewards or punishments in an Afterlife.
Science is global. Einstein's equation, E=mc2, has to reach everywhere. Science is a beautiful gift to humanity, we should not distort it. Science does not differentiate between multiple races.
I would say I'm an ironist not a satirist. All you do is you take existing tendencies and crank them up, just turn up the volume dial. Which is a technique of science fiction, apart from anything else.
I think what's happening is, it's all - fantasy, science fiction, ghosts, trolls, whatever - finally being called, being admitted to be literature. The way it used to be, before the Realists and the bloody Modernists took over.
Star Trek wouldn't die. There were a whole lot of young people who were touched by the thought process of science fiction. If you watched a cop show, there wasn't anything that was going to stimulate your mind.
Jigsaw Lady is the working title of a science fiction novel I've had in my head for darn near 15 years. I think I'll start work on it next year (in all my spare time) but I'd like to get it finished some day.
I took classes taught by an elderly woman who wrote children's stories. She was polite about the science fiction and fantasy that I kept handing in, but she finally asked in exasperation, 'Can't you write anything normal?'
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.
Sure, 90% of science fiction is crud. That's because 90% of everything is crud. — © Theodore Sturgeon
Sure, 90% of science fiction is crud. That's because 90% of everything is crud.
I started the movement of SF in America in 1908 through my first magazine, 'MODERN ELECTRICS.' At that time it was an experiment. Science fiction authors were scarce. There were not a dozen worth mentioning in the entire world
Many science fiction writers are literary autodidacts who focus on the genre primarily as a literature of ideas rather than as a pure art form or a tool for the introspective examination of the human condition. I'm not entirely at ease with that self-description.
Theres two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once youve read, you never look at the world the same way again.
There's an imperative to make sure you distinguish fiction from the fact, because if the fact is doing the work, why did you do fiction? And once you raise the question of why - why do fiction? - then you have to answer it in your text as a kind of enactment of the answer.
In older science fiction stories, they had to rely on storytelling as opposed to spectacle. The old run of the 'Twilight Zone,' the star was the writing and the storytelling, and the characters and the twists and the cleverness in the setup and payoff and execution.
Because a fact seems strange to you, you conclude that it is not one. ... All science, however, commences by being strange. Science is successive. It goes from one wonder to another. It mounts by a ladder. The science of to-day would seem extravagant to the science of a former time. Ptolemy would believe Newton mad.
The whole point of science is that most of it is uncertain. That's why science is exciting--because we don't know. Science is all about things we don't understand. The public, of course, imagines science is just a set of facts. But it's not. Science is a process of exploring, which is always partial. We explore, and we find out things that we understand. We find out things we thought we understood were wrong. That's how it makes progress.
Stanley Kubrick's '2001' was the door that opened up the possibility of science fiction for me. Everything else up to then was fine, but didn't quite work for me.
I am trying to write stuff that is different. I am a big science fan. I read a lot of science, and 'Wonderland' has a lot of science in it. I don't know. They are hard to describe... We are living in a wonderland age of science.
This site uses cookies to ensure you get the best experience. More info...
Got it!