Top 1200 Science Fiction Quotes & Sayings - Page 14

Explore popular Science Fiction quotes.
Last updated on December 12, 2024.
One of the things that I love so much about fantasy and science fiction is that the weirdness that it creates is always at its best completely its own end and also metaphorically and symbolically laden.
My dad used to tell me stories about aliens and UFOs when I was a kid and I was fascinated by science fiction and aliens.
I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes. — © Nicolas Winding Refn
I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.
I like to come back to the science fiction of Stanislaw Lem. He is comforting but also funny, and although I know his books, there's always something new to discover.
My point has always been that, ever since the Industrial Revolution, science fiction has been the most important genre there is.
I believe in what science fiction can do, which is it can set up simple rules that it has to follow to try to illuminate something about the present that is somewhat invisible to us.
It's ironic: In movies, the most successful films of all time have been sci-fi or fantasy. By far. But a lot of people won't even read science fiction books.
I first read science fiction in the old British Chum annual when I was about 12 years old.
Making a living out of acting sounded like science-fiction when I was growing up. I didn't know anyone around me who lived from anything related to art.
Since 1977, there have been many science fiction movies, but none has managed to equal [A New Hope's] blend of adventure, likable characters, and epic storytelling.
I had bohemian parents in Seattle in the last '60s living in a houseboat. My dad wrote science fiction novels and painted big murals and oil paintings.
Science fiction is the only genre that enables African writers to envision a future from our African perspective.
A feeling for history is almost an essential for writing and appreciating good science fiction, for sensing the connections between the past and future that run through our present.
Why don't they make more science fiction movies? The answer to any question starting, Why don't they- is almost always, Money.
I spend most of my time reading non-fiction of all sorts. Then poetry. Then fiction to blurb. Then fiction I want to read. — © Jim Shepard
I spend most of my time reading non-fiction of all sorts. Then poetry. Then fiction to blurb. Then fiction I want to read.
Traditionally, the science fiction reader has been the 16- to 24-year-old male, especially the male with an interest in technology.
What Bradbury had that most other science-fiction writers didn't have at that time was a love for beautiful language, evocative description, and haunting phrases that would stick with the reader.
Geoff Nelder's ARIA has the right stuff. He makes us ask the most important question in science fiction-the one about the true limits of personal responsibility.
Science fiction has a way of letting you talk about where we are in the world and letting you be a bit of a pop philosopher without being didactic.
I've always been a fan of science fiction films, and I've never been able to put my particular spin on it.
My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.
'Dasavatharam' is science fiction, a multi-crore budgeted film worth Rs 50 to 60 crore and ahead of its time.
Science fiction seldom attempts to predict the future. More often than not, it tries to prevent the future.
If you ask people whether a computer can be smarter than a human, 99.9 percent will say that's science fiction. Actually, it's inevitable. It's guaranteed to happen.
There does not exist a category of science to which one can give the name applied science. There are science and the applications of science, bound together as the fruit of the tree which bears it.
One of the things I've always loved about genre, comic books, science fiction and fantasy is that there's a certain level of playfulness to them, and pure imagination and creativity.
I have such a vivid memory of seeing science fiction movies and going to the lobby and playing whatever the space games were, and imagine I was blowing up the Death Star.
I was really interested in doing a really science fiction-based story because it's something I feel like I hadn't done yet.
Humor is rare in science fiction... there's so little of it that it automatically reminds you of other heroes with that acerbic humor when you find it.
I am playing in a playground that's already been played in. I am always aware that a lot of the furniture in science fiction is second hand.
When I was 7 years old, I plagiarized, word for word, stories from science fiction magazines so my teachers would think I was smart.
Science fiction is about what could be but isn't; fantasy is about what couldn't be.
Octavia Butler often described herself as an outsider, but within science fiction, she was loved as an insider, someone who was a fan first and came to S.F. writing as an enthusiastic reader.
Take 'Ex Machina.' Everyone said it was one of the great feminist works of science fiction. But what I found disappointing is that everything about the main female character is defined by men.
I don't read other science fiction. I don't read any at all.
If I want to speculate wildly about the future, I have my science fiction. Anybody who tells you they can predict the future is either crazy or lying.
Sci-fi is often a metaphor. I think it's more the themes and questions that science fiction raises rather than the exact predictions that should guide us.
When it comes down to it, the reason that science fiction endures is that it is, at its core, an optimistic genre. What it says at the end of the day is that there is a tomorrow, we do go on, we don't extinguish ourselves and leave the planet to the cockroaches.
Science is the most durable and nondivisive way of thinking about the human circumstance. It transcends cultural, national, and political boundaries. You don't have American science versus Canadian science versus Japanese science.
I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot. — © Mark Goddard
I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.
I read recipes the same way I read science fiction. I get to the end and say to myself "well, that's not going to happen
Those of us who thought Jorge Luis Borges was a pioneer of magical realism were mistaken; he was a pioneer of science fiction.
What science fiction does is take what might be possible someday and examine what might happen if it were - the drawbacks and the positive things.
Ridley Scott's 'Prometheus' is a magnificent science-fiction film, all the more intriguing because it raises questions about the origin of human life and doesn't have the answers.
Science fiction writers aren't short of ideas. You can read a book, and it sets off a chain of thought processes, so it becomes a response to other people's books.
Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.
Only when my 'Punktown'-based stories began seeing print did I demonstrate my proclivity for blurring the borders between horror, science fiction, and other genres.
I have been a reader of Science Fiction and Fantasy for a long time, since I was 11 or 12 I think, so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.
My personal feeling about science fiction is that it's always in some way connected to the real world, to our everyday world.
I always like Iain Banks science fiction stuff and William Gibson's cyberpunk stuff from the 1980s. — © Alastair Reynolds
I always like Iain Banks science fiction stuff and William Gibson's cyberpunk stuff from the 1980s.
One of the many things that surprised me about Wool is how many of its fans don't consider themselves science fiction readers.
We are in a tech-heavy society, plunging headlong into an unknown future. Science fiction is what allows you to stand back and analyze the impact of that and put it in context of how it affects people.
Science fiction always has had strains of pessimism and optimism weaving through its historical development, sometimes one dominating and then the other, usually depending on the state of the world.
Science is the exploration of the experience of nature without psychedelics. And I propose, therefore, to expand that enterprise and say that we need a science beyond science. We need a science which plays with a full deck.
A rustic setting always suggests fantasy; to suggest science fiction, you need sheet metal and plastic. You need rivets.
Even as a kid enthralled with science fiction, I wondered about the role of people in the long-term evolution of the Earth, the far future and the fate of humanity.
I like certain subgenres within science fiction and fantasy, and one of those is urban fantasy, and another is steampunk.
I would like to explore comedy, I want to do more theatre, and I definitely want a future in film. I love science-fiction.
Science fiction is my way of pushing the imagination onward. It's a way to understand how the world will look in the future.
Part of science is the questioning of authority, absolute freedom of ideology. The Soviets did some very good science, but when science ran into ideology, it had trouble. Science flourishes best in a democracy.
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